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"coordination" poems
Never let someone else decide how good you are. And never make an exception to that rule. Your words, and your unique we of expressing them, are a gift given to you. If someone else doesn't appreciate them, then good for them. It's not their gift, so it has nothing to do with them. Its your responsibility to respect your gifts and to protect them from negativity; typical of these lower life forms, called Haters; annoying little creatures that feed off of other people's energy and hard work - they spawn fairly quickly and dewl in the depths of social media, hidden behind computer and smartphone screens. Usually over-weight, bad breath, single and filthy broke. Hindered by limited hand-eye coordination; they simply **** at every thing. They are pretty pathetic, in person. I mean they look human, but have no spinal cord, so they don't stand up straight. Their habitats similar to that of a large roach, just messier with and more filth. I hear they are contagious, so be careful. Don't let their negativity rub off on you, or you will end up like one of them. A soulless zombie, paroling posts looking for a something stupid to say.
0
May 10, 2014
May 10, 2014 at 8:20 PM UTC
Haters
Feathers glimmer and shine As though covered in fish oil I lubricate the brain As I slip through the sky With a frictionless flicker My lightening wings Brain waves rapidly fluctuate Perfect balance held Between left and right Each wing a hemisphere As they beat and beat Accelerating into hyper speed 80 to a hundred or more Beats per second As though injected With a sonic speed Synapses bursting and exploding Exponentially connecting Blistering wing speed I become electric My circuits exploring Rippling and flickering through paper My brain comes alive Flashing multicolored lights Like the cities nights But still spaces collect around me As I am buffered from the world Perfectly still though standing On an invisible ledge I hold my mind in place While I hum in space Head down I drop my beak Into a funnel of concentration As I tunnel into trumpets Penetrating deep I flower   In new knowledge Polar aspects of mind Released through coherent communication Set free with coordination I seek to marry chalk and cheese As I hold the balance Between two worlds Flashing synapses firing And combusting Against pointed concentration My mind juggles two ***** Expanding into their fullness Expressing vibrant color My slippery slender beak Slips and slides in As I flutter through pages I discover new unexpected surprises Problems solved, Startling adventures And puzzles completed I find the sugary syrup The delicate delicious sweet spot With the thrill of falling domino's Spilling and cascading Many ripples fanning out Through my mind   I find freedom Each ripple massaging my mind I am catapulted into outer space I dance from fact to golden fact   As I am propelled forward on stardust My momentum shoots me forward I bounce and bounce My mind becoming unbounded   I enjoy this great Hummingbird delight
0
Dec 18, 2014
Dec 18, 2014 at 1:05 PM UTC
HUMMINGBIRD LIBERATING MIND
Feathers glimmer and shine As though covered in fish oil I lubricate the brain As I slip through the sky With a frictionless flicker My lightening wings Brain waves rapidly fluctuate Perfect balance held Between left and right Each wing a hemisphere As they beat and beat Accelerating into hyper speed 80 to a hundred or more Beats per second As though injected With a sonic speed Synapses bursting and exploding Exponentially connecting Blistering wing speed I become electric My circuits exploring Rippling and flickering through paper My brain comes alive Flashing multicolored lights Like the cities nights But still spaces collect around me As I am buffered from the world Perfectly still though standing On an invisible ledge I hold my mind in place While I hum in space Head down I drop my beak Into a funnel of concentration As I tunnel into trumpets Penetrating deep I flower   In new knowledge Polar aspects of mind Released through coherent communication Set free with coordination I seek to marry chalk and cheese As I hold the balance Between two worlds Flashing synapses firing And combusting Against pointed concentration My mind juggles two ***** Expanding into their fullness Expressing vibrant color My slippery slender beak Slips and slides in As I flutter through pages I discover new unexpected surprises Problems solved, Startling adventures And puzzles completed I find the sugary syrup The delicate delicious sweet spot With the thrill of falling domino's Spilling and cascading Many ripples fanning out Through my mind   I find freedom Each ripple massaging my mind I am catapulted into outer space I dance from fact to golden fact   As I am propelled forward on stardust My momentum shoots me forward I bounce and bounce My mind becoming unbounded   I enjoy this great Hummingbird delight
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69
Radness The Philosopher’s Stone is not just a spiritual metaphor but an actual substance that can transmute lead or mercury into gold. The Stone is a product of Alchemy. Unlike chemistry, which only deals with physical matter and energy, Alchemy makes use of etheric and astral energies to reconfigure matter at the quantum level. Alchemy is to chemistry what a cube is to the square; it is a superset of chemistry and is capable of so much more. How Etheric Energy Overrides Physical Laws Alchemical achievements require successfully gathering, concentrating, and multiplying etheric energy. When this energy reaches a critical threshold, it overpowers the normal laws of physics and allows seemingly miraculous processes to take place. I believe it does this by biasing probability. By amplifying the probability of minor quantum effects, which are normally limited to the subatomic scale, they manifest on the larger atomic scale. In this way, one element spontaneously transforms into another. The world around us is made of subatomic particles that regularly undergo unpredictable jumps, teleportation, bilocation, superposition, and other strange quantum behaviors. Why don’t everyday solid objects do likewise? Because the random quantum jittering of their subatomic particles collectively average out to zero. Think of a large crowd of people; seen from the air, the crowd as a whole is stationary, even though individuals within the crowd move in seemingly random directions. It’s because their movements are random and uncoordinated that they average to zero net movement on the whole. The world we see around us is merely a crowd of subatomic particles whose individual quantum jumps aren’t apparent because they average to collective stillness. Physical laws that govern our everyday world, known as the deterministic laws of classical physics, are merely the laws of the crowd. These laws are what’s left of quantum physics after the unpredictability is removed through statistical averaging. They are not absolute laws; they are just the most probable manner in which matter and energy behave. Physical laws can be bent. While the probability is incredibly low that enough coordination and coherence develops among the quantum jitters to manifest on a collective scale, that is exactly what etheric energy does. It alters probability and thereby skews the laws of thermodynamics, gravity, electromagnetism, and chemistry. Alchemy does not violate the laws of physics, nor does it always follow them, rather it bends them as needed. It operates upon the quantum foundation from which these laws arise in the first place, via etheric energy affecting the probability of quantum events.
