On October 19 2021
Was a terrible day
For people who knew linden sims
You see linden was nice to me
When I was a drunk
When nobody else was
But he just flew away from me
So on October 19 Ted bundy
And Ronnie Biggs
Came into linden’s head when he
Was asleep and whisked him away
To outer space and tied him up
Really tight and linden was saying
HELP HELP HELP ME
Ronnie and Ted both yelled at him
Saying why don’t you shut your trap
You weren’t normal in this past life
But I will **** you
And make you suffer ‘linden’
You will die you will die mr sims
And you will go to hell
Popeye was an evil character
And so are you linden
They told linden that they have just killed him and he won’t see the sims family again
And that will be cool for us
I want you to be normal
But not a family person
I want you to be a troubled kid
Where you will constantly suffer
Nobody will save you
NOBODY will SAVE you ‘Linden ‘
Then I came in and said leave linden
Alone
He was nice to me in the 90s
And I am repaying his niceness
By freeing him from these two criminals
Suddenly Ted bundy put me and linden in a fire pit and threatened to **** us
I got out but linden couldn’t
And I took linden over to BUDDHA
To free lindens spirit
Buddha and I said
Linden sims
You will be free from suffering now
You will go off into your next life
Where you will have a family
That really loves you
And I thank you for giving me somebody
To muck around with at raid basketball
I know I was a DRUNK
I will send you to the next life you have
Just look at your suffering as POSITIVE
You were a great friend to me back then
Linden smith
Have a great future life
And then I sent Ted and Ronnie back to Mercury to suffer in silence
But not before lindens death
But he will head to his next life
Catch ya later dude

As far back as the middle age,
then, Europe planted for our good;
directed wisely by the sage,
that all the places these trees stood,
would be for pleasure and for food,
for friendship, love and loyalty,
that we be not misunderstood.
Come stand beneath the Linden tree.

The others, one tree would upstage;
brought Slovenia nationhood.
All meetings there they would engage
beneath its branches, when they could,
to benefit the neighborhood
and people came from far to see
the rulers of the public good.
Come stand beneath the Linden tree.

The Linden tree, it will assuage
with blossom, root and bark basswood.
Cure you with a proper dosage
so take the tea just as you should.
You'll be filled with such gratitude-
drunk on flower scent heavenly.
Come circle round this fine softwood.
Come stand beneath the Linden tree.

O prince let joy be understood:
Come see the way we live so free.
Come to our homes, come to our wood
Come stand beneath the Linden tree.

An aromatic sweetness.
When linden trees are in bloom,
Can be easily noticed,
For their prestigious perfume.

Linden flowers are real sweet,
And draw in the honeybees.
Mary Anne's heart is sweeter,
My heart, with her care, she'll seize .  

To get nearer to her heart,
Branches get help from a breeze.
Her heart shines bright like a star,  
And she does it so with ease.            

When linden trees are blooming,
Profuse sweetness is around.
It's a heavenly fragrance
Its sweetness is sure profound.

Bright as the heart of Mary Anne,
Linden blooms would like to be.
They would shine bright like bright stars,
This sight I'd sure like to see.

Calm
Like a romance,
The linden trees are slowly rustling.
On your lips warm waves
Shine perfume, life and fire.
I wanted you
So much
And you, and you alone,
Not I -
As much as I might have wanted you -
You
Were the one who opened my lips
And moistened them with yours
For the first time.

The linden trees are rustling,
My love,
Far is the Danube
And its small benches call to us
To go
To sit
To hear her,
Breathe her,
The asphalt warm under your soft, fair body,
Curved like a miracle - in every place perfection -
Would be cold next to your serene skin,
Hot, moist, covered
With the most beautiful thin summer dress -
Oh, child, young yet strong in your kiss,
Candor in a starry sky...

I have sought many of the past lives,
Witnessed ages of the Earth’s passerby;
From when I was a little sapling,
Until vines and twigs turned wrinkling-
I am a linden tree and this is the story,
I’d tell in the form of poetry.

Many and many a year ago,
When mountains ceaselessly echo
And the birds chirped harmoniously,
Zephyr mutters silence and serenity;
Clouds clover sky in gleaming azure,
Meadow teeming with verdant grandeur.

The sound of the raging sea wave
Reverberates through the mighty cave;
Sun-kissed sand wallow all day,
Pristine and bright as the sun’s ray;
In the boggy soil I stand firm,
Watching the pendulous vine squirm.

Butterflies fluttering in great splendor,
Hovering and sipping nectars galore;
Screeching seagulls can be heard-
From a distant they form herd;
A group of mackerel rapidly swim,
Dwelling into the never-ending stream.

Those were the days when green
is all there is to be seen;
Before the rise of the civilization,
When humans value appreciation.

Blazing red lights swallowed,
Then ashes and dust followed;
Streams and riverbanks silently cry,
As fishes and clams gradually die;
Birds started singing in sorrow-
The broken melody of tomorrow.

This is the story that I’d be telling-
To my children and their sapling;
I am a linden tree, blessed and forsaken,
Whose memories and land they’ve taken.

This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.

Perhaps to love is to learn
to walk through this world.
To learn to be silent
like the oak and the linden of the fable.
To learn to see.
Your glance scattered seeds.
It planted a tree.
     I talk
because you shake its leaves.

And passing the place that I knew nothing of
I swear I knew more of myself in the aftermath of you.

Under the three lights of Linden I saw
the pages of my life flipped over by a careless wind

As I sipped my iced coffee, blankly staring
at my story as if I'd really rather be somewhere else,

As if I'd heard it all before, if it meant nothing to me;
It couldn't mean much because it didn't mean much to them.

But who am I? The three lights beg the question with ruddy faces
like that of my father at last night's awkward family dinner.

I answer with a grimace and a sound in my throat,
something close to a gurgle of a child and cry of a dog.

The night sky clouds sigh my name and the silhouettes of stars
whisper of the future, of fairies, of other unimaginable things.
So I wait for new beginnings in the town of all my endings.

i remember being little when the
fire of my eyes still shone bright
my fingertips green with the world at the edge
i thought that someday i’d grow tall
like the linden trees
i wanted to stand before
things greater
than my imagination
experience the world with every
spare hundred dollars in my pocket
and now my branches have overgrown
and i can never be uprooted
so i stand tall and watch the planes overhead
flying to islands with names
i can’t pronounce
and i dream of the days when i was little
and still caught fire in my reflection

in my family conversation is seldom thoughtful questioning filled with wonder quiet pauses instead it is sociable banter teasing goading spontaneous gratuitous remarks clever embellishment excessive flattery it is an ancient system passed down patronage pecking order nepotism sycophancy near to impossible for me to be honest in presence of their overwhelming vanity when it comes to family gatherings my voice isn’t very strong my family’s joking squelches my chirp they are each and all more loud sarcastic faster wittier more crude outrageous more funny loud gregarious sanguine Mom embarrasses herself with uncalled for flirtations (her mental state rapidly deteriorating) everyone laughs boisterously they snap kid exaggerate amplify taunt i can hardly get word in i need to repeat myself several times or more to be heard my voice is minor i struggle to tell story they listen politely then rush back into their rowdy repartee i am way too sincere way too naked in my ineptitude my stomach ties in knots biting lip shivering from cold fear what’s going to happen pitch black in front of me voice inside screams please i need help so bad please make it easier i’m lost in all this commotion drama hunger lack of clarity

