Seeing Ghosts

I walk around the streets
Of old Saigon
Seeing sensing the undead

The ghosts of the war
That haunted life
So many years ago

So many people died
For a war
That never should have been fought
For reasons that are still not clear

A great tragedy unfolded
In a land half away
Around the world

The ghosts smile at me
And then they disappear

Leaving me in the present
Life goes on
 
Old Ghosts  

Old ghosts wandering the streets of old Saigon
Lost spirits of the dead
Died during the endless wars  
Ghostly apparitions around every corner

Here was Kilroy
and his gang of soldiers
Over there were the Viet Cong
Waiting to **** them

Saigon is filled with memories like that
Terrible times were had here in Old Saigon
Silently the ghosts parade the city streets
As the tourists drink in the bars

 

Mastering the Saigon Shuffle

When I first visited Saigon
Learning the Saigon Shuffle
Was difficult

And now 24 years later
It all seems to be coming back

There is an art to crossing the street
Dodging the motor cyclists, the taxis, the private cars
The bikes and other pedestrians and the buses

The art consists of letting the big guys go first
Then walk between the motorcycles and cyclists
Trusting that they will get out of your way

And they being masters of the Saigon shuffle
Always find a way

In my two visits I was struck
By how it all flows together

Without a central authority
And with almost no planning
Lights or cops

Somehow it just is
And somehow it works

And it is still a mystery to me
24 years after first
Encountering the Saigon shuffle
 
Coffee Lady
Every morning
I have gone out for Vietnamese coffee
At a sidewalk café
Down the ally from our AIRBNB

The owner is a pleasant middle age woman
Who for some reason likes us
She smiles at us
Greets us in Vietnamese
She does  not understand English
Or Korean

And I wonder why
Why was there this connection
Between us

It dawned on me
Perhaps in a prior life
She knew an American or two
And I remind her of someone

Or perhaps she is found
Of Korean K drama
And Angela reminds her
Of her favorite K Drama star

Or perhaps it is both
Or another reason entirely

But I moved today
And will miss her

Might go back for a final cup
Of coffee

To say good bye
To my Vietnamese coffee lady
 
Mostly Harmless Old Lady in the Alley
There is an old Vietnamese lady
In the neighborhood
Obviously senile

But everyone knows her
And watches over her

To make sure
She stays out of traffic
And out of trouble

She talks to everyone
But no one seems to understand
What she is babbling on about
They smile at her
And she smiles back

Reminds me of the phrase
From the hitchiker’s guide to the galaxy
Mostly harmless

And she for some reason
She likes us
And like my Vietnamese Coffee lady

I wonder why
Why was there this connection
Between us

It dawned on me
Perhaps in a prior life
She knew an American or two
And I remind her of someone

Or perhaps she is found
Of Korean K drama
And Angela reminds her
Of her favorite K Drama star

Or perhaps it is both
Or another reason entirely

But in any event
I look forward
To seeing her smiling face
Every time I walk
Down my ally way

Avoiding the War Due to Two Birthdays

I avoided being drafted
Due to a fluke in my birth certificate
In 1974 the last draft was held
And some people were drafted

But no one went to Vietnam
The war was ending by then
I avoided the draft though
To no effort on my own

My number came up on the draft list
My real birthday was in the zone
But then my mother pointed out
That my legal birthday was different

When I was born at 4 am
The night clerk typed up
My birth certificate
With the wrong date

My father pointed that out
She said
Once I typed it
That is it

His birthday will be
What I typed
Get use to it
My father gave up

And so, 18 years later
That saved me
From the last draft
Never made it to Vietnam

Many years latter
I visited Vietnam
Right after we opened relations

Glad I finally got to see
The country
That so many Americans visited
so many decades ago

Buddha In Vietnam

In Saigon I saw the buddha
Buddha images are everywhere
Temples are scattered about
Here and there and everywhere

Buddha lives on
In the hearts and minds
Of the Vietnamese soul

The communists tried
To get rid of Buddhism
And other religious traditions

But they failed
And Buddhism has come back
Still speaks to the Vietnamese people

A different style
A different vibe
Than Korean Buddhism

But still Buddhist thought
Prevails in the tropical lands
Of the South
 

Mekong Dreams

Traveling along the Mekong
Back in time

Seeing the river
The people
Imagining life on the river
Imagining the war
The past in the Mekong delta

