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"ditto" poems
He should feel what she actually feels. To be ignored, to assume things cos he gives motives, to not explain things that he'd done, and to be hurt like hell. He'll chase her again and she will definitely give him a hard time. He should feel what it feels to be hurt.
0
Feb 27, 2016
Feb 27, 2016 at 10:59 AM UTC
Ditto
there are a hundred and fifty pokemon but only one of you you are the legendary love that i could never catch i remember kissing your Meowth and it was beautiful and fierce do you remember, darling, the way you Jinxed our stars You Charmandered me, left my cheeks pink and rosy Gave me an Electabuzz The heat rose to my face every time we locked eyes (i always was a bit Oddish) I want to Pikachu when you don't think I'm looking, as you stroll through the crowds of your own thoughts But you Rapidashed out of my life. Is it Farfetch'd to wonder if you ever think of the Eeveening under the stars When you said there was no Chansey that we could ever be together Well I remember And I say Ditto to that.
0
Sep 9, 2014
Sep 9, 2014 at 2:53 AM UTC
my inner nerd comes out
I've never done a challenge before, but I've been thinking on writing a poem about what kind of Pokemon I would be. I guess this would be more for the nerd-type people here. But I challenge others to write what kind of Pokemon they would be. Let me know if you accept so I can check it out. If I Were A Pokemon.... I would be a Ditto. I'm Ditto because I'm a different person depending on who I'm with. I tend to transform into what others like. I become what they want to see out of me. Whether that means always joking around, Being a little extra sad, Talking "like a Christian", Or talking like a "normal" person my age. I will become whatever you want just to make you happy, Because it doesn't matter who I really am. I'm Ditto
0
Jan 18, 2015
Jan 18, 2015 at 6:42 PM UTC
What Pokemon Are You (Challenge)
Citrus trees, tomatoes, and fertile soil Garliconiongingersoy and ant spray Contentment Cigarettes and hate Aqua Net White school paste Bitter slimy spinach and blue ditto ink Confusion Cigarettes and hate Cigarettes and hate Baseball glove Mown grass Fresh popcorn Sadness Cigarettes and hate Cigarettes and hate Cigarettes and hate Cramped, stale cars Claustrophobia and Cat litter Loneliness Cigarettes and hate Cigarettes and hate Cigarettes and hate Cigarettes and hate Petroleum Locker Rooms and Perfume Indifference Cigarettes and hate Cigarettes and hate Cigarettes and hate Cigarettes and hate Cigarettes and hate Smoggy skies Salty beaches Beer trucks at each end of the block Love And... Blessed... Divorce
0
Nov 20, 2011
Nov 20, 2011 at 3:13 PM UTC
Life, in Smells, Part One
I like slandering your makeshift forceps. I hammer you down with watery *** and then spill the remainder on the couch. Yarg! A diamond’s worth at least a small intestine, and you are worth whatever’s left over after night has upended itself, poured sideways out of its shellacked crawlspace, and turned the basement sour. There are remnants of you in the park, some red stain by the baseball field where, if you’ll remember, you watched little leaguers build teamwork, and faint splotches on tree bark from your lactations which, if you’ll remember, happened every morning. I whisper your godforsaken name and am slapped in the head. The children cry when I smile. I cry when the children smile. Good heavens. I forbid you from not entering my corridor, even as I set up a barricade. I like my water scalding, my passion chilled, and I like you in easy-to- swallow doses. I like you in my eggs. Ditto the faucet, keyboard, the occasional lily, but do not mess with my pearls. I mumble of apodictic meadows while I sleep. What can I say? I do not mumble of unclogging your bathtub, which has a certain foul repute, and has grown heavy and ugly with your hair, which is everywhere, just as you are everywhere, and wherever, and so ********* hidden it’s not funny anymore, we stopped looking some millennia ago, after scouring the drainpipes, kicking down your doors, dissecting your mattress, speculating about your burial site, etcetera, and even so we have not been really looking all this time, have we, just blaring your name through the speakers, putting wrong numbers on our calling cards, leaving uncooked meat out on the back porch as if you were a raccoon, oh, or a lion, which you are not, or not quite, though, as the books say, you have honey in your stomach, and if you could but be ripped open we would taste and see.