0
May 28, 2013
May 28, 2013 at 8:59 PM UTC
Alchemy
Radness The Philosopher’s Stone is not just a spiritual metaphor but an actual substance that can transmute lead or mercury into gold. The Stone is a product of Alchemy. Unlike chemistry, which only deals with physical matter and energy, Alchemy makes use of etheric and astral energies to reconfigure matter at the quantum level. Alchemy is to chemistry what a cube is to the square; it is a superset of chemistry and is capable of so much more. How Etheric Energy Overrides Physical Laws Alchemical achievements require successfully gathering, concentrating, and multiplying etheric energy. When this energy reaches a critical threshold, it overpowers the normal laws of physics and allows seemingly miraculous processes to take place. I believe it does this by biasing probability. By amplifying the probability of minor quantum effects, which are normally limited to the subatomic scale, they manifest on the larger atomic scale. In this way, one element spontaneously transforms into another. The world around us is made of subatomic particles that regularly undergo unpredictable jumps, teleportation, bilocation, superposition, and other strange quantum behaviors. Why don’t everyday solid objects do likewise? Because the random quantum jittering of their subatomic particles collectively average out to zero. Think of a large crowd of people; seen from the air, the crowd as a whole is stationary, even though individuals within the crowd move in seemingly random directions. It’s because their movements are random and uncoordinated that they average to zero net movement on the whole. The world we see around us is merely a crowd of subatomic particles whose individual quantum jumps aren’t apparent because they average to collective stillness. Physical laws that govern our everyday world, known as the deterministic laws of classical physics, are merely the laws of the crowd. These laws are what’s left of quantum physics after the unpredictability is removed through statistical averaging. They are not absolute laws; they are just the most probable manner in which matter and energy behave. Physical laws can be bent. While the probability is incredibly low that enough coordination and coherence develops among the quantum jitters to manifest on a collective scale, that is exactly what etheric energy does. It alters probability and thereby skews the laws of thermodynamics, gravity, electromagnetism, and chemistry. Alchemy does not violate the laws of physics, nor does it always follow them, rather it bends them as needed. It operates upon the quantum foundation from which these laws arise in the first place, via etheric energy affecting the probability of quantum events.
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8
(October 17th, 2013, I think is when I wrote this.) There aren’t many things that I’m good at. I have bad grades. I’m aware of this, but they still insist on shouting as if three letter F’s determine my worth as well as my ability. I’m not athletic, never been remotely decent at sports, picked last for soccer, football, basketball, and everything else, tried to do parkour once- however, that hope quickly dissolved when I discovered that it was still nerve-wracking for me to climb a fence. (One of the many gifts that comes with a severe lack of coordination.) I’m not a quiet person. I don’t know how to hold my tongue most of the time. So when my father’s paycheck is cut shorter and shorter, when he makes little enough as it is, my stay-at-home mother fighting her demons of the severe depression and anxiety that she passed down to me as well as her (auditory) hallucinations, her BPD, her physical disabilities, not making a paycheck at all, and my school supplies consist of 50-cent notebooks that fall apart, and 75-cent pens, I get a little… “upset”. I’ve played guitar for three years. Sometimes, it’s what I’m best at, playing strings of notes and minor chords that come together to form beautiful harmonies- but more often than not, every note is sour… Another thing I’m not good at. But I am a writer. People don’t pay attention to teenagers, they say We’re so full of ourselves, We think we’re so important, they say We need to communicate, but when we try all they hear is whining, and complaining. Teenagers telling their friends in passing conversation that they’re suicidal, that they hurt themselves, just to see who will notice- who will listen- and of course, no one does. Nobody notices that teenagers are the voice of our generation, and our generation, as such, is royally ****** because nobody pays attention. There aren’t many things that I’m good at. But I am a writer. And I have a voice, a pen… And paper torn from a 50-cent notebook.