And the present tourist boom
Yet life goes on
With its own laid back rhythm

As we traversed the river
We were transported back
To an earlier time

Following the ancient rhythms
Of the Mekong Delta

 
Down and Out in Saigon

Southeast Asia, and Mexico
has always attracted
A certain type of westerner
The down and out
On a down word spiral

Why?
Relatively cheap to live
Lots of part time gigs
Teaching English
Or other things

*****, drugs, ***
Readily available
And cheap

Places to stay
Dirt cheap
And no one needs
To sleep out doors

Easy to disappear
Into the foreigners backpackers ghettos
And escape
From whatever you are running from

The locals are somewhat tolerant
The police usually look the other way
And there are lots of people
In your shoes

I was surprised to find
That Saigon has become
The latest place
For the down and outer crowd
To gather together

In Bangkok one sees them a lot
In Cambodia as well
In the Philippines
In Nepal

And south of the border
In Mexico as well

In India not so much
In Japan and Korea
Just too **** expensive
And too cold to be outdoors

Back in the day
I used to work
The citizen services gig
And saw lots of the down and outer set

The old song comes to mind
No one remembers you
When you are down and out

And in the States
Being down and out
Means living on the mean streets

As it is very difficult
To live with almost no money

And the various side hustles
Don’t give you much money
Unless you are dealing drugs

And teaching ESL
Is not an option

Food is expensive
Transportation is expensive
***** and drugs expensive
Rent is prohibitive
Commercial *** is expensive

And no one loves you
If you are down and out
No one knows your name
You are just another homeless ***

Invisible to all
As you try to make do

Much better to be down and out
In Southeast Asia
Than on the mean streets
Of the USA
 

Ghosts of Chu Chi

Crawling down the tunnels
Of Chu Chi
I could almost imagine
The Viet Kong guerillas

Hiding deep under the tunnels
As the land above is turned
Into a temporary dessert

With the vegetation burned off
By ****** and agent orange

The Viet Kong creep out at night
Stealing onto the bases
Stealing weapons, food, supplies
And occasionally killing soldiers

In their sleep
The US soldiers
Stay on base at night

Terrified of the mosquitos
And of the Viet Kong

the ghosts
Surround me
Telling me their stories
And at last I fled

Through the emergency escape tunnel
Declaring victory
Profoundly shaken up
By the ghosts of the Chu Chi tunnels

 
Saigon 2019

Saigon 2019

Vibrant, vivid, exciting
A city on the move
Becoming a world class city
Yet still with a Saigon swagger

Wandering the streets
Dodging the traffic
Admiring the women
Enjoying the food

Saigon enters my heart
And I know that I will be back
This city is growing on me
Reminds me of Korea back in the 1990’s

One hopes that as it develops
It will not become a carbon copy
Of other big Asian cities
Obliterating its past

In search of a false modern image
I hope it can retain
What makes Saigon Saigon
And not become another Gangnam

Hope it does it with Saigon style
And the people will evolve
The country will emerge
And become what it should be

The Paris of the East
This is my vision
Saigon 2019


 
Saigon 1995

Saigon 1995

In 1995
I was one of the first tourists
Allowed in to Vietnam
To freely wander about

Tourism was at its infancy
And Saigon was chaotic
Wild and crazy
Traffic was insane

There were few tourism sites
Few hotels
Few guest houses
And not too many restaurants

The food was good
We saw the war memorial
The re-unification palace
And the big market

But we felt we were being monitored
Beggars were everywhere
There were scams everywhere
And it was not that pleasant an experience

But Saigon grew up
Became a much more tourist-friendly place
And these problems we encountered
A thing of the place

Saigon is so much better
So much more developed
That it has captured our soul
And we will be back

Met a man on the beach today,
saw him taking photos in the rising Sun's light,
asked him “Flora or Fauna”,
he replied with “Fauna”,

I approached,
he pointed out a bullfrog,
hidden amongst the reeds,
keeping cool in the Mekong's mud,

then he pointed out several lizards clinging to blades of grass,

the fact is that,
I never would have noticed these animals if he hadn’t pointed them out,

