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"nonetheless" poems
Why Men Cry in the Bathroom For so many reasons. I will tell you the why. I think you know, Or perhaps, you think you know. Men are always O.K., Even when not. We expect the worse, Accept the worse, Nonetheless, We are forever unprepared. Wearily, we cry, In the bathroom, in private, Lest sighs slip by, We be unmasked, Early warring, strife signs warning. Copious, tho we weep Before the mirror confessor, It is relief untethered, Unbinding of the feet, An uncounting Of beaded rosaries, Of freshly fallen hail stones, Of night times terrors By dawn's early edition's light, and welcomed. But look for the mute tear, The eye-cornered drop, *** tat, that never drops, But never ceases formation and Reforming, over and over again, In a state of perpetuity of reconstitution, *The tippy tear of an iceberg revealing, And I see you peeping, wondering, What is beneath* Look for: the torn worm-eaten edges of spirit, thrift shop bought, extra worn, grieving lines neath the eyes, where the salt has evaporated, discolored the skin. worry lines, under and above, browed mapped, furrowed boundaries. the laugh line saga, where better days are stored, recalled, as well as recanted, publicly, privately. Why just men? I don't know, Perhaps, it is all I know. end.<nml> Jan 6, 2013
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Jun 22, 2013
Jun 22, 2013 at 10:46 AM UTC
Do You Know Why Men Cry in the Bathroom? (2013, can u believe it)
He has taken rake and shovel in hand, Taking advantage of the light, Rare in these climes this time of year, Still welcomed, though rendered severe By the sun's reluctant trudge above the horizon, The type which, sauntering through a window pane (Falling upon a crucifix anchored above a cradle Or some ancient, gilded frame Containing a photo of some grandparent's wedding day, Exploding into full undifferentiated diffusion) May possess a dram of warmth, albeit resigned, nostalgic A bittersweet reminder of what has gone by (And in the shade, the air is filled With the portentous chill of what lies a few months hence) But there nonetheless as he tends to those final farewells From the trees bowing to December's inevitability, The droppings not the Pollock-esque bursts of October (Those having been collected and consigned To the normal corner of the back lot) But dreary brown-hued things, not welcomed by eye nor heart, Simply corralled perfunctorily and dismissed. One could contend that such activity is unnecessary, The mere vanity of all endeavor, As the snow will come soon, and steady as well, Performing the seasonal, cyclical function in its own time, But he soldiers on nonetheless, a unseen one-act nearly-farce, Painstakingly raking and bending and scraping To leave his patch of green uncovered for a little while Until the locking time comes to seal the earth's secrets once more, To be revealed to those Who shall receive the teasing ministrations Of the fickle, fitful March equinox.
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Jul 23, 2018
Jul 23, 2018 at 1:44 PM UTC
November In The Sun
He has taken rake and shovel in hand, Taking advantage of the light, Rare in these climes this time of year, Still welcomed, though rendered severe By the sun's reluctant trudge above the horizon, The type which, sauntering through a window pane (Falling upon a crucifix anchored above a cradle Or some ancient, gilded frame Containing a photo of some grandparent's wedding day, Exploding into full undifferentiated diffusion) May possess a dram of warmth, albeit resigned, nostalgic A bittersweet reminder of what has gone by (And in the shade, the air is filled With the portentous chill of what lies a few months hence) But there nonetheless as he tends to those final farewells From the trees bowing to December's inevitability, The droppings not the Pollock-esque bursts of October (Those having been collected and consigned To the normal corner of the back lot) But dreary brown-hued things, not welcomed by eye nor heart, Simply corralled perfunctorily and dismissed. One could contend that such activity is unnecessary, The mere vanity of all endeavor, As the snow will come soon, and steady as well, Performing the seasonal, cyclical function in its own time, But he soldiers on nonetheless, a unseen one-act nearly-farce, Painstakingly raking and bending and scraping To leave his patch of green uncovered for a little while Until the locking time comes to seal the earth's secrets once more, To be revealed to those Who shall receive the teasing ministrations Of the fickle, fitful March equinox.
