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"kew" poems
The old lady planted roses near the corner by the driveway She never planted roses by the door I remember once she told me, "Bees come out to get the nectar" And a bee sting can be deadly or quite sore Instead, she planted herbs along the walkway to her cottage You'd pass by, the scent was rather nice Rubbing rosemary and lemon grass and sage against your trousers Sometimes you would even walk by twice She had hollyhocks and primrose, a classic English garden Lots of fragrant trees and bushes there as well There were cedars by the windows and hyacinth close by If she even had a lawn, you couldn't tell There were irises and tulips, daffodils and more And great bushes of white lavender abound Not only was the lawn gone, with the bushes and the trees I bet from inside you'd nary hear a sound Around the back the same thing, exactly as the front Herbs and plant life, and I'd say maybe more Than all the plants in Englands  Kew Gardens have to see And more lilacs by the walkway by the door The vents from down the basement blew through cedars and the lilacs Sending warming scents around the clustered yard There were windows to the basement, blocked by flowers and the trees And to see in was really rather hard The one day I remember when I came out to the house Is one I know I'll not forget For walking down the pathway with a policeman on each side Was the old lady with a look of deep regret It seems the scented flowers and the bushes and the trees Provided scents to hide the smells from deep inside The air was vented out directly through the flowers The house was just a grow op in disguise
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Mar 27, 2013
Mar 27, 2013 at 11:58 AM UTC
A hansel and gretel house
The old lady planted roses near the corner by the driveway She never planted roses by the door I remember once she told me, "Bees come out to get the nectar" And a bee sting can be deadly or quite sore Instead, she planted herbs along the walkway to her cottage You'd pass by, the scent was rather nice Rubbing rosemary and lemon grass and sage against your trousers Sometimes you would even walk by twice She had hollyhocks and primrose, a classic English garden Lots of fragrant trees and bushes there as well There were cedars by the windows and hyacinth close by If she even had a lawn, you couldn't tell There were irises and tulips, daffodils and more And great bushes of white lavender abound Not only was the lawn gone, with the bushes and the trees I bet from inside you'd nary hear a sound Around the back the same thing, exactly as the front Herbs and plant life, and I'd say maybe more Than all the plants in Englands  Kew Gardens have to see And more lilacs by the walkway by the door The vents from down the basement blew through cedars and the lilacs Sending warming scents around the clustered yard There were windows to the basement, blocked by flowers and the trees And to see in was really rather hard The one day I remember when I came out to the house Is one I know I'll not forget For walking down the pathway with a policeman on each side Was the old lady with a look of deep regret It seems the scented flowers and the bushes and the trees Provided scents to hide the smells from deep inside The air was vented out directly through the flowers The house was just a grow op in disguise
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And more than echoes talk along the walls. 'Tis education forms the common mind. Just as the twig is bent, the tree's inclin'd. I am his Highness' dog at Kew; pray tell me, sir, whose dog are you? Blessed is he who expects nothing, for he shall never be disappointed.
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Jul 8, 2014
Jul 8, 2014 at 9:26 PM UTC
Epigrams by Alexander Pope
Masculinum Hyppeastrum, monstrum; the man eating botanica, the endlessly flowering plant, had enough of me. Went to sleep, or worse, he perished. I must have said something nasty about his size; doesn't flower anymore, all dried out, doesn't do a thing, his onion is weeping. Christmas roses, as I call the girls, lost the will to live. All my, previously green, flora is pointing her leafless finger at me. I've done nothing, that's the problem. I forgot all about my green plants; the environment is wrong, there is too much acidity, and that's my fault. I will search under the garden snow for snow drops, I left to themselves two years February, my snow tears. For colour, I have lemons and limes, green and yellow; sitting on a traditionally, blue, hand-painted Chinese china platter. River Yangtze is still running through my mind. Chai, Lemon tea and lemonade. ~ Author Notes *Flowering plants from Bahia : Hyppeastrum sp. From the 1970s, many plant novelties from Bahia came to light with the expeditions carried out by Howard Irwin and collaborators of NYBG (USA) and by Raymond Harley from RBG-Kew (UK). This provoked a renewal of interest, among botanists, in the flora of Bahia* (3-1-07)
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Oct 14, 2010
Oct 14, 2010 at 3:43 PM UTC
Not Only Hyppeastrum
*I find a story in the veins Of spaces; Relative To nature. Authors scar -- Rhythm concentrates the mind. Plot. ****** Literary art. The character who passes Unconventionality -- A snail with conscience? What is a story without substance?*
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Feb 10, 2014
Feb 10, 2014 at 12:43 PM UTC
Kew Gardens Discussion
There was a young person of Kew, Whose virtues and vices were few; But with blameable haste, She devoured some hot paste, Which destroyed that young person of Kew.
