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"mekong" poems
Here's some homework howlers, By hilarious pupil terrors, "An octopus has eight testicles." Did I read that with my spectacles? "Mozart sailed to Vietnam." For how long? Why is there a clavichord in the Mekong? "Rome is now in Africa." Do tell, Didn't you learn map-reading too well? "Mummy and Daddy's fave place is bed." Do your parents really want this read? Are these mud-coloured glasses, or what? How did I survive teaching this lot? It's hard to take them too serious, Homework howlers, hilarious!
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May 13, 2016
May 13, 2016 at 1:27 AM UTC
HOMEWORK HOWLERS....
You took me to the Mekong River, handing my documents over the border, to the temple of the left-handed Buddha, in the hope it would all make sense. You took me to the brink of a stolen calamity, you stayed with me in poetry; my eventual insanity. You kept me with your golden voice, you kept me with your wit. You lost me with your genius; how you discarded it. You drove me to a calling that I could not fulfill, just make statuettes from the ash that lines my windowsill. Call it art, or call it a longing, call it that animal burn for some kind of belonging. You were a father, you called off the saints, you cooled my tongue, my off-white yogi; taught me these songs of pain, these songs of love were meant to be sung by everyone. Not the clever mind, nor the metronome heart that keeps time with this life, that keeps pace from the start, but for the stumbling folk, the slow off the blocks, the maladjusted, the criminal; those who only see dark. That this chip on my shoulder is a flute in which to sing, that each failure I live, is a story I should bring to the table of life, to the feast of recovery, for every impatient soul with a hunger for discovery. Each broken chord is a chance to sound alive, amongst the crackle of the static, there is another side. Another wasteland companion, another strangled voice, that amongst all this hopelessness; we always have a choice. To bend or to break in the shatter of our soul, sometimes the glass must be half-empty in order to feel whole. That some convenience pleasure is not always enough, sometimes we must bear the burden; sometimes we must hang tough. Because the words will come, the sun will rise, amongst the debris of yesterday, there is another side. You took me to the temple and on bended knee I pray, that I could lift a suicide, with just the words I say.
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Nov 12, 2016
Nov 12, 2016 at 1:05 PM UTC
Leonard
You took me to the Mekong River, handing my documents over the border, to the temple of the left-handed Buddha, in the hope it would all make sense. You took me to the brink of a stolen calamity, you stayed with me in poetry; my eventual insanity. You kept me with your golden voice, you kept me with your wit. You lost me with your genius; how you discarded it. You drove me to a calling that I could not fulfill, just make statuettes from the ash that lines my windowsill. Call it art, or call it a longing, call it that animal burn for some kind of belonging. You were a father, you called off the saints, you cooled my tongue, my off-white yogi; taught me these songs of pain, these songs of love were meant to be sung by everyone. Not the clever mind, nor the metronome heart that keeps time with this life, that keeps pace from the start, but for the stumbling folk, the slow off the blocks, the maladjusted, the criminal; those who only see dark. That this chip on my shoulder is a flute in which to sing, that each failure I live, is a story I should bring to the table of life, to the feast of recovery, for every impatient soul with a hunger for discovery. Each broken chord is a chance to sound alive, amongst the crackle of the static, there is another side. Another wasteland companion, another strangled voice, that amongst all this hopelessness; we always have a choice. To bend or to break in the shatter of our soul, sometimes the glass must be half-empty in order to feel whole. That some convenience pleasure is not always enough, sometimes we must bear the burden; sometimes we must hang tough. Because the words will come, the sun will rise, amongst the debris of yesterday, there is another side. You took me to the temple and on bended knee I pray, that I could lift a suicide, with just the words I say.
Continue reading...
39
when it is still, it reflects the baby blue sky above the waves, each sparkle with the light brown Coconut toffee made by locals muddy and Overgrown, it is the beautiful home of Wild pythons, chicken, and rooster Rice Popping, snake wine fermenting, hot black sand wood boats of Green and Brown with Red eyes that lead the way across the water to the Floating Markets
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Jan 20, 2015
Jan 20, 2015 at 8:09 PM UTC
Mekong (Mother of Water)
a refugee from Yale, and the stale stench of old money, he took a job with the park service where he maintained outhouses, and got high in the cover of cottonwoods this crap crew job gave him no deferment from the draft, so he landed in Can Tho he didn't clean outhouses there--little people did, stirring his dreck in burning diesel for 75 cents a day when his Huey was shot down in the Mekong, only he and his door gunner survived they hid, submerged in paddies until dark hearing faint but ferocious voices of the VC who never found them--and they made the miracle mile back to base camp, covered in muck that smelled like dung; a scent that stuck with him in dreams, no matter how much he bathed when he came home, he again labored for the forest service, and asked for ********* duty fearing if he lost the smell, he would lose himself as well .
