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"histrionics" poems
Stumbling into ancient scripts, authored a decades plus ago, ago being a modifier of time quantities, minute or large, unspecific without an objective adjective additive, that faucets a stream of an interlocutory elocution of a batter of rooted emotional histories, but not histrionics fanciful words for dredged up memories, acute, but tarnished, powered yet worn by a cousin of ago, a/k/a, age and yet renews as of, at this very second, as if it were a first, a tumult of visions, swelling of remembrances, embodied scars, and I weep anew but not for me, as much for the resonating simpatico souls with whom they even  now vibrate with resonance of the immediacy of If not now, When? Aside: The exterior environment is noisy wet pelting of thunderstorms and ****** sheets of bulleting rain, piercing projectiles, but I am safe in the sunroom, sadly happy my dog is no longer here to shiver and tremble, cuddle and be soothed by steady stroking But I am here, wrestling with this dredging operation, digging up tons of sand that require dumping, and I ask, inquire, beg: Who will take this detritus off my hands, once more, now uncovered, now recovered, the soil is already soaked and can absorb no more, the soul is already soaked and can absorb no more, the weakened heart, damaged and occluded, suffer cannot bare twice the outrageous misfortune of unbared recollections, twice, or thrice, and I feel myself drowning in revisiting pain, **** **** **** these old poems, not nuggets, but boulders dropping from night skies, shot from a pitching machine, without letup, piercing of agonies that once ago   freshly desecrated and decorated my basic training in humanity. Enough whining: *I wrote those poems to eject out those pains, and I write this now, once more, to realize that so so many still face uncertain and unrelenting similarities, doing their own sums, and I wish them easing, strength to compose and thereby dispose of the ineloquent and eloquent words of staining suffering* 3:30am Thur July 10 2025
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Jul 16, 2025
Jul 16, 2025 at 5:39 PM UTC
Older poems, new readers, familiar thoughts...
Stumbling into ancient scripts, authored a decades plus ago, ago being a modifier of time quantities, minute or large, unspecific without an objective adjective additive, that faucets a stream of an interlocutory elocution of a batter of rooted emotional histories, but not histrionics fanciful words for dredged up memories, acute, but tarnished, powered yet worn by a cousin of ago, a/k/a, age and yet renews as of, at this very second, as if it were a first, a tumult of visions, swelling of remembrances, embodied scars, and I weep anew but not for me, as much for the resonating simpatico souls with whom they even  now vibrate with resonance of the immediacy of If not now, When? Aside: The exterior environment is noisy wet pelting of thunderstorms and ****** sheets of bulleting rain, piercing projectiles, but I am safe in the sunroom, sadly happy my dog is no longer here to shiver and tremble, cuddle and be soothed by steady stroking But I am here, wrestling with this dredging operation, digging up tons of sand that require dumping, and I ask, inquire, beg: Who will take this detritus off my hands, once more, now uncovered, now recovered, the soil is already soaked and can absorb no more, the soul is already soaked and can absorb no more, the weakened heart, damaged and occluded, suffer cannot bare twice the outrageous misfortune of unbared recollections, twice, or thrice, and I feel myself drowning in revisiting pain, **** **** **** these old poems, not nuggets, but boulders dropping from night skies, shot from a pitching machine, without letup, piercing of agonies that once ago   freshly desecrated and decorated my basic training in humanity. Enough whining: *I wrote those poems to eject out those pains, and I write this now, once more, to realize that so so many still face uncertain and unrelenting similarities, doing their own sums, and I wish them easing, strength to compose and thereby dispose of the ineloquent and eloquent words of staining suffering* 3:30am Thur July 10 2025
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40
kindness eats least of all we defeat our enemies cheaply steep the leaves in hot water gently keep enemies close to you and weapons even closer our friends are like sunbeams I jump in the water your sun-burned back is peeling out loud you remind me not to bend down too quickly she hounds me with her questions lessons on arithmetic I’m so sick of it histrionics and sonic lectures his tricks are onto it moronic manic accidents red lions with long necks deflect authority and wager on credit the outcomes are certain all will fade away indefinitely understand this and measure your life by breaths and not complexity densities are hiding in visionary lightning finding new faculties every moment we are swift in our limitless capacity for adaptation a refulgent emulsion immersed in water and poetry under the highest authority or just higher scrutiny wrapped in a paranoid blanket of heightened security all is being watched right now as judges redefine your beauty if you are truly interested in finding happiness you must understand that all magic is abraxas and satisfaction unceasingly attacks this as we collapse upon the backs of ecstatic languages....
