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biche Jul 2015
Us and Them
Synchronic and Diachronic
Private and Public
Primitive and Civilized
Love and Hate
Black and White
Cruel and Kind
In your Eyes
Left behind

There is no Noble Savage
There is no Civilized Man
There is only this burning energy
And Desire
And Love
And Dreams
Gretchen Long Jan 2014
I am suffering.

ardor diminished

look out the window
see the same glass, half-empty
eyes wander along rolling landscapes
seeking out rapidly recovering raw plates of land

rather enjoying
indulging the habit
seeing with memory
the neural network patterns
of pre-enlightenment

what the eyes see, what the ears hear, what the skin feels

patterns and relationships
isolated phenomena
numeralized
graphed diachronic

It’s a skill so deeply satisfying

the eye is drawn to these raw scars
human activities
natural processes
fluid transfer

yet core patterns don’t change much
from year to year
soil washes off slopes
into the river of hundreds if not thousands of years; rebuilding

taking generations

these patterns

satisfying and useful

cognizant

knowledge tempers hands tendency
to want to fix
read, and
tamper with

—everything in sight.
From the hexagon, everything is dimensioned on the peaks that can be seen in the starry nights from the curved kilometers of Bethlehem. Everything goes on top of the Desert Mountains and valleys, above the vagueness of climatic heights and landslides of an entire believing community and its followers. In twelve camels they advance, of which the first six are exclusive to the Birthright, and then the seventh Giga camel is from King David of Bethlehem.

The beams are part of the architectural support of the physical-ethereal God and his ethereal-physical word, supposedly of advent and in grazing of the strengths and anomalies of secrets of a new Aramaic message advanced with the vigor of insects and birds that were grouped in the journey that goes back and forth. The Beams are stars of heaven sustained by the Cherubim and the Archangels, through the paths of conversion and the support of the Christian time; haughty and implacable hegemony for the propaedeutics of phylogeny, but more so, in the very chemistry of creation carrying its winged Lepidoptera tetra, the pheromones and obfuscations of a nascent and elemental child in his own evangelical philosophy from a dimensionality between swords and The gloom of a Kafersesuh shouted Manger, before the compendiums of two pyramidal landmarks of the inflection of his word in the animals created in the world and animalia, personalizing muleteers carriers of pollinations and all the generational language that is so concealed far, as are the turns in the musks and their legitimacies of the Baptistery of the Shepherds in Ein Karem, parabolizing the nomenclature and polygonia of a child made man, already being one!, but representing himself as a lifeless man in the fullness of a child of an advantageous canon.

The Kabbalistic engineering of the one-dimensionality of length and breadth adds slack to the rejoicing hours of Joshua's time in the manger, giving the auxiliary dimension perpendicular to the deck of the Kafersesuh, which appeared to be in a two-horse cart, ready to be transported. towards a predominant horizontal, making tension with the itchiness of the visual in perspective of pulled establishment and compression effort of the infant in the corral, observed the results of the cops, which varied the volume of their appreciations when moving away as animal feed, towards the same nourishing for men, characterizing bedroom body volumization and reducing their body stretching them by means of their eyes. Before the company of the shepherds, Mariah and Joseph, they supported him towards the superlative of the bending moments close to him, twisting and changing their squeezing pressure on the cords that forged his path towards the cornices and trusses of the upper celestial vault, where he was the shed of doubts next to the cherubs. Giving mechanics to the prism that arched the beams in the horizontal lines, taking them towards the amplitude of other lines, which remained solid before the variation, suspecting to mutate to one of sudden two-dimensionality. The sections of the timber framing looked fatigued before the primary classification, which demonstrated the attitude of the little Messiah by bringing out its beams and rolling in other pillars, postponing the tangential vectors, contributing bits of rhomboid specialties, which blurred the field amplitude cylinders vision of all who remained in his nativity. Making straight glances so as not to be distracted and adore him with a wide and rectilinear heart, which in its transversality made them visualize for all in the one-dimensional crossed wood, which in its geometry schematizes letters and numbers of kabbalah, which differ in the dissimilar resistance of their ambivalence Christic, as anticipation of martyrdom on the tree of Golgotha. This foreshadowed his abilities to read them in the Torah and Zohar, gathering everything into one whole of those vivid tormenting lapses that he felt in advance, as reversible entropy, giving back his life to prepare them for the day of his abolished martyrdom.

