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"drier" poems
How beautiful is the rain! After the dust and heat, In the broad and fiery street, In the narrow lane, How beautiful is the rain! How it clatters along the roofs, Like the ***** of hoofs! How it gushes and struggles out From the throat of the overflowing spout! Across the window pane It pours and pours; And swift and wide, With a muddy tide, Like a river down the gutter roars The rain, the welcome rain! * * * * In the country, on every side, Where far and wide, Like a leopard’s tawny and spotted hide, Stretches the plain, To the dry grass and the drier grain How welcome is the rain!
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16.7k
Rain In Summer
If I were doing my Laundry I'd wash my ***** Iran I'd throw in my United States, and pour on the Ivory Soap, scrub up Africa, put all the birds and elephants back in the jungle, I'd wash the Amazon river and clean the oily Carib & Gulf of Mexico,   Rub that smog off the North Pole, wipe up all the pipelines in Alaska,   Rub a dub dub for Rocky Flats and Los Alamos, Flush that sparkly Cesium out of Love Canal Rinse down the Acid Rain over the Parthenon & Sphinx, Drain Sludge out of the Mediterranean basin & make it azure again, Put some blueing back into the sky over the Rhine, bleach the little Clouds so snow return white as snow, Cleanse the Hudson Thames & Neckar, Drain the Suds out of Lake Erie   Then I'd throw big Asia in one giant Load & wash out the blood & Agent Orange, Dump the whole mess of Russia and China in the wringer, squeeze out the tattletail Gray of U.S. Central American police state, & put the planet in the drier & let it sit 20 minutes or an Aeon till it came out clean.                                                      Allen Ginsberg                                                     Boulder, 26 April, 1980 .
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Apr 6, 2014
Apr 6, 2014 at 5:51 AM UTC
Homework (by Allen Ginsberg)
solivagant (adj.) (english) wandering alone Solivagant Traveler Lost in a desert where affection is the water I can't decide if its's been months, or maybe longer, Since I laid my eyes upon you, Or the mirage I perceived you to be. As if you were a cactus who's affection is guarded, by skin too sharp, and thick to bleed. Sitting in this plateau surrounded by drier things, dead plants and dusty bones. A solivagant traveler is what I'll be.
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Nov 17, 2013
Nov 17, 2013 at 6:30 PM UTC
Solivagant Traveler
Homage Kenneth Koch If I were doing my Laundry I'd wash my ***** Iran I'd throw in my United States, and pour on the Ivory Soap, scrub up Africa, put all the birds and elephants back in the jungle, I'd wash the Amazon river and clean the oily Carib & Gulf of Mexico, Rub that smog off the North Pole, wipe up all the pipelines in Alaska, Rub a dub dub for Rocky Flats and Los Alamos, Flush that sparkly Cesium out of Love Canal Rinse down the Acid Rain over the Parthenon & Sphinx, Drain the Sludge out of the Mediterranean basin & make it azure again, Put some blueing back into the sky over the Rhine, bleach the little Clouds so snow return white as snow, Cleanse the Hudson Thames & Neckar, Drain the Suds out of Lake Erie Then I'd throw big Asia in one giant Load & wash out the blood & Agent Orange, Dump the whole mess of Russia and China in the wringer, squeeze out the tattletail Gray of U.S. Central American police state, & put the planet in the drier & let it sit 20 minutes or an Aeon till it came out clean
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4.7k
Homework
Maybe you find your center On a couch beside a divided highway, Where asphalt ribbons melt together In the beautiful mess of the day's last fire, Where light falls on upholstery In a manufactured Southwest pattern, Best suited to drier air but somehow At home on a Wisconsin shoulder, Watching the world go by In metallic paint and autoglass reflections, Moving too fast to catch all the names Of almost-forgotten rivers crossed: Rib River, Rat River, Jump River, And any number of State Name Rivers. Or maybe you find your center On the other side of a plume of red granite dust, Where the asphalt ends and the rivers Are more than almost-forgotten signs Beside a divided highway.
