a conscious translation of the ego into the id is only automated thinking; that’s the content of the id, pluralism of thinking, it’s all automation, the id is the ego although plural due to automation understood easier because the id is the unconscious ego thought about, hence the excess of psychological theorisation; the freudian stance simple says of the cartesian inquiry: it thinks. the limbo of lost identity! the queueing of card shuffles and the bigger fear other than death in man, the fear of crow and pigeon conformity to repeat inanimate exactness for the narcissus to embody himself; for consciously we say ‘i think,’ there’s identity in that, unconsciously we say ‘it thinks’ ending up a statement of technicality never realised. pluralism and automation is the order in a reckless dream of a charles manson given the neon and example to refer to or imitate. the gods don’t give oral ***, hence their pristine vocabulary that’s less vulture like less and less unlike man’s.*
i don’t have a lot to say, feeling wise? a lot,
hence i write more words than take photographs;
it’s the ultimate antidote to seeing tree, stone, pavement,
when i get to use r and e to write about yellowish sunsets.
because using letter on blanks nurtured me
to stress less of seeing contorting threes with
the face that gaped a silent shout teary eyed to craft chaos.
i was about to be shakespeare but
the my regina interrupted,
i was going to say things like:
animals and children like me,
i gave my pinky away to a toddler
on a bench before i put on sweet sixteen’s heart-shaped lenses
to allow the sun its 3pm in autumn,
i gave a toddler my pinky.
cats are content while dogs are just happy,
i gave my pinky away
like michelangelo painting the two indexes touching
in the ghetto crib of two ******* brawling hello for the revised modern.
toddler took it with an apple in the other hand.
i almost said that the best song of rage against the machine
wasn’t: born of a broken man.
i’m vietnam in the american vanity!
hollywood considered abduction and retirement
with my statement.
you’re a good man when animals and children like you
but women dislike you,
but with christ the children loved him too much and he said so
touchy feely with the armageddon kids behind a priest’s collar
leashing *******;
the animals? the animals were too eager on the donkey to architecture golgotha.
i’m less irish and even less catholic it would seem,
but when i write and weep, articulate the satanic:
tell one lie and learn many truths -
i'm almost satisfied to join a pilgrimage like a moth
attracted to a lightbulb from the shadows of knees.
