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"chaucer" poems
A haunting stare with a serious note Originates in a lad just thirteen Ready to command or to set to task Obedient, mature, and quick to rule More comfortable with adults than peers An old soul has he, loves cars from the past Collects Civil War relics and antiques Spends most his time reading and researching Reads historical fiction, lost in time Analyzes plants, insects, and ol' coins He could be described like Chaucer's Cleric "And gladly would he learn, and gladly teach." He desires, especially, silver Yet, gold and ex-presidents faces too Protects younger members of his small clan Only his hand will be attacking foe It might be his fine grades, his quirk or two That humbles his parents. Proudly they stand And admire their first born miracle A babe no more, his age will meet his soul.
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Jan 2, 2013
Jan 2, 2013 at 7:11 PM UTC
First Born ( Blank Verse)
When poets die It's sad and true, It matters not What their bodies do, The spirit flies To Poet's Corner, In Westminster Abbey. You'll not see Busts or inscriptions For all the poets Whose spirits linger Alongside Chaucer, Browning, Spencer, And a myriad of authors. Dead Poet you have earned your share; Dead Poet I will know you're there, Composing in the Laureate's lair.
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Sep 26, 2015
Sep 26, 2015 at 12:33 PM UTC
Elegy for Dead Poets
Doctor Ponsonby’s Patented Empowering Electrical Rosary *This ilke Monk leet olde thynges pace, And heeld after the newe world the space.* Chaucer, The Canterbury Tales How out of date are simple wooden beads An upgrade is what the Rosary needs! Something to give your meditations spice Connected to your electronic device Beamed back and forth to The Cloud, you see With mega-mega gigs of memory Doctor Ponsonby’s Patented Empowering Electrical Rosary is just the thing! The Ave Maria is so out of date It’s Ave ME now, ‘cause we’re all so great! Make your prayers less about God, more about you Signal yourself through sacred Tooth of Blue A camera hidden in the crucifix Enables you to take your selfie-flicks The Pater beads count each joggery mile Or kilometres if those are your style The Ave beads are recycled with care To save the forests, the rivers, and air Designed in Germany, made in China High-definition beads; there’s nothing finer Buy the first (as advertised on tv) And we’ll send you a second all for free Remember: for weddings, funerals, and daily devotions Let RAM and ROM go through all the motions Doctor Ponsonby’s Patented Empowering Electrical Rosary – O make it sing!
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Jan 26, 2017
Jan 26, 2017 at 7:24 AM UTC
Doctor Ponsonby's Patented Empowering Electrical Rosary
I'm the best, there ever was Can't get with me, at da club Other poets, need to respect My reputation, I'll protect I got a 9, pen in my hand Write your name, in the sand To me, you can't never stand I ain't afraid, to let out a curse Write you in, an ugly verse I'm da best, you da worst You can't, stay with my meter I spit sick, iambic pentameter I'm da truth you da cheater You rhyme like Armstrong rides You have to dope, ya got no rhymes You da Cheech I'm da Chong I write, you smoke da **** You da burger, I'm da veal I earn likes, you freakin still You got da, cheesy *** rhymes Droppin' words, like love & sublime I put the free, in free verse You all about, Nonsense Verse I drop a sonnet, makes his head Shake I'm the Chaucer, you da fake I'm a Lyric, you the Lune You can't quit writen', too crazy soon Your stuff is dirt, mines the moon You want a challenge, get in the ring I'll make you cry but your mama sing You'all poets, you got to know You da fluff, I'm da show I'm the king of the poets, HELLO
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Jan 20, 2013
Jan 20, 2013 at 7:22 PM UTC
Gangsta Poet