0
Oct 31, 2014
Oct 31, 2014 at 1:35 PM UTC
I Am A Writer
(October 17th, 2013, I think is when I wrote this.) There aren’t many things that I’m good at. I have bad grades. I’m aware of this, but they still insist on shouting as if three letter F’s determine my worth as well as my ability. I’m not athletic, never been remotely decent at sports, picked last for soccer, football, basketball, and everything else, tried to do parkour once- however, that hope quickly dissolved when I discovered that it was still nerve-wracking for me to climb a fence. (One of the many gifts that comes with a severe lack of coordination.) I’m not a quiet person. I don’t know how to hold my tongue most of the time. So when my father’s paycheck is cut shorter and shorter, when he makes little enough as it is, my stay-at-home mother fighting her demons of the severe depression and anxiety that she passed down to me as well as her (auditory) hallucinations, her BPD, her physical disabilities, not making a paycheck at all, and my school supplies consist of 50-cent notebooks that fall apart, and 75-cent pens, I get a little… “upset”. I’ve played guitar for three years. Sometimes, it’s what I’m best at, playing strings of notes and minor chords that come together to form beautiful harmonies- but more often than not, every note is sour… Another thing I’m not good at. But I am a writer. People don’t pay attention to teenagers, they say We’re so full of ourselves, We think we’re so important, they say We need to communicate, but when we try all they hear is whining, and complaining. Teenagers telling their friends in passing conversation that they’re suicidal, that they hurt themselves, just to see who will notice- who will listen- and of course, no one does. Nobody notices that teenagers are the voice of our generation, and our generation, as such, is royally ****** because nobody pays attention. There aren’t many things that I’m good at. But I am a writer. And I have a voice, a pen… And paper torn from a 50-cent notebook.
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85
I am literate in daydreams and letting my imagination rule my head I am literate in music where rationale can be abandoned. I am literate in procrastination, pushing away my mind-defying. I am literate in heartbreak which has been already over-endured. I am literate in lazy weekends spent with my sister and a remote. I am literate in creating; not masterpieces, but heart and soul pieces. I am literate in ramen noodle and green tea afternoons in sweatpants and sneakers with no makeup on. I am literate in moment-capturing and finding the right words to explain. I am literate in thunderstorms and dancing in between water droplets. I am literate in heart confessions over acoustic guitars and games of solitaire. I am literate in wanting and taking away from what I already have. I am literate in wanderlust and a wholehearted need to escape. I am literate in color-coordination and clothing arranging and bringing out all my best. I am literate in kissing with desperation and wanting to have it be effortless. I am literate in wasting my time in my head, in my heart, and in the clouds. I am literate in everything mentioned and so much that I can’t even say.
0
Apr 1, 2013
Apr 1, 2013 at 10:26 PM UTC
Literacy
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
0
Mar 9, 2014
Mar 9, 2014 at 10:01 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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37
My father was always one notch on his bedpost close to hypocrisy and my mother was a couple notches shy of getting there- she never dabbled in multiracial relationships like my father did. You see when I was growing up I had a crush on the little mixed boy down the street and I was afraid of telling anybody but it wasn't because of his skin- but because ew, feelings. Right? I never saw just black and white, skin color was never a forefront it was all just background noise- to me it was all just gray. There's no handbook about who you connect with and there's no color scheme that's gonna show you who to trust. I realized that because before I had a boyfriend No black people where allowed at my house not because they didn't want me hanging out with black people- but because they were afraid I would end up with one. Segregation was my father's second nature and I would like to blame it on the era he was born- even though I'm really not so sure. And now that I have a boyfriend everything is fine... It's like in their mind the more melanin the more sin I'm sorry father and mother but there is no color coordination to this thing we call life- I never grew up afraid of colors because I loved rainbow- I never grew up scared of the skin that wasn't like mine just because of all the stories these white folks like to tell- But the funny thing is it was a white male, and a white female that molested me.... And my parents probably would've warned me about the mixed boy down the street- so really? who should we be afraid of? Everyone. Equally.
0
Jan 22, 2015
Jan 22, 2015 at 7:50 AM UTC
Take off your eye masks and wake up people, it's 2015 and I'm tired of you sleeping on this issue.