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Aug 22, 2019
Aug 22, 2019 at 12:05 PM UTC
Maybe You Find Your Center
You're so greedy They said Pick a side They said You're such a **** They said Their words like knives My blood spilling freely like insults from their mouths I can't choose I'll never choose To choose would be to lose half of myself All I want is to love freely How can you hate my for that? How can you cut me with your words and expect me to heal? Nothing is wrong with me Nothing is wrong with me except the deep cuts your words leave on my heart I can't stop the bleeding; The only way to stop it is to choose a side, but that would leave an even deeper scar But those knives were not aimed for me No they were aimed for the word above my head What I call myself My own label Bisexual I'm just the person below the word My body taking the hits Bruised and bleeding tears of frustration and sadness The knives will not stop Make them stop Before my blood runs drier than the sand in the hourglass that is the only one that knows how much longer I can take the pain Make them stop, before it's too late
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Nov 7, 2015
Nov 7, 2015 at 11:36 AM UTC
Bisexual
You asked me to write a poem that killed all the parts of you that make you love yourself less. But darling, I don't know if anyone's told you: The things that make you afraid to show yourself make me love you all the more. And you may talk about how much you hate the bumps and ridges splashed across your skin, but you also talk about how much you love the mountains in Colorado. Do you think that the earth has ever cared that it has drier parts or areas with a little more texture? Do you think that Nature ever wanted to cover up the parts of her that weren't perfectly smooth? If the water stayed still, and never rose or fell the oceans wouldnt be quite so breathtaking because waves would never crash. And you might think you're covered in tsunamis, disaster zones left in the debris of your disease, but don't ever tell me that a home in that aftermath isn't still a home. Because with or without the water damage, the part that makes it important is the things on the inside— and no, I'm not referring to things in a home anymore. Now I mean your heart, now I mean your passions and your past and ever single word written in the story of you. So darling, you might tell me that you hate the bumps on your skin, but there is something amazing spelled out in Braille written on just the outside cover of one of the greatest stories I will ever know. The thing about Braille like yours is that it can open the eyes of a blind man without even needing any magic. And the thing about book covers is that you'll never really know how much you love a book based on the words on the outsides of it. But darling. I need you know know I've read you cover to cover and I absolutely think your story is one of the most beautiful ones I know. With or without the tsunamis or Braille.
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Feb 15, 2014
Feb 15, 2014 at 11:15 AM UTC
Psoriasis
You asked me to write a poem that killed all the parts of you that make you love yourself less. But darling, I don't know if anyone's told you: The things that make you afraid to show yourself make me love you all the more. And you may talk about how much you hate the bumps and ridges splashed across your skin, but you also talk about how much you love the mountains in Colorado. Do you think that the earth has ever cared that it has drier parts or areas with a little more texture? Do you think that Nature ever wanted to cover up the parts of her that weren't perfectly smooth? If the water stayed still, and never rose or fell the oceans wouldnt be quite so breathtaking because waves would never crash. And you might think you're covered in tsunamis, disaster zones left in the debris of your disease, but don't ever tell me that a home in that aftermath isn't still a home. Because with or without the water damage, the part that makes it important is the things on the inside— and no, I'm not referring to things in a home anymore. Now I mean your heart, now I mean your passions and your past and ever single word written in the story of you. So darling, you might tell me that you hate the bumps on your skin, but there is something amazing spelled out in Braille written on just the outside cover of one of the greatest stories I will ever know. The thing about Braille like yours is that it can open the eyes of a blind man without even needing any magic. And the thing about book covers is that you'll never really know how much you love a book based on the words on the outsides of it. But darling. I need you know know I've read you cover to cover and I absolutely think your story is one of the most beautiful ones I know. With or without the tsunamis or Braille.
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61
did you die, Ophelia? did you drown yourself? I heard you looked pretty and glorious in your best dress and with flowers all ready to meet your Maker; they tell me it was so beautiful one could only cry to see you in the water… did you **** yourself darling Ophelia because I told you to go join a nunnery? did you think your love’s words meant a nunnery is the same as death and so honored mad Hamlet’s words that way? you could have chosen a drier type of death, you know – though death by drowning, dearest Ophelia, dying in a stream and being wet you save the living the trouble of washing you… did you die, did you drown darling Ophelia thinking Poor, poor Hamlet is gone mad…? …thinking…. There is nothing left when a noble soul goes insane… did you die, Ophelia? did you drown yourself? or is that just some new fashion you’ve invented darling Ophelia of taking a beauty bath?
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Sep 29, 2010
Sep 29, 2010 at 1:21 AM UTC
did you die, Ophelia?
Cold-hearted world Nobody seems to care I held you so tightly When I was once there... How this emptiness Quiets your voice Drier than dry A love once moist... I'm lost in darkness Without your glow I grasp for your light With borrowed soul...
