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"landlocked" poems
I march to a different drummer My life it is my own I'm an explorer of experience That is how I'm known I've seen snow in South Dakota I've been on the Vegas strip Had barbeque in Kansas My life has been a trip I'm a gypsy of the railways I'm a legend in my time I move on in a boxcar Brother... spare a dime? I've been through all the landlocked states Five provinces as well I've seen Niagara Falls all frozen I've seen it flowing fast as well I've had margaritas in Key West And Bourbon in Kentucky Craft beers out in Oregon In my life I have been lucky I travel on my stories Feed myself with all my tales I'm an explorer of experience I'm a gypsy of the rails I never stick around too long I don't wear my welcome out I come and see just what I want That's what life is all about I've railroad friends in Texas Some up in BC too We've shared drinks in San Diego And had a great Alaskan brew I'm not one to live by your rules I find my rules suit me fine I'm an explorer of experience And I'm riding on the lines You can find me down in Georgia Or eating spuds in Idaho I never know just where I'll be Until my ride begins to go I'm a gypsy of the railways I'm a legend in my time I move on in a boxcar Brother...spare a dime?
0
Feb 21, 2014
Feb 21, 2014 at 12:12 PM UTC
Gypsy of the Railways
Rugby town, of landlocked streets, of wasted field and barefaced retreat; I miss you now, in absence of a friend, I miss you now, in the verse that I lend. Suburb grove, of sleepy mist, oh, battered housewife, oh blastocyst; you will remain in place forevermore, and forevermore, you'll become a bore. Holding cell, of sporting fame, you stole my dreams but gave me my name; I think of you: a multi-storey view, of happy faces, of which there is few. Still, my town, in debt's nightgown, the shop-fronts vacate, we're feeling down; these streets are poisoned with names of the past, each memoir to teach: nothing's built to last Rugby town, of weary folk, the private school is a private joke; I miss you now, as I sleep through the day, I miss the old walks, and all that you'd say. Old market town, the aftermath, of British summer, suicide bath; of open mics and closing the shutters, of waking graveyards, sleeping in gutters. Hopeless climbs, of dreary times, of childhood state and nursery rhymes; each time that I come home, I know you less, becoming a stranger in my redress. Clock tower, chiming, chiming loud, singing for history long and proud; of Rupert Brooke and the question: “what if?” What if I was born to some lover's tiff? To some large and friendless town, to some body of land, which I drown; to some active place of pain unknown, to some place that I'll not gauge that I've grown, oh Rugby dear, stay with me, let me live on the periphery; and although this town seems terribly dull, it could be worse – I could live in Hull.
0
Mar 14, 2014
Mar 14, 2014 at 7:18 PM UTC
Rugby, Warwickshire
Rugby town, of landlocked streets, of wasted field and barefaced retreat; I miss you now, in absence of a friend, I miss you now, in the verse that I lend. Suburb grove, of sleepy mist, oh, battered housewife, oh blastocyst; you will remain in place forevermore, and forevermore, you'll become a bore. Holding cell, of sporting fame, you stole my dreams but gave me my name; I think of you: a multi-storey view, of happy faces, of which there is few. Still, my town, in debt's nightgown, the shop-fronts vacate, we're feeling down; these streets are poisoned with names of the past, each memoir to teach: nothing's built to last Rugby town, of weary folk, the private school is a private joke; I miss you now, as I sleep through the day, I miss the old walks, and all that you'd say. Old market town, the aftermath, of British summer, suicide bath; of open mics and closing the shutters, of waking graveyards, sleeping in gutters. Hopeless climbs, of dreary times, of childhood state and nursery rhymes; each time that I come home, I know you less, becoming a stranger in my redress. Clock tower, chiming, chiming loud, singing for history long and proud; of Rupert Brooke and the question: “what if?” What if I was born to some lover's tiff? To some large and friendless town, to some body of land, which I drown; to some active place of pain unknown, to some place that I'll not gauge that I've grown, oh Rugby dear, stay with me, let me live on the periphery; and although this town seems terribly dull, it could be worse – I could live in Hull.
