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"longish" poems
crisp atmosphere, special ordered for perfect pumpkin patching, apple picking, stout sweaters all, a blueish autumnal sky, orange 'n red leaves delivered on time the old uber-man-grand-pa, hired as a day driver, saddles them up, three generations all tucked in a repeating mise en scène a replay of some thirty years earlier, when the now-father was about the same age, as his boy, three years aged and yet so impatient asking the same question his father perfected, in the same sweet voice, at about the same time, in the same way, a little voice from deep in the cavernous back seat, sighing, squeaking with an I've-seen-it-all ennui, some mere five minutes into the hour's plus journey to the 'country' bound "are we there yet?" titters 'n snickers from assorted adults, but grandpa weeps words with composition instant, so many answers to such an important question, so serious that an admission, confession required, due you, grandpa still asks the same question every day of his life it's Sunday and longish poems per Yeoman, strictly verboten, God knows there's an essay unwritten as the answer, a symphonette with a thousand opus, by-your-command repertoire, a pumpkin for every patch, some answers that even may be a young prince's carriage in hiding but for now let this suffice, sometimes yes, sometimes no, and sometimes, the goal line just goes and moves on ya so with utmost seriousness a purposed thoughtfulness proposed, posing said inquiry knows no age limitation, if you have not asked of yourself this day, "are we there yet?” then the answer is surely, not yet
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Oct 16, 2016
Oct 16, 2016 at 5:14 PM UTC
are we there yet?
crisp atmosphere, special ordered for perfect pumpkin patching, apple picking, stout sweaters all, a blueish autumnal sky, orange 'n red leaves delivered on time the old uber-man-grand-pa, hired as a day driver, saddles them up, three generations all tucked in a repeating mise en scène a replay of some thirty years earlier, when the now-father was about the same age, as his boy, three years aged and yet so impatient asking the same question his father perfected, in the same sweet voice, at about the same time, in the same way, a little voice from deep in the cavernous back seat, sighing, squeaking with an I've-seen-it-all ennui, some mere five minutes into the hour's plus journey to the 'country' bound "are we there yet?" titters 'n snickers from assorted adults, but grandpa weeps words with composition instant, so many answers to such an important question, so serious that an admission, confession required, due you, grandpa still asks the same question every day of his life it's Sunday and longish poems per Yeoman, strictly verboten, God knows there's an essay unwritten as the answer, a symphonette with a thousand opus, by-your-command repertoire, a pumpkin for every patch, some answers that even may be a young prince's carriage in hiding but for now let this suffice, sometimes yes, sometimes no, and sometimes, the goal line just goes and moves on ya so with utmost seriousness a purposed thoughtfulness proposed, posing said inquiry knows no age limitation, if you have not asked of yourself this day, "are we there yet?” then the answer is surely, not yet
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52
she was young and had struggled all her life like a cursed devil doll with the darkest impulses pain was *** *** was pleasure and death she thought oh wow thats an ****** while her little girl friends all may berry kittens and sunshine screamed in terror at the horror films like minced mice in cleavers she thrilled to the part where little innocent katty bratty blondy got it hard and ****** with an ice pick in the belly and then stumbled around waring her surprise face blink-less trailing blood finally getting to the ice box pulling out her last ice cream on a stick and while eating it fell head first into the cooler dead she thrilled witnessing the girl poked through like butter by a guy with eyes like spider bites in a jet black motor cycle jacket and electric bolt tattoos on his face all blond duck assed jelled like filigree in wild root cream hair tonic she imagined his **** pink longish arterial a real throat gager she, helpless, sacrificial and oh so willing being murdered by a boy who loved her that way his **** a a piercing blade the very death of her her little hot pink ***** ******* a gooey cauldron of drooling tears splatter she thought how can any body want this Oh but i do *** yes please
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Aug 18, 2016
Aug 18, 2016 at 6:32 PM UTC
Demon Lover at the Movies
On the sidewalk standing in the rain the old man is a wounded dove. Longish white hair: wet feathers grounded in a storm. The rain is heavy and repeats itself, like buckets of water thrown out of windows. The old man stands there holding a memory or a wish. Under the streetlight his wet hair glistens like tinfoil. The downpour is a creature that’s eating him up. Darkness projects from a deserted apartment building. The ground floor windows and doors are boarded, nailed shut. It appears dead, like an old disease, or stripped, like a despoiled tomb. Its bricks cracked and crumbled, wooden casings dry rotted and helpless. Painted in bold red across the boarded front entrance, a graffiti-message: Girls Rule. Looking back at the old man, he stands the way a king stands alone when doubting himself. Dark crawls around him. The old man stares at the building. He is motionless, in memory. Rain gallops over him. Inside the warmth of a café, my steaming coffee. Outside, the streets are laundered clean of everyone except for the old man who stares at the apartment building. Time has grown over his face and body, has grown over the broken down building. Now the rain is as heavy as mucus and with his tiny body the old man shuffles away into the dark and gradually disappears like a casket being covered with earth. _______________________________________ from my sixth book-length manuscript ©dah / dahlusion 2014 / 2015 all rights reserved "In Streetlight, His Wet Hair" was first published in 'Switch (the difference) Anthology' from 'Kind Of A Hurricane Press'