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Oct 24, 2017
Oct 24, 2017 at 12:49 PM UTC
abraxas
On Monday you are sponges Squeezed empty by Pokemon tournaments and Supernatural Watchathons On Wednesday you are dictionaries lexicons of hyperbolic histrionics thesauri of sturm and drang and angsty angsty goodness But Friday you are IMDB airbenders and Fassbender and light bending across the sails of a ship bound for the unreal implausible impossible unnatural illogical while Monday you are rabid like word-eating mongrels and Wednesday you are 1930's radios spewing never-before-heard myths and mysteries but Friday you are careening between the moons of Jupiter ungrounded unfettered untethered unrealistic imaginative but Friday you are gone gone gone gone gone
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Apr 10, 2015
Apr 10, 2015 at 5:06 PM UTC
. . . But Friday
I am raw, plucked bare and overexposed; ashamed of my emotions and too vulnerable, too fragile I am not threatened but I do not feel safe, I ache to hide but where can I hide from my own mind? I need time to decay my histrionics and my need for affection so that it never resurfaces again, so that I never resurface again -- I am drowned in something benign but chaotic, replicating it's mutation endlessly, perpetually, until I cannot breathe because I am overexposed -- bare and plucked raw.
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Jul 23, 2017
Jul 23, 2017 at 2:35 AM UTC
anxiety
when I write to you to tell you of my deepest emotions you respond with 'calm down' as if you picture me in histrionics wailing and pulling out my hair which mystifies me for I was calm all along
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May 30, 2012
May 30, 2012 at 6:31 AM UTC
which one of us is upset
I recalled the smell of junipers warming in the sun, Or maybe mice nesting under the cupboard. Or bleached linen hung out by Mum, Reminds me of something about Dad from long ago, You ask me…to say if it was gin; There are things I can’t tell you, Son. Some people think that it’s a sin; So just use your imagination. Another time I smelled crushed daisies of The housemaids, I remember from Kleßheim. Thunderstorms rolled down from the Alps at night, Then turned at morning into clarified, buttered sun. They remind me of someone’s blonde hair, I just can’t tell you when or where, So use your imagination. Scent is the most potent mnemonic, Triggering mystical cells inside, Creating a stream of biophotonics, Rapture returns in histrionics, Tracking things from skin and hair, To lips and eyes, to a groan, an intrigued stare. Things we can never tell another, even if He or she or they were there What happened in those brilliant days? Only imagination can say. Crystal hanging in the window at nine o’clock, Rays strike the glass, opening up the past. Before me spreads a wide, green lawn, Ladies and lords stroll with their finery on. I sit and watch, while the procession advances, Tricornes doffed and stays undone in dances. Until the satin, silk and brocades lie on the ground, Gavotte kisses become tender, sensual rounds And naked, youth flees into woods. And everything is happening; Everything is good.
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Jul 12, 2018
Jul 12, 2018 at 12:39 AM UTC
Everything is Good
transparent boundaries in a mind mark out the blank vacuum of space scrutinize other minds discard all trivia extract with a kinetic incisiveness required information in a chronological diversity of images speak with the fluency of an abrupt halt which is maximized to reduce an effect on the skeletal calisthenics of introspective histrionics by acquired extrasensory faculties by that very mind, by that very mind a neurobiological transmutation
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Mar 3, 2013
Mar 3, 2013 at 2:26 PM UTC
I think where I am not...therefore I am not where I think...