0
May 25, 2010
May 25, 2010 at 8:21 PM UTC
Sleep-deprived Birdcall (in the year in which the weather cancelled the subcommittee on the weather)
I like slandering your makeshift forceps. I hammer you down with watery *** and then spill the remainder on the couch. Yarg! A diamond’s worth at least a small intestine, and you are worth whatever’s left over after night has upended itself, poured sideways out of its shellacked crawlspace, and turned the basement sour. There are remnants of you in the park, some red stain by the baseball field where, if you’ll remember, you watched little leaguers build teamwork, and faint splotches on tree bark from your lactations which, if you’ll remember, happened every morning. I whisper your godforsaken name and am slapped in the head. The children cry when I smile. I cry when the children smile. Good heavens. I forbid you from not entering my corridor, even as I set up a barricade. I like my water scalding, my passion chilled, and I like you in easy-to- swallow doses. I like you in my eggs. Ditto the faucet, keyboard, the occasional lily, but do not mess with my pearls. I mumble of apodictic meadows while I sleep. What can I say? I do not mumble of unclogging your bathtub, which has a certain foul repute, and has grown heavy and ugly with your hair, which is everywhere, just as you are everywhere, and wherever, and so ********* hidden it’s not funny anymore, we stopped looking some millennia ago, after scouring the drainpipes, kicking down your doors, dissecting your mattress, speculating about your burial site, etcetera, and even so we have not been really looking all this time, have we, just blaring your name through the speakers, putting wrong numbers on our calling cards, leaving uncooked meat out on the back porch as if you were a raccoon, oh, or a lion, which you are not, or not quite, though, as the books say, you have honey in your stomach, and if you could but be ripped open we would taste and see.
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38
SUMMER SUN ............................he walks the long beach and is it's song WARRIOR'S FIGHT ................muses from the cliff top pondering "peace" MOONLIGHT PEACE ...........................she is the mighty mistress of the dance DANCING BEAR ..................follows the swift stream to its source CREATION'S GLORY ...............awaits all the tribal youth who want to learn TOGETHER ALWAYS ........................watches all from the council teepee ah the tribe.....each one free! no one named TAX PAYER! or TEA BAG MAN! or STINKING ****** LIBERAL! or DITTO HEAD SHAM! ----------- TRIBAL LOVE not TRIVIALITY no PATRIOTS! just YOU AND ME
0
Jul 30, 2010
Jul 30, 2010 at 10:28 AM UTC
tribal dignity
Distressed, Dismayed Disturbed, Disdain Distant, Feeling Disconnected Worlds Dislocated Disgruntled, Disorganized, Dismayed, Drained Disarray Abounds Dispersed into Nothingness Dead, Ditto, Ditto of Dance, Delight and Dreams At the passing of my beloved Death Draws Me In...
0
Jul 2, 2013
Jul 2, 2013 at 5:43 AM UTC
Dissed
before existentialism, and nietzsche in mind, philosophy was written or spoken of accepting the socratic rigidity of words, the rigidity of words known through the socratic method of inquiry: the simplest of questions imposed on the meaning of words; e.g. what is virtue? but with existentialism this old method of inquiry, the poised posing bewilderment lost its quality, in that the new method of inquiry was given to stress not a method of questioning but that of ambiguity, even though this new method that simply said the reverse of what is virtue as the preservation of a narrative: "virtue" concedes many variations exampled true, e.g. - this dittoing going against - previously said / as above - became staged against a brick wall - since this method, the existential method of brushing aside inquiry and entering the realm of ambiguity was already present - the pluralism of meaning found in certain words; it isn't a question whether red or blue can be ambiguous, this allocation of noun and quality is all too pervasive - so when an ambiguity is allowed to exercise its stressor posit - the word in question is allocated a verb orientation in its exercise of use and example, further diluted by the quantity and lack of example, and ascribed contorting adjectivity due to the dilution of meaning: with lessened recognition of sought out qualification to sentence an enzymic perfection of: banker and philanthropist, priest and maximilian kolbe, poetry and lack of envy. even though these examples are idealistic, they provide the obvious ambiguity already apparent, hence the double ambiguity of opposites, ideal opposites. in shorthand - if socrates were to come upon reading existentialism - his questions regarding the virtues would be bound to free floating terms in the ditto bubbles of flimsiness of non-inquiry - bewildered by the number of prompts to question, there would be no necessary ambiguity to many other terms of inactivity - such as the previously mentioned red and blue, dog and glue, but too many, it would seem, should a strict belief in categorising virtue as a noun but not a verb be kept - for categorisation of such nature only provides a linear cascade without due action or cared for imitation - ending with the only chance of virtue chanced and seen as an unvirtuous person doing crossword puzzles in silence - and already virtue's opposite is engaged in defending itself and justifying its ills by first forcing many synonyms to cover it in ambiguity, and asserting itself as an adjective within a noun framework blunt: virtue v. unvirtuous will only confiscate siamese phonetic mingling to ease the definition; i guess that's how rhyming was born, the opposite of alphabetical ordering: a, aardvark                              the violet's blue                                                                    ****** a doughnut with you.
