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"drafted" poems
Dawn in New York has four columns of mire and a hurricane of black pigeons splashing in the putrid waters. Dawn in New York groans on enormous fire escapes searching between the angles for spikenards of drafted anguish. Dawn arrives and no one receives it in his mouth because morning and hope are impossible there: sometimes the furious swarming coins penetrate like drills and devour abandoned children. Those who go out early know in their bones there will be no paradise or loves that bloom and die: they know they will be mired in numbers and laws, in mindless games, in fruitless labors. The light is buried under chains and noises in the impudent challenge of rootless science. And crowds stagger sleeplessly through the boroughs as if they had just escaped a shipwreck of blood.
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12.7k
Dawn
you can’t right the same poem twice hell, yes I can in pointy fact, only got one, which gets re-righted morning noon and evening-tide substitute a variant spelling wright vs write vs right and the meaning changes thrice *the only thing i can’t not duplicate is those **** love poems each unique and writ for the woman specific, each love one, custom jiggered, each poem, crafted, to her pulse each poem, drafted, to her scent none alike, and that’s why I believe in the god who commanded "create her" to make love poems in his way, gave me millions of veins, an extra ribbing, of inspiration to pray to... my heart altered, modified, daily* **** poems **** love poems **** love
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Feb 2, 2018
Feb 2, 2018 at 10:18 PM UTC
you can’t right the same poem twice **** love poems)
I signed up for the race you see. I was drafted to run. They chose to pay my tuition so I could sprint at the gun. But here's the problem that plagued me from the start. I seemed to have left my confidence at an entirely different mark. I showed up at the race and I didn't think I would win. Even the sun shining down on the game looked a little grim. What happens when your falling without any aid? When there's no life support and you don't think you'll be saved? What happens when you've signed on for too much? When you can't be the athlete you want to be and you've got a limp with no crutch? I had to figure it all out, a dark field and no map. I had to find my confidence before I could score on attack. I faced the coaches and dealt with their disappointed faces. I had to move past the fact, that I had racked up some disgraces. I cried in the showers when nobody could hear. Letting anybody know I was weak was my biggest fear. Because it doesn't count you see, if the shower's on. There's already water running down and my tears always joined the marathon. But I surpassed the doubt. I learned to dig deep. I became that brave player on the field. And I only cry in my sleep.
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Nov 24, 2012
Nov 24, 2012 at 10:04 PM UTC
Athlete Nightmares
determined as i was to avoid joining the zombie revolution my dad went and bought me a new phone looks like i was drafted in to the "smart" generation hopefully i won't end up as stupid.
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May 15, 2013
May 15, 2013 at 4:04 PM UTC
smartphone soliloquy
Turn your dapple gray diffuse light daydream Towards the flashlight painted cloudscape I have made for you And before the drafted owl coos I have collected in bottles and hung from this tree For you I have walked through fine winged butterflies and soft twilit moss Over sun scorched sand and in the relief of white noise water Which Like the circle of your arms Tucks my dark away in the bottom of some drawer That we may find and laugh over through our old eyes wrinkled with years of delight Our home is walking through a stream Steps slowed in the thickness of water
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Nov 8, 2012
Nov 8, 2012 at 11:24 PM UTC
Untitled III
you attract more flies with honey like moths, to a flame, you bug me ready for hot humid summer days ready to have my picnics by the lake my family I have crafted, my kin in essence my family I have drafted, my purest expression truest of true, brightest of blues, chatter filled dinners, loved filled rooms I prayed for times like this, the flowers in bloom
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Apr 4, 2022
Apr 4, 2022 at 10:00 AM UTC
chosen family
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
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Oct 3, 2014
Oct 3, 2014 at 10:33 AM UTC
Towards an Indigenous Science
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
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44
old habits die hard, but the ones that die the hardest have human faces. these are boys wrapped around fingers, these are girls painting their lips, and here I am, writing love songs for all of them. here stands Saint Peter and a book, and his long fingers trailing over the words: the first chapter was drafted on the back of a movie ticket, the second on a cocktail napkin, I think-- the third I wrote with pen on somebody’s skin. the fourth, scratched on wooden planks with a knife my father gave me. and yet-- and yet, here they all are, together like a leather-bound Bible and the gatekeeper smiles and says nothing. angel, what do I atone for? yes, these are my hands tearing out the pages, throwing them into the flames, despairing please, God, why won’t they burn--? now in the fire I see movie screens and bare skin, lips on drink glasses in dark rooms. here are the things which I have lived and spoken; the ink won’t come off the paper and I will never ask for forgiveness. this is the ending I wrote when God didn't answer. here I ask again, and only once-- angel, what do I atone for? and the gatekeeper smiles and says nothing.