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40
You're an inspirational exciting jolt Like an invitational lightning bolt I'm suddenly shocked by the results When I am blocked by your revolt You have my beating heart in your hand Holding me hostage where I silently stand Staring at your ****** butcher's cleaver That morphs me into a landlocked ****** You're a two-hander Like a sledgehammer Or a radar jammer I start to stutter and stammer When I see your weekly planner And the lack of my presence Because I'm incessant You hold a pencil and an eraser You delete when I become a tracer And start to draw a better replacer You hold the scales of justice Though I claim you're unfit You say add that to the list From the throne where you sit And there's no avenue for any recourse When your other hand holds so much force I must deal with your actions So I can stay in your faction For my heart's attraction I am never right So we never fight And we never might Understand each other When we're taking cover From exposing vulnerability An exploding soul is filling me Because the cold mist killing steam Between us until you are only a dream And my mind starts bursting at the seams Until there's a monster barely mentally caged But the bars shake when it is constantly enraged When your saccharine emotions are cynically staged My bustling brain will unfortunately always be plagued By your neutral reactions which I'll never be able to gauge You hold two hands behind your back Will it be an attack? Our two hands should meet Instead I'm trampled by feet
0
Nov 23, 2017
Nov 23, 2017 at 5:00 AM UTC
Hands
You're an inspirational exciting jolt Like an invitational lightning bolt I'm suddenly shocked by the results When I am blocked by your revolt You have my beating heart in your hand Holding me hostage where I silently stand Staring at your ****** butcher's cleaver That morphs me into a landlocked ****** You're a two-hander Like a sledgehammer Or a radar jammer I start to stutter and stammer When I see your weekly planner And the lack of my presence Because I'm incessant You hold a pencil and an eraser You delete when I become a tracer And start to draw a better replacer You hold the scales of justice Though I claim you're unfit You say add that to the list From the throne where you sit And there's no avenue for any recourse When your other hand holds so much force I must deal with your actions So I can stay in your faction For my heart's attraction I am never right So we never fight And we never might Understand each other When we're taking cover From exposing vulnerability An exploding soul is filling me Because the cold mist killing steam Between us until you are only a dream And my mind starts bursting at the seams Until there's a monster barely mentally caged But the bars shake when it is constantly enraged When your saccharine emotions are cynically staged My bustling brain will unfortunately always be plagued By your neutral reactions which I'll never be able to gauge You hold two hands behind your back Will it be an attack? Our two hands should meet Instead I'm trampled by feet
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46
Darling Mars, Untouchable through the vast of stars, I love you so. Your icy caps, Your passion red, You are not mine. Though I want it so. I am Earthbound, Landlocked to reason, Close to the ground. I love Earth just the same, His pastures green, His seas cold. He comforts me, When I need it most. I promised him, Keep my feet on the ground. But My head is in the clouds. Darling Mars, I yearn for you so.
0
Dec 12, 2014
Dec 12, 2014 at 9:41 PM UTC
Mars
Yahya Kemal Beyatli translations Yahya Kemal Beyatli (1884-1958) was a Turkish poet, editor, columnist and historian, as well as a politician and diplomat. Born born Ahmet Âgâh, he wrote under the pen names Agâh Kemal, Esrar, Mehmet Agâh, and Süleyman Sadi. He served as Turkey’s ambassador to Poland, Portugal and Pakistan. Sessiz Gemi (“Silent Ship”) by Yahya Kemal Beyatli loose translation by Nurgül Yayman and Michael R. Burch for the refugees The time to weigh anchor has come; a ship departing harbor slips quietly out into the unknown, cruising noiselessly, its occupants already ghosts. No flourished handkerchiefs acknowledge their departure; the landlocked mourners stand nurturing their grief, scanning the bleak horizon, their eyes blurring... Poor souls! Desperate hearts! But this is hardly the last ship departing! There is always more pain to unload in this sorrowful life! The hesitations of lovers and their belovèds are futile, for they cannot know where the vanished are bound. Many hopes must be quenched by the distant waves, since years must pass, and no one returns from this journey. Full Moon by Yahya Kemal Beyatli loose translation by Nurgül Yayman and Michael R. Burch You are so lovely the full moon just might delight in your rising, as curious and bright, to vanquish night. But what can a mortal man do, dear, but hope? I’ll ponder your mysteries and (hmmmm) try to cope. We both know you have every right to say no. The Music of the Snow by Yahya Kemal Beyatli loose translation/interpretation by Michael R. Burch This melody of a night lasting longer than a thousand years! This music of the snow supposed to last for thousand years! Sorrowful as the prayers of a secluded monastery, It rises from a choir of a hundred voices! As the organ’s harmonies resound profoundly, I share the sufferings of Slavic grief. Then my mind drifts far from this city, this era, To the old records of Tanburi Cemil Bey. Now I’m suddenly overjoyed as once again I hear, With the ears of my heart, the purest sounds of Istanbul! Thoughts of the snow and darkness depart me; I keep them at bay all night with my dreams! Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer. Keywords/Tags: Beyatli, Agah, Kemal, Esrar, Turkish, translation, Turkey, silent, ship, anchor, harbor, ghosts, grief, Istanbul, moon, music, snow
0
Oct 30, 2020
Oct 30, 2020 at 4:28 AM UTC
Yahya Kemal Beyatli translations