0
Sep 22, 2015
Sep 22, 2015 at 11:31 AM UTC
the last line in a difficult poem is always fun
before existentialism, and nietzsche in mind, philosophy was written or spoken of accepting the socratic rigidity of words, the rigidity of words known through the socratic method of inquiry: the simplest of questions imposed on the meaning of words; e.g. what is virtue? but with existentialism this old method of inquiry, the poised posing bewilderment lost its quality, in that the new method of inquiry was given to stress not a method of questioning but that of ambiguity, even though this new method that simply said the reverse of what is virtue as the preservation of a narrative: "virtue" concedes many variations exampled true, e.g. - this dittoing going against - previously said / as above - became staged against a brick wall - since this method, the existential method of brushing aside inquiry and entering the realm of ambiguity was already present - the pluralism of meaning found in certain words; it isn't a question whether red or blue can be ambiguous, this allocation of noun and quality is all too pervasive - so when an ambiguity is allowed to exercise its stressor posit - the word in question is allocated a verb orientation in its exercise of use and example, further diluted by the quantity and lack of example, and ascribed contorting adjectivity due to the dilution of meaning: with lessened recognition of sought out qualification to sentence an enzymic perfection of: banker and philanthropist, priest and maximilian kolbe, poetry and lack of envy. even though these examples are idealistic, they provide the obvious ambiguity already apparent, hence the double ambiguity of opposites, ideal opposites. in shorthand - if socrates were to come upon reading existentialism - his questions regarding the virtues would be bound to free floating terms in the ditto bubbles of flimsiness of non-inquiry - bewildered by the number of prompts to question, there would be no necessary ambiguity to many other terms of inactivity - such as the previously mentioned red and blue, dog and glue, but too many, it would seem, should a strict belief in categorising virtue as a noun but not a verb be kept - for categorisation of such nature only provides a linear cascade without due action or cared for imitation - ending with the only chance of virtue chanced and seen as an unvirtuous person doing crossword puzzles in silence - and already virtue's opposite is engaged in defending itself and justifying its ills by first forcing many synonyms to cover it in ambiguity, and asserting itself as an adjective within a noun framework blunt: virtue v. unvirtuous will only confiscate siamese phonetic mingling to ease the definition; i guess that's how rhyming was born, the opposite of alphabetical ordering: a, aardvark                              the violet's blue                                                                    ****** a doughnut with you.
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58
.university was such a bad idea... i'm starting to think... isn't university the place where only women and rapists are admission worthy?! forget the men... you're on your own!               gorgeous lisp... Fionna from Fraserburgh... worked in a nightclub to pay for a mandolin, and play her maggie may... outside her window... her sweetness imbue of honey and the letter G stumbling into a "stutter".... and? one detail... she loved queen's innuendo... the ooh ooh bit and the otherwise Spanish rodrigo in-between composer... i left Edinburgh... because my heart was not into it...   my eyes were... but in my heart...     i was not standing on an island, but an iceberg...        too many English private school educatde kids... too much interconnected meritocracy bargains... said via grandfather earned ditto position through the connectivity of his, father's father...    no...               i won't have that ******** hanging before me like a carrot, while i play the donkey...   sorry... no...     shouldn't have lied about your mother being your sister, and your grandmother being your mother...      then?! Leningrad would have made sense! thankfully?         it still doesn't! and doubly thankful for it that i am, in saying: it, never, will!
