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'Hopes and Dreams'...explores the limitations of perception in more than three dimensions plus time.


I

Uncoupling hopes from truth sometimes reveals reality
Which is hard to bear
According to Eliot.
The difference between hope and what is real
Is sometimes the basis for laughter
Or tears…..
In equal measure
Depending on the deficit
Between reality, and the reality of hoping.
Two sides of the same coin
The masks of theatre,
Comedy and tragedy.

Yet reality is what we face day to day
Uncoupled from hope
An atheistic vision of what is true
In which dreams expire.

Hopes, dreams and reality
Congregate in theistic minds
As a woven integrity
But is the congress true?

Atheist and theist in perpetual conflict
One offering only truth,
The other hoping that belief is true
But, to what ….?
In this world caught in three dimensions
But do not forget time that marks when
We are born and when we die
According to Ecclesiastes.

The atheism of truths of a certain kind
Confined by the question asked
And who is asking, and the way of asking,
Atheist and theist talking at each other
But not in conversation
A dialogue of deafness to other points of view
An unbridged chasm for all of human history.

The certainty of truth is one problem,
Because certainty brooks no other view
But remember the constraints of truth’s
discovery and then assertion
In three dimensions, and do not forget time.

Unwittingly Carl Sagan made the point in flatland
A place of two dimensions,
Breadth and width, but no height
Infinitesimally flat, thin
Flat and thin, so that an apple
In its plump three dimensional roundness
Made its visit, announced its presence
But left only an infinitesimally flat, thin
Impression of its visitation,
With its announcement seemingly coming from wherever,
Infinite confusion.
For flatlanders who perceived a visitation
Without explanation
A mystery within which we experience
The determinism of truth
Not qualified by the dimensions
In which it’s made
Or defined
To the confusion of those who question truth,
If truth means the assertion of certainty.

Was it for flatlanders first cause?
Just like Paley’s watchmaker of the watch
found on the heath,
Each trapped in their respective
Two dimensions and three dimensions
Limited by their dimensionality
Of what they could see or imagine.
Not yet liberated by many dimensions
That liberated Tennyson to understand
That more is achieved by dreaming without limits.

Tennyson said…
That more things are achieved by prayer
Than this world dreams of,
But what are dreams?
Visions of hope, or the darkness of damnation?
But can we imagine these visions
In many dimensions?
And find new truths which we cannot perceive
In the day to day.

II

Dreams can be suspension
Between what is real and what we hope for,
Or ……
A plunge into an abyss of horrors
The nightmare’s nightcrusher
That reflects the fears of our experience,
The fears of Fuseli’s nights
Of grotesque creatures that taunt the hopes
Of our tomorrows
By revealing the layers of yesterday’s experience,
A past that haunts the future
In the day to day.

Yet redeemed by intentions
For the good,
And honourable to the nature of humankind,
And lifekind with which we share organic ancestry.

Dreams release the mind to find another place,
Another dimension, where what happens
Can happen and more than we can suppose
According to Haldane.

Limitless possibilities that dreamtimes
Expose what we do not own
But instead we are a part of.
Land, sea and air fused with the spirit
Of peoples that inhabit distant shores
Where they are one with the place
Where they are, were and will be
For all time.
The dreamtime of Australia’s
Original peoples.

And so the plump apple
Becomes a part of the experience
Of those who live in two dimensions,
Carl’s flatlanders experience their
Dreamtime of first causes
Because the missing dimension disallows
Their understanding of what is real.

So conflate the idea to many dimensions
And you can see what I mean.
Imagine the unimaginable
That cannot be seen
Because of the constraints of three dimensions.

And do not forget time
Perhaps the portal for imagining
What cannot be experienced
In spacetime warped and curved
By the embrace of gravity.

We sail in this cosmic sea
Not seeing its possibilities
Because we are not equipped
To see through a glass darkly
Or so Corinthians says
But to half see, dimly see
Love
And the truth of black holes
Where physics is sundered
Perhaps allowing passage to other creations
To us mere visions of what we aspire to be
And understand
Just as Blake saw heaven in a wild flower.