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32
Mixing tea, let's say lavender with something as simple as milk Must sound silly and weird at first glance, as both come with their own tastes and flavors which seem to not match at all. Even the most unmatching couple can find bliss, harmony and perfection in their very relationship, however. Such as for the tea; The milk manages to soften, embrace, advertise the taste of lavender while leaving a pleasant aftertaste which is alike a ghost poorly detectable, but present nonetheless after all. With some sugar to sweeten this experience, it becomes divine, something I would never have thought of, of such an odd couple. The image of the lavender becomes overdrawn by the milk, Engaging in a pure, creamy, brief white which reflects light just in a majestic sense. This is a taste to become lost in whilst reading a book in the best of lightings, together with someone who causes your heart to race and just turn ablaze ~ Umi
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Feb 6, 2018
Feb 6, 2018 at 2:25 PM UTC
Lavender Milk
*erstwhile a halcyon extant universe incessantly ceaseless cradled itself in hues of violet phosphorescence laced with cobalt shimmering stars perpetually whole it nonetheless sought to know itself encompassing all that is bubbling over in effervescent ebullience intertwined with indescribable catastrophic splendor it shattered into tens of millions of splinters of eloquent efflorescent light shining in the night each splinter heretofore imbued with sempiternal felicity began to conjure sumptuous dulcet elixirs furtively seeking out savory emollients to mollify the pique of separation plummeting they fell into monstrous competition seeking demesne they lost the purpose of gaining awareness and intelligent consciousness surreptitious estrangement overflowed deluging them in excruciating agony thus an epiphany was born the carving of the beleaguered fragments inked with tremendous pain created a transfiguration of splinters to crystals hence enlightenment commenced as the gems magnetized together constructing a world where omnipotence shines the ineffable beauty formed by the reintegration of crystals far exceeds the original as they dazzle with universal light bursting from diamonds etched in deep wisdom flooding the firmament with kaleidoscopic rainbow strobes cascading the sky ©2016janetaylor
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May 1, 2016
May 1, 2016 at 1:23 PM UTC
crystals of light
” she is quick to object" Mumbai,  to receive the accolade of “Role Player Attempt to hit back at their perceived “bully.” They don’t fall a little; they crash into muck... submission,   hopelessness, impunity, corruption, hypocrisy, law and family ... to ***** you since they’re not saints, they are neither saints nor priests, There’s a new order coming from mayor. We won t **** you all .... We will just shoot the ******  that — if there is no ****** it would be useless. she is quick to object". Fighting sexism and misogyny, nonetheless open and willing to listen, wear bug spray going forward, “inform the court that we did this” “didn’t like that.” ,” she is quick to object".
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Mar 20, 2018
Mar 20, 2018 at 10:06 AM UTC
Quick
She who did not come, wasn't she determined nonetheless to organize and decorate my heart? If we had to exist to become the one we love, what would the heart have to create? Lovely joy left blank, perhaps you are the center of all my labors and my loves. If I've wept for you so much, it's because I preferred you among so many outlined joys.
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16.5k
Blank Joy
Since you've been away I've trailed the wake of the clouds Just crumbling clay... That lay in the shade that enshrouds Depending on the ifs and mays.    Wake up, my love... Since you haven't been here The sky did nothing but only sang Ambient translations of mocks and jeers As the green blades of earth bared their fangs Mischievous songs that I've held dear.      Wake up, my love... Since you've been gone I've realised that I'm not moving And you too, haven't moved since last dawn A reality all too disheartening Bits of me all cut up and sawn.          Wake up my love... Since you've been missing I am never whole, and never will A lifetime of endless chasing Bottomless jar without a seal Void clustered emptiness in need of filling.             Wake up, my love... Since you've been absent I could only hope for this lungful To lead me to subsequent Ones that taste like bitter pills encapsuled. Mind full of drugs running rampant.                Wake up, my love... Since you wouldn't have known What these days are like... Time induced tumours have grown The hours impale with temporal spikes... Inseminating malignant thoughts soon to be sown.                   Wake up, my love... Since you've been away I'm a player hoping for a fair game Nonetheless still crumbling clay... That lay in the dark just the same Choking on the what ifs and what mays.