…These men are worth your tears: You are not worth their merriment. -Wilfred Owen, “Apologia Pro Poemate Meo” When that loudmouth on the wireless machine Alludes to Western Civilization What does he mean? Paradise Lost? Probably not Nor Saint Paul speaking on the Field of Mars The Kalevala, Hagia Sophia With its pendentives lifting up our prayers Horatius fighting to defend his bridge And Wilfred Owen dying bravely on his Lord Tennyson and Idylls of the King Chapultepec, Henry V, Becket The paratroops at Arnhem, Saint Thomas More, His King’s loyal servant, but God’s first The Stray Dog poets of Saint Petersburg The brave last stand of Roland at Roncesvalles Lewis and Tolkien and glasses of beer Montcalm and Wolfe on the Plains of Abraham Hildegard von Bingen, Siegfried and the Rhine Magna Carta, HMS Hood, the Thames The Grove of Daphne, “The Old Rugged Cross” Beatrix Potter and her little pet rabbit El Cid, Anne Frank, John Keats, Saint Benedict “I Have a Dream,” Dostoyevsky, and Greene Viktor Frankl, Dag Hammarkskjold, and Proust Good Chaucer’s naughty pilgrims telling tales The Gettysburg Address, Willie and Joe Stern Saint Augustine of North Africa Wodehouse writing a jolly bit of fun Saint Corbinian and Bavaria The ancient glories of Byzantium Pius XII contra the bombs and lies The 602nd TD Battalion Saint Joan, the Prado, and Robert Frost And far, far more. When that loudmouth on the wireless machine Alludes to Western Civilization What does he mean?
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Nov 4, 2018
Nov 4, 2018 at 4:06 PM UTC
Western Civilization and Radio Static
…These men are worth your tears: You are not worth their merriment. -Wilfred Owen, “Apologia Pro Poemate Meo” When that loudmouth on the wireless machine Alludes to Western Civilization What does he mean? Paradise Lost? Probably not Nor Saint Paul speaking on the Field of Mars The Kalevala, Hagia Sophia With its pendentives lifting up our prayers Horatius fighting to defend his bridge And Wilfred Owen dying bravely on his Lord Tennyson and Idylls of the King Chapultepec, Henry V, Becket The paratroops at Arnhem, Saint Thomas More, His King’s loyal servant, but God’s first The Stray Dog poets of Saint Petersburg The brave last stand of Roland at Roncesvalles Lewis and Tolkien and glasses of beer Montcalm and Wolfe on the Plains of Abraham Hildegard von Bingen, Siegfried and the Rhine Magna Carta, HMS Hood, the Thames The Grove of Daphne, “The Old Rugged Cross” Beatrix Potter and her little pet rabbit El Cid, Anne Frank, John Keats, Saint Benedict “I Have a Dream,” Dostoyevsky, and Greene Viktor Frankl, Dag Hammarkskjold, and Proust Good Chaucer’s naughty pilgrims telling tales The Gettysburg Address, Willie and Joe Stern Saint Augustine of North Africa Wodehouse writing a jolly bit of fun Saint Corbinian and Bavaria The ancient glories of Byzantium Pius XII contra the bombs and lies The 602nd TD Battalion Saint Joan, the Prado, and Robert Frost And far, far more. When that loudmouth on the wireless machine Alludes to Western Civilization What does he mean?
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39
This pleasant tale is like a little copse: The honied lines so freshly interlace, To keep the reader in so sweet a place, So that he here and there full-hearted stops; And oftentimes he feels the dewy drops Come cool and suddenly against his face, And, by the wandering melody, may trace Which way the tender-legged linnet hops. Oh! what a power has white Simplicity! What mighty power has this gentle story! I, that do ever feel athirst for glory, Could at this moment be content to lie Meekly upon the grass, as those whose sobbings Were heard of none beside the mournful robins.
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2.9k
Written On A Blank Space At The End Of Chaucer's Tale Of The Flowre And The Lefe
'Listen, now, verse should be as natural As the small tuber that feeds on muck And grows slowly from obtuse soil To the white flower of immortal beauty.' 'Natural, hell! What was it Chaucer Said once about the long toil That goes like blood to the poem's making? Leave it to nature and the verse sprawls, Limp as bindweed, if it break at all Life's iron crust. Man, you must sweat And rhyme your guts taut, if you'd build Your verse a ladder.' 'You speak as though No sunlight ever surprised the mind Groping on its cloudy path.' 'Sunlight's a thing that needs a window Before it enter a dark room. Windows don't happen.' So two old poets, Hunched at their beer in the low haze Of an inn parlour, while the talk ran Noisily by them, glib with prose.