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Jan 11, 2016
Jan 11, 2016 at 4:36 PM UTC
habits
The man to my right was more than eight feet away. I was going to have to move closer to him to catch my limit of four trout. I halved the distance between the two of us and noted the sideways glance he shot me. I apologized immediately and asked if I was crowding him.      “No, you fine,” he replied within a thick Serbian accent.      “You’re with them?” I asked, pointing to the crowd of people on the bridge some 30 feet upstream from us. I had heard the crowd of eastern Europeans talking earlier, and their accents were unmistakable to me. He nodded and we continued fishing.      With my new angle I was better able to pick my fish in the water, so that’s what I did. I spied one and tossed my jig toward him. It took five casts but eventually, he took the bait. As I netted it in the swift, ice-cold spring water the man beside me congratulated me on the catch. I thanked him and added it to my stringer. This made three, and I only needed one more.      “What’s your name?” I asked him.      “Ivan”.      “Have you been in the states long?” I asked, after the pause following his short reply seemed to invite more questions.      “Since ‘96, my family live here. It is good.”      “You like living here?” I wondered aloud.      “Yes, the fishing is good. It is like back home in Serbia, or in Germany. We have this fishing there.”      “You mean trout?”      “Yes, trout...and some other fish like these, in water like this, but I can’t go home now.” He looked away momentarily. His lips pursed, and his brow furrowed. I pulled my line in, wanting to ask him more and not wanting to be distracted.      “Were you in the war?”      “Yes, I was in the Serbian police force.” My heart pounded. “When I was in the Serbian police force, we did what you see on the news. We went into villages and we killed them. We killed them all.”      I cast my line back into the water, spying another trout. Ivan shrugged and cast his own line. I couldn’t tell what he was using but it looked like cheese of some kind. “I was drafted in Serb police when I was 15. I had no choice. If I refuse, they **** me. I did what I had to do.” I nodded, and ****** my line, missing a fish. “Before the war, I fished. After the war, there were not so many people, so fishing was very good.”      The air around me was alive. The trees were greener, the water was colder and clearer, the sun was brighter, and the sky was bluer.      “I’ve been fishing for a long time as well,” I responded. My father used to bring me here as a child. He nodded and continued.      “After the war, all the fish come back, no one fished during the war, so there were many of them. You just had to be careful of the mines.” He grunted and gazed skyward.      “The mines?”      “Yes, during the war they mined the water.”      I watched trout number four take my jig and I carefully reeled him in. Ivan congratulated me a second time, and I thanked him in return. “You’re a good fisherman,” he said turning back to his own pursuit of the four-trout limit, as I left the water to clean my catch.