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Oct 28, 2014
Oct 28, 2014 at 12:16 PM UTC
Wake Up, My Love
I pop a pomegranate seed. It bleeds, Delicate fuchsia delight, Mineral scented, warm, bright, Full of nectar and promise (now wasted) I pop another one, In a soft cove on my arm- A slight dip between two veins - And watch the blushing drop Edge closer to my elbow. Stop. A third time, With the fury of fear Tiptoeing listlessly in my mind, Like raindrops on a rooftop.   It is sweet, and ****** A waste of time but an act of god Nonetheless. I crave the sound and texture of it, So a fourth time comes around. By now, the citrus is overpowering But I keep going, For the sake of purity, For the sake of the shock of vibrance On deathly pale skin.    When my arm is covered in juice, I give up. There's no sense in envying the wasted. Scarlet sticks.
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Jul 25, 2018
Jul 25, 2018 at 3:53 PM UTC
an act of nature
Life and non-Life are part of a system-- a "system-like" system, but one nonetheless. Where Entropy's that which is hidden from us-- and Information without meaning is total chaos. But hold. Poets, Bards & Thieves. Of shame, of game, of blame, they speak of secrets on the leaves. In more or less a drunken mess, their simmered shimmered consciousness could barely rarely quite express what causes them to grieve. After some hesitation and liquid persuasion, the only collusion this final conclusion: *Pain is entropic; Extra-sensory stimulation received as distortion via sensory limitations-- Confusing the mind refusing the signs, forcing us to shutter the blinds. But what is behind? Unveil pain's curtain and what do we find? Contextualisation, possible causation-- Mind-Body integration without hesitation-- palpable, abstract Information dissemination!*
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Jan 12, 2014
Jan 12, 2014 at 12:05 PM UTC
Entropy Reduction Units (or Poets, Bards & Thieves)
Her lips constant at the utterance Of sweet and serene words filled With adoration, praising him, He who made endless hearts do cartwheels and somersaults Of multiple, millions nigh and far their hearts loving As long as he’s living Nonetheless, changing courses Of history was what she excelled One glance, one encounter turned Her lips managing to do none but stutter To his shielded heart no one managed to flutter His deer like eyes observing With admiration, eyes sparkling every look, crook, nook Of her smile that shook The worlds and heavens Devout in his heart and mind His earth's plates shifting His massive planets orbiting He witnessed it all in one being The gravity of the universe on her Shoulders heavy from responsibility The heavens challenging her capability Her hardships conveyed as she blinked their dilated orbs communicating language barriers unstoppable To what her eyes held He understood his needs To care, to cherish, to love, Feeling his heart pumping blood Faster, quicker than light Travelling the dark domains Undiscovered, just like her soul That he felt the need to explore As his heart finally fluttered
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Jul 15, 2018
Jul 15, 2018 at 2:46 AM UTC
Fluttering hearts
i am  not your ****** nor your sister. i do not know the meaning of these words, mister. except in instances where i hate us like they hate us. a putrid loathing sprouting from different colored grounds but a dangerous flower nonetheless. they are not just words, they are drops of blood spilled from the lashed backs of our enslaved triple grandfathers and mothers. our slang replaces hoses pushing us back during marches and righteous riots. aggression equals regression equals deppression. and now, it's all our fault. now it's black on black assault. now it's fly shoes and ghetto booties. poppin' bottles and poppin' caps, running through nights like street ******* rats. what would W.E.B. DuBois say if he'd seen this backstep taken after we'd come this far, after reaching for stars and dropping the ball? now i love this color. i love this color and prefer no other. all i'm saying is, let us pick one day when we put the negroidian away put ****** back in it's roots. no, not the movie, don't me toby. let us get the dream rollin' Mister King style, not Master P style. no big rims, or leather seats. none of that **** for awhile. i'm saying takeover. i'm saying african-america makeover. i'm saying, let's take our pride back, like our homeland lions. let us make black a taste not so sour. i'm saying, Black Power.