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Feb 26, 2016
Feb 26, 2016 at 2:53 PM UTC
In Streetlight, His Wet Hair
On the sidewalk standing in the rain the old man is a wounded dove. Longish white hair: wet feathers grounded in a storm. The rain is heavy and repeats itself, like buckets of water thrown out of windows. The old man stands there holding a memory or a wish. Under the streetlight his wet hair glistens like tinfoil. The downpour is a creature that’s eating him up. Darkness projects from a deserted apartment building. The ground floor windows and doors are boarded, nailed shut. It appears dead, like an old disease, or stripped, like a despoiled tomb. Its bricks cracked and crumbled, wooden casings dry rotted and helpless. Painted in bold red across the boarded front entrance, a graffiti-message: Girls Rule. Looking back at the old man, he stands the way a king stands alone when doubting himself. Dark crawls around him. The old man stares at the building. He is motionless, in memory. Rain gallops over him. Inside the warmth of a café, my steaming coffee. Outside, the streets are laundered clean of everyone except for the old man who stares at the apartment building. Time has grown over his face and body, has grown over the broken down building. Now the rain is as heavy as mucus and with his tiny body the old man shuffles away into the dark and gradually disappears like a casket being covered with earth. _______________________________________ from my sixth book-length manuscript ©dah / dahlusion 2014 / 2015 all rights reserved "In Streetlight, His Wet Hair" was first published in 'Switch (the difference) Anthology' from 'Kind Of A Hurricane Press'
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48
If you ever die If you ever die from me Looking at my longing eyes In guise of a mystic veil Dead drop at the twilight hours White longish fangs Of the piercing moments Will unfurl its wings of fire Setting sail in an invisible gondola At long last to carry you home To the isle of your birth Even if you ever die at all from me I will stand upon the deck of noontide All alone in my aloneness, all alone Staring vaguely at the rushing gondola Surfing invisibly away from me Tearing apart the veil of grazing mist At the twilight hours casting spell on me To diminish myself into you And with you I too diminish away From you, all away from you In a shroud of love and longing As if you never died away from me In my longing eyes for you, only for you And like The Prophet beloved Prophesying on the blue mountain From his never ending well Of wisdom depthless and deathless I will remember you as silently As the sound of scorching darkness And I will remember your heart As saying for ever to me, only to me: “A little while, A moment of rest upon the wind, And another woman will bear me." * * (The italic quotation is from Kahlil Gibran's The Prophet)
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Apr 24, 2010
Apr 24, 2010 at 10:53 AM UTC
An Invisible Gondola
My pants had a hole in the pocket where I carry my keys and after a week of picking them up after they had slid down my leg to my right shoe and another week of carrying them in my left pocket with my phone and glasses transferred to my right they are too big to fit through the hole I decided to sew the hole closed To do this I bought a "sewing kit" at the supermarket It contained thread, needles, a tape measure printed on tracing paper that little wire loopy thing that helps you thread the needle and a pair of ridiculous scissors. The label "scissors" carries with it certain expectations Cutting of course and finger holes that actually fit your fingers It's like when you order a hot dog you expect a tube of meat in a longish bun not a wilted salad between two stale rice cakes The issue was that these "scissors" met neither of those expectations that one has when picking up scissors They seemed to be stamped out of a new alloy of aluminum foil and mylar balloon The "blades" didn't actually meet and the holes for fingers would present an obstacle for any escaping green pea I did use them and finally after some sawing cut the thread I was going to complain but thought of who had probably made them this pair of ridiculous scissors and pictured the child or man or woman in a sweaty factory somewhere probably hungry They might work long hours for meager wages and I sit in a comfortable life and complain about ridiculous scissors
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Apr 15, 2014
Apr 15, 2014 at 10:18 AM UTC
Ridiculous Scissors
A desk covered in art witty and weird. A play for which I've a part minor and mundane. A car that I cannot drive broken and bruised. A flood that I can't survive sinking and soothing. A hairstyle I can't percieve longish and loopy. A dress sense copied by many perfect and quiet.