0
Aug 19, 2018
Aug 19, 2018 at 10:15 PM UTC
about a girl: a reply to an ex-girlfriend's question
basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number! to think, is to not narrate,                                much of what is regarded as    "thinking", simply becomes as art of narration        that is sofa-bound, i.e. so comfortable that it feels it has no inclination toward the use of hands as ever being idle, it simply replaces   hands with a tongue...                     hence: idle speech,                 hence political speech; so if the "devil" has work for idle hands, then "god" has work for the idle zunge                                        (tongue)... but most people don't think,    because their thinkling is solely about narrating,                   their day-to-day...                and i appreciate this custom, in the cognitive realm...          i really do...               how many jokes ushered into the void of one's silence, neither whisphers, nor hummings, nor whistling...         wiser still, essentially unchanged... but heidegger's aphorism no. 285    really bothers me...             the reader looking into the narrator given the existentialist inverted commas    (iberian inverted questioning    ¿   ?          that's the first step toward    an iberian existentialism)                         said the third person,     with third party sources, the middle man, the second person, and then the reader   of the writer's original testimony?    if northern existentialism (french / german...   the english were too reactionary, and too easily bored by the continental drift)        encompasses the tool that's "      "    then the iberian tool has to be the inverted question mark, i.e.       ¿   ?, sitting comfortably? no? how about a wheelchair... let me just break your legs and your spine.        but aphorism 285: "worldview",      "grounding", "configuring"...        i don't understand this allocation of ambiguity, and an italic stress on da-sein / da-sein...    aren't all the three descriptive elements /    adjectives the purposive sentiments for                    originating the concept of dasein? i had to counter with an iberian existential tool...    after all i said, 'he said', "we said"...                                   it's a third party medium of supposed ambiguity...          if there's a santa claus (satan's clause), then there's pontius pilate's clause,   found in the existential tool of     double-ditto "     "   or as the english like to say: inverted commas;    or the ritual: of washing your hands clean    from passing the judgement...    they're citation marks to be honest, come on, let's be pompous, they donned 19th top-hats      at ascot's horse races! who's fooling who?
0
Jun 26, 2017
Jun 26, 2017 at 7:25 AM UTC
iberian existentialism contra northern existentialism (¿qua? vs. "qua")
basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number! to think, is to not narrate,                                much of what is regarded as    "thinking", simply becomes as art of narration        that is sofa-bound, i.e. so comfortable that it feels it has no inclination toward the use of hands as ever being idle, it simply replaces   hands with a tongue...                     hence: idle speech,                 hence political speech; so if the "devil" has work for idle hands, then "god" has work for the idle zunge                                        (tongue)... but most people don't think,    because their thinkling is solely about narrating,                   their day-to-day...                and i appreciate this custom, in the cognitive realm...          i really do...               how many jokes ushered into the void of one's silence, neither whisphers, nor hummings, nor whistling...         wiser still, essentially unchanged... but heidegger's aphorism no. 285    really bothers me...             the reader looking into the narrator given the existentialist inverted commas    (iberian inverted questioning    ¿   ?          that's the first step toward    an iberian existentialism)                         said the third person,     with third party sources, the middle man, the second person, and then the reader   of the writer's original testimony?    if northern existentialism (french / german...   the english were too reactionary, and too easily bored by the continental drift)        encompasses the tool that's "      "    then the iberian tool has to be the inverted question mark, i.e.       ¿   ?, sitting comfortably? no? how about a wheelchair... let me just break your legs and your spine.        but aphorism 285: "worldview",      "grounding", "configuring"...        i don't understand this allocation of ambiguity, and an italic stress on da-sein / da-sein...    aren't all the three descriptive elements /    adjectives the purposive sentiments for                    originating the concept of dasein? i had to counter with an iberian existential tool...    after all i said, 'he said', "we said"...                                   it's a third party medium of supposed ambiguity...          if there's a santa claus (satan's clause), then there's pontius pilate's clause,   found in the existential tool of     double-ditto "     "   or as the english like to say: inverted commas;    or the ritual: of washing your hands clean    from passing the judgement...    they're citation marks to be honest, come on, let's be pompous, they donned 19th top-hats      at ascot's horse races! who's fooling who?
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65
following on with my current obsession with my tomato growing experiment, ive decided to look at books, and films, and any other related tomato themes, as follows: The Tomatoes Of Wrath-Steinbeck A Midsummer Night's Tomato-Shakespeare Tomato And Juliet-Ditto Frankentomato-Shelley Alice in Tomatoland-Carrol Night Of The Living Tomato-zombie horror! E.T.- Extra Tomato! Tomatoes And Prejudice-Austen I Heard It On The Tomato Vine-Marvin Gaye You're So Vine- Carly Simon Summertime (and the living is tomato)-Ella Fitzgerald LGBT-LGB+Tomato BY Jemia de Tomatoville 😏🍅🍅🍅🦋💕🙄 any other suggested ideas welcome, as i may bring out a book on the subject (but thankfully, probably won't!) and will, or not, call it Tomato Wrong!
