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You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;
Seemingly tired of all the frisky breezes,
They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow
Is rusting; and before me lies the vast
Horizon, all its notches filled with ocean blue;
***** and hens spread their gildings, and converse
Beneath my window; and the rooftop attics,
Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker;
The old man makes his wheel run loud, and goes
Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds;
All day the country tempts me to go strolling;
The little village urchins, book in hand,
Envy me, at the schoolmaster's (my lodging),
As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant
Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you!
Thank you, Almighty God!"--So, then, I live:
Peacefully, hour by hour, with little fuss, I shed
My days, and think of you, my lady fair!
I hear the children chattering; and I see, at times,
Sailing across the high seas in its pride,
Over the gables of the tranquil village,
Some winged ship which is traveling far away,
Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge:
No tears of relatives, nor fears of wives,
Nor reefs dimly reflected in the waters,
Nor importunity of sinister birds.
Derek Yohn Nov 2013
It's the imprint that it makes, really.

There is little relation to
the covenants we have sworn
or the gildings of rehashed
sobriety or leftover temple
bricks, baked clay tablets
on which someone records
these scenes, fragments,
scents, and colors.

How can we reap this Zion?

Can it be gathered as wild
sweet strawberries are,
torn away from their source?
Can it be processed electrically?

Can we make money off it?

If so, how many dinars
would you offer?
One?  Two?  Perhaps
a discount for quantity?
dinars = Iraqi unit of money
Nikki Belle Feb 2015
Black Butterflies are everywhere.
Flying up, down, on my head, on my heart,
      in my hands. Everywhere.
An opened cage, dangling from somewhere
      within me has broken.
Black gildings and metal works are
       slowly crumbling.
The butterflies are leaving.
One by one.
Then two by two.
Then by groups. Multitudes.
They're leaving.
They're leaving.
Leaving me.
12/19/14
Ilene Bauer May 2018
Berlin's a place that contradicts -
It's vibrant, but it's haunting,
The paradigm of hipness, with
A history most daunting.

The damage done in World War II
Reduced it to a rubble
And then the famous wall went up,
Which led to years of trouble.

You can't forget (and never should)
The **** reign of terror.
Memorials abound atoning
For that awful era.

Yet everything has been restored.
You won't see ancient buildings,
But modern takes of what was lost,
Replete with domes and gildings.

This is a city worth a trip,
With coolness overriding,
Defiant that to all the world
Its past will not be hiding.

— The End —