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Nov 3, 2013
Nov 3, 2013 at 8:38 PM UTC
A poem of unthought through thoroughly metaphors by Nathan Douglas Day the unimaginable.
Tonight, I am afraid. I am afraid because I had a piece of toast 13 hours ago, and there's nothing left in the fridge except some horrible strawberry liqueur, which I am drinking despite the fact that it feels like acid in my empty stomach. Me, I'm 5 feet 11 inches, 112 pounds, blue-eyed with longish blonde hair. I'm hungry, but it appears that New York doesn't feed outsiders. So I'm listening to Leonard Cohen on Leonard Street because that's the only thing I can think of that makes sense right now. Smoking in bed, my small luxury. I had a neighbor who leaves me toast and coffee in the morning, except I haven't seen him in a while and I'm too proud to knock on the door and ask for food. It's strange, leaving a perfectly ordinary life for this desperation, this skinny **** that I thought was important but now just makes it hard to climb the stairs. I'll make it, though, right? It's almost September and that's when I'm supposed to make money. Money. I just wanted to go to Italy again, feel the life I should never have left again. So okay I’ll be their clothes hanger, their one-man show, walk a pretty walk for them, and then go somewhere else. Except right now I'm considering the hospital, that sweet IV that will keep me nourished. I can't afford a taxi though, and I don't know what is I’d tell them- “Hi I'm 20 years old, broke, starving, alone, and afraid to sleep because I don't know if I'll see another day”- I think they would send me to the psych ward instead. I don't know, I am supposed to be a hybrid of girlish innocence and feminine mystique, but all I really want is someone to put me to bed and watch me sleep so I know I'll be safe.   It's 3:26 am. I have no one to call. It's just Leonard Cohen and I on Leonard Street, singing through dry lips and fading into the white of the sheets. If I called for help, I doubt they'd find me in the bed. I'm here, though, I'm here.
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Aug 12, 2013
Aug 12, 2013 at 3:33 AM UTC
Leonard Street
Tonight, I am afraid. I am afraid because I had a piece of toast 13 hours ago, and there's nothing left in the fridge except some horrible strawberry liqueur, which I am drinking despite the fact that it feels like acid in my empty stomach. Me, I'm 5 feet 11 inches, 112 pounds, blue-eyed with longish blonde hair. I'm hungry, but it appears that New York doesn't feed outsiders. So I'm listening to Leonard Cohen on Leonard Street because that's the only thing I can think of that makes sense right now. Smoking in bed, my small luxury. I had a neighbor who leaves me toast and coffee in the morning, except I haven't seen him in a while and I'm too proud to knock on the door and ask for food. It's strange, leaving a perfectly ordinary life for this desperation, this skinny **** that I thought was important but now just makes it hard to climb the stairs. I'll make it, though, right? It's almost September and that's when I'm supposed to make money. Money. I just wanted to go to Italy again, feel the life I should never have left again. So okay I’ll be their clothes hanger, their one-man show, walk a pretty walk for them, and then go somewhere else. Except right now I'm considering the hospital, that sweet IV that will keep me nourished. I can't afford a taxi though, and I don't know what is I’d tell them- “Hi I'm 20 years old, broke, starving, alone, and afraid to sleep because I don't know if I'll see another day”- I think they would send me to the psych ward instead. I don't know, I am supposed to be a hybrid of girlish innocence and feminine mystique, but all I really want is someone to put me to bed and watch me sleep so I know I'll be safe.   It's 3:26 am. I have no one to call. It's just Leonard Cohen and I on Leonard Street, singing through dry lips and fading into the white of the sheets. If I called for help, I doubt they'd find me in the bed. I'm here, though, I'm here.
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2
never is a longish time evermore miles longer,wider vulnerable to repartition everlasting in it's perpetuity re-quiescent supine eternally                                  rewound                                    rewound
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Apr 18, 2014
Apr 18, 2014 at 8:31 AM UTC
never-everland is long car-ride, away.