Dig deep poet; You too reader; Commandment One: Both must obsess to possess, Air the curvature of each line shape with two hands, creasing and no ceasing not till the air waves have filled your flushed face with compressed comprehensions You weep as you compose! Good! The well of tears where hid the pool of emotions in cavernous reservoirs in the center of your gravity, needs a daily tapping, a draining, a purification, a quenching sweet and raucous where you dig, salted water will come in the soiled, imperial but imperfect body/mind cappuccino, there are swirls of treasures, sins and histrionics that need discovery, expiation, expulsion, when~then, object is surgically removed, accept surging water will desoil, and you can revel in the revelation of honest effort Debate Commencement: reveal, which, what and how much, how much? how much? (this reverbs) what must be shared, what must be reburied, what must be refuted, what must be reconstructed, refurbished, and what must be demolished & deconstructed ah, but as soul judge, you hold yourself to a higher standard, but in all of this but two constraints rule: the quality of the recalled data, the quantity of storage space delimitation do not tease us with rivulets, nor bury us under thunderous rushes of memories spilling and cresting with a reek of abandon, unless, you’re abandoning the memory en tout, giving us your newly orphaned all innermost, then, we must accept the product of your labor, whether it be spoiled fruit or glorious truth Tuesday Apr 16 8:32AM (the year of pollard, a/k/a 2024)
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Apr 18, 2024
Apr 18, 2024 at 8:51 AM UTC
Dig Deep, Poet! (sourcing creativity)
Dig deep poet; You too reader; Commandment One: Both must obsess to possess, Air the curvature of each line shape with two hands, creasing and no ceasing not till the air waves have filled your flushed face with compressed comprehensions You weep as you compose! Good! The well of tears where hid the pool of emotions in cavernous reservoirs in the center of your gravity, needs a daily tapping, a draining, a purification, a quenching sweet and raucous where you dig, salted water will come in the soiled, imperial but imperfect body/mind cappuccino, there are swirls of treasures, sins and histrionics that need discovery, expiation, expulsion, when~then, object is surgically removed, accept surging water will desoil, and you can revel in the revelation of honest effort Debate Commencement: reveal, which, what and how much, how much? how much? (this reverbs) what must be shared, what must be reburied, what must be refuted, what must be reconstructed, refurbished, and what must be demolished & deconstructed ah, but as soul judge, you hold yourself to a higher standard, but in all of this but two constraints rule: the quality of the recalled data, the quantity of storage space delimitation do not tease us with rivulets, nor bury us under thunderous rushes of memories spilling and cresting with a reek of abandon, unless, you’re abandoning the memory en tout, giving us your newly orphaned all innermost, then, we must accept the product of your labor, whether it be spoiled fruit or glorious truth Tuesday Apr 16 8:32AM (the year of pollard, a/k/a 2024)
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55
*moiety: a half, an indefinite portion, part, or share.           writer                                     reader              can't have one without the other normally don't fool around with linear spacing, there but for the grace of god the words come a tumbling so fast I plant them down in rows as is customary but when it comes to that moiety times two blues, when you've been up all night laying down tracks and nobody has read you latest histrionics, you wondering what for do I gig this gig, fingers asking what's the point of ink staining heart bugging you, never satisfied, even alone, needs somebody to know, a status update, a poem unread is a sin my maybe friends, so if you should you trip over a stumble bum's poem, good or bad matters not, when you read, you complete, so dying on the vine, untouched, incomplete, be the first to have moiety times two with it, the first read is the like the first kiss, a certification of what is called po-moeity carnal knowledge a half, an indefinite portion, a part, when shared, whereon it be writ-read, your place on heaven and earth insured, when you seal someone's else's deal, I'll know and I'll be putting that checkmark in my assignment book, and if you should go so far to press the little red heart, my finger I'll crook, and install you as co author of the words a po with no mo             is half a dream half remembered tired of singing the moiety times two blues song, *** going, go forth and like it, the Frenchies they got style, when reading a po-mo they like, they call you up on the phone and ask, voulez-vous coucher avec moi ce soir? which is French for moiety times two blues no more
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Jan 19, 2014
Jan 19, 2014 at 2:50 PM UTC
The Moiety Times Two Blues
*moiety: a half, an indefinite portion, part, or share.           writer                                     reader              can't have one without the other normally don't fool around with linear spacing, there but for the grace of god the words come a tumbling so fast I plant them down in rows as is customary but when it comes to that moiety times two blues, when you've been up all night laying down tracks and nobody has read you latest histrionics, you wondering what for do I gig this gig, fingers asking what's the point of ink staining heart bugging you, never satisfied, even alone, needs somebody to know, a status update, a poem unread is a sin my maybe friends, so if you should you trip over a stumble bum's poem, good or bad matters not, when you read, you complete, so dying on the vine, untouched, incomplete, be the first to have moiety times two with it, the first read is the like the first kiss, a certification of what is called po-moeity carnal knowledge a half, an indefinite portion, a part, when shared, whereon it be writ-read, your place on heaven and earth insured, when you seal someone's else's deal, I'll know and I'll be putting that checkmark in my assignment book, and if you should go so far to press the little red heart, my finger I'll crook, and install you as co author of the words a po with no mo             is half a dream half remembered tired of singing the moiety times two blues song, *** going, go forth and like it, the Frenchies they got style, when reading a po-mo they like, they call you up on the phone and ask, voulez-vous coucher avec moi ce soir? which is French for moiety times two blues no more
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38
You, obviously, have something To say. Dancing around the words Unnamed. Spitting fire and brimstone All day. Shielded by adjectives Unashamed. This act you show us, this Little play. Just come out with it. Be unafraid.