Yahya Kemal Beyatli translations Yahya Kemal Beyatli (1884-1958) was a Turkish poet, editor, columnist and historian, as well as a politician and diplomat. Born born Ahmet Âgâh, he wrote under the pen names Agâh Kemal, Esrar, Mehmet Agâh, and Süleyman Sadi. He served as Turkey’s ambassador to Poland, Portugal and Pakistan. Sessiz Gemi (“Silent Ship”) by Yahya Kemal Beyatli loose translation by Nurgül Yayman and Michael R. Burch for the refugees The time to weigh anchor has come; a ship departing harbor slips quietly out into the unknown, cruising noiselessly, its occupants already ghosts. No flourished handkerchiefs acknowledge their departure; the landlocked mourners stand nurturing their grief, scanning the bleak horizon, their eyes blurring... Poor souls! Desperate hearts! But this is hardly the last ship departing! There is always more pain to unload in this sorrowful life! The hesitations of lovers and their belovèds are futile, for they cannot know where the vanished are bound. Many hopes must be quenched by the distant waves, since years must pass, and no one returns from this journey. Full Moon by Yahya Kemal Beyatli loose translation by Nurgül Yayman and Michael R. Burch You are so lovely the full moon just might delight in your rising, as curious and bright, to vanquish night. But what can a mortal man do, dear, but hope? I’ll ponder your mysteries and (hmmmm) try to cope. We both know you have every right to say no. The Music of the Snow by Yahya Kemal Beyatli loose translation/interpretation by Michael R. Burch This melody of a night lasting longer than a thousand years! This music of the snow supposed to last for thousand years! Sorrowful as the prayers of a secluded monastery, It rises from a choir of a hundred voices! As the organ’s harmonies resound profoundly, I share the sufferings of Slavic grief. Then my mind drifts far from this city, this era, To the old records of Tanburi Cemil Bey. Now I’m suddenly overjoyed as once again I hear, With the ears of my heart, the purest sounds of Istanbul! Thoughts of the snow and darkness depart me; I keep them at bay all night with my dreams! Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer. Keywords/Tags: Beyatli, Agah, Kemal, Esrar, Turkish, translation, Turkey, silent, ship, anchor, harbor, ghosts, grief, Istanbul, moon, music, snow
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52
i see drops of water tracing the lines of your hair-- it's like you're crying but you're happy and i swear even a painter couldn't muster the awe to bear the sight of you under showering rain i see nightlights peeking behind your silhouette and the tones of your flustered blush try not to separate themselves from the warm comely palette of the shot of our figures in loving embrace i see a blanket folded into your solemn sleeping shape with curves smiling back; in a way, i wouldn't escape had you had me landlocked within your pretty landscapes... hug me tight so that i might see just how pretty you can be under the soft glow of a burning moment
0
Sep 6, 2023
Sep 6, 2023 at 10:40 AM UTC
i see
Elusive elephant elegantly eating. Lioness learning landlocked locales. Limber leopard leaping lightly. Intimidating irate iridescent iguana. Exercising eel elongating effortlessly
0
Mar 26, 2013
Mar 26, 2013 at 12:52 AM UTC
It will be okay!
There might have been a time When I wasn’t full of fear so topped off Like a gassy sombrero like a burrito left in the Sun to bake and there might have Been a Time When I hadn’t yet eaten a burrito landlocked In New England, locked in a small state of Fear and knowing that knowing just isn’t Enough. There might have Been A time when luxury was a nickel apiece paperback Book at the Unitarian Church fall sale to raise funds for Their roof. To raise their Roof. And there Might Have been a joy in my spark Plugs, A joy In my canter A Joy in My legs that preceded my Fears. There might Have Been a time: When I would pick one of the seven records we owned And delicately put it on the turntable, thinking I will Have my own money and buy my own music. When I idly lift the leaded paint from the 200 year old wood And scratch it to smell its sweet aroma. And put my hand on the glass pane Think hard enough and open your eyes and it will be 1838 again. Oh where are the people? Oh where when there might have been a time Did I not see who they are? Or they did not register. I must have watched them everyday Observant so keen to be seen Is it possible to feel so much for feeling so little? Or did I feel gulfs of embrace that were not there? I wanted and I desired and I dug. I craved and thought and speculated and clung. And there might have Been A time when I roared on my Schwinn down the long empty Roads of my town. Invoking our gods. Invoking my claims. There was a time when I stuttered with Compassion and could feel a touch observed There was a time: Across the street in a lit house at dusk. Their curtains are open, their lights are on. Oh, the sun has settled down There is that time, golden, when I Look into your kitchen, and the wallpaper is Blue and harvest gold with small pictures of oil lamps on Them and your walls are mustard gold. Your plates are unbreakable I see them lustre in the Overhead light, fashioned like a wagon wheel. Guns ablazin’. Trails awash. There might be a time when I can slip back Into your kitchen lick the plates and then Run my fingers over the wall paper. Tracing the outline of the oil lamps imprinted.
0
Aug 22, 2018
Aug 22, 2018 at 7:19 AM UTC
1971, Chester Vermont
There might have been a time When I wasn’t full of fear so topped off Like a gassy sombrero like a burrito left in the Sun to bake and there might have Been a Time When I hadn’t yet eaten a burrito landlocked In New England, locked in a small state of Fear and knowing that knowing just isn’t Enough. There might have Been A time when luxury was a nickel apiece paperback Book at the Unitarian Church fall sale to raise funds for Their roof. To raise their Roof. And there Might Have been a joy in my spark Plugs, A joy In my canter A Joy in My legs that preceded my Fears. There might Have Been a time: When I would pick one of the seven records we owned And delicately put it on the turntable, thinking I will Have my own money and buy my own music. When I idly lift the leaded paint from the 200 year old wood And scratch it to smell its sweet aroma. And put my hand on the glass pane Think hard enough and open your eyes and it will be 1838 again. Oh where are the people? Oh where when there might have been a time Did I not see who they are? Or they did not register. I must have watched them everyday Observant so keen to be seen Is it possible to feel so much for feeling so little? Or did I feel gulfs of embrace that were not there? I wanted and I desired and I dug. I craved and thought and speculated and clung. And there might have Been A time when I roared on my Schwinn down the long empty Roads of my town. Invoking our gods. Invoking my claims. There was a time when I stuttered with Compassion and could feel a touch observed There was a time: Across the street in a lit house at dusk. Their curtains are open, their lights are on. Oh, the sun has settled down There is that time, golden, when I Look into your kitchen, and the wallpaper is Blue and harvest gold with small pictures of oil lamps on Them and your walls are mustard gold. Your plates are unbreakable I see them lustre in the Overhead light, fashioned like a wagon wheel. Guns ablazin’. Trails awash. There might be a time when I can slip back Into your kitchen lick the plates and then Run my fingers over the wall paper. Tracing the outline of the oil lamps imprinted.