Long ago How I loved you so You tore me apart When you let me go I was broken My heart Oh, it was so broken Eventually it healed Although it took A month My scar twined together Now I feel myself Falling out of this galaxy Out of common sense and into you I can't help being endeared to you Knowing your dreams of flight Seeing you red nerd glasses Adorable Longish black hair Amazing Smart Awesome Creator of all that is holy, help me. I need to stop Because you are no good You have moved on I must as well Lord, grant me the power to resist the strongest of emotions Because I cannot I will not Give in.
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Nov 8, 2013
Nov 8, 2013 at 11:40 PM UTC
Fall Again
To be immortal, eternal To last throughout the ages To stand above all others Written of by the Sages To battle through adversity Overcome all of the odds Lay low all of your enemies Ascend to the realm of Gods Hear the melody of your tale Pour from the mouths of Bards Your cunning and your trickery Your proclivity for dice and cards Your saving of maiden Your taking of the same Your duplicitous nature The building of your name So many disguises, outfits, faces A new person for every event so many skills to learn and master All or your time is used now, spent You have stretched far, a longish span A passing storm heard in the distance A raging power, destroyer of worlds A torrent of change at your insistence You step into the glow of life’s evening Looking back on this long trip A small smile brightens, tired eyes As into past dreams you slowly slip Eternal? Immortal? throughout the ages? Who cares of these things? What matter the Sages? Fully lived lives are the answer Moments grasped firm, held tightly As the end must come for us all Go to your end Proudly, not lightly
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Nov 24, 2013
Nov 24, 2013 at 7:35 PM UTC
Forever
The Funniest Word: Sesquipedalian: Long-Winded I just learned the strangest word: An adjective ne’er seen or heard. Sesquipedalian. Sesqui-pedal-ian: Are we the aliens depicted? Is it us the word has painted? Latin for a foot plus half** Which makes me laugh. “Polysyllabic or long-winded”.** If there ever was a winding Longish ended word, it is sesquipedalian. You have to laugh At something that’s a ‘foot plus half’ That uses fourteen signs to say it. ‘Sesquipedalian names, or prose’ God only knows how long is wrong, And even, what is wrong with ‘long’! Eighteen inches, fourteen letters. Something in the letters fetters. Words are born from situations: Every nuance. each emotion. How they come about’s the question. Are we so observant, we, Disposed to live linguistically? I’ve no idea, But it sure is ****** funny. **18 inches or 45.72 centimeters. The Funniest Word: Sesquipedalian 9.27.2020 A Sense Of The Ridiculous II; Circling Round Experience; Arlene Nover Corwin sesquipedalian | ˌsɛskwɪpɪˈdeɪlɪən | adjective formal (of a word) polysyllabic; long: sesquipedalian surnames. • characterized by long words; long-winded: the sesquipedalian prose of scientific journals. ORIGIN mid 17th century: from Latin sesquipedalis ‘a foot and a half long’, from sesqui- (see sesqui-) + pes, ped- ‘foot’.
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Sep 27, 2020
Sep 27, 2020 at 6:56 AM UTC
The Funniest Word: Sesquipedalian
Softly, they tickle As they crawl, like fingers Down caramel cheeks Flawless, beautifully scalped Dipped, sliding from both Along her pores, tiny hairs From her brown lashed eyes Shadowed in sorrows It's her cross, she cries For pains unmade, left alone But those tears stains skin Bringing color to touch Red, again so deep Like her lips, pursed Her tongue darts, tastes It's the way; her way She looks and sees Upraised eyes, first time All these years, through time Friends lost, begging and gone Mascara blood stained tears Humming soundless tunes A sorrowful lost small smile Hunts her lips, painted matching Her eyes bright In palest moonlight Seem to sparkle, nice Memorizing glances; fight Longish fingers dipped in red Look, sensually gesturing Spellbound graceful trap Predatory heart Still blood tears fall Not for you, not for you As she reaches, slow Tears become rivers
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May 2, 2015
May 2, 2015 at 9:28 PM UTC
Untitled
And walking down the line, And walking down the line, Blood hot to fuel the limbs a-crying, Struck not for rhythm, only rhyme, Best for sighing And dying in retreat. And in my chest of pine, A map rolled up so thin, Drawn wit with all the twists of time, Stray shores lit up by ocean-shine, Uniquely won, But smudged with soot. Clouds from the soil – a sign! This little mist of mine, Will yearn to chuck its static tine Among the tatters and the lint That settled in my chest of pine, a boneyard relic dank and bare which homely cries A ravaged syncopation twice. And veering from the line, And steering from my way, A day or two to stay away From bays of beasts and feasts of lice and many a morsel, lost to vermin that squirm and grow and bite my leg bleeds green; Known to knaves that waved grave flails and scattered **** that ****** its own to Hell, where overdue a longish spell sent Falling from place to grace that face that drew a thousand beads of albatross tears, of murky reeds and cheating, stinking, reeking, absolute, terrible, miserable, mistakes Fall in line! And burps another Rhine, Boiled quaint in bogs of brine, That pickles crisp the limp old rind Of cogs and bands my chests of pine, Buckskin drying all the time, ******* coke, doing lines, tonguing chic, pearly swine, concede a side I’ll never find.