0
Aug 4, 2020
Aug 4, 2020 at 7:38 AM UTC
Tomato Wrong!
You have me stuck on repeat playing this love song all day long each day I profess my secrets in various tunes describing how magnificent you are how special you are how much you mean to me I wonder if you will ever tire of the continual song until you recite back a melody complimenting mine mirroring my emotions by simply saying ditto
0
Apr 18, 2013
Apr 18, 2013 at 2:32 PM UTC
Stuck On Repeat
now, ladies and gentlemen, as you can plainly see I am quite adroit and learned and this lady quite occupied I am, let me make it clear, extremely preoccupied keeping this lady warm and happy as she in her turn does ditto for me Now whether we please ourselves missionary or front to front is really no business of yours - but it’s purely and ****** our business and pleasure So, most lovely ladies and resourceful gentlemen you must find yourself a different room each and leave me to fiddle or ****** as I wish O shame on you ladies - do you not lure your men far enough into your depths? O shame on you men - do you not come hard enough on your women? go you now and find each a body and go spiritual, ****** or ***** have no guilt, enjoy abandon love as you wish - but really, you busybodies, it’s time for you to relinquish pretense of  surprise and depart from here, and   leave one body busy with the other
0
Oct 8, 2012
Oct 8, 2012 at 7:52 AM UTC
lovers surprised
This feeling brings my face to show a slight red on the carmel surface My eyes twitch and open and close rapidly Who would have thought I would be nervous You are not my first not even my second but they were merely covers you being my third are also my first in my mind I can't foresee all that might come The road might me bumpy It might contain some curves real steep curves Or it might be smooth as a baby's bottom I don't know what I might feel But I am willing to jump in For I am that type of guy Who goes ahead pluges head first ignoring the waring sign I will be honest with you though If what we have doesnt feel right to me I will say and If I do feel like it should last forever  ditto For you deserve the truth no matter what So as the days start to dwindle to when we can see each other agian One feeling is all I have I am Nervous
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Nov 23, 2012
Nov 23, 2012 at 4:25 PM UTC
Nervous
U no, eat sins two mee, u guise knead two loose wait sew hear, aye woosh two offal ewe sum add vice Ewe can star art **** ditto menation aunt u knead too exorcise Moove eat, keep mooving moove mulch;  doe nut **** down two mulch, move you’re ***** inn smell poorshuns Ant walk two da shups in stayed off you sing da carr Dee impotent ding hiss da wheel four wear they’re’s a wheel, they’re’s all weighs a weigh goad lick loose wait anne stain hell tea
0
Jan 22, 2014
Jan 22, 2014 at 4:32 AM UTC
add vice un loosing wait
.as i once explained the concept of a seasonal diet to a pair of english pensioners, citing the Essex strawberry harvest, counter the Spanish winter imports... certain graveyards, in winter, can unnecessarily compete with museums, stressed as focal points during summer. who is here, to, expect... comfortable? i sacrifice the aspect of museum, in order, to find a second tier of peace... within the confines of cemeteries' exfoliation of statues...     weathered, slightly hidden...   in guise, of half living, half dead... yet all the more: ever watchful, that persistent...       prosecutor stature... with death... the sole "ambiguity" of a...     jury;          a jury... with a persona non grata?! mon deus!               but one answer: je suis mort! since? it is really hard.. to re-appreciate revisiting museums at this point... whatever the ancient in modern terms focus for the pre-Byzantine marble...       the open air extravaganza of statues in a Slavic cemetery?   weathered, chiseled by a shyness? teased out of existence?                  primordial in a focus of being haunted?!   well... museums have nothing to offer, given this fleshed out excavation.
0
Aug 14, 2018
Aug 14, 2018 at 9:32 PM UTC
ditto motto gratis
Here, I wrote a bridal guide, A rule book for future brides, No matter if you're fair, fat and wide, Or not, here's some dependable asides, First, keep degrees and jobs up to date, With some mates you can't relate, You never know when the rats will turn, To being a doormat, is what to spurn, Keep some getaway money set aside, This is important in a bridal guide, Always update your roadside assist, Without that, car bingles can get you miffed, Ditto home and car insurance too, Note these well, I say  to brides like you, Never take drugs if to Bali you roam, Then you shall definitely not be coming home. Herein, I wrote a bridal guide, My  rule book for future brides.