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89
Autumn flares out, its flame burst clouds strewn about misted cliff sides, loam whites of winter taking their place. A stiff willow breeze, ten thousand things withdrawn to burrows and immortal pine heights. First snows stream down, duckweed carpets of August fade, jade peeking through white. I embark on the seasons final sail in hardening ice waters. Til spring my sails will be folded, my raft in idleness. ~~~ Rafting on moon drenched river, avoiding cascades and crash of rapids and falls. Silvered driftwood a warning. Silent glide of mulberry oar through dark azure, another crafts sail in silhouette. From the deck a black spectre dives below, stillness follows splash, re-emergence, beak wrapped around a dazzling rainbow. From my raft dangling lantern sways, trout swiping at gathered moths – scatter and return, some from a far off realm. Some trout in the net, others not. Luck or the way – who can tell? ~~~ Dusk colour gorge sheathed in emerald blankets, rising into sheer cliffs of auburn cinnabar, all underpinned by the fathomless flow of azure clarity. Snowy Egrets nest in pine top heights clear of dust. On white sand shores gibbons howl towards squawking beach gulls, squabble over landlocked trout – debate without end. Peach blossom petals swirl on spring breeze over carpets of jade inter cut by king fisher blue zipping over duckweed. Oriole song weaves in and out of mulberry branches. In these vast and vague waters - coves, creeks and streams all one, a river dragon lives an undetermined existence. Mud stirs below, merely a catfish airing grievances. Red tail flares in dirt, my mulberry oar rows me back home.
0
Jan 15, 2012
Jan 15, 2012 at 8:13 AM UTC
Recluse (River) (Poems)
Autumn flares out, its flame burst clouds strewn about misted cliff sides, loam whites of winter taking their place. A stiff willow breeze, ten thousand things withdrawn to burrows and immortal pine heights. First snows stream down, duckweed carpets of August fade, jade peeking through white. I embark on the seasons final sail in hardening ice waters. Til spring my sails will be folded, my raft in idleness. ~~~ Rafting on moon drenched river, avoiding cascades and crash of rapids and falls. Silvered driftwood a warning. Silent glide of mulberry oar through dark azure, another crafts sail in silhouette. From the deck a black spectre dives below, stillness follows splash, re-emergence, beak wrapped around a dazzling rainbow. From my raft dangling lantern sways, trout swiping at gathered moths – scatter and return, some from a far off realm. Some trout in the net, others not. Luck or the way – who can tell? ~~~ Dusk colour gorge sheathed in emerald blankets, rising into sheer cliffs of auburn cinnabar, all underpinned by the fathomless flow of azure clarity. Snowy Egrets nest in pine top heights clear of dust. On white sand shores gibbons howl towards squawking beach gulls, squabble over landlocked trout – debate without end. Peach blossom petals swirl on spring breeze over carpets of jade inter cut by king fisher blue zipping over duckweed. Oriole song weaves in and out of mulberry branches. In these vast and vague waters - coves, creeks and streams all one, a river dragon lives an undetermined existence. Mud stirs below, merely a catfish airing grievances. Red tail flares in dirt, my mulberry oar rows me back home.
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38
a mysterious lady told me i am a landlocked mermaid:emerged from the ocean with legs and a shine i can't lessen even though others might try to make me. i now give much heed to mysterious ladies. girls i grew up playing Nintendo with are having babies and starring in their own personal generic happily ever Mormon afters and the guys are being shipped off straight from high school to preach a gospel they neither understand nor care about, two years of being ***** and righteous and shrink-wrapped in guilt. i think they are the landlocked ones i am getting out of this ocean-less place with a tactic that goes a little something like throwing a dart and chasing it with my eager feet wherever it  may go.
0
Jun 29, 2011
Jun 29, 2011 at 10:46 AM UTC
racing
no mean feat to reestablish, palpitating those few seconds when arms-in-motion wave frantic, in desperation, in fall-prevention mode, comical and tragical, a salty suite, and the semi-familiar taste of fall/failing the freshest fear, jalapeño hot on the tongue some months ago, the thinnest tightrope, not an obstacle feared, what I lacked for, I could not say or now recall the kindness of calm prevailed now tension lines drawn, under the feet, around the neck, high voltage wires that no artist-survivor-breadwinner can walk without trepidation though you don't see my arms flailing, there are faint marks on my soles, parallelograms on my throat, where fear has tested the prowess of its equipment my life retrospected, have miracles made and gained, given and taken nine lives used up so many times, thought my allotment was nine X nine to the power of nine, stupid-stopped looking over my shoulder the poems came so easy, every phrase overheard was a story explicated, and the insights slid from throat to paper so fast I did not count myself blessed, just merely fortunate well fortunes veer, turn left bad right, no direction home, and what was easy, now impossible how the story final beds, will keep you posted, right now all I can predict with 100% surety, the fall is surely coming for the summer-man the sun cannot burn off the fog that paralyzes his ship to shore, invisible the safety of port, the horn sound more of a croak, his voice, ashamed of failing, has this man both landlocked and lost at sea
0
Aug 10, 2014
Aug 10, 2014 at 4:39 PM UTC
A Balance Once Lost