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Nov 18, 2010
Nov 18, 2010 at 8:03 AM UTC
My ******
sure she's likeheaven but angels stillfall sometimes the risk is worth it all. perfection or illusion what an enticing delusion nonetheless the question proves a fight do i potentially complicate her life further my thoughts reach oscillation certain until uncertainty's persuasion descends a thought like no other and soon follows another quickly they bounce through my mind now it's even harder to find a decision left between cognitive dissonance then suddenly in this instance Nothing.
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May 13, 2014
May 13, 2014 at 11:33 PM UTC
Paths
sometimes you're the sun on a bright and sunny day and sometimes you're a raincloud on a gloomy day but nonetheless they are both needed for flowers to grow under your feet I've seen the worst of your thunderstorms and the best of your radiant days where you shine the brightest and I choose both because I love you nonetheless and I will be the rainbow after your storm and the stars that will keep you company at night
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Aug 1, 2014
Aug 1, 2014 at 1:15 AM UTC
mood
I haven't stayed up this late since our restless early morning contests to see who would fall victim to heavy eyelids and tired thoughts. I won of course, you most of the time, but I won on the longest nights (or so I'd like to think) though my satisfaction was rooted from something entirely different. To be honest, I could have cared less about the victor; I was competitive but I liked when you won - the shine in your voice and the glimmer in your smile telling me how I snored through the night (I didn't) was much more rewarding. I haven't stayed up this long since our late night conversations turned into early morning slurred sentences of who could make the most sense whilst repeating I love you inaudibly through earphone speakers and bundled blankets. And as much as the tiredness enveloped me in its embrace, the thought of yours implied through the telephone waves proved to be worthwhile, nonetheless. You were miles beyond my reach, but you were simple words away. ***I haven't stayed up this late since we fell asleep falling in love*** in different beds but with the same desires, on the same line; on the same page. And I hate to admit it, but I still like to think of it that way. - g.d.
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Jan 2, 2014
Jan 2, 2014 at 3:58 AM UTC
3:58 am
My porcelain skin is no match For the velvety brown of yours Your soft chocolate eyes are lovelier While my greens are merely cold And I should know better than to refuse To wipe my face on the floor I should be more of a lady (or a nun) If I'm to be all you're asking for You reference the way I was raised A single mother and an only daughter And you're sure that I will lead astray Your potential grandsons and granddaughters Know that your son is all The good you exclaim him to be But he sees the light in these witch's eyes Where you see death and greed I now understand that I will never Be righteous enough in your sight And it is because of your background That you accuse and criticize You will always be his mother Who cares for him nonetheless But I will stay his lover Even while I don't pass your test
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Apr 28, 2015
Apr 28, 2015 at 1:20 AM UTC
Two Cultures Collide (Dear "Mama")
when a lost muse is no excuse, when the mundane and the profane are away on summer holiday, and you are currently on the divine’s 'u **** - no write list' nonetheless the itch in the private spaces is driving you crazy, write a poem, write a poem, in the way a grandmother (or a mother to a grown child) whiny nags, *its a nice day, go outside and play with a strange man*, whatcha ya gonna do, the walls are all painted, and the good bad boys are out of town, all with the   *other bad good girls, who got there first,* but we will write of nipple-rings and other crazy songs you sing it is not important you the reader understand every verse, like Patton said, "it only matters that I know," which line is a joke, which around your neck is your customized yoke, which is why: plaintive wail to no avail, the regret that never can be sated, the frustration cratering inside the chest, which is just, (and unjust) just enough to make a semi-satisfactory smile upon the lips appear whose lips? who cares? as long as you don't have to hear me sing my poetry but hear me smiling at the power of whimsy writing and the return of my no longer muzzy^ Ms. Minx A. Muse-me <£> 2:13pm