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Jun 24, 2014
Jun 24, 2014 at 11:00 PM UTC
BORROWED SOUL
Three day old Store-bought mac and cheese, That has been reheated Twice But the cheese and macaroni Have started to separate, The cheese clumping together, And despite the scortching corners Of the dinner, In it's store container, There are large sections That are as cold as the fridge. It's like you warmed it back up Using nothing but your Low powered hair drier. It tastes like poverty feels.
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Sep 15, 2015
Sep 15, 2015 at 9:20 PM UTC
Macaroni
I am tossed upon the tempest I am tested on the tide I have heard the ocean restless I will by the sea abide But I long for drier shorelines Far from sandy bottoms deep For a tower wrapped in rose vines Above a sunny keep I have played in water shallowed I have frolicked in the spray But while this sea to me is hallow'd My heart draws me far away My soul is meant for moonglow My heart the sunny glade But my home lies far below Where the coral reefs are made And never shall I leave it This realm of wave and foam For my dreams may be on land lit But the ocean is my home
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May 18, 2016
May 18, 2016 at 7:46 PM UTC
A Mermaid's Dream
(it's cliché to admonish clichés in their entirety) I. (love) We are meant to live the clichés; we are meant to resuscitate the words, and rehabilitate their wounds into a fertile viewpoint where we build respirators from clichés to filter the virulent dust kicked up by the marching pigs. (re-invented clichés offer back breath in an exchange of circular breathing) The swine contort love into armaments of antipathy; they push buttons, squeeze triggers, pull pins, and aim where it causes the most damage. Even though we are natural born hypocrites, we don't have to let that knowledge corner us into using love as a weapon. The pen is mightier than the sword, and I wield both; I sharpen the quill on the blade's edge. If need be, use the pen for a counter-strike, but only channel love in defence. II. (poetry) The pigs march to a beat of nuclear blasts that bring poetry's flag nearer to half-mast. Poetry should stand on its own merit, instead of leaning on shanks that hide behind smiles constructed with aspirations of popularity that churn out lazy, aspartame-laced lines devoid of accountability and integrity, or lean upon smiles filled with slivers from far too much fence-sitting, too worried about the trending majority, to see the complexity within simplicity and clarity, or propped-up against degrees while writing poems that are drier than the Sahara: husks of lines tumbling across dunes, only to be imploded by atomic-pork mushroom clouds, their fallout marring parchment into a poisonous terrain. . III. (dreams) (revive, twist, and switch the clichés ) We must not fear saying "never". Surrender to love, but never surrender to the jealous captains who attempt to hook and net the defenders of Neverland. With compasses of conscience beating in hearts kept young, navigate through the smoke and mirror-smog emitted by the marching pigs. (we must never give up on our dreams) Dream about the courage needed to love everyone and everything, including our enemies who conduct genocide on the language of a purer intent. Dream about word-seedlings pushing through the arid rind of dying poetry, in hope for a more organic fruition to grow in our hearts and minds, so that poetry gains back its strength and vitality to once again stand on its own merit. +/-
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Aug 1, 2013
Aug 1, 2013 at 6:38 PM UTC
Live the Clichés
(it's cliché to admonish clichés in their entirety) I. (love) We are meant to live the clichés; we are meant to resuscitate the words, and rehabilitate their wounds into a fertile viewpoint where we build respirators from clichés to filter the virulent dust kicked up by the marching pigs. (re-invented clichés offer back breath in an exchange of circular breathing) The swine contort love into armaments of antipathy; they push buttons, squeeze triggers, pull pins, and aim where it causes the most damage. Even though we are natural born hypocrites, we don't have to let that knowledge corner us into using love as a weapon. The pen is mightier than the sword, and I wield both; I sharpen the quill on the blade's edge. If need be, use the pen for a counter-strike, but only channel love in defence. II. (poetry) The pigs march to a beat of nuclear blasts that bring poetry's flag nearer to half-mast. Poetry should stand on its own merit, instead of leaning on shanks that hide behind smiles constructed with aspirations of popularity that churn out lazy, aspartame-laced lines devoid of accountability and integrity, or lean upon smiles filled with slivers from far too much fence-sitting, too worried about the trending majority, to see the complexity within simplicity and clarity, or propped-up against degrees while writing poems that are drier than the Sahara: husks of lines tumbling across dunes, only to be imploded by atomic-pork mushroom clouds, their fallout marring parchment into a poisonous terrain. . III. (dreams) (revive, twist, and switch the clichés ) We must not fear saying "never". Surrender to love, but never surrender to the jealous captains who attempt to hook and net the defenders of Neverland. With compasses of conscience beating in hearts kept young, navigate through the smoke and mirror-smog emitted by the marching pigs. (we must never give up on our dreams) Dream about the courage needed to love everyone and everything, including our enemies who conduct genocide on the language of a purer intent. Dream about word-seedlings pushing through the arid rind of dying poetry, in hope for a more organic fruition to grow in our hearts and minds, so that poetry gains back its strength and vitality to once again stand on its own merit. +/-
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73
There you are, boy, all apatter with ‘Whats the matters’ and those rainy eyes that look out but don’t want to be looked into for too long, drier now, memorising cracks. Forget those useless stomach-drops you feel you ought to feel, stand taller, be prouder. Say goodbye to your knees from me, closer then, the map of falls that took the gravel with the breeze that were vision’s blinker-walls. Thank you for the memories you put away for rainy days, my repository, the treasure trove of touchstones you didn’t skim. Every tear and every maple seed you threw: I still want to make sense of it all for you.