I guess sometimes we don’t see things right in front of us,
until we are shown them by others that are the wiser,
or at least that are more observant,
I observed him,

as he observed the animals our interaction continuing,

we walked,
down the the banks of the Mekong,
I showed him a carved artifact,
that I’d found washed up upon the beach,

there had been a series of storms lately,
which had led to floods,
which had led to the unearthing,
of artifacts that had been resting in their earthen beds for hundreds of years,

sometimes it takes a bit of turmoil to unearth that which is covered,
see just because something is covered doesn't mean it's not there,

anyways no matter where we go there we are,

and there we were in that morning rise of sun,
we walked closer to the rushing waters,
where the girl I was with had been observing,
me observing the man who was observing the Fauna,

the girl I was with asked the man casually,
“So man where are you from?”,
it's a common question amongst travelers,
but sometimes a very common thing can lead to something very rare,

He said he was from America and that he’d had enough of it,
he said the doctors had suggested open heart surgery and he was having none of it,
he said he was a Flower Child of the '60's a Vietnam Vet,
and had always had a “stick it to the man kinda attitude.”,

apparently he had heart disease,
caused by a clogging of his arteries,
not enough blood or not enough love or not enough what ever,
was reaching his still beating heart,

the doctors,
with there religious faith in Western Medicine,
warned him if he didn't go in for surgery,
that his early death would come for certain,

they gave him six months to live,
“gave” him like they are God,
like they can “give” life,
while predicting an early death like Death follows any mortals schedule,

no doctor can “give” life but they sure can take it away,

with their agnostic diagnostics and toxic antibiotics,
did you know that Mustard Gas is used in Chemotherapy?

Seriously.

So anyways he,
was diagnosed with heart disease,
given a six month life expectancy,
and told that his current state of being was in itself a medical emergency.

When he heard the news,
he made a conscious decision,
he flew to Laos to escape the 3 trillion dollar U.S. Medical Industry,
he decided he would rather die free than live in a hospitalized prison,

that was 4 years ago from the day we met and he's still alive and kicking,

now he lives amongst the Lao people,
building pipes and helping water flow,
kinda ironic honestly that as a result of his pipes being clogged,
he now helps pipes flow but I guess that's how it goes,

gravity fed springs and moments that are enlightening are both wonderful things.

I thought about help and about charity and about giving to others who may be in need,

and then I began to think,
as this man told his tale,
it’s better to die a free man,
than live in a hospital that’s turned into a jail,

no bail,
only one way out,
nobody gets out of here alive,
our body’s are maximum security penitentiaries,

and I understood exactly this mans Last Stand For Freedom,

he refused to be claimed be the hospital system,
he refused to be confined to a bed and fed through a tube,
he’d rather die happy and free taking photos on the Mekong,
have a heart attack and die taking a photo of a bullfrog,

his cardiac arrested onto his back he'd fall until he’s resting eyes up at the Heavens,

fading out like a saffron sunset upon the muddy waters flow,

no kids no wife no pets just him and his past he wants to die happy and alone,

alone as as we all are when we go,
and we all go one way or another whether Flora or Fauna,
I shook his hand thanked him for his insight then the girl and I left,
to continue on our Life's adventure…

∆ Aaron La Lux ∆

from The Holy Trilogy vol.1; available worldwide; 11/11/16 ∆

Delta

Oh I wandered long ago
On the banks of the river,
On that dark delta
They call Mekong;

In all of this lonely place
I'm the only one livin';
All of my brothers,
Dark river, all of them gone.

I lost my mind
When I lost my brothers;
I lost my brothers,
I carry their song;
Now every night,
on the banks of the river,
I hear songs of my brothers,
Dark river, deep Mekong.

Now every river
Is just one river,
And every river
Holds a soldier's song;
Every soldier
Knows a soldier's story:
Sing to me gently, dark river,
Deep Mekong;

Every soldier
Knows a soldier's story,
Sing to me gently
Songs of my brothers,
Deep Mekong.

the only sounds, the sloshing of our jungle boots  
and a cricket symphony

the air affluent with the odor of  the paddies  
oxen dung, rice-rich stagnant water

a lone golden cloud I see has two lives--one in the western sky;
another on the water’s face

and it suffers two fates, in unison, as light fades, while sky
births crimson before it morphs to black    

in its silent death throes, I see the cloud melt from the heavens
but on the water its departure is less graceful    

blurred, convulsive from our mad marching, our soles slaughtering
a would be perfect reflection of  firmament

a flock of them we call a ******,
though not what I did to ****** men
I shot on the Mekong, who did nothing
but startle me a muggy morn  