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Jun 25, 2014
Jun 25, 2014 at 12:41 AM UTC
Histrionics
Shut up and go to bed Put the pillow under your head I'm sick and tired of all your worries Shut up and say goodnight Say your prayers and turn off the light I'm sick and tired of all your sob-stories Shut up and shut your eyes No more histrionics, no more college tries Stop pushing, stop shoving, stop straining Shut your mouth and button your lip You're a late night faucet that's gotta drip All you're doing is merely complaining The excuse that you're crazy is useless You're not biting you're barking you're toothless But you're ruthless Shut up and count some sheep And do me a favor, don't ***** in your sleep No more agony, please no more sorrow Shut up and catch some Zs Ice cream with a cherry plus a big pretty please I promise we'll resume tomorrow...Goodnight.
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Aug 14, 2014
Aug 14, 2014 at 3:49 PM UTC
Lullaby - Loudon Wainwright III
There is a dark musk in the air, the breeze in my lungs explode with despair, a remark of my tribulation, my forlorn, eternal damnation, the burden of my affliction, my relinquish, my submission, my loss, my plague, this abandonment, vague. - The hour approaches where I renounce histrionics, this ridiculous existence, shallow and ironic, - as I slash through these weeds, I become ever weary, trying to grow soon-to-bloom seeds, I can’t conceive clearly, what I had set out to do first, yet I encounter pain, and wish for rebirth. - I look upon obscurely scribed lines and take them as commands and as I gaze up I realize I have failed to meet their demands. - the blood on my hands, and in my thoughts, the bodies in my mind, turn to be naught to frequently miscarry and meet with disaster, just to be in the shadow of another caster, makes one wish for eternal rest faster. - a prisoner an only go so long, before hating his cell, ask for another, and hate the most recent still. - yet I yearn, yet I crave for the love of another and better days - all the while, forsaken stress consumes me blind how can it be possible when I again fail to find that which I seek, ever so and continue to be, ever alone, although those who speak of which they know nothing of will one day find themselves answering above, - I find myself fallen and broken with no trace I had slipped no one to me my answer spoken without as much as a quip so shall it be, so shall it stay, I will arbitrarily search for the light of day, i honor perseverance, and my vigil stays, As I seek, need and want, the light of day.
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Jan 19, 2013
Jan 19, 2013 at 11:52 PM UTC
I Request The Light.
There is a dark musk in the air, the breeze in my lungs explode with despair, a remark of my tribulation, my forlorn, eternal damnation, the burden of my affliction, my relinquish, my submission, my loss, my plague, this abandonment, vague. - The hour approaches where I renounce histrionics, this ridiculous existence, shallow and ironic, - as I slash through these weeds, I become ever weary, trying to grow soon-to-bloom seeds, I can’t conceive clearly, what I had set out to do first, yet I encounter pain, and wish for rebirth. - I look upon obscurely scribed lines and take them as commands and as I gaze up I realize I have failed to meet their demands. - the blood on my hands, and in my thoughts, the bodies in my mind, turn to be naught to frequently miscarry and meet with disaster, just to be in the shadow of another caster, makes one wish for eternal rest faster. - a prisoner an only go so long, before hating his cell, ask for another, and hate the most recent still. - yet I yearn, yet I crave for the love of another and better days - all the while, forsaken stress consumes me blind how can it be possible when I again fail to find that which I seek, ever so and continue to be, ever alone, although those who speak of which they know nothing of will one day find themselves answering above, - I find myself fallen and broken with no trace I had slipped no one to me my answer spoken without as much as a quip so shall it be, so shall it stay, I will arbitrarily search for the light of day, i honor perseverance, and my vigil stays, As I seek, need and want, the light of day.