In a jiffy for a moment ..., the bending of the One-Dimensional Beam separated from the inertia in bending voids, specifying the exact spatiality of the beams selected one with the other millimetrically, making the vertical ones, of which carols were still chanting penetrating into the corners of the ponderous ears of the donkeys, like braces of Hebraic trusses in the last breath that was written with symbols of their Aramaic gaze and capricious matron hood, a comparison of Queen Apollonian reflected in Mariah, who appeared era and credibly identified in her typology, gifted in the clothing of the second century BC, having to be associated in the divinity of Aphrodite, for the usual lineage of Vernarth, pigeonholing him in a Hellenistic aspect, pre-existing in patronage characteristics as a representative figure of male and female of Ptolemaic Egypt, as a great icon of religiosity coexisting as a priestess of the female order in Greek rituals together or Him.  Making inseparable the preeminence of mother and child, as a unilateral gender, and as a substantial element for the social and political order that reigned in the ancient era. Lying here the unilateral gender is indispensable for the social and political order, which is substantiated at the dawn of the empires of the time, and the patriarchal society. Symbolically Joshua in this cogitabundant providence, adds the feminine value in the society in the Kafersesuh tent of the Judah manger, dispensing mainly to women, taking her ties of demigod heroine in the powers of benevolence and of matriarchal fertile posterity, as the Eden of the Living Language ”.

A great Zohar light, gathered all towards a whole in those errors that Joshua felt in advance, as reversible entropy, giving back his wise existence to prepare them for the day of his sacrifice. Pre Existing in catharsis and substance of divinity connected with the phylogenetic species, classifying up to an Aramaic pontificate of pheromones settled in the lithospheric site of Gethsemane, in a biological sense and in close coincidence in the lapse wading, or in the phenomenological simultaneity of Eukaryote and from Glaucophyta to late Animalia, giving parental relationship in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary elliptical of winged tetra species.  Allowing changing ancestral linguistic accoutrements in processes of redesigning the divine genetic historical tree and increasing anomalies in the human and non-human anthropomorphic earthly culture, in a reviving profanity of fruitive frequency amplitudes, for those who resort to it, monopolizing synchronicity in the diachronic of their specimens. The lights of Joshua's gazes are the Light of Life and Christian Time, in the entity of Joshua born and lifeless from the nature of Child-Man, but of mortal design in the same compulsion to see him in luminescence in a life of the Kafersesuh manger and only of ethereal unity. Being in exemption from Ego with his structure of a living child and a dead man, he rushes rebellious and ostentatious in the architecture of the One-dimensional Beams, giving up the glimpse of his aforementioned progenitor "Eye versus Eye", seeing himself like this ..., son hovering in the arteries of a Universal-Duoversal life, from a single dimension of cyclical unidimensional length, encompassing conjectures and biological, the symbolic-allegorical conception of extreme co-divinity, as the exclusive precept of the delicate infinity of the Being of a Messiah, with paraphrases or glosses of exegetical affinity Aramaic, tracing from a linguistic period. Here are the conditionalities of the Olive Berna transfigured into everlasting orality and refractory syllable, to incubate eternal rabbinic gifts of perpetual reluctance, beyond the reach of the ego-annihilating will and of ultra-affections of inert apathy and miraculous phenomena, understanding that the language is born and dies being reborn empathic ..., idem as a neighbor of well revived and also, in the same way, emitting himself alive and reborn in his anarchy, for the subsequent splendor and theological gibberish, with thunderous loans and phantasmagoric elixir, except for limited magnets on the Lemurs, with double codes of duplicity and bene-malignant spectra, adducing words in which to reside for languages to destroy and vice versa, insecure states of chrysalis in those Olives Berna fruits, as gastro-larvae of great living genus and their seasons in "Beams turned into tongues of magnetic iron"
Duoverse -Dimensional Beams part 5

— The End —