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Feb 8, 2014
Feb 8, 2014 at 10:44 AM UTC
Fall in Line
Look at me now My once curly hair stick-straight, My once fresh eyes Kohl-laced Wonder at my dexterity My pinkish tender fingers have gotten disfigured To longish, darker, and wiser ones; you’d hear my High, shrill laughter, that doesn’t conform To the graceful springy adornments that it had before gaze at my iconoclastic room That smells of adolescent hormones Swelling with teenage rebellion and Punk shades of red and black, A radical departure from my late pink paints And Barbie shades; Feel my feelings now That impalpable blood red ocean Thoughts no longer wander around Santa or snow white or Maidens fair, instead Just hang around vainly, hovering in midair. But don’t you gape; it’s still that naïve little Girl you knew, with wide eyes and a mouth adorned with Chocolate stains who blabbered incessantly About all things only half-understood; only that now, All the chocolate has been licked clean And behind it every truth that hid harshly revealed. If you can deal with the radical, then believe , it’s still Me.
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Nov 6, 2015
Nov 6, 2015 at 7:57 PM UTC
Radical
“***I read to find inspiration. I write to restore candor to the mind.***” N. Scott Momaday                         <<<<<>>>>>>>>> Find Inspiration: a phrase that diodes light, a one-way current within, making me a selectman, “of thee I sing, of thee I write, of thee am I composed and fodder for thy dissection & ”my decomposition.” a phrase that reads me more than I read it, jumps onto my ontological eyeballs, a great leap forward, and I suppose humdrum you could call it, inserted inspiration Restoring Candor: thus begins expiation+ excoriation+ exhumation; a longish road to candor restoration, where plausible deniability is denied, Jedi verbal mind tricks are just in movies, and candor is really “can-do(r)!” but no one dare say that for fear of being laughed at, a cancelled jingo-lingo-patriot.
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Oct 24, 2021
Oct 24, 2021 at 10:47 AM UTC
restoring candor, jingo linguistically
Johnny stood at the cafe bar counter the female barista had taken his order two lattes a cappuccino and a mocha beside him a short dame spectacles dark haired longish ordered her order to another barista Johnny watched the baristas signora signorina the female Italian barista said the short dame was inattentive o sorry she said I was elsewhere Johnny smiled taking a glimpse of the dame she caught his eye and she smiled shyly the dame fingered her cellphone Johnny took time to appreciate the female the figure the eyes behind the glasses as if for one moment he had an art work before him then the barista serving him said the amount he paid and took his order to his table behind where others sat taking in his mind the art form gone to her place captured in his mind the dame's neat face.
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Oct 19, 2015
Oct 19, 2015 at 6:54 AM UTC
DAME'S NEAT FACE.