My father was always one notch on his bedpost close to hypocrisy and my mother was a couple notches shy of getting there- she never dabbled in multiracial relationships like my father did. You see when I was growing up I had a crush on the little mixed boy down the street and I was afraid of telling anybody but it wasn't because of his skin- but because ew, feelings. Right? I never saw just black and white, skin color was never a forefront it was all just background noise- to me it was all just gray. There's no handbook about who you connect with and there's no color scheme that's gonna show you who to trust. I realized that because before I had a boyfriend No black people where allowed at my house not because they didn't want me hanging out with black people- but because they were afraid I would end up with one. Segregation was my father's second nature and I would like to blame it on the era he was born- even though I'm really not so sure. And now that I have a boyfriend everything is fine... It's like in their mind the more melanin the more sin I'm sorry father and mother but there is no color coordination to this thing we call life- I never grew up afraid of colors because I loved rainbow- I never grew up scared of the skin that wasn't like mine just because of all the stories these white folks like to tell- But the funny thing is it was a white male, and a white female that molested me.... And my parents probably would've warned me about the mixed boy down the street- so really? who should we be afraid of? Everyone. Equally.
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34
at this point means: river deer like you’ve never seen. a soup bowl; empty, aglow. another’s head in my hands. coordination. energy. receiving the word a day late that energy has arrived. marriage, or a single parent torn. perfectly mediocre terror. a love of statues. love of placards. showing my son the man I’ve chosen to remember him by. art not reflective of, or art sideshow. knowing the kids of others. knowing just how many gifts god had. that the word overcome has always been past tense. weight gain. weight loss. detecting no difference in weight. telescope, or the long thin hat of god.
0
Jun 30, 2012
Jun 30, 2012 at 3:28 AM UTC
having a disabled child
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
0
Apr 7, 2015
Apr 7, 2015 at 12:42 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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37
for logic to work, certain coordination words must be excluded from ever attain a thesaurus privilege, certain words must attain the same consistency as numbers already present, for worded logic to work, certain words cannot entertain synonyms or antonyms, and must be freed from the shackles of sophistry. can one animate object truly objectify another animate object? i ask, because this supposed feminist narrative of man objectifying a woman seems rather bogus - as i have to reiterate - can an animate object truly objectify another animate object?            i "think" (i.e. "i" deny) this to be highly unlikely, near impossible...                   i am innately inclined to the puritanical observation, that i can only objectify an inanimate object, point being: a man can no more objectify a woman than an animate object can make an animate an inanimate object without having to subject himself to hammering a nail into a plank of wood: using a hammer. how can an animate object (a man) objectify another animate object (a woman) - without, first of all objectifying a part of him as quasi-inanimate, namely his phallus?   women do not seem to be complaining about objectification of a woman, rather, a man objectifying his member -   and isn't that the point, to posses an object that you're not subject to obeying?                              once more how can a woman be objectified, when in fact man is attempting to de-subjective himself from his genitalia?                          an animate object can't objectify an animate object -                             since the contradiction is: both are in animation...                   the only time objectification happens is when an animate object subject an inanimate object into a purpose... a hammer is hardly a woman, while is hammer one-dimensional,    a woman is either mother, sister, vice,       a one night stand, a girlfriend, or a wife...    women are never objectified -    they are subject to the self-objectifiction of man, by man alone... and if you think that's post-modernist jargon, let me spell it out for you: T, O, G, E, T, A, H, A, R, D, O, N. objectification happens when an animate object subjects / encompasses an inanimate object into a subject of the animate object's intent...         unless of course you care to disclose a fetish for necrophilia... since only in necrophilia are women actually objectified.
0
Nov 3, 2017
Nov 3, 2017 at 8:34 PM UTC
objectification / necrophilia
for logic to work, certain coordination words must be excluded from ever attain a thesaurus privilege, certain words must attain the same consistency as numbers already present, for worded logic to work, certain words cannot entertain synonyms or antonyms, and must be freed from the shackles of sophistry. can one animate object truly objectify another animate object? i ask, because this supposed feminist narrative of man objectifying a woman seems rather bogus - as i have to reiterate - can an animate object truly objectify another animate object?            i "think" (i.e. "i" deny) this to be highly unlikely, near impossible...                   i am innately inclined to the puritanical observation, that i can only objectify an inanimate object, point being: a man can no more objectify a woman than an animate object can make an animate an inanimate object without having to subject himself to hammering a nail into a plank of wood: using a hammer. how can an animate object (a man) objectify another animate object (a woman) - without, first of all objectifying a part of him as quasi-inanimate, namely his phallus?   women do not seem to be complaining about objectification of a woman, rather, a man objectifying his member -   and isn't that the point, to posses an object that you're not subject to obeying?                              once more how can a woman be objectified, when in fact man is attempting to de-subjective himself from his genitalia?                          an animate object can't objectify an animate object -                             since the contradiction is: both are in animation...                   the only time objectification happens is when an animate object subject an inanimate object into a purpose... a hammer is hardly a woman, while is hammer one-dimensional,    a woman is either mother, sister, vice,       a one night stand, a girlfriend, or a wife...    women are never objectified -    they are subject to the self-objectifiction of man, by man alone... and if you think that's post-modernist jargon, let me spell it out for you: T, O, G, E, T, A, H, A, R, D, O, N. objectification happens when an animate object subjects / encompasses an inanimate object into a subject of the animate object's intent...         unless of course you care to disclose a fetish for necrophilia... since only in necrophilia are women actually objectified.