no mean feat to reestablish, palpitating those few seconds when arms-in-motion wave frantic, in desperation, in fall-prevention mode, comical and tragical, a salty suite, and the semi-familiar taste of fall/failing the freshest fear, jalapeño hot on the tongue some months ago, the thinnest tightrope, not an obstacle feared, what I lacked for, I could not say or now recall the kindness of calm prevailed now tension lines drawn, under the feet, around the neck, high voltage wires that no artist-survivor-breadwinner can walk without trepidation though you don't see my arms flailing, there are faint marks on my soles, parallelograms on my throat, where fear has tested the prowess of its equipment my life retrospected, have miracles made and gained, given and taken nine lives used up so many times, thought my allotment was nine X nine to the power of nine, stupid-stopped looking over my shoulder the poems came so easy, every phrase overheard was a story explicated, and the insights slid from throat to paper so fast I did not count myself blessed, just merely fortunate well fortunes veer, turn left bad right, no direction home, and what was easy, now impossible how the story final beds, will keep you posted, right now all I can predict with 100% surety, the fall is surely coming for the summer-man the sun cannot burn off the fog that paralyzes his ship to shore, invisible the safety of port, the horn sound more of a croak, his voice, ashamed of failing, has this man both landlocked and lost at sea
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62
The Siren song    Sung by the Sea    Sounded so much    Sweeter Before the boy Was born. Truth be told,    I was born that day as well.    We shared our first breaths.    Delicate and enduring atmosphere.    Sweetest, most overlooked element:    OXYGEN    Awoken our lungs    And spread life out    Through our    Fingers,    Toes,    Tears.       (His were louder,     Mine were longer) We shared more than rarefied air that day; Excitement. Confusion. Love. Fear. Before I knew it My Scorched sailor’s skin       Sought sanctuary In    Landlocked love. You see    The inconvenient, unfortunate, and unavoidable    Fact of humans is,    They like to eat.       And warmth is also nice.    Diapers.    And Kathy next door just got this great icebox and she says she doesn't know how she lived        without it and that in the long run it will actually save her money, what with buying in bulk and not    going to the store so often and leftovers.    So there’s that too. So I work    Willingly, willfully    With wetness    On Back,    But not behind ears. And my captain is a good captain,    A true captain.    Our pay is always waiting when and where promised.    Pennies are not pinched when providing rations.    He gave me this job out of the goodness of neighborhood. But he has no child.    No wife.    Little reason to head to port,    And less to linger long. I see my boy’s chestnut eyes in my dreams    And they act like the cruelest potion,    Which, when sipped    Leaves the drinker with only more thirst. But there are dollars here, And, what other skills do I have? And, bellies are full. I try not to complain. Tonight, I want the fireplace,    Roaring. Our boy smiling, laughing    His cheeks having played chameleon    With the scarlet of our flag. His mother;    Her eyes,    Outshining her hair,    Outshining the sun,    Scroll between our boy and the page,    As she reads his favorite book of tales.    He doesn't understand a word,    But I do.    We share an unnumbered smile.    He likes the pictures. My mouth has tasted of salt for    64    Long    Days. The ocean gives, And the ocean takes away.
0
Jan 13, 2014
Jan 13, 2014 at 4:23 PM UTC
As the Ocean Grew Quiet
The Siren song    Sung by the Sea    Sounded so much    Sweeter Before the boy Was born. Truth be told,    I was born that day as well.    We shared our first breaths.    Delicate and enduring atmosphere.    Sweetest, most overlooked element:    OXYGEN    Awoken our lungs    And spread life out    Through our    Fingers,    Toes,    Tears.       (His were louder,     Mine were longer) We shared more than rarefied air that day; Excitement. Confusion. Love. Fear. Before I knew it My Scorched sailor’s skin       Sought sanctuary In    Landlocked love. You see    The inconvenient, unfortunate, and unavoidable    Fact of humans is,    They like to eat.       And warmth is also nice.    Diapers.    And Kathy next door just got this great icebox and she says she doesn't know how she lived        without it and that in the long run it will actually save her money, what with buying in bulk and not    going to the store so often and leftovers.    So there’s that too. So I work    Willingly, willfully    With wetness    On Back,    But not behind ears. And my captain is a good captain,    A true captain.    Our pay is always waiting when and where promised.    Pennies are not pinched when providing rations.    He gave me this job out of the goodness of neighborhood. But he has no child.    No wife.    Little reason to head to port,    And less to linger long. I see my boy’s chestnut eyes in my dreams    And they act like the cruelest potion,    Which, when sipped    Leaves the drinker with only more thirst. But there are dollars here, And, what other skills do I have? And, bellies are full. I try not to complain. Tonight, I want the fireplace,    Roaring. Our boy smiling, laughing    His cheeks having played chameleon    With the scarlet of our flag. His mother;    Her eyes,    Outshining her hair,    Outshining the sun,    Scroll between our boy and the page,    As she reads his favorite book of tales.    He doesn't understand a word,    But I do.    We share an unnumbered smile.    He likes the pictures. My mouth has tasted of salt for    64    Long    Days. The ocean gives, And the ocean takes away.
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85
Untamed! Its landlocked audacity! My arrogant city Needs a sea.