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Aug 19, 2017
Aug 19, 2017 at 2:32 PM UTC
of ****** rings, and other songs I sing
The only home I have Is the one I build inside myself The roof is cracked The doors are broken The electricity goes out And ghosts awoken Although rats scurry And the AC is dead It is my own home Nonetheless
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Jul 9, 2014
Jul 9, 2014 at 12:00 AM UTC
Home
Alexander K Opicho (Eldoret, Kenya;[email protected]) It is the 30th day of the months in Kenya State and corporate capitalist have now paid their workers Wages or salaries or stipends or emoluments all being remunerations While the rural bourgeoisie and urban bourgeoisie have also paid ex-gratia To relatives come over-aged workers who have declined retiring For the fear of looming starvation if at all they go home, where they were born, Nonetheless; proceed they receive will do nothing whatsoever As it will be stifled by the monster of desperate consumerism; So fat and gullible in this tiger of land in the region called Kenya; The terror peddling rent, courtesy of ruthlessness of the landlord Bills of electric power in their full monopolistic gear Bills of water devoid of quality, indifferent dysentery monger Wages for maid who keep on usurping the food of my child; milk Bills for gas, all of it redolent of comprador bourgeoisie in fashion, Hotel and bar bill - a surreptious one, as the bar girl only knows Airtime and renewal, TV channels and other screen capitalistic ploys Family trip to local resort in a feat of foolish consumerist venture, Money to the old mother at home and, sometimes depraved but patient father ARV’s money to my *** aids stricken sister at the village, my aunt also Tuition fees for my son at the kindergarten, who goes to schools but learns nothing fees balance which my wife has to pay at the tailor to ransom out her dress, M-Pesa and M-Swari loan repayment, this only for Kenyan 30th dayers They know the agony of dealing with Kenyan mega-capitalist safaricom ltd. This consumerism and **** consumerism, It is the menacing bane of the Kenyan poor It is the avaricious tube which siphons back The hard earned money from pockets of the poor Back to despotic account of the pitiless world pigshotry.
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Feb 28, 2014
Feb 28, 2014 at 9:35 AM UTC
END MONTHS CONSUMERISM
Alexander K Opicho (Eldoret, Kenya;[email protected]) It is the 30th day of the months in Kenya State and corporate capitalist have now paid their workers Wages or salaries or stipends or emoluments all being remunerations While the rural bourgeoisie and urban bourgeoisie have also paid ex-gratia To relatives come over-aged workers who have declined retiring For the fear of looming starvation if at all they go home, where they were born, Nonetheless; proceed they receive will do nothing whatsoever As it will be stifled by the monster of desperate consumerism; So fat and gullible in this tiger of land in the region called Kenya; The terror peddling rent, courtesy of ruthlessness of the landlord Bills of electric power in their full monopolistic gear Bills of water devoid of quality, indifferent dysentery monger Wages for maid who keep on usurping the food of my child; milk Bills for gas, all of it redolent of comprador bourgeoisie in fashion, Hotel and bar bill - a surreptious one, as the bar girl only knows Airtime and renewal, TV channels and other screen capitalistic ploys Family trip to local resort in a feat of foolish consumerist venture, Money to the old mother at home and, sometimes depraved but patient father ARV’s money to my *** aids stricken sister at the village, my aunt also Tuition fees for my son at the kindergarten, who goes to schools but learns nothing fees balance which my wife has to pay at the tailor to ransom out her dress, M-Pesa and M-Swari loan repayment, this only for Kenyan 30th dayers They know the agony of dealing with Kenyan mega-capitalist safaricom ltd. This consumerism and **** consumerism, It is the menacing bane of the Kenyan poor It is the avaricious tube which siphons back The hard earned money from pockets of the poor Back to despotic account of the pitiless world pigshotry.