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55
Fate is a cop-out. There is no divine plan, no wind of fortune pushing you toward death Like a gruesome sailboat. There's no grand path, that, try as you might You end up stumbling back onto every time you try to flee it. **You Make Your Own Destiny.** Don't **** it up because life gets hard. Don't give me the fatalistic excuse: "My life was meant to end." Of course it was. Look at us all, little nothing's springing into existence On this tiny planet Like dust motes in the sun And then we go dark. We all live to die, sweetheart. That doesn't make us dead yet. You have a pulse, use it. You have lungs and a brain and tastebuds and fingertips. Breathe, scream, make something, learn something, Cook a gourmet meal and relish it, Read a sordid novel, eat some chocolate, Watch the sun rise. You are not fated to die any more than the rest of us. It is what we do with the space in between that counts. Don't tell me I've got strings I can't see, Jerkily dancing through life in directions I don't control. Don't tell me there are puppeteers plucking threads like harps Or blind women spinning gold just to cut it off. We are vast, but tiny. Nobody cares to control us- we don't mean enough. There are so many of us, we swarm like ants. Nothing takes the time to force a plan on us. You're free. Free, and insignificant. Realize it. Grow up. In fact... Grow up, grow out, grow down... Just... Grow. And lose Fate on the way, lose the excuses. Lose the indulgence of self hatred, and needless pain. Focus your suffering like a laser, hone it to a point, And make it have a point if it has to happen. If you hurt, hurt big, hurt with purpose, Hurt so deep that it comes back to brush elbows with Joy like a playful old friend and says, "Good job, there." Lose the drama, lose the histrionics, lose the idea that **the only way to be loved Is to be weak.** And grow. There is no Fate. Fate is simply an excuse for not owning one's existence. Leave it behind. *Take your world in your fingers Like wet clay And make yourself a life That fits in every contour of your hands.*
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Jul 28, 2013
Jul 28, 2013 at 10:29 PM UTC
27
Fate is a cop-out. There is no divine plan, no wind of fortune pushing you toward death Like a gruesome sailboat. There's no grand path, that, try as you might You end up stumbling back onto every time you try to flee it. **You Make Your Own Destiny.** Don't **** it up because life gets hard. Don't give me the fatalistic excuse: "My life was meant to end." Of course it was. Look at us all, little nothing's springing into existence On this tiny planet Like dust motes in the sun And then we go dark. We all live to die, sweetheart. That doesn't make us dead yet. You have a pulse, use it. You have lungs and a brain and tastebuds and fingertips. Breathe, scream, make something, learn something, Cook a gourmet meal and relish it, Read a sordid novel, eat some chocolate, Watch the sun rise. You are not fated to die any more than the rest of us. It is what we do with the space in between that counts. Don't tell me I've got strings I can't see, Jerkily dancing through life in directions I don't control. Don't tell me there are puppeteers plucking threads like harps Or blind women spinning gold just to cut it off. We are vast, but tiny. Nobody cares to control us- we don't mean enough. There are so many of us, we swarm like ants. Nothing takes the time to force a plan on us. You're free. Free, and insignificant. Realize it. Grow up. In fact... Grow up, grow out, grow down... Just... Grow. And lose Fate on the way, lose the excuses. Lose the indulgence of self hatred, and needless pain. Focus your suffering like a laser, hone it to a point, And make it have a point if it has to happen. If you hurt, hurt big, hurt with purpose, Hurt so deep that it comes back to brush elbows with Joy like a playful old friend and says, "Good job, there." Lose the drama, lose the histrionics, lose the idea that **the only way to be loved Is to be weak.** And grow. There is no Fate. Fate is simply an excuse for not owning one's existence. Leave it behind. *Take your world in your fingers Like wet clay And make yourself a life That fits in every contour of your hands.*
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58
she said she’d wait forever so she took the pills and chased them down with fine wine, picked up the phone and waited till the end for you to pick up the line. was it selfish? was it romantic? was it kind? she was a wet dream come to life, she would have been such a prize. a hand on the curve of her hip- you couldn’t handle it. there were grainy photos of you both, some fancy motel maybe by the name of the shangri-la. there are moments you can see just how deep her sadness stretched inside of her, just how deep her need stretched inside of her, for you. there are state of the unions adresses and inaugural china. long lasting feasts. she might as well have just been the lady hiding in the cake, the lady singing you to sleep. everybody’s wet dream could’ve been a reality for you. she said she’d wait forever and you probably passed it off as histrionics. and maybe you couldn’t live with that sort of guilt. she said she’d wait forever so she did. she picked up the phone, pills and fine wine. waited for you in this world and ready to wait until the end of time.