Chicago 1980 Odysseus always revered cousin Chris is taller tan-skinned handsomer stronger protective of Odysseus knowing he is frivolous liability tags along with Chris and his prosperous trader friends advantaged echelon inherited wealth educated white young men they float above everyone else their tastes in clothes furnishings run Brooks Brothers Burberry Giorgio Armani Ralph Lauren John-Paul Gautier Paul Smith Emile Zegna Salvatore Ferragamo their preference in women run typically blonde large ******* tight butts make-up painted nails they think Odysseus is a freak because he usually chooses females none of them want Odysseus likes skinny girls flat chests glasses he knows he is an extraneous art pet to Chris and his group

Chris joins newly built state of art fitness facility pricey membership accesses all of Chicago’s fast track shakers movers politicians lawyers pretty people Odysseus has his limits he does not have money to join also he dislikes snooty elitism several times Chris invites Odysseus as guest Odysseus feels insecure outsider Chris always includes Odysseus pays for dinners they begin with round of doubles then 2nd round of doubles before glancing at menu Chris drinks Canadian Club on the rocks Odysseus follows they raucously order extravagant meals with appetizers 3rd 4th 5th rounds of doubles after pricey dinner at chic restaurant Chris’s group rendezvous at bar or club they order round of drinks tip lavishly sip drink glare around room leave barely touched drinks walk out with look of disdain they scavenge more bars in search of females or some intangible attraction Odysseus is never certain what they are looking for or what is the source of their contempt each wears black leather jacket carries huge wads of cash $20s $50s $100s folded stuffed in front pockets no wallets or clips

the Red Meat palace or Chang’s Szechwan grill are their favorite restaurants as many as 8 men sit at table pack mentality prevails for dessert course they pull out small brown bottles filled with ******* if it is Friday night Chris’s pad is frequently elected females other arrangements settle bill depart restaurant one night Odysseus arrives early at Chang’s wanders downstairs into women’s boutique salesgirl named Fiona greets him they hit it off he invites her to join him and his hosts upstairs after her shift is done Fiona arrives as dessert is about to be served table of men look desirously at Fiona beams Odysseus and Fiona along with Chris Phil Tom go to Odysseus’s place Fiona is perhaps 22 petite lovely with deep blue eyes set wide apart long eyelashes brown thick hair cut to shoulders high ******* pink ******* fragrance of linden flowers delighted by male attention Fiona ***** fondles each men are quite intoxicated Odysseus and Phil are only capable to sustain erections Odysseus stares mesmerized at Fiona’s extraordinarily swollen ***** she notices his fixation grins blushing men shout commands but in actuality Fiona is in charge reducing each of them to little boys vying for her attention near conclusion she requests they form circle around her ******* on her chest she fondles them touches herself men laugh mockingly as if to compensate for their lack of performance Tom picks up plastic dart gun aims it at Fiona she laughs crawls on all fours Tom fires dart hitting her on **** Phil grabs gun from Tom reloads another dart suddenly it feels like fraternity stunt Odysseus goes along offended by his own complicity to him episode feels more like men having *** with each other than being with a woman telephone rings it is Odysseus’s latest love pursuit she tells him she is on her way over everyone rushes to put on clothes change bed sheets they depart within minutes she arrives finally ready after weeks of romancing to put out for him after that night when Chris and Odysseus get buzzed in bar Chris routinely speaks the line to women have you ever been done by 2 cousins one night at Green River tavern woman squeezes milk from her ****** into shot glass dares cousins to drink Chris laughing turns down her offer Odysseus shoots back shot of milk then takes swig of Irish whiskey cousins go see Billy Idol at Odysseus’s insistence they stand near front stage young girls screaming after show driving home in Chris’s Fiat Spider Chris complains his ears are ringing i don’t know how i’ll be able to work tomorrow Odysseus nods like he hears hollers out window hey little sister shotgun!

Mom and Dad want their son to enjoy fruits of burgeoning affluence they feel certain what they are doing is best for him they rent quarter seat at Chicago Mercantile Exchange they originally promised full seat but they are overextended Odysseus enrolls in trading course he learns to trade Certificates of Deposit and Eurodollars which are recently established markets suddenly Odysseus has lots of cash his parents are dishing out he does not know what he is doing newly launched markets lack investment and fleece young men of their parent’s money his friends surroundings change he loses sight of himself he is a thoroughly incompetent trader bleeding cash scatters money between harebrained panicked trades or ******* girls $1000. wristwatch when Mom and Dad see jewelry they become furious in a way he represents his parent’s design for how to build successful son yet their plan is going dreadfully wrong he wants to stand up speak out against Dad and Mom he is not courageous enough to counter their weight he wants to express with more assurance his passion to pursue painting and writing isn’t fact he graduated from art school evidence enough of his aspirations commodities exchange is last place in the world he belongs Odysseus is risk taker but he is not aggressive or entrepreneurial only lesson he has learned with respect to his parents is how to run away

by all appearances cousin Chris is brilliant trader in reality Chris is hooked up with powerful crooked brokers they use him as their bagman he covers losing trades and is compensated or offsets winning side of profitable trades subsequently dealt his share Chris is not a criminal he stumbles into profit-making situation when certain conditions are flexible to advantages Chris is diligent hard worker the vast sums of money he earns do not distort his personality he is always generous shielding of Odysseus gold trading pit becomes so shady S.E.C. intervenes relinquishing exchange’s contract Chris and his bosses walk away unscathed having made their bundles

Mom and Aunt Rita run social itinerary for family including birthdays holidays all other gatherings where family will meet changes by the minute depending on Mom and Aunt Rita’s caprice checking in by telephone at least an hour before is mandatory arriving at destination Mom and Aunt Rita insist on specific table location seating arrangement it is important they be seen viewed by others at restaurant they never sit near kitchen or washrooms or where there is too much noise light away from drafts who sits next to who is crucial round tables are their favorite preferring backs to wall looking out so they can nod wave Mom rules from proud pedestal Dad upholds chain of command sometimes he irritably gripes Aunt Rita immediately comes to Mom’s defense Dad points finger back off Rita you’re way out of line where do you come up with a remark like that Mom mediates Max that’s enough in a way the sisters are spoiled little girls over-indulged by their father they believe their opinions and tastes are the best most correct everyone in family are subordinate to their no and don’t Mom and Aunt Rita routinely criticize Odysseus’s semantics oppose his observations critical of his clothes conduct they handily misconstrue his comments to mean fodder for their amusement Mom and Aunt Rita’s efforts to keep prim proper decorum cause resentment Odysseus feels constricted by his subservient role in drama of family he fails to understand their care