I watched them float,
face down in primordial mire,
not far from the wire, which
split their world from mine  

birds came by noon
greedy passerines perching, pecking
on black clad backs; they sang not a word
of thanks to me

though I had made a meal of men,
for those who drop from blue skies--not even
when the flesh pulled swiftly from bone, and
blood flowed silent over their talons

July 4, 1970, Mekong Delta, Vietnam

remember the melding
of gilmore and bing
the springfield gates
and desmond ring

remember the trojans
and fools in the pack
sea fair jeans
and corkscrew flat

remember the cabin
and *****’s garage
the gary point dunes
and moncton mirage

remember the warehouse
the water logged seats
tin foil caps
and simple retreats

remember the cave
and turn on the cut
emery’s mini
and hamilton’s hut

remember the burger
and shake in the air
bubs in the back
with little despair

remember the valley
and 66 ford
burgundy lips
and samworth’s chord

remember the plainsman
a 7 inch log
the ***** old frenchmen
and bore-*** hog

remember the javelin
and mushay’s wheels
beaumont’s baggie
and jennifer beals

remember tough charlie
tossing brad rand
the belyae roundhouse
and beer in the sand

remember park polo
and scaling of firs
sleeping in rafters
at 8 bucks per

remember the mayflower
and brothers von grant
the max air follies
and chivalrous rant

remember the flipper
the floyd and the clap
banana boat sunday
and pemberton trap

remember the purples
the rasp in the street
the oliver jokers
and shady retreat

remember the gators
and brick house café
a flash in the pan
and crib cult stay

remember the church
and talbs on the bridge
goofy’s memoirs
and cypress ridge

remember smaldino
whom perry cut short
***** and a ****
and moria’s port

remember the zuker
and gilligan’s isle
the pep chew bust
and 8 tooth smile

remember the action
at blundell and one
the nauseous fumes
and pump house run

remember the canyon
and rock on the cliff
a tourniquet bind
that kept us adrift

remember lake skaha
and jvc tunes
the j bain query
and peach fest goons

remember the irons
and broad entry beads
the alexander boys
we must pay heed

remember the gates
the 12 hole stare
the hospital bed
and ky affair

remember the farmhouse
an open air deck
the john deere tractor
and cowboy neck

remember the wheat field
and jimmy crack corn
the burlington plaza
and fraser street ****

remember the pincers
and wee ***** white
the concubine fractures
and strong overbite

remember the carving
portrayed at the scene
the billy goat battles
a young man’s dream

remember lord brezhnev
and moby the ****
the second beach sun
and paper bag trick

remember the screening
the silver light show
banshee boots
and phipps’s throw

remember the epic
and baby oil block
trash can brassieres
and window rock

remember the law
jack rabbit in may
an 8 track mix
on alpine way

remember the dunes
a pig on the spit
the underarm hair
and corn bull-****

remember old frankie
and bursey head post
the koa leaves
and tiki shore host

remember b taupin
the lyrics he left
cold muddy waters
an odd treble clef

remember street regent
the trips in the night
the trailer park cap
and lightheart fight

remember kits causeway
mortimer and beaks
jk's cabin
and muscle bound freaks

remember glen cheesy
and billy the less
the frozen puke patties
and borkum mess

remember the catfish
and pickerel rock
the emerald meadows
and rainbow dock

remember port dover
with fish on a stick
wayne in a bunker
holding his ****

remember the ironside
limes in a tree
the usc campus
came with a fee

remember the duster
an arrow in heart
the frog man bug
that would not start

remember the zimmer
the ram air hood
a family wagon
with panels of wood

remember peace portal
the 33 back
the power built drive
and dangerous tack

remember the reds
the blues and the greens
the furry point island
and country book scene

remember the springs
and i 95
a lone state trooper
with blood in his eye

remember may’s cabin
and stuff in between
the frame and the picture
and morning snow scene

remember the boss
with a 302 scoop
the diamond tuft console
and back seat coupe

remember ioco
the **** and the spit
the skid road race
and hurst floor kit

remember the shore
and tents in the park
a campfire roast
and kerosene bark

remember the hooger’s
kit kat club
the colvin’s and setter’s
a man called bub

remember the creature
with silk strand hair
and afternoon flask
with little despair