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30
1. Fallow brown, like he's poured his whole soul out through the gold sieve and lies in wait to be replenished. 2. The color of the ocean. Blue, I guess, but that’s not even the half of it. All the ruggedness of the waves—forming up, breaking, and forming again like life is only the motions. Her eyes are blue, but you could hardly tell. 3. A hand-painted bowl of fresh chocolate frosting from which the most immature hands soonest get a mouthful. 4. Beautiful. Like, drop dead gorgeous. I’d dig my own grave and stick to rolling in it if she ever looked at me some type of way. Their color? I don’t know. But most of all, I dare to wonder about the bludgeoned scar between them. 5. Sturdy cobalt. Far more indicative of her steady heart than gold could ever hope to be. Still susceptible to tear, but not so easily warped by heat or stress. 6. Simply brown. No, red? It’s always been hard to tell through the fog. Truthful like the rawest earth, I’ll call her mahogany. 7. Faded blue spray paint over a slate gray wall. Forcibly muted after her years of blasting music, but there’s still that rogue twinkle to them that I pray slips through the cracks. 8. Coffee, with all the vim and vigor to make you click your heels and fall in love. 9. Unripe lime seen lazing in the shade. Not fit for a margarita just yet, but straining at the bit nonetheless. 10. Hazel, although I still don’t know what the **** that actually is. Whatever. It looks nice on her resume. 11. Green. Or were they blue? The memories of her were too wonderful, too important, that I had to let the littlest details fade away first. 12. The crystallized seafoam that made me realize I deserved to feel alive, too.
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Jun 24, 2018
Jun 24, 2018 at 3:09 AM UTC
A dozen pairs of eyes
1. Fallow brown, like he's poured his whole soul out through the gold sieve and lies in wait to be replenished. 2. The color of the ocean. Blue, I guess, but that’s not even the half of it. All the ruggedness of the waves—forming up, breaking, and forming again like life is only the motions. Her eyes are blue, but you could hardly tell. 3. A hand-painted bowl of fresh chocolate frosting from which the most immature hands soonest get a mouthful. 4. Beautiful. Like, drop dead gorgeous. I’d dig my own grave and stick to rolling in it if she ever looked at me some type of way. Their color? I don’t know. But most of all, I dare to wonder about the bludgeoned scar between them. 5. Sturdy cobalt. Far more indicative of her steady heart than gold could ever hope to be. Still susceptible to tear, but not so easily warped by heat or stress. 6. Simply brown. No, red? It’s always been hard to tell through the fog. Truthful like the rawest earth, I’ll call her mahogany. 7. Faded blue spray paint over a slate gray wall. Forcibly muted after her years of blasting music, but there’s still that rogue twinkle to them that I pray slips through the cracks. 8. Coffee, with all the vim and vigor to make you click your heels and fall in love. 9. Unripe lime seen lazing in the shade. Not fit for a margarita just yet, but straining at the bit nonetheless. 10. Hazel, although I still don’t know what the **** that actually is. Whatever. It looks nice on her resume. 11. Green. Or were they blue? The memories of her were too wonderful, too important, that I had to let the littlest details fade away first. 12. The crystallized seafoam that made me realize I deserved to feel alive, too.