Odysseus busts out of markets leaving behind alarming debts for family to pay off he feels humiliation disgrace plunges into bottomless sleepless despair hides in house door locked window shutters shut phone rings unanswered hates life willfully wants to destroy himself there is no way out after week Chris comes by to see if he is all right Odysseus is reluctant to let Chris in Chris commands be a man get a grip on yourself Odysseus replies maybe i’m not a man he feels failure shame realizes he has become traitor to himself he wants to look at existence head on embrace it but all he knows are dishonor regret deception he conceives his being has been stolen he wants his life back but knows not how to recover it he feels deep in obligation to Mom and Dad thinks to escape from Chicago but his parent’s control is crushing he wakes late drinks black coffee smokes cigarettes marijuana hangs out alone sky changes from light to dark to light phone rings he reads Nietzsche Sartre frequents ***** Hole punk rock dive several blocks from residence becomes orphan of night drinking drugging

January 5 2011 30 years have passed Chris marries fathers son becomes best father to his child he can be leaves markets in late 80’s Dad dies in ’91 Odysseus leaves Chicago in 1994 he manages to paint some paintings write some words stomach ties in knots biting lip shivering from cold fear what’s going to happen ***** pink gray skies behind pitch black in front sometimes you need to take a step back in order to move forward Mom says she worried enough about money when she was younger and isn’t going to worry about it anymore her entire life she boasted i’m saving for my children but in the end she saved solely for herself Odysseus never learned to stand on his own all he ever wanted is to love and be loved he wonders what will happen next

The leaves were long, the grass was green,

The hemlock-umbels tall and fair,

And in the glade a light was seen

Of stars in shadow shimmering.

Tinuviel was dancing there

To music of a pipe unseen,

And light of stars was in her hair,

And in her raiment glimmering.



There Beren came from mountains cold,

And lost he wandered under leaves,

And where the Elven-river rolled

He walked alone and sorrowing.

He peered between the hemlock-leaves

And saw in wonder flowers of gold

Upon her mantle and her sleeves,

And her hair like shadow following.



Enchantment healed his weary feet

That over hills were doomed to roam;

And forth he hastened, strong and fleet,

And grasped at moonbeams glistening.

Through woven woods in Elvenhome

She lightly fled on dancing feet,

And left him lonely still to roam

In the silent forest listening.



He heard there oft the flying sound

Of feet as light as linden-leaves,

Or music welling underground,

In hidden hollows quavering.

Now withered lay the hemlock-sheaves,

And one by one with sighing sound

Whispering fell the beechen leaves

In the wintry woodland wavering.



He sought her ever, wandering far

Where leaves of years were thickly strewn,

By light of moon and ray of star

In frosty heavens shivering.

Her mantle glinted in the moon,

As on a hill-top high and far

She danced, and at her feet was strewn

A mist of silver quivering.



When winter passed, she came again,

And her song released the sudden spring,

Like rising lark, and falling rain,

And melting water-bubbling.

He saw the elven-flowers spring

About her feet, and healed again

He longed by her to dance and sing

Upon the grass untroubling.



Again she fled, but swift he came,

Tinuviel! Tinuviel!

He called her by her elvish name;

And there she halted listening.

One moment stood she, and a spell,

His voice laid on her: Beren came,

And doom fell on Tinuviel

That in his arms lay glistening.



As Beren looked into her eyes

Within the shadows of her hair,

The trembling starlight of the skies

He saw there mirrored shimmering.

Tinuviel the elven-fair

Immortal maiden elven-wise,

About him cast her shadowy hair

And arms like silver glimmering.



Long was the way that fate them bore

O'er stony mountains cold and grey

Through halls of iron and darkling door

And woods of nightshade morrowless.

The Sundering Seas between them lay,

And yet at last they met once more,

And log ago they passed away

In the forest singing sorrowless.

Fountain, that springest on this grassy *****,
Thy quick cool murmur mingles pleasantly,
With the cool sound of breezes in the beach,
Above me in the noontide. Thou dost wear
No stain of thy dark birthplace; gushing up
From the red mould and slimy roots of earth,
Thou flashest in the sun. The mountain air,
In winter, is not clearer, nor the dew
That shines on mountain blossom. Thus doth God
Bring, from the dark and foul, the pure and bright.

  This tangled thicket on the bank above
Thy basin, how thy waters keep it green!
For thou dost feed the roots of the wild vine
That trails all over it, and to the twigs
Ties fast her clusters. There the spice-bush lifts
Her leafy lances; the viburnum there,
Paler of foliage, to the sun holds up
Her circlet of green berries. In and out
The chipping sparrow, in her coat of brown,
Steals silently, lest I should mark her nest.

  Not such thou wert of yore, ere yet the axe
Had smitten the old woods. Then hoary trunks
Of oak, and plane, and hickory, o'er thee held
A mighty canopy. When April winds
Grew soft, the maple burst into a flush
Of scarlet flowers. The tulip-tree, high up,
Opened, in airs of June, her multitude
Of golden chalices to humming-birds
And silken-winged insects of the sky.

  Frail wood-plants clustered round thy edge in Spring.
The liverleaf put forth her sister blooms
Of faintest blue. Here the quick-footed wolf,
Passing to lap thy waters, crushed the flower
Of sanguinaria, from whose brittle stem
The red drops fell like blood. The deer, too, left
Her delicate foot-print in the soft moist mould,
And on the fallen leaves. The slow-paced bear,
In such a sultry summer noon as this,
Stopped at thy stream, and drank, and leaped across.

  But thou hast histories that stir the heart
With deeper feeling; while I look on thee
They rise before me. I behold the scene
Hoary again with forests; I behold
The Indian warrior, whom a hand unseen
Has smitten with his death-wound in the woods,
Creep slowly to thy well-known rivulet,
And slake his death-thirst. Hark, that quick fierce cry
That rends the utter silence; 'tis the whoop
Of battle, and a throng of savage men
With naked arms and faces stained like blood,
Fill the green wilderness; the long bare arms
Are heaved aloft, bows twang and arrows stream;
Each makes a tree his shield, and every tree
Sends forth its arrow. Fierce the fight and short,
As is the whirlwind. Soon the conquerors
And conquered vanish, and the dead remain
Mangled by tomahawks. The mighty woods
Are still again, the frighted bird comes back
And plumes her wings; but thy sweet waters run
Crimson with blood. Then, as the sun goes down,
Amid the deepening twilight I descry
Figures of men that crouch and creep unheard,
And bear away the dead. The next day's shower
Shall wash the tokens of the fight away.

  I look again--a hunter's lodge is built,
With poles and boughs, beside thy crystal well,
While the meek autumn stains the woods with gold,
And sheds his golden sunshine. To the door
The red man slowly drags the enormous bear
Slain in the chestnut thicket, or flings down
The deer from his strong shoulders. Shaggy fells
Of wolf and cougar hang upon the walls,
And loud the black-eyed Indian maidens laugh,
That gather, from the rustling heaps of leaves,
The hickory's white nuts, and the dark fruit
That falls from the gray butternut's long boughs.