Ghostly goings on in my underpants Where me found ****** sycophants Brown little creepers with longish tongue Ghosties have got me by the ghoulies Somehow it doesn't seem wrong. Natures little crawlers rising to the top If they don't release my ghoulies There all be for the chop
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Apr 29, 2017
Apr 29, 2017 at 6:58 PM UTC
Creepers
this morning I'm wearing a rather longish frown as one of my favorite sites has unexpectedly shut down they gave no advance warning of being off air last night when I went there everything was looking fair panic and horror have struck at the pit of my gut twill my beloved site remain forever shut others who visit this domain are also under much strain they are feeling a most terrible pain the site management haven't yet answered my emails would seem that all communication is as slow as a troop of snails not one word have I heard from the other end the whole situation has driven me around the bend not being able to gain access to my longstanding account hath been so upsetting and so hard to surmount a most trying start to the day one has had to endure the site being down without any sign of a cure later this Wednesday evening one shall hop online to see if the site is traveling in a manner fine one must be hopeful of the domain running along well then one shall have admittance into its oyster shell
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Dec 30, 2014
Dec 30, 2014 at 8:16 PM UTC
Favorite Site
you walk into my mind like irresistibly you walked into my life also at unexpected moments I catch a glimpse of beauty and feel you touch my cheek looking at the screen I see your face return to me a loving smile you sit beside me in your longish yellow dress when I am in my car and when I fall asleep or wake up drowsily your presence hardens my desire and makes me catch my breath the thought of you!
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Mar 14, 2015
Mar 14, 2015 at 4:40 PM UTC
the thought of you
We walked past the water tower hand in hand then Jane stopped and said my parents are concerned that you may expect things expect things? what things? I said she gazed at me beyond kissing she said I looked at her at her dark longish hair her dark eyes peering into mine your mum said something about limitations and rules but I hadn't the foggiest what she was talking about I said Jane tightened her hold of my hands I am not like that girl Lizbeth I don't believe in *** before marriage Jane said shyly staring at me I thought we were not going to talk about her I said just an example about where I am not going Jane said o I said understanding at last the whole penny dropping with a loud clang did your mum think we might do that? I added Jane nodded her head well she was frightened we might go beyond kissing in a passion one day and well you know what adults are like Jane said blushing I thought she trusted me or us? Jane let go of my hands human nature my dad said is not automatically bound by human rules it takes intelligence and a willingness to not go beyond those rules and limits I nodded my head but we can kiss still she said and hold and be close but not go where Lizabeth would go if you let her Jane said going red and looking away across at the Downs let's not talk of her anymore I said I haven't and won't do that a tractor moved over a far field cows mooed in a nearby field she took my hand and we walked on along the lane I told Mum that Jane said not about Elizabeth but about us and that we would not the sun was out blue skies and I was hot.
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Dec 22, 2015
Dec 22, 2015 at 1:53 AM UTC
UNDERSTANDING RULES 1961
We walked past the water tower hand in hand then Jane stopped and said my parents are concerned that you may expect things expect things? what things? I said she gazed at me beyond kissing she said I looked at her at her dark longish hair her dark eyes peering into mine your mum said something about limitations and rules but I hadn't the foggiest what she was talking about I said Jane tightened her hold of my hands I am not like that girl Lizbeth I don't believe in *** before marriage Jane said shyly staring at me I thought we were not going to talk about her I said just an example about where I am not going Jane said o I said understanding at last the whole penny dropping with a loud clang did your mum think we might do that? I added Jane nodded her head well she was frightened we might go beyond kissing in a passion one day and well you know what adults are like Jane said blushing I thought she trusted me or us? Jane let go of my hands human nature my dad said is not automatically bound by human rules it takes intelligence and a willingness to not go beyond those rules and limits I nodded my head but we can kiss still she said and hold and be close but not go where Lizabeth would go if you let her Jane said going red and looking away across at the Downs let's not talk of her anymore I said I haven't and won't do that a tractor moved over a far field cows mooed in a nearby field she took my hand and we walked on along the lane I told Mum that Jane said not about Elizabeth but about us and that we would not the sun was out blue skies and I was hot.
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86
They rarely bother to mow here anymore, Once a month, perhaps every other (Times are tight, full burials being pretty much A thing of the past these days) Though it’s unlikely anyone would notice If the grass grew a bit longish, Or the crownvetch and crabgrass became a little more prevalent, No one being buried in this part of the cemetery For the better part of a hundred years now, The stones bleached and faded from decades of sleet and sunlight And acid rain from the auto plants of Flint and Lorain and South Bend, (Now boneyards for gears and drill bits themselves) Those names still legible on the teetering, unsteady stones Mostly the stolid Scotch-Irish surnames Vaguely familiar from the town’s founding generation Found on its street signs or pocket-parks, Their descendants mostly having fled to friendlier climes, Though the odd lesser strain of the families remain (Not that they would choose to pay tribute to those ancestors To whom they have fared so poorly in comparison) Though many more bear the family names of their trades, Clusters of Coopers, Weavers, and Smiths, Their stones bearing the sentiments of grim Victorian fatalism, Thus in mercy early call’d away or The happy soul is that which fled. Such thoughts are quaint, eccentric things to us now, As would be the clothes they wore, the songs they sung, But we would know them nonetheless, Know the muted joy of their minor successes, The depth and finality of their defeats, The sting of bowing and scraping To the owners of the mill, the haughty town fathers, As they served them at the milliners or the drug store, Their odd, fleeting dreams of grandeur having come to rest here, Cherry-lidded as they proceed to dust.