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There Was A Young Person Of Kew
On the way to Kew, By the river old and gray, Where in the Long Ago We laughed and loitered so, I met a ghost to-day, A ghost that told of you-- A ghost of low replies And sweet, inscrutable eyes Coming up from Richmond As you used to do. By the river old and gray, The enchanted Long Ago Murmured and smiled anew. On the way to Kew, March had the laugh of May, The bare boughs looked aglow, And old, immortal words Sang in my breast like birds, Coming up from Richmond As I used with you. With the life of Long Ago Lived my thought of you. By the river old and gray Flowing his appointed way As I watched I knew What is so good to know-- Not in vain, not in vain, Shall I look for you again Coming up from Richmond On the way to Kew.
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On The Way To Kew
The river wrestles on, furrowed by light bulbs. The iron song of the evening bathes the air in London's homeward beating hearts. A world of leather and troubles, not of one's own. The summer moon is a dim lamp as we walk from Kew Bridge to yours. Quietness clings to you so unnatural. It's rattled your breath, like a spectre's hands have tipped black medicine down your throat or A devil's tongue, wet with mockery, has kissed away daylights fervent laughter and left your mind to move on silence. Under this train crash crescendo – the world is too much so I make balm from my words, that I shake out like polaroids of times we felt worth remembering. Yet, a monkey rattling a cage, my lullaby falls deaf and your lungs sit still, heavy. We walk on like stuffed dolls, for all our beauty just passengers in the night's school bag and I'm left to think of the Thames as the great, grey, mother of us. How it forged what we have, set in motion our hearts to be tugged shallow, wrenched deep with the tide. We were born in it's ritual, bound, heaving in sync. And the caustic moonlight gives us nothing to rein, In the silence you shine like beaten copper and my grain is the hammer. Each lilt of your body begs me to love and to know   What spills from your mind when you cant scream and cant cry. What do you have without words? I want you to have me - because you are the words. That I write everyday. And the reason that makes me want to remember that I'm feeling this way.
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Dec 16, 2014
Dec 16, 2014 at 9:03 AM UTC
Kew Bridge
The river wrestles on, furrowed by light bulbs. The iron song of the evening bathes the air in London's homeward beating hearts. A world of leather and troubles, not of one's own. The summer moon is a dim lamp as we walk from Kew Bridge to yours. Quietness clings to you so unnatural. It's rattled your breath, like a spectre's hands have tipped black medicine down your throat or A devil's tongue, wet with mockery, has kissed away daylights fervent laughter and left your mind to move on silence. Under this train crash crescendo – the world is too much so I make balm from my words, that I shake out like polaroids of times we felt worth remembering. Yet, a monkey rattling a cage, my lullaby falls deaf and your lungs sit still, heavy. We walk on like stuffed dolls, for all our beauty just passengers in the night's school bag and I'm left to think of the Thames as the great, grey, mother of us. How it forged what we have, set in motion our hearts to be tugged shallow, wrenched deep with the tide. We were born in it's ritual, bound, heaving in sync. And the caustic moonlight gives us nothing to rein, In the silence you shine like beaten copper and my grain is the hammer. Each lilt of your body begs me to love and to know   What spills from your mind when you cant scream and cant cry. What do you have without words? I want you to have me - because you are the words. That I write everyday. And the reason that makes me want to remember that I'm feeling this way.
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Mar 28, 2015
Mar 28, 2015 at 2:36 PM UTC
This is poetry
Yesterday I kew my name/I had a schemes/To get my way. But things changed/That I did not plan/Still, I didn't complain. I accepted my defeat/Not because I was weak. But because my decision would affect me. I invision the consequences, of my action/And my conclusion satified my soul. When I thought I was lost and distressed. I realized just ,Who I Am? I'm someone in the wildnerness just talking to God. He touched me inside down to the bottom, of my heart. He build me up/When I was lost he guided me to a better place. And looked me directly in my face to see the real me. And said, I am. Who I am? And you,  are. Who you are? Simply, a lovely child of God. That's, who I be? That's who I am?
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Feb 9, 2011
Feb 9, 2011 at 10:25 AM UTC
Who Am I?