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Sep 21, 2019
Sep 21, 2019 at 8:33 PM UTC
Fishing
The man to my right was more than eight feet away. I was going to have to move closer to him to catch my limit of four trout. I halved the distance between the two of us and noted the sideways glance he shot me. I apologized immediately and asked if I was crowding him.      “No, you fine,” he replied within a thick Serbian accent.      “You’re with them?” I asked, pointing to the crowd of people on the bridge some 30 feet upstream from us. I had heard the crowd of eastern Europeans talking earlier, and their accents were unmistakable to me. He nodded and we continued fishing.      With my new angle I was better able to pick my fish in the water, so that’s what I did. I spied one and tossed my jig toward him. It took five casts but eventually, he took the bait. As I netted it in the swift, ice-cold spring water the man beside me congratulated me on the catch. I thanked him and added it to my stringer. This made three, and I only needed one more.      “What’s your name?” I asked him.      “Ivan”.      “Have you been in the states long?” I asked, after the pause following his short reply seemed to invite more questions.      “Since ‘96, my family live here. It is good.”      “You like living here?” I wondered aloud.      “Yes, the fishing is good. It is like back home in Serbia, or in Germany. We have this fishing there.”      “You mean trout?”      “Yes, trout...and some other fish like these, in water like this, but I can’t go home now.” He looked away momentarily. His lips pursed, and his brow furrowed. I pulled my line in, wanting to ask him more and not wanting to be distracted.      “Were you in the war?”      “Yes, I was in the Serbian police force.” My heart pounded. “When I was in the Serbian police force, we did what you see on the news. We went into villages and we killed them. We killed them all.”      I cast my line back into the water, spying another trout. Ivan shrugged and cast his own line. I couldn’t tell what he was using but it looked like cheese of some kind. “I was drafted in Serb police when I was 15. I had no choice. If I refuse, they **** me. I did what I had to do.” I nodded, and ****** my line, missing a fish. “Before the war, I fished. After the war, there were not so many people, so fishing was very good.”      The air around me was alive. The trees were greener, the water was colder and clearer, the sun was brighter, and the sky was bluer.      “I’ve been fishing for a long time as well,” I responded. My father used to bring me here as a child. He nodded and continued.      “After the war, all the fish come back, no one fished during the war, so there were many of them. You just had to be careful of the mines.” He grunted and gazed skyward.      “The mines?”      “Yes, during the war they mined the water.”      I watched trout number four take my jig and I carefully reeled him in. Ivan congratulated me a second time, and I thanked him in return. “You’re a good fisherman,” he said turning back to his own pursuit of the four-trout limit, as I left the water to clean my catch.
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22
When they killed my mother it made me nervous I thought to myself, it was right: Of course she was crazy, and how she ate! And she died, after all, in her way, for the state. But I minded: how queer it was to stare At one of them not sitting there. When they drafted sister I said all night, "It's healthier there in the fields"; And I would think "now I'm helping to win the war," When the neighbors came in, as they did, with my meals. And I was, I was, but I was scared With only one of them sitting there When they took my cat for the Army Crops Of conservation and supply, I thought of him there in the cold with the mice And I cried, and I cried, and I wanted to die. They were there, and I saw them, and that is my life. Now there is nothing. I'm dead, and I want to die Randall Farrell (1914-1965)
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Jul 22, 2014
Jul 22, 2014 at 1:54 PM UTC
The State By Randall Farrell
Still today Danang. Saigon.Tet. Mi Lai. ** Chi min trail. All and more on reverb The unwinable in black body bags. Dam. Just like Cronkite's musdtache goimg on and on Drafted into the  wood chipper The buzz saw. for what. Then the embassy buggie. Choppers listing into the sea. Half baked. Blood on ground. For what. Visit Vietnam. A travelers paradise. Half price now with great accomodations. Cambodia too.for the price of one. Kamir Red. How many dead? For what.
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Jun 1, 2013
Jun 1, 2013 at 6:14 PM UTC
The Nam Again
I drafted my dreams out on a string from window to window                                                                                                         Where they could see some sunshine                 So that they could feel the breeze that whipped the willow trees                                                           I lay on the grass for hours hoping something would change                                         Everything seemed so strange and sadly serene My dreams used to be such a large part of me                                                                                         I finished my cigarette as the wind writhed, breathing                                     Pulled down the preliminary principles made of follies, folded them quietly        Walked inside, adjusting my somber eyes to darker lights                                                                 I open the closet door gently, hands full of my old fabrications                              I keep lying to myself & trying to tell myself I'm                                                                                                                 putting them away for                                                                                                                                                       'safe-keeping'.
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Jan 30, 2014
Jan 30, 2014 at 10:12 AM UTC
Neatly Neglected
I drafted my dreams out on a string from window to window                                                                                                         Where they could see some sunshine                 So that they could feel the breeze that whipped the willow trees                                                           I lay on the grass for hours hoping something would change                                         Everything seemed so strange and sadly serene My dreams used to be such a large part of me                                                                                         I finished my cigarette as the wind writhed, breathing                                     Pulled down the preliminary principles made of follies, folded them quietly        Walked inside, adjusting my somber eyes to darker lights                                                                 I open the closet door gently, hands full of my old fabrications                              I keep lying to myself & trying to tell myself I'm                                                                                                                 putting them away for                                                                                                                                                       'safe-keeping'.