0
Jul 24, 2013
Jul 24, 2013 at 11:42 AM UTC
For New Delhi [10w]
My sweetheart once told me about the passing of the moon, how it takes an age to burn so bright, then gone away too soon. My father once told me about the whisper of the wind, how ghosts are soldiers left to die, in brutal war's rescind. My shaman once told me about collective memory loss, how it takes an age to build a kingdom, which swiftly turns to moss. My teacher once told me about coincidental beauty, how love is found in patient bliss and custodial duty. My pen-pal once told me about how all of life is work, how you must toil, toil, toil the fields, only to end up hurt. My mother once told me about the truth found on the coast, how in landlocked state, she buried thought and missed my father the most. My blackout friend once told me how he re-invented sin, how truth is but an echo of thought and great delusion's twin. The news anchor once told me about the falling of the towers, how brothers fell under the mythic spell of dehumanising powers. My electrician once told me about the sounds of abandonment, how a million memories within the halls, are now but histories spent. My garden gnome once told me about God within the weather, how we traded in moonlit ponds for car seats made of leather. My psychologist once told me about living with depression, how it takes an age to face the day and a second for night's oppression. My failed love agreed with this as she turned to walk away, and for all the words I'd written down, I had nothing left to say.
0
Feb 15, 2014
Feb 15, 2014 at 3:28 PM UTC
Conversations
suffice it to say I feel unseasonably confined tomorrow the sun will rise & the ships will dance on the ever-shifting horizon but I will not see them you will wake in your world & not have a single thought of me I am too far from the sea & I wonder if it bothers him too that I might one day set sail on the wheels of my '97 Ford Taurus & never return anchored upon land is what I am but the horizon draws near as you sleep in your world & wake in my harbor won't you please think of me?
0
Mar 23, 2012
Mar 23, 2012 at 1:30 AM UTC
.the landlocked lady.
**The sun grew dark, the sky grew black, I looked away; when I looked back The rain was falling in sheets, so fine, I thought I'd finally come back. The air was heavy like before I felt that longing even more I tasted sea salt on my face Standing on my landlocked shore. It all came back to me, right there Spray in my eyes, wind in my hair It all returned to tantalize As if those rain clouds didn't care.**
0
Sep 8, 2014
Sep 8, 2014 at 6:34 PM UTC
Landlocked Shore
No towering, flowering, landlocked tree Will weep for the waning life of thee Forgive them, friend, they never saw you smile Forgive them, friend, they never saw you grin To mistress maritime you were married For her you lived, so with her be buried Below the surface of sorrowful sin Where above breathe hateful and hollow men Solar shadows spin and empty seas flow Though they are bereft your supernal glow Forgive me, father, I can't seem to smile Since you died, father, I can't seem to grin (And from the waves we are ****** (And unto the waves we are ******
0
Jun 9, 2010
Jun 9, 2010 at 9:14 PM UTC
The Enlightening Encomium of Grinning Garrick Beauregard, or, A Sailor's Death at Sea
Bathtub music and drums played on the surface of Davy Jones's mirror: the ceramic holds the sea, the sea, and all within it: ***** me. Scrubbed you off my skin again for the umpteenth night in a row. Row row row our boat away from the constant, constant rows. Stormy arguments and weathered mistrust. You'll break me, won't you? I'll break you, won't I? Won't you come drown with me Ariel? Won't you come up with me to the kitchen and lock up the door then lock up the oven then lock up ourselves in carbon-monoxide poetry? But then how does cooking gas end up as sass in a library? How did sustenance turn into asphyxiation?  Why are our hands on each other's throats instead of being binded by the absoluteness, the certainty, the assuredness of palms within palms and fingers interlocked and question marks dispelled. Splash! as way in and over my head is the bathtub music and my absorbent curls are drinking, drinking, drinking, thinking about the why you only call me when you're drinking, drinking, drinking; thinking about the way I cannot suppress you when the cellphone has long gone quiet and your Hughes of blue are still loud but your red is dead. Ariel, Ariel, I want to be your dark-haired prince. Ariel, Ariel, my country is landlocked but I still see you in the sink. Ariel, Ariel, gurgling away as the bathtub music fades into ugly brown rings around the ceramic pause button that shows no hope of continuation Ariel, Ariel, you are the final splash! as the false sea drifts away, the final splash! that scatters bathtub music past the drain and into the air. Ariel, Ariel, you are the false rain that my landlocked country never prayed for. Ariel, Ariel, toneless, begotten and forgotten Ariel, Ariel. I cannot sing for you. I cannot. You will not sing for me. You will not. The final splash! past the drain and into the air is you Ariel. The false rain. The rain song of our endless games.
0
May 24, 2015
May 24, 2015 at 10:02 AM UTC
Rain Song.
Bathtub music and drums played on the surface of Davy Jones's mirror: the ceramic holds the sea, the sea, and all within it: ***** me. Scrubbed you off my skin again for the umpteenth night in a row. Row row row our boat away from the constant, constant rows. Stormy arguments and weathered mistrust. You'll break me, won't you? I'll break you, won't I? Won't you come drown with me Ariel? Won't you come up with me to the kitchen and lock up the door then lock up the oven then lock up ourselves in carbon-monoxide poetry? But then how does cooking gas end up as sass in a library? How did sustenance turn into asphyxiation?  Why are our hands on each other's throats instead of being binded by the absoluteness, the certainty, the assuredness of palms within palms and fingers interlocked and question marks dispelled. Splash! as way in and over my head is the bathtub music and my absorbent curls are drinking, drinking, drinking, thinking about the why you only call me when you're drinking, drinking, drinking; thinking about the way I cannot suppress you when the cellphone has long gone quiet and your Hughes of blue are still loud but your red is dead. Ariel, Ariel, I want to be your dark-haired prince. Ariel, Ariel, my country is landlocked but I still see you in the sink. Ariel, Ariel, gurgling away as the bathtub music fades into ugly brown rings around the ceramic pause button that shows no hope of continuation Ariel, Ariel, you are the final splash! as the false sea drifts away, the final splash! that scatters bathtub music past the drain and into the air. Ariel, Ariel, you are the false rain that my landlocked country never prayed for. Ariel, Ariel, toneless, begotten and forgotten Ariel, Ariel. I cannot sing for you. I cannot. You will not sing for me. You will not. The final splash! past the drain and into the air is you Ariel. The false rain. The rain song of our endless games.