remember quilchena
and robbie the mac
the rice stead box
and tap on the back

remember miss williams
a pilgrim’s salute
the fairmont sister
with all of her loot

remember port ludlow
a scotman on dock
the everett street bridge
and single leg sock

remember the masters
and all of the roar
the faldo follies
at norman’s door

remember jeff samson
tied in a tree
the robertson fastback
with white leather seats

remember the balance
and pulling of 4's
the moncton warehouse
and hollywood ******

remember the hospice
with carter in wear
the power of gospel
and magic in prayer

remember the mini
counting the crows
aberdeen villa
where all of it grows

remember the ballroom
the battle of bands
the buccaneer bikers
and front row stands

remember the steely
and 50 odd pulls
the crook in the cranny
and pilsner bulls

remember the mustang
tb paul
the ****** shack sergeant
was missing a ball

remember dear kevin
head first in the pool
a sheik in a minefield
and ****** gas fool

remember the rumble
and bats in the night
an old lady screaming
to a young man’s delight

remember cliff olsen
that sick little ****
who will be in shackles
on lucifer’s truck

remember the bumpers
and cutting in line
the mice on the ****
and bo in the pine

remember the law
stabbing the corn
a bucket of ammo
and mekong horn

remember s boras
the piercing of yes
the color line paper
sikosie at rest

remember the pinto
and seven road plants
mother’s fine pizza
a trial lawyer’s rant

remember the kennedys
with ***** painted black
a pond in the shadows
where monty looked back

remember von husen
the sea to sky test
a farm hands daughter
was one of the best

remember mr pither
and mao sae tung
helena the cougar
and egg foo young

remember the cinder
and frances road bake
***** the whitehead
would make no mistake

remember the quan
and mental mix
the java hut sister
with pixy sticks

remember j rosie
banging his head
in a moment of dr
we thought he was dead

remember the hammer
discussions caught short
siddrich and roger
and monty’s abort

remember 6 nations
and KOA
the pool hall fight
when everyone stayed

remember the skinners
and tommy the med
the lost tough china
and bubs in the shed

remember the doobies
zeppelin and cars
floyd and the *****
and shankar’s sitar

remember old dustys
the blue and red chair
the cypress hill caves
and mullet cut hair

remember the promise
and vows that we made
on the 2 road stairs
in goodman’s brigade

remember those moments
and handle with care
for the garamond stamp
will always be there…

Here's some homework howlers,
By hilarious pupil terrors,
"An octopus has eight testicles."
Did I read that with my spectacles?
"Mozart sailed to Vietnam." For how long?
Why is there a clavichord in the Mekong?
"Rome is now in Africa." Do tell,
Didn't you learn map-reading too well?
"Mummy and Daddy's fave place is bed."
Do your parents really want this read?
Are these mud-coloured glasses, or what?
How did I survive teaching this lot?
It's hard to take them too serious,
Homework howlers, hilarious!

The wind told me,
"My current will take you to the ocean,
like blood flowing through the heart."
And I asked the wind,
"What if the river runs dry
and the heart stops beating?"
Then, you'll find where you truly belong-
the still river or the deep blue,"
Says the fleeting wind.

You took me to the Mekong River,
handing my documents over the border,
to the temple of the left-handed Buddha,
in the hope it would all make sense.

You took me to the brink of a stolen calamity,
you stayed with me in poetry; my eventual insanity.
You kept me with your golden voice,
you kept me with your wit.

You lost me with your genius;
how you discarded it.

You drove me to a calling that I could not fulfill,
just make statuettes from the ash that lines my windowsill.
Call it art, or call it a longing,
call it that animal burn for some kind of belonging.

You were a father, you called off the saints,
you cooled my tongue, my off-white yogi;
taught me these songs of pain, these songs of love
were meant to be sung by everyone.

Not the clever mind, nor the metronome heart
that keeps time with this life, that keeps pace from the start,
but for the stumbling folk, the slow off the blocks,
the maladjusted, the criminal; those who only see dark.

That this chip on my shoulder is a flute in which to sing,
that each failure I live, is a story I should bring
to the table of life, to the feast of recovery,
for every impatient soul with a hunger for discovery.