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13
I have some universal advice to give To help with all you do It's a simple little thing you see It's as easy as one two A girl asked me out dancing This is something that I dread Then I remembered my old grandad He was talking in my head He said... Always lead with the left my boy The left's the proper one They're expecting you to use the right But, it's the left that gets things done I got drafted in the army And at marching I was sad I always got my feet mixed up Then I thought of my grandad Marching was a treat from then With my grandad in my head I'll break it down in squads for you Here's exactly what he said... He said... Always lead with the left my boy The left's the proper one They're expecting you to use the right But, it's the left that gets things done I joined the army boxing team I was skinny, quite absurd There was no way I could ever win Then I heard my grandads words I took two rounds to win my bout My master corporal was surprised I had listened to my grandads words And only got me one black eye He said... Always lead with the left my boy The left's the proper one They're expecting you to use the right But, it's the left that gets things done I met a girl while home on leave I took her home to bed And in the back I thought I heard something grandad once had said He said... Always start with the left my boy The left's the proper one They're expecting you to use the right But, it's the left that gets it done. ..
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Sep 10, 2012
Sep 10, 2012 at 4:54 PM UTC
Always start with the left!
I was good at numbers I was called to count dead I was good at loom I was asked to weave shrouds I was good at tilling land I was drafted to dig graves
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Aug 13, 2017
Aug 13, 2017 at 1:58 AM UTC
I am a kashmiri
I got a letter from the government A week back, Tuesday morning It came in a grey envelope It was stamped with a red warning The envelope was tattered And the words were inked in red To be opened by recipient That was all it said I checked the name typed on there It was mine, so I could see John Augustus Reed Beale Street, Unit 43 I opened it and sat right down I had been drafted so it said I had to report on Thursday I heard a ringing in my head I didn't understand it all To me it made no sense This plain grey mottled envelope Sent from my government I followed the instructions And showed up promptly at the place Something was asunder I could tell from the man's face I showed him my draft letter Explained, I didn't understand He looked at it and laughed a bit This wasn't what I'd planned He said son, is this you Are you John Augustus Reed I told him I'm John Junior He said that's all the news I need This letter is a glitch, boy It wasn't meant for you It was sent out to your father Back in nineteen seventy two Somehow it was mangled Got lost along the way Until somebody found it And you got it on that day I'm glad you chose to come here Showed up exactly when it said But, I think you now can go on home I think it's best, instead It's amazing how one letter And you can take this to the bank Can fill a man with honor For that I must give thanks.
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Sep 1, 2015
Sep 1, 2015 at 11:38 AM UTC
Drafted
I barely went to school And was baptized underneath a rain gutter But I promise Despite my upbringing I will die a poet Birds never studied music Nature never rough drafted its deformations Including me I was born perfectly broken With heart in throat And head in clouds And head in **** And head Head everywhere else but center Hands anywhere but to myself I dare you to stop pumping fuel Into my mouth’s motor Dare you to make fun of me For my special education For my short bus ****** My education was special I learned to walk on two feet When I should have had four And I learned How to stop myself from crying When I found out not everyone is going to love me I’ve learned the language Of your laughter And can translate your sighs To mean anything Right now they are the exhalation of ghosts You no longer wish to hold on to Let them go Let go of your ghosts And don’t settle for anything less Than the silence of your soul As it leaves you Take this poem with you when you do It is a love note Sending Saint Peter home All are welcome here Especially you I mean Nobody’s perfect Especially poets I’m not perfect Which is perfect Because that means I can die A poet
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Dec 1, 2011
Dec 1, 2011 at 5:00 AM UTC
I Can Die A Poet