III

To perceive the possibility of many dimensions
Is to free the mind
From superstition
From the prejudices
That blight the landscape of our thinking,
And the landscape of dreams
When we perceive self
As if disembodied
Floating on the ceiling looking down
Detachedly on what we do
And what others do in the day to day.

Doings driven by the limited framework
Of width, breadth and height.
Width and breadth and height
And do not forget the passage of time
In which our doings take place.

One is singular in mind and body
Meaning self in the day to day.
To be beside oneself is joy and anger
The Janus faced self
Somewhat like the masks of comedy and tragedy
But of emotion and not theatrical circumstance.

How many multiples of
Space and time
Are needed to be beside oneself
In a quantum universe?
Or universes where to touch would be
Annihilation of self
Tracked as energy pure, and as simple
As the dreams of our disembodied self
Looking down from the ceiling.

IV

Is hope the delusion of optimism,
Dreams its manifestation of unreality?
Who can say because analysis
Is limited within the context of our perception.
Perception influenced by prejudice and misunderstanding
Because we are limited by what
Can be understood
In three dimensions,
And do not forget time
And gravity
And the failure of its resolution with dimension
and time
Limiting understanding.



But……
If we acknowledge the limitations
Even if not understanding the quantum context
Then, given we are prepared to accept the
uncertainty
Described by Heisenberg,
Then we are mentally equipped
To understand that truth is provisional
But with verity according to experience
Accumulated through the continuity of history.

We try to resolve contradictions
Because resolution anchors us into
the certainty of
Our present experience,
And certainty is comfort, allowing us to live
Day to day.

David Applin, May 2013

Copyright David Applin 2015
A poem from the collection 'Letters to Anotherself'.... copyright David Applin
LiquidMetalFox Nov 2013
Tossing to and fro as if combating a hostile sea/ dark thoughts cloud the inner sanctum of my mind/ the distress, the bitterness, the anguish, the grief, the sadness, the lonliness, the unfathomably lustful pain/ that I face burn with the intensity of the fires of hell that await me/ Guardians of chaos; harvesters of damsels come for me that I drown in their sins/ rip the fabric of my consciousness asunder/ my ***** sing an aria of sorrow, listen to the requiem of the ******/ a miasma of death flood my bowels/ decay enters my womb and I plunge deeper into madness/  I'm an error; a fault of life as the demonic servants consume my flesh for what feels like a eternity/ as we desend in to the pit of blasphemy, defilement, pagans, and idol worshippers/ he deprives my spirit of the rightousness, tears it from its mortal bond and it unfurls into a ethereal cloud of emptiness/ being ravaged my capture looks off in the distance as if performing an exhibition/ with every touch I feel dead inside all the while the nightmare watches with a disgustingly grim grin....

This was written for a art history class inspired by "The Nightmare" by Henry Fuseli
Tell me what you think of the interpretation!!
Riley Navarrete Nov 2011
I'm writing this because
I'll be gone in about two seconds.
I've decided I've had enough:
It was too much
or maybe too little.

I'm prepared to hang myself with the umbilical cord
of my self-hatred;
it was a diary entry, I think.
Oh, I'm dead anyway.

I am dead
has such a nice wring to it, doesn't it?
Feel like a ***** old dishrag,
used up and withered.
I wonder who will clean up my act.

I will lie in
a playful position,
akin to the Mannerists
or Fuseli
and the Renaissance men would look at me
like I'm crazy
for contorting smiles and stares
in a happy niche of browning lungs.

The punchline always ends with
your head in an oven.
I'd imagine it'd explode,
but it was not so.
It's sad to know he didn't love you,
but hey, we got poetry out of it, you know.
How is he?
Did you get your revenge?

You were beautiful,
but I was decades late.

— The End —