IV Dear Frank, My father, who was the wisest man I ever knew, thought it the duty of every man, young & old, to keep an account of his money; & I very unwillingly obeyed him; for I was not always so bothersome an old fellow as I daresay I appear to you. . . . My dear Father, I have sent cheque to a repeated bill from Griffin. A thermometer has come from Kew, For which I have also paid. I go on maundering about the pulvinus, & from what I have seen roughly in the petioles of the Cotyledons of oxalis, I conclude that a pulvinus must be developed from ordinary cells. I have tried watering Porliera out of doors, I gave four small cans full in the day & next morning it was wide open though for several days before it had been shut. The pot-plant is very unhealthy I am afraid As its leaves are dropping off at the stalk. I was very glad to find that Sachs is dead against all the people that find the Descendenz theory in Ray, Lamarck, Goethe &c.; Sachs says that he believes some ferns of the family Marratiaceae sleep . . . Dear F, I have finished the long chapter on Sleeping Plants & sent it to Mr Norman to copy & diagrams to Mr Cooper. I am now looking over piles of notes on Heliotropism. I am more perplexed than ever about life of Dr. D: Hen thinks it very dull, & wants it much shortened & otherwise arranged. Erasmus likes it. Your mother wants parts shortened. I shall take it on Aug. 1st to the Lakes & finish it there. I am tired— Ever yours C. Darwin
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Apr 9, 2014
Apr 9, 2014 at 12:54 PM UTC
The Language of Leaves 4:5
The river wrestles on with light-bulb's furrow and the iron song of the evening bathing the air in life. I feel London's homeward beating hearts. The summer moon is a dim lamp as we walk from Kew Bridge to yours. Though the quiet hangs off you so unnaturally. It's rattled your breath, left your mind to move on silence. I also know how world can be too much, but unlike you I cope with my words, that I use as photographs of times when when I felt there were feelings worth remembering. still we walk and I think of the Thames as a great, grey, mother of us. How it forged what we have, set in motion our hearts. What spills from your mind when you cant scream and cant cry. What do you have without words? I want you to have me - because you are the words. That I write everyday. And the reason that makes me want to remember that I'm feeling this way.
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Aug 14, 2014
Aug 14, 2014 at 4:56 PM UTC
Kew Bridge to yours
I loved every thing, every inch                                             and the song-streams never ceased     But now my moon has left and the tides          are                   all                        a                          s                            kew                      so why should I be able to channel anything?              the group mentality is to reject the sober and drink until         nothing         matters                                                                                          oh                        we're so far ahead of the group                                                                              [correction]                        I am.
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Aug 6, 2011
Aug 6, 2011 at 9:05 PM UTC
You wouldn't know now, would you?
Some life We will link arms And walk the paths of kew The warm hand of the sun On our backs Some life We will go in the palm house And melt away the years Among the Latin names That ancient cyclad Some life We will touch the tall pine Remember the pattern And the strength Some life We will climb up To worship the trees And look across London And turn and kiss Some life We will turn home Multitudes of leaves Dancing reels On the path ahead And falling joyfully In our hair Some other life
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Jun 10, 2015
Jun 10, 2015 at 2:29 PM UTC
Some other life
There is an owl on the gate and he is singing “tu whit tu whoo” He is not sure whether he is at Chelsea or indeed at Kew. He knew here there were well to do types He also knew that bamboo was green and had stripes. There were ladies dressed in white Broderie Anglais Most of which were covered in Italian Spaghetti Bolognese. Somebody said “Oh I do really beg your pardon I do like a good nosh up in your garden”. Some preferred a patch with movement and flow on the other hand stuff hadn’t chance to grow. Some folk needed style, imagination and some shape And all that some required was a simple landscape. One chap needed mud and a garden full of sweet roses Rather a contrast but his stuff just decomposes. Most were impressed with the Chelsea Flower Show And they all shot off to see what they could plant and grow. Magnificent!
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Jul 30, 2015
Jul 30, 2015 at 3:05 PM UTC
A Garden Show
There is an owl on the gate and he is singing “tu whit tu whoo” He is not sure whether he is at Chelsea or indeed at Kew. The Pig knew here there were well to do types He also knew that bamboo was green and had stripes. There were ladies dressed in white Broderie Anglais The Pig was vile covered in Italian Spaghetti Bolognese. The Pig said “Oh I do really beg your pardon I do like a good nosh up in your garden”. The Duck preferred a patch with movement and flow The Pig on the other hand stuff hadn’t chance to grow. The Duck needed style, imagination and some shape And all that the Pig required was a simple landscape. The Pig needed mud and a garden full of sweet roses Rather a contrast but his stuff just decomposes. Both were impressed with the Chelsea Flower Show And shot off to see what they could plant and grow.