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12
I imagine myself A few gentle decades older. Finally grasping the cusp Of success. Living in my own apartment In New York City, nonetheless. Wearing an Armani coat (Whatever those look like.) Walking idly yet prestigiously Through winter in the city. Taking care not to laugh too loud, Talk to myself, smile too much. A small, attractive female Has to be serious to get ahead. Customers will buy from a happy girl Only if she is early 20's, at most. That is Marketing 101. I am a small fish in a large sea; The principles of Darwinism Still apply to me. I've learned long ago to succeed, I must stifle the welcoming smile. So along the familiar concrete I stride, Carefully manicured hands In pockets. The Filipinos know better Than to rush on the hands Of a businesswoman caressing A successful career. She tips well and lives well. I walk along with cool calm And feminine grace. I have regained the safety To be feminine once again. The criminals know better Than to infiltrate The Business district And cause trouble To working professionals In Armani coats. I imagine myself a few decades older. Kissing snowflakes unenthusiastically. Yes, I marvel in poetry, in Nature, But I have matured Much like the snowflakes themselves. At the end of a cycle, No matter how beautiful. My actions flow gracefully and delicately. I melt into New York City Like a cell in a body. Pumping fuel into the ***** To sustain the mass. A tumor. I smile subtly as I slosh along. I recall, once upon a time, On my lower-class youth. ***** jokes, crude dancing, And cluttered apartments. I approach the high-rise building I call home and greet the doorman With the obligatory disregard For his innermost being. Poetry truly is in the strangest of places. Even in an enigma like me. I enter the marble floors, Wiping my feet, My rent as sky-high as The building itself. Elevator. Comforting motion sickness. This is success. The pit of my stomach sinks. I tell myself it's the motion sickness. I return to my apartment, With its symmetrical details. My thoughts return to you. You've never stepped foot in my home, But you've always been here with me. I get dinner started. I set out the extra glass, like always. Rituals like these serve As my Sunday mass. I drink your glass with my evening medication. Dare I say like always?
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Dec 16, 2016
Dec 16, 2016 at 6:09 AM UTC
Winter In The City
I imagine myself A few gentle decades older. Finally grasping the cusp Of success. Living in my own apartment In New York City, nonetheless. Wearing an Armani coat (Whatever those look like.) Walking idly yet prestigiously Through winter in the city. Taking care not to laugh too loud, Talk to myself, smile too much. A small, attractive female Has to be serious to get ahead. Customers will buy from a happy girl Only if she is early 20's, at most. That is Marketing 101. I am a small fish in a large sea; The principles of Darwinism Still apply to me. I've learned long ago to succeed, I must stifle the welcoming smile. So along the familiar concrete I stride, Carefully manicured hands In pockets. The Filipinos know better Than to rush on the hands Of a businesswoman caressing A successful career. She tips well and lives well. I walk along with cool calm And feminine grace. I have regained the safety To be feminine once again. The criminals know better Than to infiltrate The Business district And cause trouble To working professionals In Armani coats. I imagine myself a few decades older. Kissing snowflakes unenthusiastically. Yes, I marvel in poetry, in Nature, But I have matured Much like the snowflakes themselves. At the end of a cycle, No matter how beautiful. My actions flow gracefully and delicately. I melt into New York City Like a cell in a body. Pumping fuel into the ***** To sustain the mass. A tumor. I smile subtly as I slosh along. I recall, once upon a time, On my lower-class youth. ***** jokes, crude dancing, And cluttered apartments. I approach the high-rise building I call home and greet the doorman With the obligatory disregard For his innermost being. Poetry truly is in the strangest of places. Even in an enigma like me. I enter the marble floors, Wiping my feet, My rent as sky-high as The building itself. Elevator. Comforting motion sickness. This is success. The pit of my stomach sinks. I tell myself it's the motion sickness. I return to my apartment, With its symmetrical details. My thoughts return to you. You've never stepped foot in my home, But you've always been here with me. I get dinner started. I set out the extra glass, like always. Rituals like these serve As my Sunday mass. I drink your glass with my evening medication. Dare I say like always?
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84
smile while you're growing, child smile as you walk smile on the patio your hands powdered with chalk smile at all your friends, child smile while they play smile when they go back home they'll be back someday smile when they don't come back smile nonetheless smile while you miss them no need for distress smile when you fall in love smile while you sing smile when your heart breaks repair your broken wing smile while you age, my dear smile at the sun smile with your eyes as well it's not too late for fun smile at the end, dear friend smile as you go smile at the beautiful above and down below
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Aug 10, 2014
Aug 10, 2014 at 10:19 PM UTC
smile
The old woman ran a leathery hand through her cropped hair. "Yes, you may weep for the fields of green, as they were gorgeous yet thought to be boring." She rocked back and forth and her wrinkled face contorted into a smile for the first time in the conversation. "You may always cry for the tulip fields as they were devastatingly beautiful yet loathed." And yet, as soon as her face had lit up like a thousand suns, it was once again devoid of expression. "But, nonetheless, reserve your pity for those that loved he or she that burned out, for every lover of Icarus knows that it is better to be hated than to go unnoticed."