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58
allocation of supreme alliteration illustrates perpetual contemplation and concentration that dictates a maligned mastication of federal incarceration of elongated complementary probation leaving you cuffed and based on baseless accusations conducted in aboriginal abbreviations masked task force concluding a course of brevity conducted in coordination then coordinating and copulating condemnation for a homeostasis of thought bought scolded eroded and shot inefficacy perpetrating cultural holocaust irrelevance somersaults galactic static of mathematical bombastic smack addict glued shut in a craft attic floral resurrection gartered section of ****** selection she moves fluid through unaltered perfection of cosmic bypass past the point of extemporaneous infinitude reciprocating fortitude of sinews congregating fabricating visuals of vitality soldering axonal membranes on the cerebellum and cortex simulation of sensual vortex demented fusion more blessed I am that which stands to understand the incomprehensible unconsidered options of racial conflicts the screaming round of unaltered copper fiber severing life from the living only now can we debunk the years
0
Apr 17, 2013
Apr 17, 2013 at 9:01 AM UTC
White Demon
Which variation do you choose to throttle blows Squeeze your nostril collect that head fluid Your mental eradicates nasal liquid Nose running swinging like a bungee jump Panicking searching for the tissue clump Dangling like the Tarzan on a jungle vine Hand eye coordination catch that snot on time My nose got that stutter drip Watch when i sneeze flying lighting manumits When the nose pouring stops I was only dreaming pops
0
Apr 12, 2014
Apr 12, 2014 at 12:15 PM UTC
Running Nose
Which variation do you choose to throttle blows Squeeze your nostril collect that head fluid Your mental eradicates nasal liquid Nose running like a bungee jump Panicking searching for the tissue clump Dangling like Tarzan on a jungle vine Hand eye coordination catch that snot on time My nose got that stutter drip Watch when I sneeze flying lightning manumits When the nose pouring stops I realise I was only dreaming pops
0
Apr 1, 2014
Apr 1, 2014 at 7:08 PM UTC
Running Nose
These days I am too cold My palms are at rest Down for the long winter My coordination and dexterity will hibernate And I'll cloak this poor body With anything I can An almost married woman Clings to the hems of my sleeves With thin fingers With scissors There to cut away the warm wool With wild eyes and a bitter mouth She gathers my coat in a basket Unravels all the careworn fibers To cast upon her empty loom As though she'd spun them Casts off newly sewn kisses Threadbare affection Muttering crossly about the weather And how the sun does not melt the snow She is only my friend when She can touch my bare wrists Give me white hot iron to hold And ask me if I'm warmer Only my friend when She can graze my skin in surprise Wrap my hands up with stiff yarn And ask me what burned them
0
Nov 17, 2014
Nov 17, 2014 at 11:27 AM UTC
The Gatherer.
Lights and colors, Lights and colors dwindle in numbers Set a step in coordination Fully exasperated nonsense passes by, through images Lenses smudged by illusive thumbprints Who are you Are you speaking cordially heart trusted intuition and guts mustered Seeping into the depths of darkness see a surprise unseen by eyes of seekers and juveniles Founded a resolve Sturdy foundation like a trunk of a tree Feed me turds quench my thirst with poison Wrap a child sleeping soundly in a blanket of lava Let's follow the righteous side even when full of lies Stray from a darker path were the light of truth is easier to find Follow the good where everything a light and turn so you won't have to face the knife Inject a form of lies and cast the mirage of truth over your eyes
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Jan 1, 2015
Jan 1, 2015 at 9:37 PM UTC
Mirage
I should be ecstatic I should be breathtaking the second I walk into the room with you I should be full of effortless perfection and captivating laughter I should hold you like the rare gem you are polishing you, weightless by your worth I should weep with sweet gratefulness over our stunning photos and memory keepsake moments I should be a beauty queen rolemodel exhibiting class and coordination and intelligence I should be ravishing in your love, a kaleidescope of pinks and yellows and magic I should be bathing in the taste of your devoted kiss and sunning under your Carribean embrace I should be a blonde hair blue eyed American dream Instead of a Miserable maniac that can't even write a        *******          poem. Instead of a terrible daydreamer, bored by the periods at the end of your sentences.      .       . Instead of a tarnished transient seeking foolish adventure Craving endless oceans, cliche flight humor, and saving animals I didn't even know existed to begin with Instead of a jaded view from every set of empty eyes Instead of an indulgent ******* that wants more than this terribly wonderful life that you've offered me. I really should.