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May 2, 2017
May 2, 2017 at 9:35 AM UTC
The Old Section Of The Cemetery On Bootjack Hill
They rarely bother to mow here anymore, Once a month, perhaps every other (Times are tight, full burials being pretty much A thing of the past these days) Though it’s unlikely anyone would notice If the grass grew a bit longish, Or the crownvetch and crabgrass became a little more prevalent, No one being buried in this part of the cemetery For the better part of a hundred years now, The stones bleached and faded from decades of sleet and sunlight And acid rain from the auto plants of Flint and Lorain and South Bend, (Now boneyards for gears and drill bits themselves) Those names still legible on the teetering, unsteady stones Mostly the stolid Scotch-Irish surnames Vaguely familiar from the town’s founding generation Found on its street signs or pocket-parks, Their descendants mostly having fled to friendlier climes, Though the odd lesser strain of the families remain (Not that they would choose to pay tribute to those ancestors To whom they have fared so poorly in comparison) Though many more bear the family names of their trades, Clusters of Coopers, Weavers, and Smiths, Their stones bearing the sentiments of grim Victorian fatalism, Thus in mercy early call’d away or The happy soul is that which fled. Such thoughts are quaint, eccentric things to us now, As would be the clothes they wore, the songs they sung, But we would know them nonetheless, Know the muted joy of their minor successes, The depth and finality of their defeats, The sting of bowing and scraping To the owners of the mill, the haughty town fathers, As they served them at the milliners or the drug store, Their odd, fleeting dreams of grandeur having come to rest here, Cherry-lidded as they proceed to dust.
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34
He said his name was Joe Young. I teased and called him mighty When I'd pulled ahead and stopped To intercept him at a pullout. His bicycle, encumbered, stem to stern, By neatly rolled up and tied on bundles, Seemed too heavy to be pushed, As he was doing, much less ridden. He wasn't a young man by any means, But when I shook his hand, his grip exuded strength; His eyes full of the merriment that comes only From a heart that loves life and enjoys living it. Joe's untrimmed beard covered his face and chest, Blended at the sides with longish uncut hair. Whether blond, red, or gray remained a mystery. His lips, as he spoke, hid behind a wide red mustache. We sat together on the tailgate of my pickup truck. Our stories of adventure traveling back and forth. My own seemed mild compared to his, but when I told my dream, He laughed aloud in genuine appreciation. He understood. He went his way, trudging byways, seeing the country, edge to edge. I drove on, richer for having seen his eyes and heard his voice. And when I, too, hit the road in months to come, I pray I’ll cross paths again with mighty Joe Young, Somewhere in America, living life his way.