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Aug 26, 2018
Aug 26, 2018 at 4:56 PM UTC
The Lover Of Icarus
Is burrowing a web weaving a collection, accumulating an anthology For a far gone day Stash them away set them aside with a what, when, why rather than right now ambitious zeal discoverable. findability. Its the nature of the undertaking. My minds an unavoidable reciprocal Gratified by wasting time, It’s just there filling space Tucked away for a rainy day In every nook and cranny Tickling the fancy. Affording a kind of intellectual gusto that's borderline deplorable accumulatively downright trifling. Nonetheless, even if it's unnecessary I'll never get my fill paper to hand typing away uncovering all of life's mysteries
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Oct 14, 2017
Oct 14, 2017 at 10:09 AM UTC
This Nervous Squirrel
his lips would remind you of cold tuesday afternoons made for coffee and falling apart. he never really kissed with so much intimacy but he kissed me nonetheless, and maybe those were enough — those steady, demanding kisses, until all i'm left with are sighs and shoulders carved with his name. my fingers, lost in his hair, like withered roses catching fire. my lips, swollen and red, like sunsets begging for the night to come home. my heartbeats, carelessly, hastily stitched inside the hem of his sleeves. but i stayed in his apartment, slept in his bed, and wore his clothes; like an incoherent word misplaced in a haystack, like a poem, half-naked on the kitchen sink, unraveled by the faintest brushes of skin. slow and claiming. fast and rough. he never really held me close enough, tight enough, but he held me nonetheless, and for a while — just for a while, i could pretend that he wasn't the embodiment of all the things i got to hold but could never get to keep. he never really looked at me with love or with an intensity that burns, but he gazed nonetheless — almost lost and lust-hazed; calculating and restrained, like i was every poetry he wasn't supposed to write but had written anyway. and i gazed back, at my hands resting against steady movement of his chest, at his dim-morning eyes, at the slight part of his lips. and his lips — i know they would remind you of cold tuesday afternoons, made for coffee and falling apart. and i know that it wasn't love. it wasn't love, but it's pretty close.
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Nov 11, 2019
Nov 11, 2019 at 7:29 AM UTC
to the new girl from the guy he never dated
his lips would remind you of cold tuesday afternoons made for coffee and falling apart. he never really kissed with so much intimacy but he kissed me nonetheless, and maybe those were enough — those steady, demanding kisses, until all i'm left with are sighs and shoulders carved with his name. my fingers, lost in his hair, like withered roses catching fire. my lips, swollen and red, like sunsets begging for the night to come home. my heartbeats, carelessly, hastily stitched inside the hem of his sleeves. but i stayed in his apartment, slept in his bed, and wore his clothes; like an incoherent word misplaced in a haystack, like a poem, half-naked on the kitchen sink, unraveled by the faintest brushes of skin. slow and claiming. fast and rough. he never really held me close enough, tight enough, but he held me nonetheless, and for a while — just for a while, i could pretend that he wasn't the embodiment of all the things i got to hold but could never get to keep. he never really looked at me with love or with an intensity that burns, but he gazed nonetheless — almost lost and lust-hazed; calculating and restrained, like i was every poetry he wasn't supposed to write but had written anyway. and i gazed back, at my hands resting against steady movement of his chest, at his dim-morning eyes, at the slight part of his lips. and his lips — i know they would remind you of cold tuesday afternoons, made for coffee and falling apart. and i know that it wasn't love. it wasn't love, but it's pretty close.
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