0
May 7, 2016
May 7, 2016 at 1:23 AM UTC
A MANUAL FOR BRIDES.....
My expression in verse and word. It is my rock. My salvation though I. Walked away when limbs were healed. Over the Years. It sat in dusty corner like the forgotten bookcase. Runway living.      Reaching for the next thing distraction. Social interaction has become a relic. As we wiggle and prance but Speak less about truth. Face to face. Eye to eye. Raise your hands out there if you hear me. Look up from. The screen if you know. Ditto. Pain is the great equalizer. Fatigue makes cowards of us all.the mighty has a date as well as the meek . Nod your head if too weak to speak. I swear. This coil. This man-ifestation of struggle and toil. Fear not. The bottom approaches with a rush. A sudden stop. It is the anticpation that tingles and teases. Breathlessly we glide. My words are my blessing and damnation. Barbed and tipped with buffalo **** Sweet as the sweetest nectar. Volatile   and ****** Willful and recklessly they exit to strike and injure.caress. Convince. My fathers legacy. Process of elimination. Truth. Has gone wanting today Never to return I fear. A vagabond.outcast. A ***** The wellspring rustles and bubbles patiently not stagnant. Time is of essence an essence. In essence. A dab or two behind each ear.and sodium pentothal. politicians fess up. Money caves see sunlight in all corners the thief has absconded. The judge Slinks down from his perch blood red hands clasped behind his back There stands the summit. Still I must climb. Unknown the other side. Will truth abide? there .Another expanse of lies and  distortion.Trickeration says I. a misty bog. Listen. Bagpipes ?. The leafless branch vibrates  a siren song to the sod. The shimmering pool in the parched desert of god. I stagger foward now unaware. No I am past caring. The will still is there A ghost. Soon soon. No ?. No. A mirage
0
Jan 20, 2013
Jan 20, 2013 at 4:22 PM UTC
Like no other lover
My expression in verse and word. It is my rock. My salvation though I. Walked away when limbs were healed. Over the Years. It sat in dusty corner like the forgotten bookcase. Runway living.      Reaching for the next thing distraction. Social interaction has become a relic. As we wiggle and prance but Speak less about truth. Face to face. Eye to eye. Raise your hands out there if you hear me. Look up from. The screen if you know. Ditto. Pain is the great equalizer. Fatigue makes cowards of us all.the mighty has a date as well as the meek . Nod your head if too weak to speak. I swear. This coil. This man-ifestation of struggle and toil. Fear not. The bottom approaches with a rush. A sudden stop. It is the anticpation that tingles and teases. Breathlessly we glide. My words are my blessing and damnation. Barbed and tipped with buffalo **** Sweet as the sweetest nectar. Volatile   and ****** Willful and recklessly they exit to strike and injure.caress. Convince. My fathers legacy. Process of elimination. Truth. Has gone wanting today Never to return I fear. A vagabond.outcast. A ***** The wellspring rustles and bubbles patiently not stagnant. Time is of essence an essence. In essence. A dab or two behind each ear.and sodium pentothal. politicians fess up. Money caves see sunlight in all corners the thief has absconded. The judge Slinks down from his perch blood red hands clasped behind his back There stands the summit. Still I must climb. Unknown the other side. Will truth abide? there .Another expanse of lies and  distortion.Trickeration says I. a misty bog. Listen. Bagpipes ?. The leafless branch vibrates  a siren song to the sod. The shimmering pool in the parched desert of god. I stagger foward now unaware. No I am past caring. The will still is there A ghost. Soon soon. No ?. No. A mirage
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34