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Aug 1, 2014
Aug 1, 2014 at 9:57 PM UTC
Mighty In My Sight
One day there came into the club a stranger causing a great hubbub with his soldierly, swaggering, uniformed figure, and short black hair and moustache a-quiver, and with him aides and associates ten, all muscular, military, mustachioed men, and looking around with disdain he decried not a table there was which was not occupied, and noticing a nearby noisy group of diners spooning up their soup at a longish table seating twenty and laden with food and drink a-plenty, he called the captain with this demand, “Give me that table, it’s my command.” from The Adventures of George ©Blair Gowrie (Roderick Macdonald)
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Jul 8, 2017
Jul 8, 2017 at 4:05 AM UTC
George's club has a visitor
Carrera scrawling his notes for the ‘War for Australis Incognita’ sat beneath a lush fruit bearing tree; Bob’s plan for the boy seeming to going be into effect despite Bob’s abandoning his original plan for him. Charlotte putting the boy in shorter skirts and matching the light lavender fabric with purple stockings and red garters. The boy’s bustier barely held his flat-chested frame and she had pulled the laces straight and true tight around his torso squeezing the breath out of him to give him cleavage where none was to be had. Pinning his longish hair into pigtails, scrubbing his face clean with an astringent cold cream and applying powder to his smooth face over which she painted rouge, eye-shadow and lipstick. Seeing Carrera writing busily below the glistening red arctic apples, Nancy approached the distracted writer. Carrera was lighting his ***** pipe when the boy whom for all the world resembled an attractively winsome female came over and sat with him. “Excuse me, sir, may I ask the greatest favor of you?” Not recognizing the boy despite having never seen a teenage girl on ship Carrera hastily pocketed the smelly pipe and turned his attention to the big blue eyes before him. The lips were thin squiggly lines that spoke is a whiny rasp that was not entirely unappealing. “Yes, my childe, what can I do for you?” “I would certainly love to eat of the tree growing above you but alas, I cannot reach the sweetest fruit. Would you be so kind as to hoist me up so that I may gather a few you would perhaps share with me?” “Why, of course, girly. Here, stand on my shoulders,” said the poet kneeling to allow the slim fellow to plant a hobnailed boot onto his broad shoulder. Carrera couldn’t resist raising his head once the boy was up on both shoulder reaching for the ripe apples of a new sort, the boy using his petticoats like a basket to catch the fruit he could swat from the low branches. Carrera was staring straight up his petticoats to the visible stocking tops and garters. Carrera’s mind swimming with fantasies of derring-do and adventures that he assiduously avoided any first-hand knowledge of, his gaze locked on the baggy breeched bottom below the boy’s skirts, Carrera thought he’d been struck by something like love at first sight.
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Mar 21, 2018
Mar 21, 2018 at 4:03 PM UTC
Carrera In Love
Carrera scrawling his notes for the ‘War for Australis Incognita’ sat beneath a lush fruit bearing tree; Bob’s plan for the boy seeming to going be into effect despite Bob’s abandoning his original plan for him. Charlotte putting the boy in shorter skirts and matching the light lavender fabric with purple stockings and red garters. The boy’s bustier barely held his flat-chested frame and she had pulled the laces straight and true tight around his torso squeezing the breath out of him to give him cleavage where none was to be had. Pinning his longish hair into pigtails, scrubbing his face clean with an astringent cold cream and applying powder to his smooth face over which she painted rouge, eye-shadow and lipstick. Seeing Carrera writing busily below the glistening red arctic apples, Nancy approached the distracted writer. Carrera was lighting his ***** pipe when the boy whom for all the world resembled an attractively winsome female came over and sat with him. “Excuse me, sir, may I ask the greatest favor of you?” Not recognizing the boy despite having never seen a teenage girl on ship Carrera hastily pocketed the smelly pipe and turned his attention to the big blue eyes before him. The lips were thin squiggly lines that spoke is a whiny rasp that was not entirely unappealing. “Yes, my childe, what can I do for you?” “I would certainly love to eat of the tree growing above you but alas, I cannot reach the sweetest fruit. Would you be so kind as to hoist me up so that I may gather a few you would perhaps share with me?” “Why, of course, girly. Here, stand on my shoulders,” said the poet kneeling to allow the slim fellow to plant a hobnailed boot onto his broad shoulder. Carrera couldn’t resist raising his head once the boy was up on both shoulder reaching for the ripe apples of a new sort, the boy using his petticoats like a basket to catch the fruit he could swat from the low branches. Carrera was staring straight up his petticoats to the visible stocking tops and garters. Carrera’s mind swimming with fantasies of derring-do and adventures that he assiduously avoided any first-hand knowledge of, his gaze locked on the baggy breeched bottom below the boy’s skirts, Carrera thought he’d been struck by something like love at first sight.
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(Longish Read) ------------------------ Coming home to a face I don't recognize She always has a way of coming back to me Her home is my butterfly garden The one place nobody else has ever seen She's poisoned my butterflies But I've wilted my own Rose I'm stuck in my own creations of hell; Captivating thoughts of what could've been Captivating dreams where she visits me Some would say "Why're you stressing? Everything you're experiencing is a part of a blessing." But that's wrong, because this "blessing" is what keeps me constantly stressing She left her mark and I solidified it She gave me scars that I deepened She told me things that have consumed me And now... From these scars, her mark, and her words I'm trying to piece together an some sort of an escape from my own personal creation... My own personal hellscape
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Nov 16, 2019
Nov 16, 2019 at 5:07 PM UTC
Hellscape