Each broken chord is a chance to sound alive,
amongst the crackle of the static, there is another side.
Another wasteland companion, another strangled voice,
that amongst all this hopelessness; we always have a choice.

To bend or to break in the shatter of our soul,
sometimes the glass must be half-empty in order to feel whole.
That some convenience pleasure is not always enough,
sometimes we must bear the burden;
sometimes we must hang tough.

Because the words will come, the sun will rise,
amongst the debris of yesterday, there is another side.
You took me to the temple and on bended knee I pray,
that I could lift a suicide, with just the words I say.

two of you,
on my green turf, at play
this sun-drenched day

squirrels courting? or plotting to gnaw on my trim
on a whim, it seems, since my trees have left you
ample acorns and plentiful pecans to fat your bellies,
sharpen your teeth

my neighbor has trapped and drowned a score of you  
a dreadful thing to do, many would contend--though I cannot pretend, I’ve not called about a trap

but alas,
I could not watch you writhe wildly
and gasp for breath, without recalling the ancient paddies
and those in my sights whose play I ended, with the fast flick of a switch and easy pull of the trigger, on another sunny day

a refugee from Yale, and the stale stench
of old money, he took a job with the park service

where he maintained outhouses,
and got high in the cover of cottonwoods

this crap crew job gave him no
deferment from the draft, so he landed in Can Tho

he didn't clean outhouses there--little people did,
stirring his dreck in burning diesel for 75 cents a day

when his Huey was shot down in the
Mekong, only he and his door gunner survived

they hid, submerged in paddies until dark
hearing faint but ferocious voices of the VC

who never found them--and they made the
miracle mile back to base camp, covered in muck

that smelled like dung; a scent that stuck
with him in dreams, no matter how much he bathed

when he came home, he again labored
for the forest service, and asked for ******* duty

fearing if he lost the smell,
he would lose himself as well






.

A witches brew forget what you knew about what you knew.
Summer heat comimg down to Haight street.
Black leather. Huey P.

***** South..coming round.
The lottery for your vacation in the Mekong Delta

Power to the people  wattstacks.. love generations birthday.
Coast to coast conflagration.
Burn baby.
The Hearst chronicles
         Apollo flew from the Cape.
Kennedy casket draped for
a procession.
Economic depression.......

Tick. Tick  Tick.

I stopped being a story teller when I learned to read. I don’t think I ever learned to write. I think I was a story teller long ago, before the truth mattered. Before the truth became an obsession. Truth can get in the way when we want to tell a story. Truth has a way of narrowing the walls around us,  putting the pressure on us, and sometimes squeezing the blood from us.

When I look at what I write, the things others would call poetry, the truth is nearly always inversely related to whatever value the words have. You see, there will always be someone who has felt more intense pain or joy. There will always be someone who has behaved more heroically or shamefully than any person about whom I can write. There will always be some common man or woman who has transcended his or her circumstances far better than anybody I have ever met or observed.

If I feel compelled to write about things, acknowledging that whatever great stories I might have had inside were long ago flushed from me by the waters of truth, then I must create people and events. I must conjure them up like ghosts. These apparitions have no form to be washed away.

The people who follow my words like tracks of an animal--predator or prey--should know I feel closest to being one who says something of value when the words are the greatest distance from the texture and grit of events. If I were to tell the truth, it would hurt. It would hurt me to write the truth, and it would hurt the reader who reads it. That reader has often rested complacently with the belief that the words are true, that history is really history rather than one of an infinite number of versions of the truth in this thing one might be inclined to call the book of life.

When  you read my words, please don’t forget I don’t like the truth. I avoid it even in my stories that I believe are based on "real" occurrences. I avoid the truth. Yes, I may have seen the eyes of bloodied Vietnamese children when I was twenty, and yes, I may have sat in a bunker and listened to someone tell me they saw innocents slaughtered on the Mekong,  or what the young warm blood felt like on their hands, and yes, I may have heard someone’s last words before hospice sleep, but all these things are only shadows cast by some light whose source I cannot see or comprehend.