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Jan 25, 2017
Jan 25, 2017 at 11:06 PM UTC
toilets in the cottonwoods
A witches brew forget what you knew about what you knew. Summer heat comimg down to Haight street. Black leather. Huey P. ***** South..coming round. The lottery for your vacation in the Mekong Delta Power to the people  wattstacks.. love generations birthday. Coast to coast conflagration. Burn baby. The Hearst chronicles          Apollo flew from the Cape. Kennedy casket draped for a procession. Economic depression....... Tick. Tick  Tick.
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May 30, 2014
May 30, 2014 at 9:00 AM UTC
Afro Centric 19-6-tees
a flock of them we call a ****** though not what I did to ****** men I shot on the Mekong, who did nothing but startle me a muggy morn   I watched them float, face down in primordial mire, not far from the wire, which split their world from mine   birds came by noon greedy passerines perching, pecking on black clad backs; they sang not a word of thanks to me though I had made a meal of men, for those who drop from blue skies--not even when the flesh pulled swiftly from bone, and blood flowed silent over their talons July 4, 1970, Mekong Delta, Vietnam
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Jul 4, 2017
Jul 4, 2017 at 5:51 PM UTC
crow bait
I stopped being a story teller when I learned to read. I don’t think I ever learned to write. I think I was a story teller long ago, before the truth mattered. Before the truth became an obsession. Truth can get in the way when we want to tell a story. Truth has a way of narrowing the walls around us,  putting the pressure on us, and sometimes squeezing the blood from us. When I look at what I write, the things others would call poetry, the truth is nearly always inversely related to whatever value the words have. You see, there will always be someone who has felt more intense pain or joy. There will always be someone who has behaved more heroically or shamefully than any person about whom I can write. There will always be some common man or woman who has transcended his or her circumstances far better than anybody I have ever met or observed. If I feel compelled to write about things, acknowledging that whatever great stories I might have had inside were long ago flushed from me by the waters of truth, then I must create people and events. I must conjure them up like ghosts. These apparitions have no form to be washed away. The people who follow my words like tracks of an animal--predator or prey--should know I feel closest to being one who says something of value when the words are the greatest distance from the texture and grit of events. If I were to tell the truth, it would hurt. It would hurt me to write the truth, and it would hurt the reader who reads it. That reader has often rested complacently with the belief that the words are true, that history is really history rather than one of an infinite number of versions of the truth in this thing one might be inclined to call the book of life. When  you read my words, please don’t forget I don’t like the truth. I avoid it even in my stories that I believe are based on "real" occurrences. I avoid the truth. Yes, I may have seen the eyes of bloodied Vietnamese children when I was twenty, and yes, I may have sat in a bunker and listened to someone tell me they saw innocents slaughtered on the Mekong,  or what the young warm blood felt like on their hands, and yes, I may have heard someone’s last words before hospice sleep, but all these things are only shadows cast by some light whose source I cannot see or comprehend. Truth hurts. If you have read my words before, and felt something, there is no way to rob you of the feeling. Please, however, know that I was doing my utmost to hide the truth, because trying to reveal it would have been even more futile.