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Oct 16, 2012
Oct 16, 2012 at 4:42 PM UTC
Maple Seeds
You've always been forgetful You'd forget to turn the lights off You'd forget to close the toothpaste You'd forget your clothes in the drier You'd forget to charge your phone You'd forget to feed the fish ... So I did all these things for you You see, I was convinced that showing you was better than telling you But you never saw it, now did you? *- Sometimes I'd forget to do all these things on purpose, so I would remember how it felt like to be with you -* I secretly hope that you can't find your clothes and your fish die and your electric bill reaches a 100 billion dollars Just so you could see that I was good for you You know what? No.  ________ NO, NO NO I do secretly hope that your phone dies and your clothes get lost and your fish die and your toothpaste gets dried up But only so you could learn the importance of what I used to do to recognize your faults and to try and improve, not for me but for you. ... and I'm not talking about the toothpaste here *You can't demonstrate the change you want to see in someone if they don't even understand the error in their ways* and so, I don't want to be the person who struggles to forgive and forget I want to be the person who lives with no regret knowing that us, ending, was for the best. and the best of each of us
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Jul 16, 2015
Jul 16, 2015 at 1:38 AM UTC
Forgetting to Change
I have a pack of letters, I have a pack of memories. I could cut out the eyes of both. I could wear them like a patchwork apron. I could stick them in the washer, the drier, and maybe some of the pain would float off like dirt? Perhaps down the disposal I could grind up the loss. Besides -- what a bargain -- no expensive phone calls. No lengthy trips on planes in the fog. No manicky laughter or blessing from an odd-lot priest. That priest is probably still floating on a fog pillow. Blessing us. Blessing us. Am I to bless the lost you, sitting here with my clumsy soul? Propaganda time is over. I sit here on the spike of truth. No one to hate except the slim fish of memory that slides in and out of my brain. No one to hate except the acute feel of my nightgown brushing my body like a light that has gone out. It recalls the kiss we invented, tongues like poems, meeting, returning, inviting, causing a fever of need. Laughter, maps, cassettes, touch singing its path - all to be broken and laid away in a tight strongbox. The monotonous dead clog me up and there is only black done in black that oozes from the strongbox. I must disembowel it and then set the heart, the legs, of two who were one upon a large woodpile and ignite, as I was once ignited, and let it whirl into flame, reaching the sky making it dangerous with its red.
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2.3k
The Inventory Of Goodbye
expecting the ride of a lifetime hype guy with the pimped out kith jeans and the shoes that cost god knows what but he pulls me off of him so he can carefully unlace them, while i get drier than a desert waiting for him like, *** show up in sweats and a hoodie so i can steal it next time, man
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May 23, 2018
May 23, 2018 at 5:57 PM UTC
like, ***
It's the smells, The woody, earthy laden lift in the air. A scent guilded in memories of twigs breaking under feet, As I walk to the One Stop with my dad, Wet, amber leaves stuck to his holey shoes, The air is damp and unfaded, but lightly coated in the smoke from his roll up. The smell, More floral now, Warm, heavy rain drip dropping onto vast leaves in Mexico, The floor drier and peppery compared to it's English cousin, My eyes locked onto the stars through pointed dancing clouds, As if the sky has been dipped in glitter and laid out to dry in the jungle. And now its moss, Moss and pine and your hair. It's both of us gazing through the foliage to catch the eye of a bird, Our fingers brushing and clinging, I can feel my mouth lift, As you pull me towards your nose, And whisper 'I love us.', We walk, Warm in one another's stories, With wet socks, And pink cheeks, We inhabit the trees.