As you wish! On a short and sweet notice, in a sphere of dissent, You pinned an Excalibur of youthful delight. Like a bullet of laughter through most gloomy torrent, You carved the initials of an enduring Nile, Draining the cowardly anguish scent, A torrent of sorrow that comes to an end, Ending the story that failed to descend, To the end of the Nile and further dissent. You carved a dissimilar unusual scent, portrait of the Nile! No grass, no forest, no human or beast, No flowers, no crawling creatures or gods from the East, No birds or ancestors, no suns and no mists, No other cosmic body that firmly exists Will ever grasp the humblest desire to smile, You brought into essence in this ravaged cryptic empire. … It suddenly stopped! The comfort, the fog, the sand and the sea, Have suddenly plunged and crumbled to form a new entity. A matter of time or awakening call? I fail to remember. Illusion or not, I desperately cannot recall. Be that a dream? A marvelous touch of phantasmic thrill? That guides the spirit from real to ordeal? that all was a myth, and legend will stay until you get absorbed like a paralyzed prey? I desire to risk, no incentives for me to obey! And who can possibly name the unnamed sensation drafted to stay that clutches to you, bewilders your mind and stretches the borders of time! No wonder we die, a natural body can fit an unnatural smile Just for a while… And reaching the terminal stage of creation, Contend once again without a swing: -Irrational mind with chained understanding, And a singular thought that is free-, I surrender to life, to death I aspire. But until then, I’ll be wearing the smile you gave me. As I desire…
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Dec 7, 2014
Dec 7, 2014 at 7:35 PM UTC
Fragile
As you wish! On a short and sweet notice, in a sphere of dissent, You pinned an Excalibur of youthful delight. Like a bullet of laughter through most gloomy torrent, You carved the initials of an enduring Nile, Draining the cowardly anguish scent, A torrent of sorrow that comes to an end, Ending the story that failed to descend, To the end of the Nile and further dissent. You carved a dissimilar unusual scent, portrait of the Nile! No grass, no forest, no human or beast, No flowers, no crawling creatures or gods from the East, No birds or ancestors, no suns and no mists, No other cosmic body that firmly exists Will ever grasp the humblest desire to smile, You brought into essence in this ravaged cryptic empire. … It suddenly stopped! The comfort, the fog, the sand and the sea, Have suddenly plunged and crumbled to form a new entity. A matter of time or awakening call? I fail to remember. Illusion or not, I desperately cannot recall. Be that a dream? A marvelous touch of phantasmic thrill? That guides the spirit from real to ordeal? that all was a myth, and legend will stay until you get absorbed like a paralyzed prey? I desire to risk, no incentives for me to obey! And who can possibly name the unnamed sensation drafted to stay that clutches to you, bewilders your mind and stretches the borders of time! No wonder we die, a natural body can fit an unnatural smile Just for a while… And reaching the terminal stage of creation, Contend once again without a swing: -Irrational mind with chained understanding, And a singular thought that is free-, I surrender to life, to death I aspire. But until then, I’ll be wearing the smile you gave me. As I desire…
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38
I have to admit That I immediately knew what the media meant As I grew up I drew out- Side lines Meaning kinds when you omit the 'n' so I'm sent To set askew a few lies, yes my butterfly knife flies like a feather pen oh I've been A berserker moving farther Further herding words heard for war it's forward But since before he was drafted roughly but justly Just to sink in ink engrafted ****** because he's Made for brigades who blockade it to shock it Force it shoot it and make it play its poor music to Bach it Oh face it, we rock it The battalion's out there and they're shouting I'm silent but they rattle Yeah my rabble of stallions, they're rowdy But of course, off course it is not all Norse my love because They say the other north Yeah your horizontal course turned up with a Tincture of madness And that is the one, single error and I'm glad of it If you catch it Maybe a troublemaker by nature but baby a peace speaker missing demeanor With misdemeanors when getting meaner But I practice a bit In an out-there train re-accident be- Cause the battalion's out there while they're shouting I'm silent but they rattle rapidly Yeah my rabble of battle lions rabid To vaporize vapid rabbits They're rowdy and And love is getting much louder than growling it's It's sounding much louder than growling
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May 12, 2014
May 12, 2014 at 8:29 PM UTC
Berserker (Much Louder Than Growling)