  So centuries passed by, and still the woods
Blossomed in spring, and reddened when the year
Grew chill, and glistened in the frozen rains
Of winter, till the white man swung the axe
Beside thee--signal of a mighty change.
Then all around was heard the crash of trees,
Trembling awhile and rushing to the ground,
The low of ox, and shouts of men who fired
The brushwood, or who tore the earth with ploughs.
The grain sprang thick and tall, and hid in green
The blackened hill-side; ranks of spiky maize
Rose like a host embattled; the buckwheat
Whitened broad acres, sweetening with its flowers
The August wind. White cottages were seen
With rose-trees at the windows; barns from which
Came loud and shrill the crowing of the ****;
Pastures where rolled and neighed the lordly horse,
And white flocks browsed and bleated. A rich turf
Of grasses brought from far o'ercrept thy bank,
Spotted with the white clover. Blue-eyed girls
Brought pails, and dipped them in thy crystal pool;
And children, ruddy-cheeked and flaxen-haired,
Gathered the glistening cowslip from thy edge.

  Since then, what steps have trod thy border! Here
On thy green bank, the woodmann of the swamp
Has laid his axe, the reaper of the hill
His sickle, as they stooped to taste thy stream.
The sportsman, tired with wandering in the still
September noon, has bathed his heated brow
In thy cool current. Shouting boys, let loose
For a wild holiday, have quaintly shaped
Into a cup the folded linden leaf,
And dipped thy sliding crystal. From the wars
Returning, the plumed soldier by thy side
Has sat, and mused how pleasant 'twere to dwell
In such a spot, and be as free as thou,
And move for no man's bidding more. At eve,
When thou wert crimson with the crimson sky,
Lovers have gazed upon thee, and have thought
Their mingled lives should flow as peacefully
And brightly as thy waters. Here the sage,
Gazing into thy self-replenished depth,
Has seen eternal order circumscribe
And bind the motions of eternal change,
And from the gushing of thy simple fount
Has reasoned to the mighty universe.

  Is there no other change for thee, that lurks
Among the future ages? Will not man
Seek out strange arts to wither and deform
The pleasant landscape which thou makest green?
Or shall the veins that feed thy constant stream
Be choked in middle earth, and flow no more
For ever, that the water-plants along
Thy channel perish, and the bird in vain
Alight to drink? Haply shall these green hills
Sink, with the lapse of years, into the gulf
Of ocean waters, and thy source be lost
Amidst the bitter brine? Or shall they rise,
Upheaved in broken cliffs and airy peaks,
Haunts of the eagle and the snake, and thou
Gush midway from the bare and barren steep?

.one of the great dissatisfactions of life: dreaming... which makes me suspect of the anglo-saxons and their subsequent branches of sub-ethicities... they dream... they have recurring dreams... lucid dreams... i find that slightly suspicious... i rarely dream and if i do dream, the dreams are so bogus or so uninteresting that they make no sense to: "interpret" them via any freud-cubism schematic - that a woman's sun hat implies: the depth of ****** and promiscuity, or some otherwise bogus stretching it mate, really stretching that analogy... but why do the anglo-saxons have such lucid dreams, even recurring dreams? are they descendants of joseph: der traumgehhilfe? last time i had a dream? oh... family invites me to say, three memebers of the family don't like me... **** the rest of the family with a knife, a gun and a baseball bat (somewhere in south east asia)... a few of the killed members run into the street to die... i somehow pick up a kalashnikov and shoot the murderous 3... then i jump into slender boat with a motor with 3 or 4 women... 'jesus'... and i escape the scene of retribution sailing to... cambodia! **** me... even sylvester stallone or jason statham or arnie wouldn't star in a movie as b-movie as this... but anglo-saxons seem to have the most vivid dreams... two good examples: h. p. lovecraft and william burroughs... is dreaming a form of escapism? if so, then evidently i'm quiet content with reality... like today: too much pop psychology, too much self-help guru mishmash, too much advice: not enough stories... video streaming a game being played... etc., so i retreat, even from modern music, into? here's a beginner's guide list to medieval music:

       1. qui habitat in adiutorio altissimi
       2. da pacem domine
       3. agni parthene
       4. dum pater familias
       5. chevalier, mult estes guariz
       6. virga iesse floruit
       7. walther von der vogelweide's
                 palästinalied
       8. codex buranus no. 179:
                     tempus est locundum
       9. non é gran causa
      10. herr holger
      11. herr mannelig
      12. die eisenfaust am lanzenschaft
      13. meie din liechter schin
      14. under der linden
      15. mayenzeit one neidt
      16. mönch von salzburg (das nachthorn)

   why would i have stopped at merely
Orff's reading of Carmina Burana -
                 sure... that's the entry point...
   but the radio only plays o fortuna till
the cows come home in a full-moon lit night...
yawn...
    if only: fortune plango vulnera,
      veris leta facies, omnia sol temperat,
     floret silva, or... or!
   a monk's love song for the queen of england -
were diu werlt alle min:
              were diu werlt alle min
              von dem mere unze an den Rin,
              des wolt ih mih darben
              daz diu chunegin von Engellant
               lege an minen armen.

but no... it's o fortuna or nothing from that album
on the radio...
    i get it, great song...
   but why is auld lang syne only sung once
a year, on new year's eve?!
              
as with women, so with music, one simply tires of
contemporary examples: not exactly the music
but the lyrics behind the music...
                        music will never change to appease
the brute and the beast... but modern lyricism
is just agitating... it exhaust with its choice
of subject matters...
                                and by the looks of it...
    i spend too much time with music to find myself
in needing the comfort of a woman's voice,
a cuddle or relationship or whatever you want
to call it from now on...
           i am wedded to three women that will
never materialize: Euterpe, Sophia and Amber...
and all the better...
                                i could never wallow in what's
currently being wallowed in...
by some who have these recurrent dreams
and are unable to stop them from recurring...
hence my suspicion with the anglo-saxon traits
of vivid dreaming: this cruch of relying on dreams...
of so easily being ***** by celesto-cerebral powers
that impregnate their sleeping heads with
these realities that only exist in the mind and
a sleeping mind at that!

(nb. not proof read, apologies in advance for any mistakes, upon rereading will correct if any appear - or i'll just keep them...)

