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Rainer Maria Rilke
Rainer Maria Rilke
1875 - 1926/Male/Czech A poet and novelist, René Karl Wilhelm Johann Josef Maria Rilke was known for his verse and highly lyrical prose.
She who did not come, wasn't she determined nonetheless to organize and decorate my heart? If we had to exist to become the one we love, what would the heart have to create? Lovely joy left blank, perhaps you are the center of all my labors and my loves. If I've wept for you so much, it's because I preferred you among so many outlined joys.
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Blank Joy
Sometimes she walks through the village in her little red dress all absorbed in restraining herself, and yet, despite herself, she seems to move according to the rhythm of her life to come. She runs a bit, hesitates, stops, half-turns around... and, all while dreaming, shakes her head for or against. Then she dances a few steps that she invents and forgets, no doubt finding out that life moves on too fast. It's not so much that she steps out of the small body enclosing her, but that all she carries in herself frolics and ferments. It's this dress that she'll remember later in a sweet surrender; when her whole life is full of risks, the little red dress will always seem right. Lord: it is time. The summer was immense. Lay your shadow on the sundials and let loose the wind in the fields. Bid the last fruits to be full; give them another two more southerly days, press them to ripeness, and chase the last sweetness into the heavy wine. Whoever has no house now will not build one anymore. Whoever is alone now will remain so for a long time, will stay up, read, write long letters, and wander the avenues, up and down, restlessly, while the leaves are blowing.
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Child in Red
The sky puts on the darkening blue coat held for it by a row of ancient trees; you watch: and the lands grow distant in your sight, one journeying to heaven, one that falls; and leave you, not at home in either one, not quite so still and dark as the darkened houses, not calling to eternity with the passion of what becomes a star each night, and rises; and leave you (inexpressibly to unravel) your life, with its immensity and fear, so that, now bounded, now immeasurable, it is alternately stone in you and star.
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Evening
I am much too alone in this world, yet not alone enough to truly consecrate the hour. I am much too small in this world, yet not small enough to be to you just object and thing, dark and smart. I want my free will and want it accompanying the path which leads to action; and want during times that beg questions, where something is up, to be among those in the know, or else be alone. I want to mirror your image to its fullest perfection, never be blind or too old to uphold your weighty wavering reflection. I want to unfold. Nowhere I wish to stay crooked, bent; for there I would be dishonest, untrue. I want my conscience to be true before you; want to describe myself like a picture I observed for a long time, one close up, like a new word I learned and embraced, like the everyday jug, like my mother's face, like a ship that carried me along through the deadliest storm.
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I am Much Too Alone in this World
O trees of life, oh, what when winter comes? We are not of one mind. Are not like birds in unison migrating. And overtaken, overdue, we ****** ourselves into the wind and fall to earth into indifferent ponds. Blossoming and withering we comprehend as one. And somewhere lions roam, quite unaware, in their magnificence, of any weaknesss. But we, while wholly concentrating on one thing, already feel the pressure of another. Hatred is our first response. And lovers, are they not forever invading one another's boundaries? -although they promised space, hunting and homeland. Then, for a sketch drawn at a moment's impulse, a ground of contrast is prepared, painfully, so that we may see. For they are most exact with us. We do not know the contours of our feelings. We only know what shapes them from the outside. Who has not sat, afraid, before his own heart's curtain? It lifted and displayed the scenery of departure. Easy to understand. The well-known garden swaying just a little. Then came the dancer. Not he! Enough! However lightly he pretends to move: he is just disguised, costumed, an ordinary man who enters through the kitchen when coming home. I will not have these half-filled human masks; better the puppet. It at least is full. I will endure this well-stuffed doll, the wire, the face that is nothing but appearance. Here out front I wait. Even if the lights go down and I am told: "There's nothing more to come," -even if the grayish drafts of emptiness come drifting down from the deserted stage -even if not one of my now silent forebears sist beside me any longer, not a woman, not even a boy- he with the brown and squinting eyes-: I'll still remain. For one can always watch. Am I not right? You, to whom life would taste so bitter, Father, after you - for my sake - slipped of mine, that first muddy infusion of my necessity. You kept on tasting, Father, as I kept on growing, troubled by the aftertaste of my so strange a future as you kept searching my unfocused gaze -you who, so often since you died, have been afraid for my well-being, within my deepest hope, relinquishing that calmness, the realms of equanimity such as the dead possess for my so small fate -Am I not right? And you, my parents, am I not right? You who loved me for that small beginning of my love for you from which I always shyly turned away, because the distance in your features grew, changed, even while I loved it, into cosmic space where you no longer were...: and when I feel inclined to wait before the puppet stage, no, rather to stare at is so intensely that in the end to counter-balance my searching gaze, an angel has to come as an actor, and begin manipulating the lifeless bodies of the puppets to perform. Angel and puppet! Now at last there is a play! Then what we seperate can come together by our very presence. And only then the entire cycle of our own life-seasons is revealed and set in motion. Above, beyond us, the angel plays. Look: must not the dying notice how unreal, how full of pretense is all that we accomplish here, where nothing is to be itself. O hours of childhood, when behind each shape more that the past lay hidden, when that which lay before us was not the future. We grew, of course, and sometimes were impatient in growing up, half for the sake of pleasing those with nothing left but their own grown-upness. Yet, when alone, we entertained ourselves with what alone endures, we would stand there in the infinite space that spans the world and toys, upon a place, which from the first beginnniing had been prepared to serve a pure event. Who shows a child just as it stands? Who places him within his constellation, with the measuring-rod of distance in his hand. Who makes his death from gray bread that grows hard, -or leaves it there inside his rounded mouth, jagged as the core of a sweet apple?.......The minds of murderers are easily comprehended. But this: to contain death, the whole of death, even before life has begun, to hold it all so gently within oneself, and not be angry: that is indescribable. _________ Translated by Albert Ernest Flemming