The world isn't real to me, it's outside a thick skull. It's my muted screams you hear coming from inside this bone brazen bull. The body pursues pleasures while pleading to me "Be happy! So that I... so that we may find love." The nerve. The nerve! And trust you me this bag of bones, this lustful flesh has too many nerve ends firing. And they all want something, all demand my attention for even the most mundane events of their spoiled lives of experience. Thank you, nerves, for sharing how a cool, spring breeze blowing lightly over you feels. Thank you too, way down there, for making me aware of the soft grass sliding taught between your toes. How special for you, no jealousy here. Now, lets bring this mess to order, would somebody please go ask the warden when visiting hours are over? Because, you see, The world isn't real to me, it's outside a thick skull. It's my writhing & thrashing you mock twisting within this bone brazen bull. "Be happy" it tells me. To better pursue it's goals! It has clearly never even once tried reversing roles. Well, I have. Many times. For, I've the time to think, believe you me. I would stuff the body in a box barely big enough to fit it, and add within the 'creature comforts' found in my abode which you'll daily find me in abidance. Inside would be dark, hard, and for reasons still unexplained somewhat sticky... Would somebody PLEASE! tell me why it's sticky in here?! Excuse me, moving on... I would taunt it then: "Let's go for a run." I'd say, "The breeze caressing my grey matter sure is nice." I'd add, "Why aren't you happy in your dark, dank, brain-box, body?!" I'd shout. Between you and me, I only smoke because I know it makes its lungs all sappy. Why aren't I happy, body? I'll tell you. Because delusory images drafted from incomplete, tainted, sensory data, diluted of any real, exciting experience are all that make up my world; my life! It's as boring as drinking a ladle full of water Jesus made out of what was once wine and then added fluoride to. I'm like your shut in grandmother you write home to in brief, lying notes about your travels abroad. "Amsterdam was nice STOP" So, body, excuse me for taking pleasure in unhappy things such as smoking, or hating. Excuse me for my spite. But, for me and my experience these are the things I find tickling my quote unquote toes. And...I'm all too mad to say, are the closest I'll ever come to 'feel'. Because, you see, The world isn't real to me, it's outside a thick skull. And it's my muted screams you hear coming from inside this bone brazen bull.
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Jun 23, 2013
Jun 23, 2013 at 2:03 AM UTC
A Mind's Rant
The world isn't real to me, it's outside a thick skull. It's my muted screams you hear coming from inside this bone brazen bull. The body pursues pleasures while pleading to me "Be happy! So that I... so that we may find love." The nerve. The nerve! And trust you me this bag of bones, this lustful flesh has too many nerve ends firing. And they all want something, all demand my attention for even the most mundane events of their spoiled lives of experience. Thank you, nerves, for sharing how a cool, spring breeze blowing lightly over you feels. Thank you too, way down there, for making me aware of the soft grass sliding taught between your toes. How special for you, no jealousy here. Now, lets bring this mess to order, would somebody please go ask the warden when visiting hours are over? Because, you see, The world isn't real to me, it's outside a thick skull. It's my writhing & thrashing you mock twisting within this bone brazen bull. "Be happy" it tells me. To better pursue it's goals! It has clearly never even once tried reversing roles. Well, I have. Many times. For, I've the time to think, believe you me. I would stuff the body in a box barely big enough to fit it, and add within the 'creature comforts' found in my abode which you'll daily find me in abidance. Inside would be dark, hard, and for reasons still unexplained somewhat sticky... Would somebody PLEASE! tell me why it's sticky in here?! Excuse me, moving on... I would taunt it then: "Let's go for a run." I'd say, "The breeze caressing my grey matter sure is nice." I'd add, "Why aren't you happy in your dark, dank, brain-box, body?!" I'd shout. Between you and me, I only smoke because I know it makes its lungs all sappy. Why aren't I happy, body? I'll tell you. Because delusory images drafted from incomplete, tainted, sensory data, diluted of any real, exciting experience are all that make up my world; my life! It's as boring as drinking a ladle full of water Jesus made out of what was once wine and then added fluoride to. I'm like your shut in grandmother you write home to in brief, lying notes about your travels abroad. "Amsterdam was nice STOP" So, body, excuse me for taking pleasure in unhappy things such as smoking, or hating. Excuse me for my spite. But, for me and my experience these are the things I find tickling my quote unquote toes. And...I'm all too mad to say, are the closest I'll ever come to 'feel'. Because, you see, The world isn't real to me, it's outside a thick skull. And it's my muted screams you hear coming from inside this bone brazen bull.