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Nov 4, 2012
Nov 4, 2012 at 9:51 PM UTC
Should be.
I heard, he gets super social during the winter, and then lives the single life during the summer. I heard he's a social butterfly, charming as a satyr I heard he used to live in the white house I heard he has the coordination of a God, balance so awesome he could walk across mountains climb trees I heard he's a wicked hedonist. I heard he can jump 5 feet high! I heard he is brilliant, like rocket scientist brilliant Like can con you out of your pants brilliant. I heard he INVENTED COFFEE. I heard he's super curious open, like if he sees something new he HAS to explore it. Yeah, I heard he'll try anything twice. I heard his sister has a beard I heard she's super dominant I heard he doesn't cry I heard he doesn't even have tear ducts I heard he can learn his own name, and come to it. I wish I could party with a goat.
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Apr 19, 2016
Apr 19, 2016 at 11:47 AM UTC
This guy is a party ANIMAL
**** you It sounds so bitter coming from a mothers mouth If I have a daughter I will only tell her sweet nothings about how wonderful she is, how beautiful she is and I will never spew the profanities that you've shouted at me because I want her confidence to be as high as the skyscrapers that just skim the clouds so she knows that nothing is the limit Darling, I will tell her, if someone thinks you're too big for them then they obviously don't have the equipment for the job anyway instead of tagging along on a shopping spree where the only thing I tell her is how that top brings out her belly rolls and how that skirt shows her love handles, I will handle her with all the love I have I will promise her that I will never say I told you so especially when her first love cheats on her and she comes to me in tears wanting nothing but a hug, I will supply the chocolates, the rom-coms and teach her that the only men you need in life are Ben & Jerry If I have a daughter, I will never compare her to her brother, I will never brag about only one of them to people I meet on the street, I will never tell her that she should be more like him because he's perfect at everything she's not without even trying...I will tell her she's good at everything I will say she's the best at having the worst coordination, like her mother, I will tell her she's the best at being who she is, I will tell her she is the best at stealing my heart away every time I look at her So thank you Mom...for teaching me what not to do, for showing me how to break down your daughters confidence, thank you for teaching me what a hypocrite is, thank you for all the 'I told you sos' and thank you...for teaching me how to be a mother
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Jul 6, 2013
Jul 6, 2013 at 11:32 PM UTC
Thank You Mom
**** you It sounds so bitter coming from a mothers mouth If I have a daughter I will only tell her sweet nothings about how wonderful she is, how beautiful she is and I will never spew the profanities that you've shouted at me because I want her confidence to be as high as the skyscrapers that just skim the clouds so she knows that nothing is the limit Darling, I will tell her, if someone thinks you're too big for them then they obviously don't have the equipment for the job anyway instead of tagging along on a shopping spree where the only thing I tell her is how that top brings out her belly rolls and how that skirt shows her love handles, I will handle her with all the love I have I will promise her that I will never say I told you so especially when her first love cheats on her and she comes to me in tears wanting nothing but a hug, I will supply the chocolates, the rom-coms and teach her that the only men you need in life are Ben & Jerry If I have a daughter, I will never compare her to her brother, I will never brag about only one of them to people I meet on the street, I will never tell her that she should be more like him because he's perfect at everything she's not without even trying...I will tell her she's good at everything I will say she's the best at having the worst coordination, like her mother, I will tell her she's the best at being who she is, I will tell her she is the best at stealing my heart away every time I look at her So thank you Mom...for teaching me what not to do, for showing me how to break down your daughters confidence, thank you for teaching me what a hypocrite is, thank you for all the 'I told you sos' and thank you...for teaching me how to be a mother
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7
It's easy to write about warm people. It's simple to just let their love and compassion flow effortlessly out into the world. They stumble upon the perfect one, THE one, and fall in love even if they don't know it. And for a while they don't, because that's the beauty of it. They don't know, and then suddenly they do and they realize that they're complete and whole now, that they've found someone who fills the cracks in their soul. It would not be so easy to write about someone who flat out refuses to admit that they are not already complete. Then he appeared. I couldn't see him, but I knew he was there. Oh, this is a game then, I thought. I'll see what I can figure out about you. I'm Isaac. I heard it so loud and clear. Shivering, I whispered, nice to meet you, Isaac. I let images flash through my mind as though I was trying to settle on the one that fit the personality walking at my heels. He's blonde. Which is odd. My characters aren't usually blonde. But he's blonde in a way that he can hide. At first I thought he'd walk slowly, shuffling his feet as though he was so focused on what was inside his mind that outside of it his coordination was all off. But then I realized he was keeping up with me, and I am quite a brisk walker. Isaac is one of those people who builds walls. He doesn't know it, but he does it. Everyone else notices. They notice, but they don't care. The only time people run into his walls are when they try to complement him on his playing. Oh, did I mention he's a musician? That's why he's built the walls. As of now, I'm pretty sure he's a violinist. But anyway, when people compliment him, try to tell him how the ways he plays that violin opened a well of feelings within them that they didn't know existed, he stares blankly. They blink, thank him again, and hurry off, wondering if the reason his blue eyes were so confused was that they'd lost their ocean of feeling to the music. I wanted him to be chubby, perched somewhere on the border of adorable baby fat and visibly out of shape. But his shadow behind me is tall and bony. Not athletic, not chiseled or lean, just wiry. All sinew and nerves. Like when he plays, he might rip. Then I'm home. Mom calls down stairs and asks how my day was. It was fine. Boring. I know I left Isaac outside, but he doesn't want to come in. So it's okay.