look at these two slogans: let's make America great (again)!
complimenting the English variation
let's get our country back! ring any bells? i guess you must
have heard one or the other as an English speaker -
it's hardly surprising - the English Prime Minister singing
a little toodeloo then uttering the word right upon
reentering number 10 - shambles ahoy! every rat and
mutineer bailed - we're in free-fall, Trotsky had it coming,
this guy hasn't - hardliner but a bubble-gum tongue -
it stretches like a joke my English teacher said:
how was copper wire invented? hmm? two Scots
tugging and pulling in opposite directions a two pence coin -
for all their worth, they joked the blond quiff of
both Boris and President Donald Yeltsin - where one
gets drunk on egoism, the other just gets drunk -
even though they don't like him in Scotland, they sure as
hell bought the slogan like a Big Mac - the problem is
there's a zenith, and then a necessary decline -
you can reach the zenith of breaking the 100m sprint,
but then a stock-market dip (necessary) -
much of Britain's exit from the European Union was due
to the campaign trail of the Doodle T - the best politician
i assume is the one that enjoys the most prodding jokes,
which also means the majority of votes,
jokes and votes walk hand-in-hand - people don't want
leaders, they want caricatures - after all, the little existences
have to matter with a joke in the Oval office.
i can't imagine the unholy alliance of feminists running
the place in the west - Theresa May in England,
Hilary Clinton in America, Angela Merkel in Germany,
Ms. Le Pen in France, the Polish prime minister
Beata Szydło - it has to look like a 2nd Cold War scenario,
a break from World Wars... Putin and pukka Tyson Trump
on the other side, macho v. macho - man talk and
the ultimate bromance. i know that Nietzsche referenced
genius too much, assuredly i hear that a lot too around
here with child geniuses storming around for silverware -
children geniuses and not original? so technically you're
talking about data storage in porridge - trained monkeys,
right? those children will be scarred for life as if they
saw their parents ******* - what sort of genius is a genius
if he doesn't work from blank but is there are a memory
gimmick to boost hopes of curing dementia?
philosophy doesn't do geniuses, it does things like Spinoza,
solitary wanderers, loners - outsiders and mesmerisers,
there's no genius in philosophy - there's only solitude -
granted that an open-minded psychiatrist is a modern subplot
in not reading philosophy - where is the ultimate source
of compassionate solely theory based (anti) psychiatry?
in reading philosophy books rather than exercising authority /
abusing it - R. D. Laing is a perfect example -
who wrote after reading philosophy books - i mean read them,
in the English speaking world i recommend reading
the works of the anti-psychiatric movement of the 1960s,
which was much bigger than the Beat Movement - obviously
not as dazzling, but with poetry you're imitating Philippe Petit
(film, the walk) - i watched it and my legs experienced
needles, and a firm assertion of gravity and the location
of the floor - films like that are worse than horror -
you share the heart of the original, but given it's Plato's cave
we're talking about representing the events, you realise
that no matter how much you want your shadow to be
Philippe Petit, you hear from the outside world, your legs
are firmly on the ground - basically: **** that - men are not
born equal, they have to live by principle to be at least moderating
their excellence into a respectable cohesion (democracy) -
quiet simply juggling their strengths with their weaknesses -
man is not born equal, he was to strive for equal measure -
when subduing their strengths and when exfoliating them -
no man is born equal, as no man is an island - the two synchronise.
(i'm deliberately masking what's coming)...
but there is genius in philosophy - but only in one area of
interest - religion... we know that popular beliefs are
grounded in plagiarism - the Trojans became the Romans
via the accounts of Virgil, and we know the Trojans in
becoming Romans plagiarised the Greek polytheism -
Zeus became Jupiter, Poseidon became Neptune,
Cronos became Saturn, Hera became Juno, Aphrodite
became Venus... etc., it was done to mimic the Greek heart
from the defeat at Troy, to invoke a heart that overcame -
every pauper and every king would identify with
this pluralism - but a second plagiarism had to come -
it was prophetically echoed from approximately 2000 years -
the Greeks later plagiarised the Hebrew concept -
the monotheistic concept, yet because their thinking
was so advanced (or so they thought) they dismissed the
sects of the Pharisees, the Sadducees, the Essenes and
the Zealots... their hero was their antagonist - and nothing
of their learning was actually work their concerns since
they boasted of their Aristotle and their Plato and their
Socrates - the peddle-stool effect appeared -
but what if a Latin man (well, these letters are Roman) were
to say - never mind the son, how about the father?
in Christianity the father is rather anonymous in his
omnipresence etc. - but let's assume on the biological tenet
that we are referring to the old testament god -
would we want to plagiarise the Greek plagiarism of
Hebrew? i already mentioned the four prime canons as
imitations of the tetragrammaton - of course they're
intended to not be identical accounts, but there must be
two that are mirror images - i.e. referring to h      &      h
of the tetragrammaton - if there are no two mirror images
then we are bothered - i can see why the Greek mind thought
that Y refers to a convergence, a mother, a father, a child
and the entry point to the gospel: a genealogy -
Y being representative of a convergence - past and present,
following through - this is all about first impressions,
from what i can remember and regurgitate back -
in Catholic school we were taught by majority the gospel
of St. Mark - the others were discredited -
i can't tell you if there are two identical gospels (or at least
with very little variation between them) - what comes after
them is what comes after all essences of religion,
bureaucracy - imams and priests, yoga teachers and
whatever it is that comes with religion for the common man,
but in the new testament this is the essence, a shady
reinterpretation of the tetragrammaton - but a Latin man
who didn't bother to attribute symbols with nouns,
but made his alphabet musically orientated for the
castrato and the choirs to come - a (alpha) b (beta)...
o (omicron / omega) it became obvious that the four letters
arranged as so with missing Adam and missing Eve
would provide more than just four interpretations of
the same event / person - for when a Greek has to cut off
-lpha from a to attach it to another letter to create meta,
the Latin man has only to cut off less, perhaps dentistry's
ah, or otherwise cut off -ee from b... the world is full
of such possibilities, and this is the only area where
genius can be applied to philosophy - the genius of
philosophy is within religion, and nowhere else -
of course mind that i don't identify myself as one -
i treat genius as an angel or a demon, that fairy-tale
race of creatures that whisper into your ear - markedly
geniuses are more powerful in demanding an individual
rather than clones of the individual, e.g. Mohammad
and Muslims, Jesus and Christians... which is why i suppose
the genius of Moses also allowed others to write on sacred
paper, but of course excluding Malachi for falling into
heresy with a polytheistic concept of reincarnation, not
oddly enough Malachi's was the last book before the two
major strands of his heresy emerged like Behemoths.

Under the old linden trees
Deep, fragrant dark spreading.
There were two of us
Yoshitsune and me
Silent
Silent
Silent

Linden blossoms
Quietly fell to the ground
And then, it was morning

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Bright as the light that cleaves through the night
In the evening's fading firey field,
You come to me, with a hawks grace.
Glimmering, august angel.
For you, I gild my tongue,
so my words may shine, though I fear,
not nearly as bright, as the glow,
of your unfettered majesty.

Were I not already unclothed
I would tear through each article,
so as to expose to you,
that which you may claim, and partake.
With a pulsing pleasure, for each dazzling deed
In the most sprightly shower of starlight,
I wait for you to make your claim.

Uncloak here before me
remove that golden robe,
and reveal your glory, before these eyes
Neither slave or mistress should you be,
As the lions who have fought to a standstill,
concede, let us proceed in blessed equality.
And bed in the short cut grass, beneath the linden.

You, whose mouth is a temple,
With seven seals of satisfaction, concealed inside.
Stay with me, while I am floating in this hope.
Like a songbird released from captivity,
I wish that I could pour your praises from my lips,
Till my tongue is worn and weary...
and the light no longer lingers,
in the lantern of my eyes.

In the valley of the Pegnitz, where across broad meadow-lands
Rise the blue Franconian mountains, Nuremberg, the ancient, stands.

Quaint old town of toil and traffic, quaint old town of art and song,
Memories haunt thy pointed gables, like the rooks that round them throng:

Memories of the Middle Ages, when the emperors, rough and bold,
Had their dwelling in thy castle, time-defying, centuries old;

And thy brave and thrifty burghers boasted, in their uncouth rhyme,
That their great imperial city stretched its hand through every clime.

In the court-yard of the castle, bound with many an iron band,
Stands the mighty linden planted by Queen Cunigunde’s hand;

On the square the oriel window, where in old heroic days
Sat the poet Melchior singing Kaiser Maximilian’s praise.

