Bathtub music and drums played on the surface
of Davy Jones's mirror: the ceramic holds
the sea, the sea, and all within it: ***** me.
Scrubbed you off my skin again for
the umpteenth night in a row. Row
row row our boat away from the constant,
constant rows. Stormy arguments and
weathered mistrust. You'll break me,
won't you? I'll break you, won't I? Won't you
come drown with me Ariel? Won't you
come up with me to the kitchen and lock up
the door then lock up the oven then lock up
ourselves in carbon-monoxide poetry?
But then how does cooking gas end up as sass
in a library? How did sustenance turn into
asphyxiation? Why are our hands on
each other's throats instead of being binded
by the absoluteness, the certainty, the assuredness
of palms within palms and fingers interlocked
and question marks dispelled.
Splash! as way in and over my head
is the bathtub music
and my absorbent curls are
drinking, drinking, drinking, thinking
about the why you only call me when
you're drinking, drinking, drinking; thinking
about the way I cannot suppress you when
the cellphone has long gone quiet and
your Hughes of blue are still loud but
your red is dead.
Ariel, Ariel,
I want to be your dark-haired prince.
Ariel, Ariel,
my country is landlocked but I still see you in the sink.
Ariel, Ariel,
gurgling away as the bathtub music fades
into ugly brown rings around the ceramic
pause button
that shows no hope of continuation
Ariel, Ariel, you are the final splash!
as the false sea drifts away, the final splash!
that scatters bathtub music past the drain
and into the air. Ariel, Ariel,
you are the false rain
that my landlocked country never prayed for.
Ariel, Ariel, toneless, begotten and forgotten
Ariel, Ariel. I cannot sing for you. I cannot.
You will not sing for me. You will not.
The final splash! past the drain and into the air
is you Ariel. The false rain.
The rain song of our endless games.
May 24, 2015
May 24, 2015 at 10:02 AM UTC
Bathtub music and drums played on the surface
of Davy Jones's mirror: the ceramic holds
the sea, the sea, and all within it: ***** me.
Scrubbed you off my skin again for
the umpteenth night in a row. Row
row row our boat away from the constant,
constant rows. Stormy arguments and
weathered mistrust. You'll break me,
won't you? I'll break you, won't I? Won't you
come drown with me Ariel? Won't you
come up with me to the kitchen and lock up
the door then lock up the oven then lock up
ourselves in carbon-monoxide poetry?
But then how does cooking gas end up as sass
in a library? How did sustenance turn into
asphyxiation? Why are our hands on
each other's throats instead of being binded
by the absoluteness, the certainty, the assuredness
of palms within palms and fingers interlocked
and question marks dispelled.
Splash! as way in and over my head
is the bathtub music
and my absorbent curls are
drinking, drinking, drinking, thinking
about the why you only call me when
you're drinking, drinking, drinking; thinking
about the way I cannot suppress you when
the cellphone has long gone quiet and
your Hughes of blue are still loud but
your red is dead.
Ariel, Ariel,
I want to be your dark-haired prince.
Ariel, Ariel,
my country is landlocked but I still see you in the sink.
Ariel, Ariel,
gurgling away as the bathtub music fades
into ugly brown rings around the ceramic
pause button
that shows no hope of continuation
Ariel, Ariel, you are the final splash!
as the false sea drifts away, the final splash!
that scatters bathtub music past the drain
and into the air. Ariel, Ariel,
you are the false rain
that my landlocked country never prayed for.
Ariel, Ariel, toneless, begotten and forgotten
Ariel, Ariel. I cannot sing for you. I cannot.
You will not sing for me. You will not.
The final splash! past the drain and into the air
is you Ariel. The false rain.
The rain song of our endless games.
See 'Ariel' by Sylvia Plath and 'Birthday Letters' by Ted Hughes.