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2.3k
Poetry For Supper
Read Shakespeare and Milton and all of the rest Keats, Coleridge and Wordsworth are some of the best Read Ted Hughes and Sylvia, Motion, Duffy They say what I want to say better than me Read Homer and Ovid, Basho and Su Shi Chaucer and Boccaccio they've stood the test Read Donne, Spenser, Marlowe, Jonson and Raleigh Read Shakespeare and Milton and all of the rest Read Swift, Pope, Blake, Tennyson, and Rossetti The two Barrett Brownings are of interest For feelings romantic as true as can be Keats, Coleridge and Wordsworth are some of the best Read Larkin and Betjeman if you're depressed Read Wendy Cope to enjoy all of life's zest Yes please don't think I despise modernity Read Ted Hughes and Sylvia, Motion, Duffy And how about all those I haven't addressed Yeats, Auden, Joyce, Longfellow, Poe and Shelley And all of the others I'm bound to have missed They say what I want to say better than me But what of the poet, with poets obessed? In prose I am prolix, in speech stuttery: So where will you find my emotions expressed? On MySpace, on Twitter, read my poetry It says what I want to say
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Oct 7, 2009
Oct 7, 2009 at 11:12 AM UTC
Rondeau Redoublé: The Shoulders of Giants
Everyone says "Oh, don't worry! It's just a phase." Or even worse, "You'll grow out of it soon." And so you begin to think That the quirks and smirks You see in the mirror When you've wiped the shower fog clear Are somehow wrong and undesirable To the masses of others outside your door Even if what you see makes you happy. And so you try to hide Behind conformity and masks Of aloofness, Of apathy, Of indifference, Of nonchalance, Until you yourself begin to believe You've passed the phase! You've grown out of it! You're finally someone whom the world Can pour its love and adoration on! And so you wait for that sparkling moment, When you go from ugly duckling To ravishing debonair desirable swan, Yet the days turn into weeks into months, And finally years have passed away But nothing happened. And you find yourself wiping away The shower fog with a tired hand Only to see the quirks and smirks That used to make you happy Are gone and for what gain to you? Where are the masses of adoring friends? Where are the praises of who you've become? You're all alone like you've always been. But I ask you, Is this really who you want to be? Where's the girl who recites Chaucer? And rolls down grassy hills? Where is she whose snarky comments Could hours of hilarity fill? Where's the girl who laid bricks Side by side with her father? And imagined up the neighborhood Olympics with his other two daughters? So I'll ask you again, Face in my mirror, Are you happy? Is this who we're going to be?
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Jul 5, 2014
Jul 5, 2014 at 10:18 PM UTC
Question #8
Everyone says "Oh, don't worry! It's just a phase." Or even worse, "You'll grow out of it soon." And so you begin to think That the quirks and smirks You see in the mirror When you've wiped the shower fog clear Are somehow wrong and undesirable To the masses of others outside your door Even if what you see makes you happy. And so you try to hide Behind conformity and masks Of aloofness, Of apathy, Of indifference, Of nonchalance, Until you yourself begin to believe You've passed the phase! You've grown out of it! You're finally someone whom the world Can pour its love and adoration on! And so you wait for that sparkling moment, When you go from ugly duckling To ravishing debonair desirable swan, Yet the days turn into weeks into months, And finally years have passed away But nothing happened. And you find yourself wiping away The shower fog with a tired hand Only to see the quirks and smirks That used to make you happy Are gone and for what gain to you? Where are the masses of adoring friends? Where are the praises of who you've become? You're all alone like you've always been. But I ask you, Is this really who you want to be? Where's the girl who recites Chaucer? And rolls down grassy hills? Where is she whose snarky comments Could hours of hilarity fill? Where's the girl who laid bricks Side by side with her father? And imagined up the neighborhood Olympics with his other two daughters? So I'll ask you again, Face in my mirror, Are you happy? Is this who we're going to be?