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Nov 18, 2014
Nov 18, 2014 at 11:54 PM UTC
JFK
To the limits! And the heaves are harmed, in our lungs and arms. Tendons flexed on their utmost, and breath at play in the drowned coast. To the shores! And the leaves are left as specks of colour, from the moors. and vacations left the hinterlands of the decayed, breathless holler. For the greater good we stood as imagined heroes, Yet for happenstance to lend a chance in our woes, required a great many motifs to clamour and climb In glamourous time to the raised butte of a finishing sublime. Modulate the past and harmonize the future. Together tapestry'd, akin to patchwork suture. We weren't raised this way. To remain forever at play, workhorses neigh. And sawing brilliance and sawdust eyes, rapier wit with no equal. But together a two-parter, to the shores to see the sea quell. Wildfire lick like lit flame. Burn it all down and give me the blame. It's a carried burden worth the worry. In mountains some exist as prideful barons. Barring the loss of their barren, their smiles turn smirks of heathen carrions. Which is fine, and the motif licks again. And the motive is sublime; it's only sin. Cherish the children and their rue of thresher-born, Thomas Ligotti and his party of philosophy, but I'm too caught in histrionics to allow the matter to matter. Beyond the kicking feet of the mirthful pitter-patter, pitted against the coming solstice of time saving; forward and back and ouroboros we may. Hold on tight to this singular day. Ignorant of the causes of our own decay. Lost during summers covered in spittle and seaspray. Only to mount a return, a loss, to the area most unaccepting of the cost. To the mountaintops! **** what you see, and reap what you sow. Push the mountains down into the crow, and call out for the all the denizens below, "Here's another landslide." As you call; Heave, and ** Pile them neat and plant a seed, of a tree that hasn't belonged or had a chirped song in a placidity.
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Aug 5, 2018
Aug 5, 2018 at 4:24 AM UTC
Stop Mountaintop Removal or: Cease the **** of Mother Nature
To the limits! And the heaves are harmed, in our lungs and arms. Tendons flexed on their utmost, and breath at play in the drowned coast. To the shores! And the leaves are left as specks of colour, from the moors. and vacations left the hinterlands of the decayed, breathless holler. For the greater good we stood as imagined heroes, Yet for happenstance to lend a chance in our woes, required a great many motifs to clamour and climb In glamourous time to the raised butte of a finishing sublime. Modulate the past and harmonize the future. Together tapestry'd, akin to patchwork suture. We weren't raised this way. To remain forever at play, workhorses neigh. And sawing brilliance and sawdust eyes, rapier wit with no equal. But together a two-parter, to the shores to see the sea quell. Wildfire lick like lit flame. Burn it all down and give me the blame. It's a carried burden worth the worry. In mountains some exist as prideful barons. Barring the loss of their barren, their smiles turn smirks of heathen carrions. Which is fine, and the motif licks again. And the motive is sublime; it's only sin. Cherish the children and their rue of thresher-born, Thomas Ligotti and his party of philosophy, but I'm too caught in histrionics to allow the matter to matter. Beyond the kicking feet of the mirthful pitter-patter, pitted against the coming solstice of time saving; forward and back and ouroboros we may. Hold on tight to this singular day. Ignorant of the causes of our own decay. Lost during summers covered in spittle and seaspray. Only to mount a return, a loss, to the area most unaccepting of the cost. To the mountaintops! **** what you see, and reap what you sow. Push the mountains down into the crow, and call out for the all the denizens below, "Here's another landslide." As you call; Heave, and ** Pile them neat and plant a seed, of a tree that hasn't belonged or had a chirped song in a placidity.