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The Fourth Elergy
O trees of life, oh, what when winter comes? We are not of one mind. Are not like birds in unison migrating. And overtaken, overdue, we ****** ourselves into the wind and fall to earth into indifferent ponds. Blossoming and withering we comprehend as one. And somewhere lions roam, quite unaware, in their magnificence, of any weaknesss. But we, while wholly concentrating on one thing, already feel the pressure of another. Hatred is our first response. And lovers, are they not forever invading one another's boundaries? -although they promised space, hunting and homeland. Then, for a sketch drawn at a moment's impulse, a ground of contrast is prepared, painfully, so that we may see. For they are most exact with us. We do not know the contours of our feelings. We only know what shapes them from the outside. Who has not sat, afraid, before his own heart's curtain? It lifted and displayed the scenery of departure. Easy to understand. The well-known garden swaying just a little. Then came the dancer. Not he! Enough! However lightly he pretends to move: he is just disguised, costumed, an ordinary man who enters through the kitchen when coming home. I will not have these half-filled human masks; better the puppet. It at least is full. I will endure this well-stuffed doll, the wire, the face that is nothing but appearance. Here out front I wait. Even if the lights go down and I am told: "There's nothing more to come," -even if the grayish drafts of emptiness come drifting down from the deserted stage -even if not one of my now silent forebears sist beside me any longer, not a woman, not even a boy- he with the brown and squinting eyes-: I'll still remain. For one can always watch. Am I not right? You, to whom life would taste so bitter, Father, after you - for my sake - slipped of mine, that first muddy infusion of my necessity. You kept on tasting, Father, as I kept on growing, troubled by the aftertaste of my so strange a future as you kept searching my unfocused gaze -you who, so often since you died, have been afraid for my well-being, within my deepest hope, relinquishing that calmness, the realms of equanimity such as the dead possess for my so small fate -Am I not right? And you, my parents, am I not right? You who loved me for that small beginning of my love for you from which I always shyly turned away, because the distance in your features grew, changed, even while I loved it, into cosmic space where you no longer were...: and when I feel inclined to wait before the puppet stage, no, rather to stare at is so intensely that in the end to counter-balance my searching gaze, an angel has to come as an actor, and begin manipulating the lifeless bodies of the puppets to perform. Angel and puppet! Now at last there is a play! Then what we seperate can come together by our very presence. And only then the entire cycle of our own life-seasons is revealed and set in motion. Above, beyond us, the angel plays. Look: must not the dying notice how unreal, how full of pretense is all that we accomplish here, where nothing is to be itself. O hours of childhood, when behind each shape more that the past lay hidden, when that which lay before us was not the future. We grew, of course, and sometimes were impatient in growing up, half for the sake of pleasing those with nothing left but their own grown-upness. Yet, when alone, we entertained ourselves with what alone endures, we would stand there in the infinite space that spans the world and toys, upon a place, which from the first beginnniing had been prepared to serve a pure event. Who shows a child just as it stands? Who places him within his constellation, with the measuring-rod of distance in his hand. Who makes his death from gray bread that grows hard, -or leaves it there inside his rounded mouth, jagged as the core of a sweet apple?.......The minds of murderers are easily comprehended. But this: to contain death, the whole of death, even before life has begun, to hold it all so gently within oneself, and not be angry: that is indescribable. _________ Translated by Albert Ernest Flemming
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Come thou, thou last one, whom I recognize, unbearable pain throughout this body's fabric: as I in my spirit burned, see, I now burn in thee: the wood that long resisted the advancing flames which thou kept flaring, I now am nourishing and burn in thee. My gentle and mild being through thy ruthless fury has turned into a raging hell that is not from here. Quite pure, quite free of future planning, I mounted the tangled funeral pyre built for my suffering, so sure of nothing more to buy for future needs, while in my heart the stored reserves kept silent. Is it still I, who there past all recognition burn? Memories I do not seize and bring inside. O life! O living! O to be outside! And I in flames. And no one here who knows me.
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Death
Center of all centers, core of cores, almond self-enclosed, and growing sweet-- all this universe, to the furthest stars all beyond them, is your flesh, your fruit. Now you feel how nothing clings to you; your vast shell reaches into endless space, and there the rich, thick fluids rise and flow. Illuminated in your infinite peace, a billion stars go spinning through the night, blazing high above your head. But in you is the presence that will be, when all the stars are dead.
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Buddha in Glory
Ignorant before the heavens of my life, I stand and gaze in wonder. Oh the vastness of the stars. Their rising and descent. How still. As if I didn't exist. Do I have any share in this? Have I somehow dispensed with their pure effect? Does my blood's ebb and flow change with their changes? Let me put aside every desire, every relationship except this one, so that my heart grows used to its farthest spaces. Better that it live fully aware, in the terror of its stars, than as if protected, soothed by what is near.
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Ignorant before the heavens of my Life
You, you only, exist. We pass away, till at last, our passing is so immense that you arise: beautiful moment, in all your suddenness, arising in love, or enchanted in the contraction of work. To you I belong, however time may wear me away. From you to you I go commanded. In between the garland is hanging in chance; but if you take it up and up and up: look: all becomes festival! ______ Translated by Stephen Mitchell
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You, you only, exist
Put out my eyes, and I can see you still, Slam my ears to, and I can hear you yet; And without any feet can go to you; And tongueless, I can conjure you at will. Break off my arms, I shall take hold of you And grasp you with my heart as with a hand; Arrest my heart, my brain will beat as true; And if you set this brain of mine afire, Then on my blood-stream I yet will carry you.
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Put out my Eyes