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Oct 26, 2012
Oct 26, 2012 at 1:36 PM UTC
I will try to lie
I stopped being a story teller when I learned to read. I don’t think I ever learned to write. I think I was a story teller long ago, before the truth mattered. Before the truth became an obsession. Truth can get in the way when we want to tell a story. Truth has a way of narrowing the walls around us,  putting the pressure on us, and sometimes squeezing the blood from us. When I look at what I write, the things others would call poetry, the truth is nearly always inversely related to whatever value the words have. You see, there will always be someone who has felt more intense pain or joy. There will always be someone who has behaved more heroically or shamefully than any person about whom I can write. There will always be some common man or woman who has transcended his or her circumstances far better than anybody I have ever met or observed. If I feel compelled to write about things, acknowledging that whatever great stories I might have had inside were long ago flushed from me by the waters of truth, then I must create people and events. I must conjure them up like ghosts. These apparitions have no form to be washed away. The people who follow my words like tracks of an animal--predator or prey--should know I feel closest to being one who says something of value when the words are the greatest distance from the texture and grit of events. If I were to tell the truth, it would hurt. It would hurt me to write the truth, and it would hurt the reader who reads it. That reader has often rested complacently with the belief that the words are true, that history is really history rather than one of an infinite number of versions of the truth in this thing one might be inclined to call the book of life. When  you read my words, please don’t forget I don’t like the truth. I avoid it even in my stories that I believe are based on "real" occurrences. I avoid the truth. Yes, I may have seen the eyes of bloodied Vietnamese children when I was twenty, and yes, I may have sat in a bunker and listened to someone tell me they saw innocents slaughtered on the Mekong,  or what the young warm blood felt like on their hands, and yes, I may have heard someone’s last words before hospice sleep, but all these things are only shadows cast by some light whose source I cannot see or comprehend. Truth hurts. If you have read my words before, and felt something, there is no way to rob you of the feeling. Please, however, know that I was doing my utmost to hide the truth, because trying to reveal it would have been even more futile.
Continue reading...
6
though they are whispering, and my hearing muted by the years and the cluttered clang of today, their voices sift softly through the trees, a ghost chorus, chanting late songs from the killing grounds, wafting warily around the trunks on the backs of bent breezes their names come like seeds in the hopeful spring rains as if they yearn to be born again but the earth does not bring forth their lost and longing faces new names take their places not in the choking jungle canopies among the rubber trees, the bamboo, the Mekong’s murky, mournful flow where I last heard their plaintive pleas drowned by the roar of chopper blades, and my own metal screaming but now in the desert, under the Tigris’ and Euphrates’ unforgiving suns still, I hear them, a labored litany through the trees yet asking to return to sit with me, as the sun sets white, on my gray eyes and new voices silence their wraithlike song
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Dec 11, 2013
Dec 11, 2013 at 2:30 PM UTC
I hear them, through the trees
*mostly I survived like a spectator at a Macy’s parade my head, anonymous, part of a blur of cold colors and checkered sounds that lined the straight shores of the concrete stream of the non floating floats so it was for many a season nothing to report, no rhyme or reason, until the heat of the delta where I watched you floating --not amongst other floats --not in crisp Manhattan winter --not with manufactured mirth   and seasonal symmetry but with a mangled monkey body shredded by the rounds from the M-60 my friend used to blow you from the shaded shore into the muddy Mekong all ten years of you who did nothing except stand in his sights wearing black pajamas, being alive, for him to ****
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Mar 28, 2012
Mar 28, 2012 at 9:33 PM UTC
The witness
just another day, this eve of May with April's abnegation of her title, the queen of time just another day, when the mother marked an "X" on the calendar, holding her breath with hope, her coffee in one hand and the red pen in the other, the hand she used to make two slashes to bring your boy a fraction closer to home he was to arrive alive and well in a fortnight, neatly packaged, like a belated  mother's day gift a reasonable thing to expect, the eve of May, since you, his father, had arrived the same way, after her same hand, younger, more dream driven, had brought you home with the same crosses but you, the man for whom she waited, all those eves ago were wrapped neatly only long enough to see April's thirty crosses, May's eager ambitious start, and you came unwrapped, leaving your uniform on the bedroom floor in a heavy heap you said reminded you of what you left behind, not in the steaming stench of Mekong’s paddies, but in the quiet lanes of your hometown, in the high school where you met her, the church where you married and where you were sure you would be buried ‘twas not yet to be so, your eve of May passed, along with thirty five more, though you were there, walking the same streets, to you, the crumpled green garments were still in a heap on the floor, even though she had buried them in a drawer years before you did not mark off the days, for they made you wonder if their end meant your homecoming and not his, an infidelity you felt you watched March march by, and April finally relent when “they” came to the door, neatly packaged themselves, ***** and filled with well formed words--you did not hear them, though you saw their lips move, and you watched your wife walk past, to the ancient kitchen, the kingdom of the calendar, and make a final "X" this eve of May just another day, when another mother's son   who was crucified in the desert would become a mystic memory
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May 1, 2014
May 1, 2014 at 4:24 PM UTC
the eve of May
just another day, this eve of May with April's abnegation of her title, the queen of time just another day, when the mother marked an "X" on the calendar, holding her breath with hope, her coffee in one hand and the red pen in the other, the hand she used to make two slashes to bring your boy a fraction closer to home he was to arrive alive and well in a fortnight, neatly packaged, like a belated  mother's day gift a reasonable thing to expect, the eve of May, since you, his father, had arrived the same way, after her same hand, younger, more dream driven, had brought you home with the same crosses but you, the man for whom she waited, all those eves ago were wrapped neatly only long enough to see April's thirty crosses, May's eager ambitious start, and you came unwrapped, leaving your uniform on the bedroom floor in a heavy heap you said reminded you of what you left behind, not in the steaming stench of Mekong’s paddies, but in the quiet lanes of your hometown, in the high school where you met her, the church where you married and where you were sure you would be buried ‘twas not yet to be so, your eve of May passed, along with thirty five more, though you were there, walking the same streets, to you, the crumpled green garments were still in a heap on the floor, even though she had buried them in a drawer years before you did not mark off the days, for they made you wonder if their end meant your homecoming and not his, an infidelity you felt you watched March march by, and April finally relent when “they” came to the door, neatly packaged themselves, ***** and filled with well formed words--you did not hear them, though you saw their lips move, and you watched your wife walk past, to the ancient kitchen, the kingdom of the calendar, and make a final "X" this eve of May just another day, when another mother's son   who was crucified in the desert would become a mystic memory
Continue reading...