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52
The Bachelor Spectacular by Michael R. Burch One heart? Tossed aside. The other? A bride’s. In all his great wisdom, the bachelor decides. Eeenie, mean-ie, mine-y, mo’, ... one gal must stay and one must go. If she hollers? That’s the show! No heart can handle such despair! But hearts get broken, hearts repair. Next season? The treasoned will rule the air! Tags/Keywords: Bachelor, Reality, TV, show, spectacular, spectacle, date, dating, nonsense verse, light verse, humor, satire, parody, heartbreak, tears, hearts broken, bride, groom, script, scripted, histrionics
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Mar 9, 2020
Mar 9, 2020 at 3:04 AM UTC
The Bachelor Spectacular
The door to the apartment was unlocked when I got there, knowing I was minutes too late. The place was typical, exactly what I expected. Tiny kitchen with the basic bar and two swivel stools. TV on a stand and a floral pattern couch with the sliding door opening on the balcony to my right. Straight ahead was the hallway to the tiny bedroom. I gently closed the door and locked the *** and dead bolt. Walking straight ahead, noticing the bathroom door closed to my right in the tiny hallway. A queen bed in the one bedroom, red sheets and red comforter, white walls and an open closet. Fake flowers in a red plastic vase sitting innocent on a bedside table. No window and a single hanging print of Goya's Saturn Devouring His Son on the wall above a folding desk. The desk was home to a record player, circa 60's, vinyl still spinning, Brand New's The Devil and God are Raging Inside Me. At least she died to something good I thought to myself. I didn't handle the torn remains of the acid green dress laying on the bed. She had put her shoes away and selected the vinyl before they arrived, probably had a glass of wine since there was one of those stemless glasses sitting empty on the bar. I doubted those who had come were the wine drinking type. Death was not unknown to me, neither was **** and retribution nor cruelty to make a political statement. But I did not want to go into that bathroom. I did not want to find what was left. I did not want to add her face to the long, long list of empty faces kept in record by my memory. I hate histrionics and false drama, but expecting to find the Countess gone, I reset the vinyl. She was still breathing when I walked in. Naked except for her black hose, splayed out in the tub, a perfect 9 millimeter hole six inches above her left breast. It was two in the morning on the dot. In that moment, everything left me. All loyalty, all ideology, all thoughts of advancement, all regrets from the past. Gone in an instant. I gathered what was left of her in my arms. It was hard carrying her down the stairs, but she put one hand through my hair and it helped. To this day I'm not sure how I found her car keys, but I do remember she whispering to me that her's was the grey Buick out front. She was dead by the time I got to the hospital.
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Jan 21, 2015
Jan 21, 2015 at 2:48 AM UTC
Streetlights Once Again
The door to the apartment was unlocked when I got there, knowing I was minutes too late. The place was typical, exactly what I expected. Tiny kitchen with the basic bar and two swivel stools. TV on a stand and a floral pattern couch with the sliding door opening on the balcony to my right. Straight ahead was the hallway to the tiny bedroom. I gently closed the door and locked the *** and dead bolt. Walking straight ahead, noticing the bathroom door closed to my right in the tiny hallway. A queen bed in the one bedroom, red sheets and red comforter, white walls and an open closet. Fake flowers in a red plastic vase sitting innocent on a bedside table. No window and a single hanging print of Goya's Saturn Devouring His Son on the wall above a folding desk. The desk was home to a record player, circa 60's, vinyl still spinning, Brand New's The Devil and God are Raging Inside Me. At least she died to something good I thought to myself. I didn't handle the torn remains of the acid green dress laying on the bed. She had put her shoes away and selected the vinyl before they arrived, probably had a glass of wine since there was one of those stemless glasses sitting empty on the bar. I doubted those who had come were the wine drinking type. Death was not unknown to me, neither was **** and retribution nor cruelty to make a political statement. But I did not want to go into that bathroom. I did not want to find what was left. I did not want to add her face to the long, long list of empty faces kept in record by my memory. I hate histrionics and false drama, but expecting to find the Countess gone, I reset the vinyl. She was still breathing when I walked in. Naked except for her black hose, splayed out in the tub, a perfect 9 millimeter hole six inches above her left breast. It was two in the morning on the dot. In that moment, everything left me. All loyalty, all ideology, all thoughts of advancement, all regrets from the past. Gone in an instant. I gathered what was left of her in my arms. It was hard carrying her down the stairs, but she put one hand through my hair and it helped. To this day I'm not sure how I found her car keys, but I do remember she whispering to me that her's was the grey Buick out front. She was dead by the time I got to the hospital.
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4
I tried to ask her the name of the trumpet player she did the twist with. She hasn't got back to me. I tried to give him away to a woman who looked somewhat like me so I had more time to hammer sheet metal. That didn't work out. In my garage I found a handmade nail, I found a pellet gun with a red lettered alias, the tongue of a camaro. I wonder if I will practice the histrionics to death. Poem is overkill, body is alright. I drink water like a drain. I spin like a drain, sit still like a drain. Maybe I'm ****** by you in the worst way: rubbing cloth over a model t I found at the gallary, like it's my job to keep it clean, to keep it safe.