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Jan 13, 2019
Jan 13, 2019 at 7:05 AM UTC
Tree Trunks
The honeybee delights in her perch Crooning ageless songs to the tussore silk petals A low thrum in the sweet saffron **** A brush of honey around her entrance She is the fae Moth, too Stumbling to reach the pendulous light in a drunken merriment Dancing shadows over dry walls A thin imitation of butterfly Who is fae, too Centipede and silverfish Body full of a thousand darting eyes Cautious, careful, carried On the tips of toddler's fingers Crawling, cradled In the impregnable hands of a careless child Wingbeats like a dreary applause In the dew-soaked trellis The labyrinth of gossamer thread Arachne is prideful. Escape, escape, There is a minute sound of a spider weeping Dry, Like sand through an hourglass As she wraps the children in viscid cloth Drier still are the ghosts crackling as tiny feet Navigate the cicada grave Skin grows tighter and tighter Summer is over now
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Oct 26, 2018
Oct 26, 2018 at 12:03 AM UTC
Just Thinking about fae
it costs a dollar twenty five for the drier that leaves your clothes still damp but the lemons on the tree are perfectly ripe and the wind chime sounds like namaste. though the clouds are thinning it’s just cool enough for sneakers and warm enough for tank tops. gram is in the basement dad is at the liquor store and mi madrastra es talking with the man who rents the apartment upstairs exchanging recipes and munching on chicharrones. today I live in the Santa Clara slums and feel as at home as I did in the rain.
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Apr 17, 2011
Apr 17, 2011 at 4:47 PM UTC
santa clara
The west coast is ablaze A conflagration reconfiguration Efforts heroic as forests fall And cost of lives lost Homes no more Neighborhoods gone **** and dust Terrains reframed The new world: Fire cyclone zones Hotter, drier, bigger The culprit: us
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Aug 22, 2018
Aug 22, 2018 at 8:45 PM UTC
HOAX?
French kissed by the sun Those warm lengths caress Cascading down your body Drawing forth your scent Pushing goosebumps away Like wearing something Pulled directly from the drier Covering and an all over feeling Static electricity, sorted down Stretching from hairs to a shimmer Working a caramel, from the oven Warm through your fingers Gooey, sugary and messy Stretching from hand to hand As you play, a thick treat Fingers play, and steal a kiss Work delicious candies From unspeaking lips and Silken thighs, against chest I eat a caramel candied dipped
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Sep 1, 2014
Sep 1, 2014 at 4:55 PM UTC
Dipped in Caramel
i was perfectly empty until we met and you became my fill pouring me your all all against my will. and yet all i became was drier just as you were leaving colder just as i was healing and as i find another perhaps then i'd be emptier still
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Nov 19, 2018
Nov 19, 2018 at 12:53 AM UTC
droplets
I am writing this poem as a letter of reference for my uncultured heart, Unedited and uncensored and Unlike the affections I so willingly gave you. You read me your poems As if I were the first girl to receive them, And boy, Did I receive them. I took them and their delicate lettering that traced My name written boldly and profoundly in the center As if the world was handing itself over to me. To: Olivia From: Jupiter No return address. I kept your smooth words and slipped them into my coffee, Tucked them underneath my pillow case, And folded them into a book I virginally scribbled in. I found them scattered across the night's sky And sewn into the shirt you loved on me. I planted them in good soil waiting for spring. My good, rich soil. Untouched and unused. I Watered them carefully and buried them with a warmth That the sun itself couldn't radiate. You lit me up and I was burning so wildly for you. For you, Jupiter. My garden was beautiful, full. Plentiful. Abundant. Good, rich. Untouched and unused. And little white lilies began to sprout and dot the I's of your I love yous, I miss yous, I was thinking about you, I love you, I miss you. I was thinking about you. I love you. I miss you. I was thinking about you, Jupi. But drier than your recycled sentiments, My soil Became parched and emaciated As more of your lilies grew. My coffee became bitter, My pillow case as soft as sand paper. The small, black journal I carefully pressed flowers with Now stained and sopping wet with Your cheap ink That ran down my skin and into Creases you left your finger prints. Your lilies, though small and sweet, Were deadlier than any poison ivy I'd ever touched previously. The little plot of earth I saved for myself Was now a pile of your cigarette ash And venomous weeds. I burned so wildly for you, But without you. For you, Not with you. I was another one of your American Spirits, Smoked, put out and Tossed into the grave of another fruitless harvest. Taken, left, and used.