39
the only sounds, the sloshing of our jungle boots   and a cricket symphony the air affluent with the odor of  the paddies   oxen dung, rice-rich stagnant water a lone golden cloud I see has two lives--one in the western sky; another on the water’s face and it suffers two fates, in unison, as light fades, while sky births crimson before it morphs to black     in its silent death throes, I see the cloud melt from the heavens but on the water its departure is less graceful     blurred, convulsive from our mad marching, our soles slaughtering a would be perfect reflection of  firmament
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Nov 3, 2016
Nov 3, 2016 at 6:50 PM UTC
Mekong water
i. i'm choleric and that's nothing new ii. wrapped in a quilt, i toil and sully our sarsaparilla love iii. in the frosty morning an ancient beast rears its head iv. it implodes quietly at the bottom of the mekong v. this isn't language; it's pornographic license
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May 28, 2016
May 28, 2016 at 4:01 AM UTC
discords
If you want to watch, she'll dance again Your drugs are expensive today everything was cheaper before and life is beginning to bore If you want to **** again, she'll go another round bring her down around town, smile and frown So if Heaven is full, I know a place we can go Let me know if this seedy city is too much if her face is pretty much muck I think you might be stuck But she still dances, and you're still watching from the balcony and the beacon the lifeless girl drowned in the Mekong where was she escaping to, or from?
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May 11, 2015
May 11, 2015 at 2:21 PM UTC
Instructions On How To Cry
gallery of the grievers ween afar in plane to propel the dance yet triple in wings that triage Mekong dry-cleaner those drastic maitres'd the guns of Queen Village noise plays guitar in Market Square
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Jul 20, 2020
Jul 20, 2020 at 12:06 PM UTC
Suisse Anne
He has been waiting for this His whole life Mekong river delta Sticky prickly heat Ice calm blood red water Fiery orang sky He's swimming out Further and further Thinking of all the men Who die in wars Thinking of the friends That he's seen die He can't reach bottom He gasps for air Curiously not out of breath Marilyn Monroe reaches out her hand She is singing Phil Collins "In The Air Tonight" She knows what he did He can't reach her She smiles Continues to sing He should wipe off that grin She knows where he's been It's all been a pack of lies She stops to speak But no words come out He reaches out She does not The sunset takes over The fiery, now red sky Black shadows on blood red sea A soft raspy voice says "I'm here" Then nothing Silence A ceiling Reality
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May 14, 2014
May 14, 2014 at 1:36 AM UTC
A Dream
he shoulders shame carrying the weight of the dead, slung over him partnering with gravity, these memory moguls slow him down though he keeps trudging when one drops, another takes his place -- first his father, then a brother, stillborn not half the weight of a stone, yet his carcass bends his back like any full grown beast for he did not weep with his mother when its blue soul was yanked from her womb nor did he shed a tear when his father's heart gave out a billion beats too soon when he forgets his sins as son   he recalls another one--the boy he slew on a brown river's bank; floating still in the Mekong, riddled with the rifle's rabid rounds, he often catches a ride in memory's stream leading a relay team of shame shifters he carries with him every step, though the world sees him walk alone
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Mar 27, 2017
Mar 27, 2017 at 9:13 PM UTC
yet he walks alone
Delta Oh I wandered long ago On the banks of the river, On that dark delta They call Mekong; In all of this lonely place I'm the only one livin'; All of my brothers, Dark river, all of them gone. I lost my mind When I lost my brothers; I lost my brothers, I carry their song; Now every night, on the banks of the river, I hear songs of my brothers, Dark river, deep Mekong. Now every river Is just one river, And every river Holds a soldier's song; Every soldier Knows a soldier's story: Sing to me gently, dark river, Deep Mekong; Every soldier Knows a soldier's story, Sing to me gently Songs of my brothers, Deep Mekong.