Truth hurts. If you have read my words before, and felt something, there is no way to rob you of the feeling. Please, however, know that I was doing my utmost to hide the truth, because trying to reveal it would have been even more futile.

mostly
I survived
like a spectator
at a Macy’s parade
my head, anonymous,
part of a blur of cold colors
and checkered sounds
that lined the
straight shores of the concrete stream
of the non floating floats

so it was for many a season
nothing to report,
no rhyme or reason,
until
the heat
of the delta
where I watched you
floating
--not amongst other floats
--not in crisp Manhattan winter
--not with manufactured mirth
  and seasonal symmetry
but with a mangled monkey body
shredded by the rounds
from the M-60
my friend used to blow you from the shaded shore
into the muddy Mekong
all ten years of you
who did nothing except
stand in his sights
wearing black pajamas,
being alive,
for him to ****

just another day, this eve of May
with April's abnegation of her title, the queen of time
just another day, when the mother marked an "X" on the calendar,
holding her breath with hope, her coffee in one hand
and the red pen in the other, the hand she used to make two slashes
to bring your boy a fraction closer to home

he was to arrive alive and well in a fortnight,
neatly packaged, like a belated  mother's day gift
a reasonable thing to expect, the eve of May,
since you, his father, had arrived the same way,
after her same hand, younger, more dream driven,
had brought you home with the same crosses

but you, the man for whom she waited, all those eves ago
were wrapped neatly only long enough to see April's thirty crosses,
May's eager ambitious start, and you came unwrapped,
leaving your uniform on the bedroom floor
in a heavy heap you said reminded you of what you left behind,
not in the steaming stench of Mekong’s paddies,
but in the quiet lanes of your hometown,
in the high school where you met her, the church where you married
and where you were sure you would be buried

‘twas not yet to be so, your eve of May passed,
along with thirty five more, though you were there,
walking the same streets, to you, the crumpled green garments
were still in a heap on the floor, even though
she had buried them in a drawer years before
you did not mark off the days, for they made you
wonder if their end meant your homecoming
and not his, an infidelity you felt

you watched March march by, and April finally relent
when “they” came to the door, neatly packaged themselves,
***** and filled with well formed words--you did not hear them,
though you saw their lips move, and you watched
your wife walk past, to the ancient kitchen,
the kingdom of the calendar,
and make a final "X" this eve of May
just another day, when another mother's son  
who was crucified in the desert
would become a mystic memory

i.
i'm choleric and that's nothing new

ii.
wrapped in a quilt, i toil and sully our sarsaparilla love

iii.
in the frosty morning
an ancient beast rears its head

iv.
it implodes quietly at the bottom of the mekong

v.
this isn't language; it's pornographic license

He has been waiting for this
His whole life
Mekong river delta
Sticky prickly heat
Ice calm blood red water
Fiery orang sky
He's swimming out
Further and further
Thinking of all the men
Who die in wars
Thinking of the friends
That he's seen die
He can't reach bottom
He gasps for air
Curiously not out of breath
Marilyn Monroe reaches out her hand
She is singing Phil Collins
"In The Air Tonight"
She knows what he did
He can't reach her
She smiles
Continues to sing
He should wipe off that grin
She knows where he's been
It's all been a pack of lies
She stops to speak
But no words come out
He reaches out
She does not
The sunset takes over
The fiery, now red sky
Black shadows on blood red sea
A soft raspy voice says
"I'm here"
Then nothing
Silence
A ceiling
Reality

he shoulders shame
carrying the weight of the dead,
slung over him

partnering with gravity,
these memory moguls slow him down
though he keeps trudging

when one drops, another
takes his place -- first his father, then
a brother, stillborn

not half the weight of a stone,
yet his carcass bends his back
like any full grown beast

for he did not weep
with his mother when its blue soul
was yanked from her womb

nor did he shed a tear
when his father's heart gave out
a billion beats too soon

when he forgets his sins as son  
he recalls another one--the boy he
slew on a brown river's bank;

floating still in the Mekong, riddled
with the rifle's rabid rounds, he often catches
a ride in memory's stream

leading a relay team of shame shifters
he carries with him every step, though
the world sees him walk alone

If you want to watch, she'll dance again
Your drugs are expensive today
everything was cheaper before
and life is beginning to bore

If you want to **** again, she'll go another round
bring her down around town, smile and frown

So if Heaven is full, I know a place we can go
Let me know if this seedy city is too much
if her face is pretty much muck
I think you might be stuck