0
Jun 20, 2013
Jun 20, 2013 at 12:25 AM UTC
Out of Character
It's easy to write about warm people. It's simple to just let their love and compassion flow effortlessly out into the world. They stumble upon the perfect one, THE one, and fall in love even if they don't know it. And for a while they don't, because that's the beauty of it. They don't know, and then suddenly they do and they realize that they're complete and whole now, that they've found someone who fills the cracks in their soul. It would not be so easy to write about someone who flat out refuses to admit that they are not already complete. Then he appeared. I couldn't see him, but I knew he was there. Oh, this is a game then, I thought. I'll see what I can figure out about you. I'm Isaac. I heard it so loud and clear. Shivering, I whispered, nice to meet you, Isaac. I let images flash through my mind as though I was trying to settle on the one that fit the personality walking at my heels. He's blonde. Which is odd. My characters aren't usually blonde. But he's blonde in a way that he can hide. At first I thought he'd walk slowly, shuffling his feet as though he was so focused on what was inside his mind that outside of it his coordination was all off. But then I realized he was keeping up with me, and I am quite a brisk walker. Isaac is one of those people who builds walls. He doesn't know it, but he does it. Everyone else notices. They notice, but they don't care. The only time people run into his walls are when they try to complement him on his playing. Oh, did I mention he's a musician? That's why he's built the walls. As of now, I'm pretty sure he's a violinist. But anyway, when people compliment him, try to tell him how the ways he plays that violin opened a well of feelings within them that they didn't know existed, he stares blankly. They blink, thank him again, and hurry off, wondering if the reason his blue eyes were so confused was that they'd lost their ocean of feeling to the music. I wanted him to be chubby, perched somewhere on the border of adorable baby fat and visibly out of shape. But his shadow behind me is tall and bony. Not athletic, not chiseled or lean, just wiry. All sinew and nerves. Like when he plays, he might rip. Then I'm home. Mom calls down stairs and asks how my day was. It was fine. Boring. I know I left Isaac outside, but he doesn't want to come in. So it's okay.
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9
I have half-written confessions about you And all of them are simultaneously as weak and gauche as the struggling flight of a butterfly with half its wings ripped off. I have no coordination when it comes to dancing, Darling, and it's probably becoming more and more prevalent as you catch me tripping around my declarations Because I am filled with so much self-doubt, but I can't help it that this new piece of my life has me second-guessing the placement of my feet and the rhythm I'm swaying to. And with you being so honest from the dawn of our affair, it's made me guilty for doubting anything at all. But I can't help it that you're a natural dancer and I'm just a mess. I felt that the strength in my emotions were something to be ashamed of and in turn I've put them on display A lewd circus performance to weigh the mass of my words and predict the approximate level they could wriggle down beneath your skin Because I can deal with the stern looks and careless scoffs from sporadic digital strangers, It's just that you aren't one and that means your opinion counts most of all. I want to dazzle you with crazy dance moves like the Charlie Brown or Jitterbug or even twerk a couple of times because I can't impress with my mastering of the Hokey Pokey and the Cha Cha Slide But I digress; It just seems that all I can talk about when you're not around is how swell it'd be if you were. And making our sweet dancing anything but comprised of candlelight and champagne and red roses just insults the beautiful parts of myself I want to so desperately share with you. I'm no poet, dude, And I've got no graces in dance, But I'll rearrange the constellations in the sky to help better express myself if it meant figuring out how I managed to fall in love With you
0
Oct 15, 2013
Oct 15, 2013 at 7:44 AM UTC
Two Left Feet
I have half-written confessions about you And all of them are simultaneously as weak and gauche as the struggling flight of a butterfly with half its wings ripped off. I have no coordination when it comes to dancing, Darling, and it's probably becoming more and more prevalent as you catch me tripping around my declarations Because I am filled with so much self-doubt, but I can't help it that this new piece of my life has me second-guessing the placement of my feet and the rhythm I'm swaying to. And with you being so honest from the dawn of our affair, it's made me guilty for doubting anything at all. But I can't help it that you're a natural dancer and I'm just a mess. I felt that the strength in my emotions were something to be ashamed of and in turn I've put them on display A lewd circus performance to weigh the mass of my words and predict the approximate level they could wriggle down beneath your skin Because I can deal with the stern looks and careless scoffs from sporadic digital strangers, It's just that you aren't one and that means your opinion counts most of all. I want to dazzle you with crazy dance moves like the Charlie Brown or Jitterbug or even twerk a couple of times because I can't impress with my mastering of the Hokey Pokey and the Cha Cha Slide But I digress; It just seems that all I can talk about when you're not around is how swell it'd be if you were. And making our sweet dancing anything but comprised of candlelight and champagne and red roses just insults the beautiful parts of myself I want to so desperately share with you. I'm no poet, dude, And I've got no graces in dance, But I'll rearrange the constellations in the sky to help better express myself if it meant figuring out how I managed to fall in love With you