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51
I only see you in the dreams I fall asleep in: the daydreams in my nightmares, right before the darkness creeps in. Behind a pane I cannot break, I watch as if I'm wide-awake: the flashback as I sink into the deep end. We meet behind the words inside our stories. You lie to me and me to you, the whole thing is annoying. "Never so alive!" will be the vehicle we drive as we go diving from the cliff into the quarry. I thought gravity, for granted, was to ground me 'til it pulled the seven shores in all around me. It was a slight tectonic shift that pushed my sanity out drifting into nonsense: time is tasted, spaces sound. I am landlocked, but convinced that I have drowned. I had a flashback (or a dream) that when we kissed, I heard your secrets and they tasted so, so sweet inside my mouth.
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Jun 1, 2015
Jun 1, 2015 at 7:58 PM UTC
a flashback (or a dream)
***Always with the separate rooms, same separate landlocked pontoons. Another follow up, billow of rank stank air, stale like the calming still of shell shocked monsoons, into the deep dark abyss I stare- Heightens my senses, that still begotten presence of quarantined ill begotten dimensions, left stark and in the dark with nothing but the whistling of our declining pensions- Repentance ask it of yourself, there's always an extra bottle on the tippy top shelf, reach high, you don't have to lie now, go ahead and lay that lye down- Corrosion never felt so **** good...***
0
Mar 17, 2013
Mar 17, 2013 at 12:29 PM UTC
Lay the lye down
A marinate was played Full of granite and fine rings A bathtub of nosebleeds Danny and a bathtub of kings All the cards that were dealt all the hands that we played pulled the curtain bell Of my sleeve up to delay what I'd say and All the cards we swept under the rug Danny all the music we screamed From my sore throat and broken hands came the sound of suffering on a silent note in an empty room a bell jar and a piano and a single key being pressed in time to the sound of my weeping Danny My friends ignored my cries But here we are now with a new drum set and two sets of sticks for hands and we break everything we try to touch Danny thinking it can be played like the single key in that lonely room Listen there are vultures in my throat in all my baby teeth and landlocked blues I know that's the name of the song but I wanted to play it for you Just in case you forgot I could sing out my suffering And it doesn't sound so horrible now does it Danny Because you don't know the story it tells The blood diamond behind the curtain Well it glimmers just as well And I'm sure we can find a way to forgive ourselves for everything that was done But I'm in a two step programme Where everything gets reversed And no I haven't slept in weeks Danny you're right I know I look like **** I just haven't had time to think about what I'm putting in me When I try to scream and I come up on a single static piano key Listen there are ways we broke each-other and I'm sorry I tried But the sound of my suffering Doesn't mean waving goodbye
0
Jul 14, 2016
Jul 14, 2016 at 4:20 PM UTC
Danny
A marinate was played Full of granite and fine rings A bathtub of nosebleeds Danny and a bathtub of kings All the cards that were dealt all the hands that we played pulled the curtain bell Of my sleeve up to delay what I'd say and All the cards we swept under the rug Danny all the music we screamed From my sore throat and broken hands came the sound of suffering on a silent note in an empty room a bell jar and a piano and a single key being pressed in time to the sound of my weeping Danny My friends ignored my cries But here we are now with a new drum set and two sets of sticks for hands and we break everything we try to touch Danny thinking it can be played like the single key in that lonely room Listen there are vultures in my throat in all my baby teeth and landlocked blues I know that's the name of the song but I wanted to play it for you Just in case you forgot I could sing out my suffering And it doesn't sound so horrible now does it Danny Because you don't know the story it tells The blood diamond behind the curtain Well it glimmers just as well And I'm sure we can find a way to forgive ourselves for everything that was done But I'm in a two step programme Where everything gets reversed And no I haven't slept in weeks Danny you're right I know I look like **** I just haven't had time to think about what I'm putting in me When I try to scream and I come up on a single static piano key Listen there are ways we broke each-other and I'm sorry I tried But the sound of my suffering Doesn't mean waving goodbye
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25
a message to every person who's name still echos in my mind and makes me shiver. 1. you were the first to give me a purpose. my body was small and your hands fit me almost as tight as your sheets. you were lost, and found home in the curve of my neck and the touch of my tongue and every story I dreaded to tell. you were a headache that throbbed in my teeth and crept down my throat. but I had a taste for a different type of pain. 2. you were nights without sleep for fear of the dark. you were the monsters in the closet and the dust along my bookshelf. you were The Calm Before The Storm that made me wish I was landlocked. you were venom in my veins and rope burns glowing along my throat. I've never believed in God but I pray for your victims when I watch you play life like a vicious game, and I still hope for your salvation. 3. you were a test I knew all the answers to but still proceeded to fail. you taught me to crave everything that was wrong. adrenaline has become the new form of oxygen. you are speed and I am the streets and everything inside of us aches to be free of the roles we are still forced to play. the lines in your palms are more familiar to me than my own, but you never let me hold your hand. 4. you were red in a world of black and white. I watched you fall like waves at my feet and I felt you pull back over time. you were the tides, you were the new moon covering me with shallow darkness, silent as I stumbled in the sand. you were the whistling wind pushing my hair over my eyes just so you could have the chance to pull it back behind my ears. you were salty kisses and warm skin, but you were too hot to touch. 5. you were a fairytale I so desperately needed. you gave me purpose like 1, sleepless nights like 2, had the same name as 3, and held thoughts as loud as 4 but a mouth just as silent. you were a thunderstorm in a four year drought, a fire in my mind, a force I could feel and never see. you held flashing lights and warning signs but I only squeezed my eyes closed even tighter. you are the scars along my wrists that show me I am so, so fragile. you are the suicide note waiting so patiently to be read, a reminder that I am not the only one who doesn't want to breathe anymore. but I would die for you.