But she still dances, and you're still watching
from the balcony and the beacon

the lifeless girl drowned in the Mekong
where was she escaping to, or from?

gallery of
the grievers
ween afar
in plane
to propel
the dance
yet triple
in wings
that triage
Mekong dry-cleaner
those drastic
maitres'd the
guns of
Queen Village
noise plays
guitar in
Market Square

A man is lying sideways on a bed, his shoulder softly suffocating a pillow. He is confronted by the image of a lone G.I. at the mouth of the Mekong Delta, flanked by a Dutch colonel woman, pensively staring on. The man is now pointing his gun at the pillow, his aim obstructed by his own head. He is currently in matrimony with the dreams of yesterday, yet not as much so with his extremities.
"I wouldn't let it die if I were you," croons a voice from the impossible background, seeming to leap over the hurdles of inner commotion.
"Who's that? Whatever could you be?"
As forward as he was in his tone, he couldn't resist the dominated position he was in. Even less resistible was the pulling motion of the tunnel behind him. He is now falling back into the sun.

How I became a sea-cook

I have been a high ranking officer in the foreign legion
I have also been a sea master and a captain-lieutenant
in the American air force, flying anything from helicopters
to transport planes and jet bombers
I was in Vietnam when my moment of glory came, when general
Westmoreland's helicopter got problem and had to land
in a clearing, in panic radio silence was broken and
the North Vietnamese army moved in, it was then my expertise
kicked in I knew the area used a small chopper and saved
Him and his next in command, the pilot, was left to fend
for himself- he made it to the Mekong river and was picked up.
Westmorland was an ill-tempered man complained he could
smell alcohol on my breath- how else to fight this stupid war.
They gave me a medal and kicked me out, but I was still
employed by the foreign legion who gave me medals too before
transferring me to secret service duty.
My job was to find soldiers of the legion who had absconded
and committed crimes while in uniform.
The order was clear, bring them back or silence them,
but I’m not suited for this work, so I quit and became a cook in
the merchant navy.

of a million paddies fed by Mother Mekong, one he knew best

one where he waded knee deep at noon, naked except for a **** cloth

though double wrapped in pain, after the ****** left his family frozen in black

only a mad night before, in a war his dozen years could not comprehend

he still heard them calling his name from the razed ville, the muddy waters

where he sloshed in half circles, aping a reverse arc of the sun

as if moving from west to east, he could rewind time to yesterday

when they hunkered with him, and took shelter from the dry season sun,

unawares what else under a pure white sky could birth fierce fire

Let it be ambiguous
Let it be dark
Chapel Hill Jay
Sacramento Mark

Trust takes time
What rises must fall
Yearbook at Satellite
Reno study hall

Trust takes time
1:37
Wendy, Susan, Judi
Kevin

Ms. Susie had a Steamboat
Me on the Mekong River
Jonas can see Beyond
Just like the Giver

              Fiona!

Lawrence Hall
Mhall46184@aol.com  
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

              A Poor Attempt at a Kinda-Sorta Tang Quatrain

Ink fluttering across cheap notebook pages
A candle guttering across a thousand nights
In exile he finds a school of poets and sages
Far from his home along the swift Mekong

Mekong, the grand dame of rivers,
where her daughters flow to visit,
some lovely, some lonely and some both.
Among them are the Tien Giang affluent
and her young daughter An Huu.

An Huu is girdled by lotuses of myriad colors,
the diadem of flora lending An Huu her charms,
white, purple and pink
the lotuses elegantly float on leaf vessels that never sink.

The lake water flows unperturbed,
beautiful lotuses swaying in the moonlight,
As you sleep, your silky strands undisturbed,
beautiful you sailing in a dreamy night.

The lotuses are abodes to creatures that wish to stay unseen,
singing together while watching as the rain splashed and mud splatter.
You parted with the comfort of An Huu at a tender age of sixteen,
seeking to repay the love and kindness of your esteemed mother.

The lotuses are bloomed for worship and to soothe,
the early spring will welcome fresh blossoms from the young shoots.
Now you no longer possess the tenderness of youth,
but you still held strong to your An Huu roots.

If I can find a pink lotus to call my own,
I would name it Diem My, after you.
and I promised to care for it with all I own,
because I can’t find a lady I love more, only you.