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18
More smoke than air in lungs if your a buyer. More fire than water in blood if your a writer!  It's 4am, settle down, your not tired? All that caffeine will shorten the time before you expire! When the sun is up , I'm in my bed. When the moon is up, I'm out my head. Cabinets open, take the tie off the bread. Twisted close, my nickname's ***** thread. Cans over here. Cans over there. Can you get out your recycled chair? Spinning around, rolling eye glare. Perched on a throne in a 4 walled lair. Coordination of letters into a poetic diction. Separate each word like fact from fiction. Space things out; "and" "or" transition. Correlate the points for a literary  prediction.
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Jun 3, 2013
Jun 3, 2013 at 9:21 AM UTC
Graph
Crushed in inebriation Just one glace to trigger my elation Dancing in the sunlight Figures dull and bright Racing pulse, shaking hands Explosive loss of coordination Lost to my intoxication Drinking you in, Just drinking you in
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Aug 13, 2010
Aug 13, 2010 at 7:11 PM UTC
Crush
the people where work goes on, have their faces strapped to their computers, while the thumbs have texting down to a science, gravity speed of light a thumb in motion tends to stay a thumb, the people where the commute takes place, get bus(ted), and are in the sky train(ing) for hours every year while others have car(diac) arrests for texting while driving or is it driving while testing the limits of the laws of physics and hand eye coordination a  n   d    d  i  d    y   o   u   s   ee  a   s  l  o  w     down in the reaction ... ................... crash, the people that live in houses and so many paths wear out the carpet, wear out the floor, hardwood or laminate, but their thumbs never wear out, they just grow new ones or more thumbs, I saw a movie once recently about the end of the world, and there were certain people who had no thumbs,...before the world collapsed I am sure this became the punishment for texting and operating a vehicle stupidly. crossing paths, crossing lives, each has at least one cross to bear, it is bare, but all these lives, from a look, from a lighted window, to a parked car, a man walking his dog, to the person you meet in transit, on foot, do you see their eyes, is there pain in diguise? do you even notice or is it just another lotus flower in the swamp called life called strife, news said it was a knife, cutting the strands attached to each one of us, not the fibre we are made of but the life we weave with all these fibres weft and warped make society, but all these unmarked footsteps, tire tracks, electonic waves, invisible, so when you wander, make sure you wonder, about all the people on all these paths and therefore sonder in awe, go in peace ©DWE022014
0
Feb 23, 2014
Feb 23, 2014 at 12:19 AM UTC
Thumbs of Sonder
the people where work goes on, have their faces strapped to their computers, while the thumbs have texting down to a science, gravity speed of light a thumb in motion tends to stay a thumb, the people where the commute takes place, get bus(ted), and are in the sky train(ing) for hours every year while others have car(diac) arrests for texting while driving or is it driving while testing the limits of the laws of physics and hand eye coordination a  n   d    d  i  d    y   o   u   s   ee  a   s  l  o  w     down in the reaction ... ................... crash, the people that live in houses and so many paths wear out the carpet, wear out the floor, hardwood or laminate, but their thumbs never wear out, they just grow new ones or more thumbs, I saw a movie once recently about the end of the world, and there were certain people who had no thumbs,...before the world collapsed I am sure this became the punishment for texting and operating a vehicle stupidly. crossing paths, crossing lives, each has at least one cross to bear, it is bare, but all these lives, from a look, from a lighted window, to a parked car, a man walking his dog, to the person you meet in transit, on foot, do you see their eyes, is there pain in diguise? do you even notice or is it just another lotus flower in the swamp called life called strife, news said it was a knife, cutting the strands attached to each one of us, not the fibre we are made of but the life we weave with all these fibres weft and warped make society, but all these unmarked footsteps, tire tracks, electonic waves, invisible, so when you wander, make sure you wonder, about all the people on all these paths and therefore sonder in awe, go in peace ©DWE022014
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