On the playgrounds of the future Children will laugh and sing And we’ll cross the bridge to real peace Where the bells of sanity shall ring Until then we’ll play the game Which will all add up to naught “It’s your fault, no, it’s theirs…” Why some fail at what is taught. We’ve been given new books and bosses Numerous regs to do the job But money flows to the burbs Inner-cities fair game to rob Touching the future may seem easy From a point too far away One could assume it’s all just ditto - Then lunch - then math - then play If this is your belief You could not be further from the fact That success is measured forward As we have our students’ back So forward we will plod Secretly teaching to the mean We will test, and test and test From which all congress shall glean Information in nice neat form Of bars and charts sublime Symbolic of teachers and students Who have been sentenced to hard time And the monied districts shall rule Golden in and out And the bootstraps will appear Accusing all who doubt Good will be the words to spread And many who will eat them The failures will be shown the straps But for pity’s sake, don’t beat them G. Davis-Feldman
0
Sep 15, 2016
Sep 15, 2016 at 9:54 AM UTC
CLASSROOM CONFIDENTIAL
We are all but sailors who drift upon love's seas But one thing I can't seem to decipher is if the lighthouse is you or me For this wretched tide tosses and turns me into a face in the crowd And I pray to God that searchlight will turn on and finally single me out For I am sick with love for you and seem to be obscured Pondering on which of us is ill and which is the cure And all I know is seasickness is making me yearn for home And the open doors that are your arms let me know you're sick of being alone So I will weather the storm clouds and the ever tossing sea And I will look to you and know I'm the one for whom you're waiting For when it comes down to star-struck hearts that finally choose to collide It matters not on the infliction or remedy but that they're brought together in time With this in mind I will fall in love with you and wrestle my way to the coast So then you can see the days have been long and of my journey I will boast And any treasure I find, whether lighthouse or sailor, is worth the world to me But until then, if you seek me, my love, look outwards to sea
0
Feb 18, 2013
Feb 18, 2013 at 9:25 AM UTC
Ditto
As militant Mullahs mutter and pray And plan their Mosque near ground Zero Protesters march and people say: “This isn't right! They'll have to go.” But let's demur and make no noise No tears, no threats, no signs approve. It would profane our civic faith To tell the Mullah he must move. The Towers’ fall brought harm and fear Men reckon what that did and meant; But building a “cultural Center” near Though demonized, is innocent. Dull couch potatoes of the Right Those ditto heads who can't admit Tolerance, cause it doth reprove Those thoughts that have them in a snit. But we, my love, are so refined that we ourselves don't care one whit. Let them build it, come what may But build a brothel next to it. Two buildings place there, cheek to cheek: the Mosque and “Annie’s House of Pain”. One dealing with things spiritual, The other deals with things profane. In both, salvation is for sale It seems to me a perfect fit. For do not both invoke God's name? -and both, I fear, use whips a bit. students at the Madrasah may hear the cries of Joy next door on her mattress, hard at play While they use prayer mats on the floor. . Will they too prove as tolerant? Live and let live, for now- they say When they enforce Sharia law, The folks next door will learn to pray.
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Nov 30, 2011
Nov 30, 2011 at 8:54 PM UTC
What's Done is Done
Thank you so very much All!! <3<3:):)!!R Your Welcome so very much, I would think the reasons of the words, and along with what is apparent at times, Is in one form true to words and spirit spoken, All the same that need and want so much... So as this per X'actly the case hereby performed as demonstrated by, Ears and eYe of Heart's  instructional inner pathway already, Ready for what; Love is calling doing being need mete need; Bingo Ditto Copy Roger dat ova n' ova Glory Be Glory Showing Sowing Growing Ripening Seed and IDK if you read my poems but; Blessed More X-Mass All the More For All the More Can Be!!! http://hellopoetry.com/poem/idk-if-you-read-much-my-poems-but/
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Dec 7, 2012
Dec 7, 2012 at 6:56 PM UTC
Poems take shape so beautifully amazes me...