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*/// In my springtime, when moonlit was falling from her(moon) height mother was lip syncing the lullaby and I turned to sleep It grew a sweet dream of summer that was created too many stir of dreams Then I can remember, when every year, late autumn had come, I kept my kite on the blue sky that was floating with drifted clouds and I was awaking again with a big shout sometimes I had seen supernatural shadows on the evening sky If I address my adult young When the mystic purple camellia were blooming the grasshoppers were rounding and the beautiful shrubs of white flowers were dancing with the gentle breeze, I was wandering in the ground then the bees were humming around when I painted her wild beauty and it seemed me as a sweetie I know you say me a dreamer but you don't know, my grandfather was a farmer and my father was a sailor who was sailing away his life into the blue ocean After then day by day I grew older yet I have locked all those lost in a folder and taken all those responsibility in my shoulder after then I had fallen in too many doubts it was again the too dark cloud’s shout who are those dark clouds? how did it melt and bring the tears! how the petals of roses grew wither! Then I drafted, crafted and drifted all of my dreams then a train had come to my known station and carried me again from the dark to light Again I have made a dream and I sing a song of spring after then I take a sad song and try to make it delighted that certainly it makes me rolling, and moving towards the sweet summer but again the monsoon has blown towards the dry leaves of murmur and slowly and slowly, it has swiped me toward the sound of banner that was passing through my life /// @ Musfiq us shaleheen*
0
Sep 16, 2014
Sep 16, 2014 at 4:05 PM UTC
As I told you my story
*/// In my springtime, when moonlit was falling from her(moon) height mother was lip syncing the lullaby and I turned to sleep It grew a sweet dream of summer that was created too many stir of dreams Then I can remember, when every year, late autumn had come, I kept my kite on the blue sky that was floating with drifted clouds and I was awaking again with a big shout sometimes I had seen supernatural shadows on the evening sky If I address my adult young When the mystic purple camellia were blooming the grasshoppers were rounding and the beautiful shrubs of white flowers were dancing with the gentle breeze, I was wandering in the ground then the bees were humming around when I painted her wild beauty and it seemed me as a sweetie I know you say me a dreamer but you don't know, my grandfather was a farmer and my father was a sailor who was sailing away his life into the blue ocean After then day by day I grew older yet I have locked all those lost in a folder and taken all those responsibility in my shoulder after then I had fallen in too many doubts it was again the too dark cloud’s shout who are those dark clouds? how did it melt and bring the tears! how the petals of roses grew wither! Then I drafted, crafted and drifted all of my dreams then a train had come to my known station and carried me again from the dark to light Again I have made a dream and I sing a song of spring after then I take a sad song and try to make it delighted that certainly it makes me rolling, and moving towards the sweet summer but again the monsoon has blown towards the dry leaves of murmur and slowly and slowly, it has swiped me toward the sound of banner that was passing through my life /// @ Musfiq us shaleheen*
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54
last I checked it was 3 06 AM the foggy window displayed scene to a rainy night of a small town near the city of Chicago your dim apartment filled sweetly with vanilla lavender aroma and the delicate croon of Billie Holiday transcended from the living-room phonograph a blue tin coffee *** pictorially placed upon faint orange flames overdue library books and half-written notepads stacked symmetrically within the oven of La Cornue Albertine ivory stove you sat me atop the wooden counter of your tiny marble kitchen and gently tucked at my stockings until they gracefully renounced to the tile patterned floor with your hands placed on either side of my thighs you gradually - - - kissed me softly on my knees
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Jul 20, 2013
Jul 20, 2013 at 7:32 AM UTC
utterly drifted , roughly drafted
The warm light of afternoon brings a blur to our harsh wrinkles. Like a line drawing drafted over and over after several mistakes. The blemishes of us bleed and clot like brush strokes on the painting of a landscape Fleeting blues, searing orange, the vista of our bends and breaks. We sit together, as close as we can, my nose in the cavity of your neck. My surplus in the caves you carry, your tears, lakes in my overbite. I'll hold your hand holding mine holding yours, breathe in your breath out. If nobody is whole you can be my left foot, and I can be your right.
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May 18, 2024
May 18, 2024 at 10:08 PM UTC
Let’s Walk Home
its by growing through means living by moderate extremes anything to pass by that perluded meaning drafted hung by my neck from the ceiling intoxicated by your words things phrases and voices, before you I have never heard have you ever been inside fire before scorned even when I open my eyes to something called a new day days are just blended into together like watercolors overlaping each other sometime complimenting one another and sometimes end up in a unorganized mess yet we call it beautiful but every painting has its own meaning those that dont are never painted
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Dec 5, 2010
Dec 5, 2010 at 2:05 PM UTC
watercolors