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Jul 25, 2017
Jul 25, 2017 at 3:56 AM UTC
Chelsea Not Kew
i already said that i made a mistake:       hijab            and niqab...          but hence the q.                   a question, not a queue standing outside the kew gardens...    but this enforced diacritical markings over j-ay             hey!                                or iota (ι) -                                       it's enforced... why not a candle í of the acute iota?                       he-dziab = hijab you don't say hi / high all of a sudden, followed-up with jab...                                       the diacritical **** of iota, can morph into an "umlaut" whereby i can morph into a "digraph", i.e.            hi- = ee...            or simply ē (which is what prolongs the stress on the letter).                 what could i ever conclude with having written the following?     well... the first philosophy book i ever bought... in camden town,                   plato's θηæτητυς   and i do treat eta (η), as if it were epsilon (ε) with an acute diacritical mark hovering over it.              anyway... it only took                    over two-thousand years of history to deal with...           so there's plato's theaetetus: "strange" how siamese consonants are named digraphs, while siamese vowels are named graphemes...    there are more digraphs than graphemes,   since there are only two graphemes: æ & œ,             no other variants, i.e., well that's one to claim, although segregated by . .      and those are two unique words.               yet in the theaetetus dialogue,      socrates is talking about     S O        so-         (+)            -crat-      (+)     -es, a syllable broken down into letters (units) -        but this is the 21st century,                   and what minor detail occurred in the 20th century?                       something similar, i suppose... the same concerning bringing it down to just two letters...                      heidegger's ponderings (iv, 221): why do i two g's in my name?                    at first i'd suggest he asks the question as a case of vanity, but i suspect there's a question concerning aesthetics of spelling...    at least in english that's the case,      the germans write like chemists,           they compound excessively,        and they don't hyphenate their words like their english cousins...                 so he goes on to state why his nickname is gg (jee-jee)              g1. güte (benevolence, not pity)     g2. geduld (patience, supreme will)...        sure, but why not géduld?        ah... because that would be frown-ser (french) - and that would hardly be patience,        it would be a 35 hour working week...                        other nations frown and say: you're ******* lazy!                      and the french reply: qui-z la            pita-mont (πíta-mąnt)    /   (we're patient).
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Jun 14, 2017
Jun 14, 2017 at 12:26 PM UTC
correcting mistakes
i already said that i made a mistake:       hijab            and niqab...          but hence the q.                   a question, not a queue standing outside the kew gardens...    but this enforced diacritical markings over j-ay             hey!                                or iota (ι) -                                       it's enforced... why not a candle í of the acute iota?                       he-dziab = hijab you don't say hi / high all of a sudden, followed-up with jab...                                       the diacritical **** of iota, can morph into an "umlaut" whereby i can morph into a "digraph", i.e.            hi- = ee...            or simply ē (which is what prolongs the stress on the letter).                 what could i ever conclude with having written the following?     well... the first philosophy book i ever bought... in camden town,                   plato's θηæτητυς   and i do treat eta (η), as if it were epsilon (ε) with an acute diacritical mark hovering over it.              anyway... it only took                    over two-thousand years of history to deal with...           so there's plato's theaetetus: "strange" how siamese consonants are named digraphs, while siamese vowels are named graphemes...    there are more digraphs than graphemes,   since there are only two graphemes: æ & œ,             no other variants, i.e., well that's one to claim, although segregated by . .      and those are two unique words.               yet in the theaetetus dialogue,      socrates is talking about     S O        so-         (+)            -crat-      (+)     -es, a syllable broken down into letters (units) -        but this is the 21st century,                   and what minor detail occurred in the 20th century?                       something similar, i suppose... the same concerning bringing it down to just two letters...                      heidegger's ponderings (iv, 221): why do i two g's in my name?                    at first i'd suggest he asks the question as a case of vanity, but i suspect there's a question concerning aesthetics of spelling...    at least in english that's the case,      the germans write like chemists,           they compound excessively,        and they don't hyphenate their words like their english cousins...                 so he goes on to state why his nickname is gg (jee-jee)              g1. güte (benevolence, not pity)     g2. geduld (patience, supreme will)...        sure, but why not géduld?        ah... because that would be frown-ser (french) - and that would hardly be patience,        it would be a 35 hour working week...                        other nations frown and say: you're ******* lazy!                      and the french reply: qui-z la            pita-mont (πíta-mąnt)    /   (we're patient).