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Oct 30, 2015
Oct 30, 2015 at 11:45 PM UTC
Untitled
The wind told me, "My current will take you to the ocean, like blood flowing through the heart." And I asked the wind, "What if the river runs dry and the heart stops beating?" Then, you'll find where you truly belong- the still river or the deep blue," Says the fleeting wind.
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Oct 31, 2015
Oct 31, 2015 at 6:23 AM UTC
Mekong Blues
two of you, on my green turf, at play this sun-drenched day squirrels courting? or plotting to gnaw on my trim on a whim, it seems, since my trees have left you ample acorns and plentiful pecans to fat your bellies, sharpen your teeth my neighbor has trapped and drowned a score of you a dreadful thing to do, many would contend--though I cannot pretend, I’ve not called about a trap but alas, I could not watch you writhe wildly and gasp for breath, without recalling the ancient paddies and those in my sights whose play I ended, with the fast flick of a switch and easy pull of the trigger, on another sunny day
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May 23, 2020
May 23, 2020 at 5:54 PM UTC
running rodents and Mekong memories
A man is lying sideways on a bed, his shoulder softly suffocating a pillow. He is confronted by the image of a lone G.I. at the mouth of the Mekong Delta, flanked by a Dutch colonel woman, pensively staring on. The man is now pointing his gun at the pillow, his aim obstructed by his own head. He is currently in matrimony with the dreams of yesterday, yet not as much so with his extremities. "I wouldn't let it die if I were you," croons a voice from the impossible background, seeming to leap over the hurdles of inner commotion. "Who's that? Whatever could you be?" As forward as he was in his tone, he couldn't resist the dominated position he was in. Even less resistible was the pulling motion of the tunnel behind him. He is now falling back into the sun.
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Aug 22, 2019
Aug 22, 2019 at 12:34 PM UTC
Boy Delta
How I became a sea-cook I have been a high ranking officer in the foreign legion I have also been a sea master and a captain-lieutenant in the American air force, flying anything from helicopters to transport planes and jet bombers I was in Vietnam when my moment of glory came, when general Westmoreland's helicopter got problem and had to land in a clearing, in panic radio silence was broken and the North Vietnamese army moved in, it was then my expertise kicked in I knew the area used a small chopper and saved Him and his next in command, the pilot, was left to fend for himself- he made it to the Mekong river and was picked up. Westmorland was an ill-tempered man complained he could smell alcohol on my breath- how else to fight this stupid war. They gave me a medal and kicked me out, but I was still employed by the foreign legion who gave me medals too before transferring me to secret service duty. My job was to find soldiers of the legion who had absconded and committed crimes while in uniform. The order was clear, bring them back or silence them, but I’m not suited for this work, so I quit and became a cook in the merchant navy.
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Mar 23, 2017
Mar 23, 2017 at 3:24 PM UTC
how I became a cook at sea
of a million paddies fed by Mother Mekong, one he knew best one where he waded knee deep at noon, naked except for a **** cloth though double wrapped in pain, after the ****** left his family frozen in black only a mad night before, in a war his dozen years could not comprehend he still heard them calling his name from the razed ville, the muddy waters where he sloshed in half circles, aping a reverse arc of the sun as if moving from west to east, he could rewind time to yesterday when they hunkered with him, and took shelter from the dry season sun, unawares what else under a pure white sky could birth fierce fire
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Nov 29, 2017
Nov 29, 2017 at 8:42 PM UTC
orphan's journey
Let it be ambiguous Let it be dark Chapel Hill Jay Sacramento Mark Trust takes time What rises must fall Yearbook at Satellite Reno study hall Trust takes time 1:37 Wendy, Susan, Judi Kevin Ms. Susie had a Steamboat Me on the Mekong River Jonas can see Beyond Just like the Giver               Fiona!
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Nov 13, 2022
Nov 13, 2022 at 11:59 PM UTC
Elsewhere