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sasha m george Oct 2013
Punk Rock John introduced himself to me at my first show. He said, “kid.. protect your teeth, do NOT lick the walls, and don’t ******* the crusty’s. If you get cut, let it bleed– you’ll be fine.”
I was 15 years old, thinking about unzipping my veins. And while most 15 year olds would have done drugs or written a ******* poem, I went to ****** bars and basements and gave my best friends black eyes.

For the first time in my life, I knew that when I fell, someone was gonna pick me up. That first mosh pit was not a quiet conversation about suicide, it was Punk Rock John telling me, “Hey *******! Don’t **** yourself! Don’t waste your unscarred knuckles.” My rage bloomed. Why hate myself when I can hate parents, high school, the radio, record stores, magazines, corporations, yuppies, my parents, cops, rain, sunshine, beach days, phone books, and tiny ******* cupcakes? *******, if that first day of punk didn’t sound like Buddy Holly played back, double time, distorted, compressed into four chords.

The first time I saw Punk Rock John, he was halfway through a frontflip stage dive, and he landed directly on me. He picked me up, dusted me off, and threw me back in the pit. Punk Rock John was 6’4, had hands the size a kick drum, and he smelled like a 20-year rain. He was Noah. He was our shepherd. One time, I was getting ready to dropkick some metal kid when John got me in a headlock and said, “quit ******* around, Neil! You don’t know who this kid’s friends are, and I ain’t putting you out if they set you on fire.”

John told us, “the church of punk rock was always open. If you wanna pray, just crank up the stereo until your ears bleed. If you wanna pray, just grab your brothers and sing! Sing out of tune, sing the wrong words- just sing! Loud!”

But then some out-of-town skin dropped a guillotine knifeblade into John’s skull. The blood was pouring from his ears. He was dead before he hit the ground. John brought me into a world where I felt loved, and that world took him away. I buried my leather jacket, patched the holes in my jeans, and tried to pluck the chords like stitches from my chest.. but John still speaks to me. When the world is larger than I am, when my chest is a vice.. I put that needle on the record, I turn it up until I can’t hear ****, and I tell myself: as long as I have hands, I can break something. As long as we can breathe, we can sing. As long as I can remember, I will hear him– he says, “kid, you’ll be fine.”
Cody Edwards Feb 2010
Rubber soles squeak without pretense on air
Fills the floor and the dwellers' ears
With the simple note,
Deafens them all with empty afterechoes.

Not a single meanderer would care if he
Pulled out a gun.
Instead he pulls out a knife
(a paring knife to be exact)

And selects a chair near the door.
Begins to shear the hour.
The knifeblade gleams behind his eyes,
Skewering seconds,

And he continues not to exist,
Murdering minutes.
Someone physically there remarks a draft
So he rises to shut the door,

But reconsiders and retreats
Back to his homestead seat.
Crossed arms and crossed legs.
However evilly uncomfortable,

The figure must be statuesque like the air must be.
Fifty-eight. Fifty-nine. And then sixty arrives
And he rises like a seagull in an operating room
In a grand gesture. He smiles to no one and

Retreats back to his burrow or wherever he lives.

But no one considers old, mad Mister Gray
Though he comes and sits queerly there day after day.
© Cody Edwards 2010

— The End —