Everywhere I see around me rise the wondrous world of Art:
Fountains wrought with richest sculpture standing in the common mart;

And above cathedral doorways saints and bishops carved in stone,
By a former age commissioned as apostles to our own.

In the church of sainted Sebald sleeps enshrined his holy dust,
And in bronze the Twelve Apostles guard from age to age their trust;

In the church of sainted Lawrence stands a pix of sculpture rare,
Like the foamy sheaf of fountains, rising through the painted air.

Here, when Art was still religion, with a simple, reverent heart,
ived and labored Albrecht Dürer, the Evangelist of Art;

Hence in silence and in sorrow, toiling still with busy hand,
Like an emigrant he wandered, seeking for the Better Land.

Emigravit is the inscription on the tomb-stone where he lies;
Dead he is not, but departed,—for the artist never dies.

Fairer seems the ancient city, and the sunshine seems more fair,
That he once has trod its pavement, that he once has breathed its air!

Through these streets so broad and stately, these obscure and dismal lanes,
Walked of yore the Mastersingers, chanting rude poetic strains.

From remote and sunless suburbs came they to the friendly guild,
Building nests in Fame’s great temple, as in spouts the swallows build.

As the weaver plied the shuttle, wove he too the mystic rhyme,
And the smith his iron measures hammered to the anvil’s chime;

Thanking God, whose boundless wisdom makes the flowers of poesy bloom
In the forge’s dust and cinders, in the tissues of the loom.

Here Hans Sachs, the cobbler-poet, laureate of the gentle craft,
Wisest of the Twelve Wise Masters, in huge folios sang and laughed.

But his house is now an ale-house, with a nicely sanded floor,
And a garland in the window, and his face above the door;

Painted by some humble artist, as in Adam Puschman’s song,
As the old man gray and dove-like, with his great beard white and long.

And at night the swart mechanic comes to drown his cark and care,
Quaffing ale from pewter tankards, in the master’s antique chair.

Vanished is the ancient splendor, and before my dreamy eye
Wave these mingled shapes and figures, like a faded tapestry.

Not thy Councils, not thy Kaisers, win for thee the world’s regard;
But thy painter, Albrecht Dürer, and Hans Sachs thy cobbler bard.

Thus, O Nuremberg, a wanderer from a region far away,
As he paced thy streets and court-yards, sang in thought his careless lay:

Gathering from the pavement’s crevice, as a floweret of the soil,
The nobility of labor,—the long pedigree of toil.

Love beneath the linden tree,
The blue touchpaper of fingers entwined,
And sunsets of ignis fatui,
The lightning wick of lips and the caroming atom,
That once held faces,
All but sear and blast wind and howl of eyes,
All of love adrift.

The world of adults has for a long time been insensitively pouring lies onto the purity of the newly created mind, believing persistently in the vortex of nonsense while living in it. They do not know for the alternative . They are afraid…
That is why they are fostering the lie and with the finger in front of the mouth they are evoking premonition.
Silence was interrupted by a gentle voice from the corner. Lurking, he waited patiently for his moment. Then he started very slowly and softly and curious become quiet and then there was silence.
- Outside, you could hear a life! – said the kid – People live outside.
The father got up from the chair while the others looked at the child in astonishment, he then went to the window and said:
- There is no one out there. It's raining and it's gloomy. It gets dark faster in the autumn.
- Through the door, under the threshold, I feel the pollen from the blooming linden trees. It's morning and it isn’t dark. It is just about to be dawning. And it's not autumn but it's late spring – the boy said.
- There’s no morning, son. – said the concerned father, looking briefly at his son and then back to the backyard.
- There it is, behind the gates. Only you cannot see it. It’s scared of the grown-ups. I will go there and invite the morning to come in.
The kid ran out and returned in a few moments, holding the morning by the hand. The linden tree smelled even stronger and the joy of the awakened day sneaked into the house.

The work words have to do, I do as well
leaving being as having been begun
ghabh-
also *ghebh-, Proto-Indo-European root meaning
"to give or receive."
The basic sense of the root probably is "to hold,"

Able comes from this, thus
ability  

8 billions, say
- the ob-servant says,
half are breathing in, as half
were breathing out,

certainly a few were out of sync,
so some of us sneezed, one would think
to effect the fectuality, unawares,

stutter steps, bridge march, aware
smell the honey suckle smell, no,
discern a subtle dif-fer tle,lit-tle
bit
literal not sames, similar sense, smell
seeming
how more aware have we all become,
we who lost taste and smell, while
experiencing a pandemic in our time.
Eventually endemic.
How rare are we in history? First wave.
Mindful, some how, now
my taste and smell
systems are back,
on.

Off, again, try to remember the smell,
of linden trees in Helena,
and wonder, set a mind on wish to know
will wonder, the worth of which we know

but fail to consider until… un til, tilling soil,
un
I think, et I'm y conjoined, to reconsider you.

At my bitterest root,
my jealousy and rage,
- alleluia, you know the drill
my will to act like some ancient god.
Cursing all I ever was.
-disconfabulating my own legend… uses
time, in points made.

May I guess we know each word,
writ and read, in this medium sprouted from
science with held from those
limited access faith confirmations, holy secret
ways out of paying for all the idle words,
never taken for the sense intended,
foremost
sense
posited, as a point in time,
we agree, I can, we did

--plea, please explain, make it seem
as real as any dream, we can't handle the truth.
-pointless-
- why carry the weight of knowing
think of nothing
in a word,
yet
not in time/
-- a spirit from the mortals fearing death
lives in this lie, cultural *******, fear of measure,
spit an image, imagine a nation, from dragon's teeth
spat, shat, splat, all the same, fat rain sound.
-- crack of the gavel, give us rapt attention---
order, order in the court, when, in fact,
judgement begins where Jesus says God is,
in his forever state, in me, of we, who
took him at his word, be true, live.
the way
courtesy commands, as judgment begins
in the spirit
of the man,

The right hand ignores the left hand clapping
-present the feeble fable

Discord sown among brothers-
hate the owning fact of life, only one breath,

- listen to the retold old word tale
- endemic demes enforced knowledge
- from **** to last told tale… we are this
- this is epic in each occurrence… we realize
smoked ribbon winds around in
form,
the long winter mind, all hearing ears, feel
from our gut, we obey. We join image-e- nations.

We dare ante-cipitate the motion in the dance.
All public opinion re
arrives at one point. We have no reasons for war,
we are not the users of others, we give, and
have been given unto, in some inexplicable way,

peace in time to rest in it, dabbling in old lies, left
binding cultural ties, as all reason for stiffness wilts

We listen to the Wendigo,
who wound the ******* greedy winding wake,
when the forest was aflame, and the wind had no cloud
that did not poison rain.
- meandering progress, not steam ship progress
sense posed reason aitia, to the t/
spirit and image in the idiom/
sublime

Now, the teller, looks to me, reminds me
of light perceived as punctual, flashing,
aha, waves in passing
understood.
Effectually.
- we stand as one.
- In the ready written mind.

All but he who takes a knee, ala George Washington,
under the leafless tree, in the olden vale.