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The blind beggar near Aldgate a city gent at the Embankment the Temple not meant for a psalm this District line takes some time to unravel so I travel on blindly much the same as the beggar. Euphoria I'm passing Victoria and she passed away many a long day ago. and I am heading to Kew but Richmond may do a walk in the gardens or a stroll by the Thames all caught quite neatly by the camera's lens. In a day filled with happy I have to ask her to slap me just in case I am dreaming. ........................ ................,. (part 2) Back I thought to Barons court alas 'twas not to be I took the platform on the other side to find myself beside a sea which pleased me absolutely, going home is such a chore I'd sooner watch the comings of the tide but what I actually saw was building sites by seaside huts, this nuts and bolts society has once again undoubtedly ******* me up completely. Short platforms are the norm for me in this shrunken underground where I can see that insanity Is the next stop.
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Aug 9, 2016
Aug 9, 2016 at 3:08 PM UTC
Day trips and home again (parts 1 & 2)
we walk the path to the spring where the waters come constant from the ground unfreezing warm enough for duckweed to thrive even in blue winter, deep with snow. the air holds few sounds, the snap and tumble of tree limb, river's crashing iced sheets, the click and kew of the junco, wind, amplified one hundred fold razor sharp in the cold. how does the waters know who told it; here. it's here that you will rise, at the end of a path in a small cleft, said by locals to be the gathering place of the ancients, the fairies and the dead who died before their time? we come to the spring and beside it as deep in the snow as we are in its mysteries, we become a part of the story reassured that the promise of the thaw is as constant as the coming march sun and the ever flowing water at our feet.
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Sep 29, 2025
Sep 29, 2025 at 4:41 AM UTC
how in this bitter cold can the spring still flow?
Down the corridor of your mind are many doors Who knows what lies behind them? Life makes you choose. In youth, hungry to win, afraid to lose Not wanting to disappoint, and eager to please You open them with ease. Some bring you failure, or its twin, success Some seem a certainty, others a guess You find many unimportant Or only means to ends Behind some lie enemies, A precious few hide friends. The trip down this corridor is a test To prove to yourself you have what it takes Focusing on your goal, ignoring the rest Savouring your victories, exposing mistakes You press on to be best. At some point down this corridor, far from the start When you least expect A new door opens to a journey apart You meet someone and suddenly connect And are led down the corridor of the heart. This new corridor is different though, Its journey lifelong Behind each door lessons are learned New emotions you couldn’t know Right and wrong the hard way earned Daily paid as feelings grow. These emotions conflict as inside you change You feel joy and doubt, Contentment and pain, The bitterness of loss and the sweetness of gain As solutions somehow work themselves out In this corridor decisions count Both when taken and later As consequences mount There are no victories, no defeats No false starts, no repeats Only the experience of life made greater. In this corridor you go forward and remember back Old scars heal When new feelings take their place Showing little behind a public face While inside you alone can know That like your inner thoughts, each scar is real. The corridor of the heart leads to love But there is a price to be paid For its end is the sum of all decisions made Of the anger you have felt Or the hurt you’ve been dealt Of all words good and bad you’ve said. But whatever the price this corridor exacts Through what is in your grasp Or beyond your control Without the sum of all its acts Your human life would not be whole For the corridor of the heart leads to your soul. Kew, England March 1998
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Feb 8, 2019
Feb 8, 2019 at 11:43 AM UTC
THE CORRIDORS OF YOUR LIFE
Down the corridor of your mind are many doors Who knows what lies behind them? Life makes you choose. In youth, hungry to win, afraid to lose Not wanting to disappoint, and eager to please You open them with ease. Some bring you failure, or its twin, success Some seem a certainty, others a guess You find many unimportant Or only means to ends Behind some lie enemies, A precious few hide friends. The trip down this corridor is a test To prove to yourself you have what it takes Focusing on your goal, ignoring the rest Savouring your victories, exposing mistakes You press on to be best. At some point down this corridor, far from the start When you least expect A new door opens to a journey apart You meet someone and suddenly connect And are led down the corridor of the heart. This new corridor is different though, Its journey lifelong Behind each door lessons are learned New emotions you couldn’t know Right and wrong the hard way earned Daily paid as feelings grow. These emotions conflict as inside you change You feel joy and doubt, Contentment and pain, The bitterness of loss and the sweetness of gain As solutions somehow work themselves out In this corridor decisions count Both when taken and later As consequences mount There are no victories, no defeats No false starts, no repeats Only the experience of life made greater. In this corridor you go forward and remember back Old scars heal When new feelings take their place Showing little behind a public face While inside you alone can know That like your inner thoughts, each scar is real. The corridor of the heart leads to love But there is a price to be paid For its end is the sum of all decisions made Of the anger you have felt Or the hurt you’ve been dealt Of all words good and bad you’ve said. But whatever the price this corridor exacts Through what is in your grasp Or beyond your control Without the sum of all its acts Your human life would not be whole For the corridor of the heart leads to your soul. Kew, England March 1998
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