0
Aug 26, 2013
Aug 26, 2013 at 10:05 PM UTC
Letters to Everyone I've Loved
a message to every person who's name still echos in my mind and makes me shiver. 1. you were the first to give me a purpose. my body was small and your hands fit me almost as tight as your sheets. you were lost, and found home in the curve of my neck and the touch of my tongue and every story I dreaded to tell. you were a headache that throbbed in my teeth and crept down my throat. but I had a taste for a different type of pain. 2. you were nights without sleep for fear of the dark. you were the monsters in the closet and the dust along my bookshelf. you were The Calm Before The Storm that made me wish I was landlocked. you were venom in my veins and rope burns glowing along my throat. I've never believed in God but I pray for your victims when I watch you play life like a vicious game, and I still hope for your salvation. 3. you were a test I knew all the answers to but still proceeded to fail. you taught me to crave everything that was wrong. adrenaline has become the new form of oxygen. you are speed and I am the streets and everything inside of us aches to be free of the roles we are still forced to play. the lines in your palms are more familiar to me than my own, but you never let me hold your hand. 4. you were red in a world of black and white. I watched you fall like waves at my feet and I felt you pull back over time. you were the tides, you were the new moon covering me with shallow darkness, silent as I stumbled in the sand. you were the whistling wind pushing my hair over my eyes just so you could have the chance to pull it back behind my ears. you were salty kisses and warm skin, but you were too hot to touch. 5. you were a fairytale I so desperately needed. you gave me purpose like 1, sleepless nights like 2, had the same name as 3, and held thoughts as loud as 4 but a mouth just as silent. you were a thunderstorm in a four year drought, a fire in my mind, a force I could feel and never see. you held flashing lights and warning signs but I only squeezed my eyes closed even tighter. you are the scars along my wrists that show me I am so, so fragile. you are the suicide note waiting so patiently to be read, a reminder that I am not the only one who doesn't want to breathe anymore. but I would die for you.
Continue reading...
6
Well, here we are: stuck in the ambivalent winds of our landlocked state. Warm mornings without warning curse us with cold before the clock tower strikes four times. The landlocked people dressed for warmth then scurried for shelter as the chill seeped into their bones. Fearing cold they hide their brains safe from love, safe from pain. It's like they don't even know to just wait five minutes. It'll all be different in five minutes. In five minutes there will be time Time for floods and droughts ice and flash fires infinite wrath, infinite despair. Trust in Oklahoma means to stand on a faulty bridge and fain stability. Looking West in Oklahoma means absolutely nothing There is flat in all directions. And so, here we are: landlocked lovers amid a complacent population. Let us not trust weather, it can not make up its mind. Let us not trust the wilted Mistletoe the only flowers I need are in your eyes. Let us not fear the cold or the heat in five minutes there will still be time to blanket ourselves in warmth or strip ourselves bare in the devious Sun.
0
Feb 24, 2011
Feb 24, 2011 at 1:09 PM UTC
With you (In Oklahoma)
Trying to reach the stars, Rising rising and yet, I am stopped by invisible bars. Landlocked alone, Clouds like curtains cut me off, Chained to my home. I see you and all of your grace, Floating above the clouds, Somewhere far out in space. I fly forward with all my might, Trying my best to get to, This amazing sight. But then the air stops me, Holds me back from, That which I need. I push forward and forward till I begin to bleed.   Can't break the barrier, So I fall to the Earth as a seed. Know what I want, I want what I need, But something blocks me from that which I see.
0
Apr 2, 2012
Apr 2, 2012 at 9:04 PM UTC
Barrier
The billionaires tend to their garden at the expense of the forest, whilst landlocked towns invest in pine trees and surfboards to sell a notion of escape against the cell of a poorer tomorrow. Religion lost its claim to G-d once the churches locked their doors. The homeless started a choir on the park bench by the chapel once they grew tired of food; fame now the nutrition of the masses. The baby boomers are a dying breed set for containment and greed and rapacious war; the dreadful threat of a next door neighbour- their extinction amongst a millennial wantonness. Heiresses brush their hair in vanity, as does the poet to his white-noise crowd of lunatics and alcoholics. He crushes diazepam into his whiskey sour, then lifts a shaking hand to find the power he is preaching against.
0
Nov 21, 2014
Nov 21, 2014 at 3:30 PM UTC
A Cynical Poet