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Apr 29, 2014
Apr 29, 2014 at 12:46 AM UTC
Lily of the Valley
I am writing this poem as a letter of reference for my uncultured heart, Unedited and uncensored and Unlike the affections I so willingly gave you. You read me your poems As if I were the first girl to receive them, And boy, Did I receive them. I took them and their delicate lettering that traced My name written boldly and profoundly in the center As if the world was handing itself over to me. To: Olivia From: Jupiter No return address. I kept your smooth words and slipped them into my coffee, Tucked them underneath my pillow case, And folded them into a book I virginally scribbled in. I found them scattered across the night's sky And sewn into the shirt you loved on me. I planted them in good soil waiting for spring. My good, rich soil. Untouched and unused. I Watered them carefully and buried them with a warmth That the sun itself couldn't radiate. You lit me up and I was burning so wildly for you. For you, Jupiter. My garden was beautiful, full. Plentiful. Abundant. Good, rich. Untouched and unused. And little white lilies began to sprout and dot the I's of your I love yous, I miss yous, I was thinking about you, I love you, I miss you. I was thinking about you. I love you. I miss you. I was thinking about you, Jupi. But drier than your recycled sentiments, My soil Became parched and emaciated As more of your lilies grew. My coffee became bitter, My pillow case as soft as sand paper. The small, black journal I carefully pressed flowers with Now stained and sopping wet with Your cheap ink That ran down my skin and into Creases you left your finger prints. Your lilies, though small and sweet, Were deadlier than any poison ivy I'd ever touched previously. The little plot of earth I saved for myself Was now a pile of your cigarette ash And venomous weeds. I burned so wildly for you, But without you. For you, Not with you. I was another one of your American Spirits, Smoked, put out and Tossed into the grave of another fruitless harvest. Taken, left, and used.
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64
It's late and I'm tired But I can't go to sleep There's too much to do Too much I haven't told you Too much I want to hear Too much to listen to Too little to waste There are adventures not yet experienced There are voices unheard There are thoughts unvoiced There are songs unwritten There are kisses unfelt And I have adventures to experience And I have voices to hear And I have thoughts to voice And I have songs to write And I have kisses to feel And I have you. Oh, you. Who are you? I certainly haven't found you yet Actually, I thought I had, but you went away Now I fear I will never see you again Oh, you. You with your saddened eyes You who have endured so much You who deserve so much more You who I try to help but You who shy away to You who are gone. gone. gone. It does not make my thoughts any clearer It does not make me feel any better It does not make my eyes any drier to write. But it does help the sunshine keep a little longer It does let your kisses linger in the shade It does help my weary head resurrect The light from whence we came And I know that someday you will return And I won't let you slip down down again And my time awake is time well spent So I cannot sleep. I cannot sleep.
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Nov 13, 2010
Nov 13, 2010 at 6:49 PM UTC
Insomnia is another way of saying "I love you"
I can’t bare this, it’s pathetic. I know I shouldn’t say what comes to my head. I hate it. I have to. Yet, look at me in this moment. My lips are chapped and my eyes can’t take this, my lips are drier than they have been before. I feel sick again and probably karma, coming back to bite me on the neck. I feel the clock ticking away, the time is going quick and it makes me sick. I feel like crying for the time I’m wasting, please forgive me. Please don’t forget me. I don’t want to be isolated in this world anymore. spend too much time regretting decisions instead of making more. My eyes are my weakness, they scream all the words I don’t want to say. My lips are liars and my words are too. Don’t forgive them. You suffered so much, it made me bleed too. I wanted you to be happy, so please do. If it means suffering, then I will disappear. I can’t bare to see you happier without me, how selfish of me.
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Jan 13, 2015
Jan 13, 2015 at 11:58 PM UTC
Selfish Loving