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Dec 6, 2014
Dec 6, 2014 at 11:45 AM UTC
Untitled
Echo, Wood nymph of folklore Punished by Goddess Hera Hated, there was no choice Fated, deprived of her voice Repeating words you hear Punishment for a puppeteer You fell in love so you thought With Narcissus But he got caught Looking at his own reflection Turned him into a flower Not his finest hour Leaving Echo lonely and sad For all the cads that Never met a mirror they didn’t like Who’s self-absorbed refection Removes any trace of reflection A thought can be misleading Even if informed by a feeling Don’t think Because you think it it’s true Consider others point of view Don’t think because I disagree There’s something wrong with me Don’t always refer to you Your grandiose style Is just a grandiose denial And while you deny that it’s true Only an echo believes in you Must I echo your words How utterly absurd This I can’t do Even if it displeases you Nothing moves you Except for the powerless, you occasionally feel Let’s you know you’re real And yes The rage is real Hidden so well That no one can tell As you covertly hide from yourself Your histrionics are first rate Always out of date A recording from the past You’d think, you’d have worn out the grooves Of the characters you cast At last There’s never an end To the people I meet All the friends you absorbed Into the persona that’s you Each has a name But there nameless to you I say I know where you got that from You say There’s nothing new under the sun I say What about originality You say Plausible deniability I say I really, really need to get away I say Then, why do you stay? I’m in search of my voice I left it behind In another time I need it Have you seen it It could be Anywhere Under the couch In the closet Under the bed You’re looking in the wrong places The world’s a reflection Of the spaces Between the thoughts Of your stasis. It’s true I’m never alone when I’m with you Like living in a zoo Forgive my sarcasm Lack of enthusiasm That’s what it feels like Being with you. First, you’re uncle Fester Then you’re Grandma Ester Who are you really You don’t know Do You You never looked that far Skin deep Go that deep Take a look What do you see It isn’t me I’m not the object of your hatred I’m not your scapegoat Forgive the diatribe For I am a scribe Looking for her voice. I am Echo no more
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Nov 4, 2018
Nov 4, 2018 at 11:55 AM UTC
Echo and Narcissus
Echo, Wood nymph of folklore Punished by Goddess Hera Hated, there was no choice Fated, deprived of her voice Repeating words you hear Punishment for a puppeteer You fell in love so you thought With Narcissus But he got caught Looking at his own reflection Turned him into a flower Not his finest hour Leaving Echo lonely and sad For all the cads that Never met a mirror they didn’t like Who’s self-absorbed refection Removes any trace of reflection A thought can be misleading Even if informed by a feeling Don’t think Because you think it it’s true Consider others point of view Don’t think because I disagree There’s something wrong with me Don’t always refer to you Your grandiose style Is just a grandiose denial And while you deny that it’s true Only an echo believes in you Must I echo your words How utterly absurd This I can’t do Even if it displeases you Nothing moves you Except for the powerless, you occasionally feel Let’s you know you’re real And yes The rage is real Hidden so well That no one can tell As you covertly hide from yourself Your histrionics are first rate Always out of date A recording from the past You’d think, you’d have worn out the grooves Of the characters you cast At last There’s never an end To the people I meet All the friends you absorbed Into the persona that’s you Each has a name But there nameless to you I say I know where you got that from You say There’s nothing new under the sun I say What about originality You say Plausible deniability I say I really, really need to get away I say Then, why do you stay? I’m in search of my voice I left it behind In another time I need it Have you seen it It could be Anywhere Under the couch In the closet Under the bed You’re looking in the wrong places The world’s a reflection Of the spaces Between the thoughts Of your stasis. It’s true I’m never alone when I’m with you Like living in a zoo Forgive my sarcasm Lack of enthusiasm That’s what it feels like Being with you. First, you’re uncle Fester Then you’re Grandma Ester Who are you really You don’t know Do You You never looked that far Skin deep Go that deep Take a look What do you see It isn’t me I’m not the object of your hatred I’m not your scapegoat Forgive the diatribe For I am a scribe Looking for her voice. I am Echo no more
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105
There is no need to shout at us- If your words paint a picture we will see it. We can squint and peer through lowered lids And find the image in a myriad of dots. It is not necessary that you push us- We will follow if you gently lead, and find the storm As fierce and moving as you think you need To act out with your thunder voice and flailing arms. Inflection works a well as histrionics, And a subtle tone allows us space to build The structures that your words describe. There is no need to hammer us. Singsong forces us to wade into the stream And wield our nets of understanding endlessly In hopes of capturing like silvered fish The thoughts we’d rather cast for from the shore. Just stand and calmly pull away The drapes that hide the cake you wish to share. In simple words divide it up And we will eat it and be filled.                       ljm
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Apr 17, 2025
Apr 17, 2025 at 10:50 AM UTC
POETRY READING