Ì faccio 'o schiattamuorto 'e prufessione, modestamente songo conosciuto pè tutt'e ccase 'e dinto a stu rione, peccheè quann'io manèo 'nu tavuto, songo 'nu specialista 'e qualità. Ì tengo mode, garbo e gentilezza. 'O muorto nmano a me pò stà sicuro, ca nun ave 'nu sgarbo, 'na schifezza. Io 'o tratto comme fosse 'nu criaturo che dice 'o pate, mme voglio jì a cuccà. E 'o co'cco luongo, stiso 'int"o spurtone, oure si è viecchio pare n'angiulillo. 'O muorto nun ha età, è 'nu guaglione ca s'è addurmuto placido e tranquillo 'nu suonno doce pè ll'eternità. E 'o suonno eterno tene stu vantaggio, ca si t'adduorme nun te scite maie. Capisco, pè murì 'nce vò 'o curaggio; ma quanno chella vene tu che ffaie? Nn'a manne n'ata vota all'al di là? Chella nun fa 'o viaggio inutilmente. Chella nun se ne va maie avvacante. Sì povero, sì ricco, sì putente, 'nfaccia a sti ccose chella fa a gnurante, comme a 'nu sbirro che t'adda arrestà. E si t'arresta nun ce stanno sante, nun ce stanno raggione 'a fà presente; te ll'aggio ditto, chella fa 'a gnurante... 'A chesta recchia, dice, io nun ce sento; e si nun sente, tu ch'allucche a ffà? 'A morta, 'e vvote, 'e comme ll'amnistia che libbera pè sempe 'a tutt'e guaie a quaccheduno ca, parola mia, 'ncoppa a sta terra nun ha avuto maie 'nu poco 'e pace... 'na tranquillità. E quante n'aggio visto 'e cose brutte: 'nu muorto ancora vivo dinto 'o lietto, 'na mugliera ca già teneva 'o llutto appriparato dinto a nù cassetto, aspettanno 'o mumento 'e s'o 'ngignà. C'è quacche ricco ca rimane scritto: " Io voglio un funerale 'e primma classe! ". E 'ncapo a isso penza 'e fà 'o deritto: " Così non mi confondo con la ***** ". Ma 'o ssape, o no, ca 'e llire 'lasse ccà?! 'A morta è una, 'e mezze songhe tante ca tene sempe pronta sta signora. Però, 'a cchiù trista è " la morte ambulante " che può truvà p'a strada a qualunq'ora (comme se dice?... ) pè fatalità. Ormai per me il trapasso è 'na pazziella; è 'nu passaggio dal sonoro al muto. E quanno s'è stutata 'a lampella significa ca ll'opera è fernuta e 'o primm'attore s'è ghiuto a cuccà.
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1.4k
'O schiattamuorto
Ì faccio 'o schiattamuorto 'e prufessione, modestamente songo conosciuto pè tutt'e ccase 'e dinto a stu rione, peccheè quann'io manèo 'nu tavuto, songo 'nu specialista 'e qualità. Ì tengo mode, garbo e gentilezza. 'O muorto nmano a me pò stà sicuro, ca nun ave 'nu sgarbo, 'na schifezza. Io 'o tratto comme fosse 'nu criaturo che dice 'o pate, mme voglio jì a cuccà. E 'o co'cco luongo, stiso 'int"o spurtone, oure si è viecchio pare n'angiulillo. 'O muorto nun ha età, è 'nu guaglione ca s'è addurmuto placido e tranquillo 'nu suonno doce pè ll'eternità. E 'o suonno eterno tene stu vantaggio, ca si t'adduorme nun te scite maie. Capisco, pè murì 'nce vò 'o curaggio; ma quanno chella vene tu che ffaie? Nn'a manne n'ata vota all'al di là? Chella nun fa 'o viaggio inutilmente. Chella nun se ne va maie avvacante. Sì povero, sì ricco, sì putente, 'nfaccia a sti ccose chella fa a gnurante, comme a 'nu sbirro che t'adda arrestà. E si t'arresta nun ce stanno sante, nun ce stanno raggione 'a fà presente; te ll'aggio ditto, chella fa 'a gnurante... 'A chesta recchia, dice, io nun ce sento; e si nun sente, tu ch'allucche a ffà? 'A morta, 'e vvote, 'e comme ll'amnistia che libbera pè sempe 'a tutt'e guaie a quaccheduno ca, parola mia, 'ncoppa a sta terra nun ha avuto maie 'nu poco 'e pace... 'na tranquillità. E quante n'aggio visto 'e cose brutte: 'nu muorto ancora vivo dinto 'o lietto, 'na mugliera ca già teneva 'o llutto appriparato dinto a nù cassetto, aspettanno 'o mumento 'e s'o 'ngignà. C'è quacche ricco ca rimane scritto: " Io voglio un funerale 'e primma classe! ". E 'ncapo a isso penza 'e fà 'o deritto: " Così non mi confondo con la ***** ". Ma 'o ssape, o no, ca 'e llire 'lasse ccà?! 'A morta è una, 'e mezze songhe tante ca tene sempe pronta sta signora. Però, 'a cchiù trista è " la morte ambulante " che può truvà p'a strada a qualunq'ora (comme se dice?... ) pè fatalità. Ormai per me il trapasso è 'na pazziella; è 'nu passaggio dal sonoro al muto. E quanno s'è stutata 'a lampella significa ca ll'opera è fernuta e 'o primm'attore s'è ghiuto a cuccà.
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