The point of any thing, is made for, f-word for or fore
before, forsaking, one must make for some sake,
no relationship to four, for some reason, get
as a service, do what you do. Right.
Why would one enabled to do good,
do otherwise?

Ignor the answers you ask for.
Pretend poetry never makes
sense in terms of poetic good, exhaled, relieved,

passing coolness in the air.
- as gentle spirits some say do
Orderly arrangement, left mind, right or most versatile hand,
point at any thing,
bend that finger,
as on a trigger,
we can, we
know not how, we know, we have, we hold certain
positioning words as one mind may, I know,

I just got my smell back.
Like that, but after using your James Webb visualizing augments.
The wheel galaxy, just as imagined… we see

In effect, this is science, this is history,
this is art and language, holding sway,
we all know earth produces on a cycle, right,
greed breeds and brings forth famine,
famine finds us eating our corporations…
Jubilee, reset
-ship, shape, worth-shape, sense make,
peace where war was, one point
at a time.

Hold that thought, this is intended for

an audience, as the Terminal List,
was made to entertain military minds,
mental peace enforcer traits, keepers
of the secret, duty to the concept,..
live free, or die- for no reason,
save the Platonic essential lie.

Peacemakers were not intended,
we want valient warriors, at the core,
not the passive resistors increasing
capacity
to have the whole world sneeze.
And blink,
To sell words redeemed, mercurial recovery,

as from first people stories, branching away,

chaparral, between the salty sea,
and high reaching pine

fishing in a sea of social forgotten schemes/

Self govern, but in these days, not the future,
self govern now, participate in the present,

NPC over sight, non intervention-invention,
installed when you agreed, you watch,
do not rewrite the ending/

So, story being told.
Story being made up to conserve,

serve a certain truth we know, winter comes
some times for too long,

so we consider the ant, and remember Wendigo.

greedy gut, cheater, long time ago, we know,
we all can be the hungered beast.

Wait, and see, some day, we see the peace pass
for understanding, and we wonder into a we,
state of awe, as a we aware, we think

whole worlds and only words, at once.
Making peace from confused principle things.

We can, others have, agree; we are the best/

--------
Welfare, fare thee well, we said

we are as rich as ever was,
but we live a quiet life.

Pressure from some outside source,
begins be gins beginning to squeeze,

and pull and stretch, who needs the show
shown every where,
there, those other people, who own
no means to make a living form we are
reality personality types, all observants
become familiar with,
predicting winners, if it happens

I coulda been a contender, the audience
always know,
just how it feels, to be on your own,
a compleated unknown enfolding old Dylan licks,

Wendigo, there he go,
lickin' his chops, BG words are all I have
to take his breath away,

soft, and gentle/ sub-tility, wait, as sufficient

seed becomes something, never just a seed again,
and then just a seed a million times, in the wind.

-------------
3:55
I've driven myself to reflection
point,
observation con services ob
scene, objects mis directed, rect-
ify, io I mean, finger mover, on demander
I, free, willing, hunting wendigo from fantacy
conforming to hate manifested, abhor evil,
-never rests, never
rest in stranger's peace of mind,
find plain old apples in the tree, free, no fines,
no charge, non sense, an-tic

click onoma-tope -- under all of history, we know,

scribes, alone, found time to write, after reasoning
in the agora all day… ancient minds, WWSD?

--- listen, I am ashamed to beg, so, what does
your tab say, listen, I'm thinking

that's too much, here, take your ledger, wipe the debt.

Clean, no remnant from which revenant wrongs make claim,

first story told was told as lies, intended to deceive.

Knowledge is truth's gift, we live and learn
and pass it on. One point, inevitably crossing now.
And leaving a ripple, no marks

Yet, behind all that, this peace in mind, as a state, mindstate
timespace space time

taken, for granted bequilement does not disconnect,
knowing from known, and proof from pudding,
true rest,
reason for peace taken, in knowing, some body
had to believe, if it feels good, suddenly,
you know, every thing we eat
turns to ****, unless we learn…

that is good. Deal with it.

Liberty perched on a pedestal
balancing progress and evil
Holding high the palm of peace
over those who hold it so dear

But peace comes dropping too slowly
with all due respect to you, William
An unsettled and urgent promise
cloistered within vows of possibility

Willing victim of romantic culture
betrayed by the keeper of souls
Romance is no idle distraction
Intimacy, a vocation

Long afflicted by...
the sounds of music
the scent of linden blossoms
the taste of sea salted skin
the feel of sultry midnight air
the sight of sun through closed eyes...

Dreams once silently withering
liberated to wander freely
Uprooted from the stagnation
of emotionally depleted soil

Transplanted to aimlessness
where all roads lead to roam
Preferring the role of explorer
to the vagrancy of a lost soul

Strolling through this beautiful city
as having traveled throughout life
Observing without participation
part of a whole yet not wholly a part

An accomplished failure on a quest
to achieve simplicity of purpose
To savor those moments of stray peace
that ephemerally cross this path

...all the whilst searching for that bee loud glade

In the breath
of the forest
by the roots
of a linden
I say your name
to the wind
and my longing
gets wings.

I dream of you
       and that part of me
forever missing
       forever singing

Midst greens and shades the Catterskill leaps,
  From cliffs where the wood-flower clings;
All summer he moistens his verdant steeps
  With the sweet light spray of the mountain springs;
And he shakes the woods on the mountain side,
When they drip with the rains of autumn-tide.

But when, in the forest bare and old,
  The blast of December calls,
He builds, in the starlight clear and cold,
  A palace of ice where his torrent falls,
With turret, and arch, and fretwork fair,
And pillars blue as the summer air.

For whom are those glorious chambers wrought,
  In the cold and cloudless night?
Is there neither spirit nor motion of thought
  In forms so lovely, and hues so bright?
Hear what the gray-haired woodmen tell
Of this wild stream and its rocky dell.

'Twas hither a youth of dreamy mood,
  A hundred winters ago,
Had wandered over the mighty wood,
  When the panther's track was fresh on the snow,
And keen were the winds that came to stir
The long dark boughs of the hemlock fir.

Too gentle of mien he seemed and fair,
  For a child of those rugged steeps;
His home lay low in the valley where
  The kingly Hudson rolls to the deeps;
But he wore the hunter's frock that day,
And a slender gun on his shoulder lay.

And here he paused, and against the trunk
  Of a tall gray linden leant,
When the broad clear orb of the sun had sunk
  From his path in the frosty firmament,
And over the round dark edge of the hill
A cold green light was quivering still.

And the crescent moon, high over the green,
  From a sky of crimson shone,
On that icy palace, whose towers were seen
  To sparkle as if with stars of their own;
While the water fell with a hollow sound,
'Twixt the glistening pillars ranged around.

Is that a being of life, that moves
  Where the crystal battlements rise?
A maiden watching the moon she loves,
  At the twilight hour, with pensive eyes?
Was that a garment which seemed to gleam
Betwixt the eye and the falling stream?

'Tis only the torrent tumbling o'er,
  In the midst of those glassy walls,
Gushing, and plunging, and beating the floor
  Of the rocky basin in which it falls.
'Tis only the torrent--but why that start?
Why gazes the youth with a throbbing heart?

He thinks no more of his home afar,
  Where his sire and sister wait.
He heeds no longer how star after star
  Looks forth on the night as the hour grows late.
He heeds not the snow-wreaths, lifted and cast
From a thousand boughs, by the rising blast.

His thoughts are alone of those who dwell
  In the halls of frost and snow,
Who pass where the crystal domes upswell
  From the alabaster floors below,
Where the frost-trees shoot with leaf and spray,
And frost-gems scatter a silvery day.

"And oh that those glorious haunts were mine!"
  He speaks, and throughout the glen
Thin shadows swim in the faint moonshine,
  And take a ghastly likeness of men,
As if the slain by the wintry storms
Came forth to the air in their earthly forms.

There pass the chasers of seal and whale,
  With their weapons quaint and grim,
And bands of warriors in glittering mail,
  And herdsmen and hunters huge of limb.
There are naked arms, with bow and spear,
And furry gauntlets the carbine rear.

There are mothers--and oh how sadly their eyes
  On their children's white brows rest!
There are youthful lovers--the maiden lies,
  In a seeming sleep, on the chosen breast;
There are fair wan women with moonstruck air,
The snow stars flecking their long loose hair.

They eye him not as they pass along,
  But his hair stands up with dread,
When he feels that he moves with that phantom throng,
  Till those icy turrets are over his head,
And the torrent's roar as they enter seems
Like a drowsy murmur heard in dreams.

The glittering threshold is scarcely passed,
  When there gathers and wraps him round
A thick white twilight, sullen and vast,
  In which there is neither form nor sound;
The phantoms, the glory, vanish all,
With the dying voice of the waterfall.

Slow passes the darkness of that trance,
  And the youth now faintly sees
Huge shadows and gushes of light that dance
  On a rugged ceiling of unhewn trees,
And walls where the skins of beasts are hung,
And rifles glitter on antlers strung.

On a couch of shaggy skins he lies;
  As he strives to raise his head,
Hard-featured woodmen, with kindly eyes,
  Come round him and smooth his furry bed
And bid him rest, for the evening star
Is scarcely set and the day is far.

They had found at eve the dreaming one
  By the base of that icy steep,
When over his stiffening limbs begun
  The deadly slumber of frost to creep,
And they cherished the pale and breathless form,
Till the stagnant blood ran free and warm.

His *****-white sneakers tied in double knots
three strides down the sidewalk and he knows they are too small
He didn’t know that your feet could get fatter too but
oh that’s right
Emily’s feet had grown with each pregnancy
People tell him that’s a lot of kids
Four - no ****
He was on the track team in high school but he’s the wrong size now
Right size?
It’s women on billboards
oiled like seals
lips puckered to meet the side of a ***** bottle
in this city and every city in America
Emily had managed to stay fit and what a miracle that was
She is one of those women
who looks good - healthy
in her element even
with a runny-nosed child on her hip
and three hours of sleep
and no makeup
and snot smeared on the shoulder of her black tshirt
Flower of a woman
People ask him how does she do it?
By his male friends he’s told how lucky he is
but that wasn’t the word he was thinking of

He is working up a sweat now
He feels each foot land on the pavement with his whole body
He watches small dogs lift their legs, demurely
They relieve themselves on statues on the Comm Ave Mall
He feels like the figment of someone else’s imagination
He sees trees he could identify when he was a botany major
before he traded his VW for a minivan
Sweetgum, green ash, maple, linden, zelkova, Japanese pagoda
that one’s an elm
even his six-year-old knows what an elm is
New synapses formed
Genus and species replaced by numbers, meaningless
They only mean something if his client is getting paid
One day a paycheck, a bottle of champagne
Another
stress, Netflix for entertainment
He’s left his iphone on the kitchen counter
No missed calls or new text messages
No music on this run
Unfiltered thoughts where Led Zeppelin should be
He remembers next week is Lulu’s birthday
Peaches and cream little girl
who is never seen without bruises on her knobby bird’s legs
Kat, older, malleable, chose ballet
Lulu insists on football
She wants to get ***** and tackle boys
The first day of practice he was mildly horrified
when he realized she is the only female in the league
He loves watching the other teams’ faces when they learn they just played a girl
because it is impossible to tell under all the padding
until Lulu pulls off her helmet at the end of the game
slow motion
as she walks off the field
shaking out honey-colored hair
throwing a wink at her rivals
Players use last names only by some unspoken rule
But not her
she is still his Lulu
her closet filled with princess dresses and football jerseys

Today all the linden trees shrouded in black, no flowers only death, so quiet crept
killing summer bees, that can no longer sing - of honey flowers afield
death crying at the door, their silence praying to be heard
and still unthinking man poisons our fragile world

Compassion informs my outrage,

Skinny black kid,
super sensitive
playing the violin
for kittens,
pacifist vegetarian
tried to tell policemen
“I am not violent.
I’m an introvert.
I am different,”
as they choked him
then had paramedics
dose him
with ketamine.

Buds of pain
do not bloom
but burst, spray,
and sprain
my brain
that was self-trained
in the art of
kindness and reason.

It takes
less than five minutes
to break a mother’s heart,
to tare her world apart,
to shatter and claim
that they are not to blame
after unloading a full clip
on an autistic thirteen-year-old
who wasn’t mentally equipped
to do exactly what he was told.

Love and mercy
should rule the day
but cops make
violence great again.
Human suffering
is not magic
just unnecessarily tragic. cont.

Micheal Brown,
Eric Garner,
Tamir Rice,
George Floyd,
Freddy Gray,
Breonna Taylor,
Elijah Mcclain,
Linden Cameron,
Jacob Blake,
and so many other names.
There has to be a better way.

Saw your light through a darkened window
a flickering ghost of silence and promise
In this night's clearing all things look shadows
obscuring our eyes, convincing our ears
running into dreams of freezing legs and arms
weeping memories of past, past

Know that winter lasts a season's vapor breath
as great wheels of life turn eternal fears of death

Then centered comes our compassed sun
In a field, by a hill, a mare stems with her foal
butterfly dancing 'lites on flowers of gold
as Flicker birds defy their gravity so bold
on Linden trees of scented summer

Turned whispering hours of a newcomer's fare
ventures chaconne's path of daybreak's flare
and harmony of morning chirps in felicities' care

≈ cec

I don't know where I'm going,
the streets are intoxicated,
the air pregnant with sweetness
my tears cannot wait for the linden honey
I would go to that place where
time is made of dreams

-for my mother-

Some days I catch you sleeping
my legs are as long as yours now
Somewhere in the past, slipping
about, I'm still learning how
to speak. Even all these years on
I'm still searching for my voice
which you've always silenced
the May rain pours down outside
the days are long & ragged
some nights we see the Moon
& it sings it's serenade to us
In our old place we used to play
the piano in our living room
Moon River, Edvard Grieg
& buy fresh brötchen from the bakery
or walk beneath the ginko & linden trees
or talk for hours on the phone
The phone never rings any more
You buy yourself Comte cheese
a memory of bygone luxury
& we leave our garden door
open sometimes when we're in
& watch the slugs come in
& think of how things change.

.*brötchen - bread buns ( german)