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50
Some people write, but rarely read, That seems to me most strange indeed, They've read less than a hundred books, Yet think they imitate the looks, Of Sassoon, Cummings, Keats and Pound, Or think they imitate the sound, Of Lennon, Dylan, or Shakur, And sometimes think they've offered more, Than Chaucer, Wilde or Shakespeare could, And claim they're more misunderstood, Than even Salman Rushdie was, Which really ticks me off because, After having read such wondrous works, A sense of failure always lurks, Inside me whenever I write, Yet they think they've done well tonight! I hate them all! That's it - I've said it! But they won't know until they've read it, Which is quite doubtful, I'd attest, Who'd read my work and skip the best?
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Dec 29, 2015
Dec 29, 2015 at 1:55 AM UTC
Why Are You Even Reading This?
There is delight in singing, tho' none hear Beside the singer; and there is delight In praising, tho' the praiser sit alone And see the prais'd far off him, far above. Shakspeare is not our poet, but the world's, Therefore on him no speech! and brief for thee, Browning! Since Chaucer was alive and hale, No man hath walkt along our roads with step So varied in discourse. But warmer climes Give brighter plumage, stronger wing: the breeze Of Alpine highths thou playest with, borne on Beyond Sorrento and Amalfi, where The Siren waits thee, singing song for song.
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1.8k
To Robert Browning
On campus, warm sun bathing my shoulders as I listen to two girls discuss poetry (and the dreamy guy who teaches their class) and I try not to laugh at them as they talk about how romantic I would be to have poetry written about them. I want to ask them if they are really that stupid. Instead, I bite my tongue and enjoy the taste of pennies that floods my mouth and keep my laughter gurgling inside of me. I long to ask these simpering, silly girls if they have ever read any poetry about life. Not about the romantic notions of life, but about really-real life. Poetry about blood and pain and ******* and dying and loving and art and I want to force feed them great ****** bites of Chaucer or Ginsberg or Bukowski. Yeah... Bukowski. Visceral, blunt, gory, beautiful Bukowski. But I have a feeling that this action would go unappreciated. Their poets don’t use language like **** or **** Their poets don’t talk about the world I know. Their poets live in a world of rewrite and revise. I want to scream at them how silly they are and how much their views will change over the next few years. And I realize that I may have been staring (glaring?) at them because they have fallen silent and are now looking at me with the squeamish discomfort of people who have just realized that they’re being observed. And I think to myself, **** it,” and I smile and tell them that their handsome poetry professor is married, and their idea of poetry is limited. “You should read some Bukowski,” I tell them, “Then, you just might get it” and they gaze up at me slack-jawed, staring blankly for a moment, and I want to make sure I have not sprouted another head. Instead, I gather my things and walk away. And as I do, I revel in a fleeting feeling of superiority because I know. I understand. I get it. And I can almost feel special.
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Jun 9, 2013
Jun 9, 2013 at 2:49 PM UTC
Homage to Bukowski
On campus, warm sun bathing my shoulders as I listen to two girls discuss poetry (and the dreamy guy who teaches their class) and I try not to laugh at them as they talk about how romantic I would be to have poetry written about them. I want to ask them if they are really that stupid. Instead, I bite my tongue and enjoy the taste of pennies that floods my mouth and keep my laughter gurgling inside of me. I long to ask these simpering, silly girls if they have ever read any poetry about life. Not about the romantic notions of life, but about really-real life. Poetry about blood and pain and ******* and dying and loving and art and I want to force feed them great ****** bites of Chaucer or Ginsberg or Bukowski. Yeah... Bukowski. Visceral, blunt, gory, beautiful Bukowski. But I have a feeling that this action would go unappreciated. Their poets don’t use language like **** or **** Their poets don’t talk about the world I know. Their poets live in a world of rewrite and revise. I want to scream at them how silly they are and how much their views will change over the next few years. And I realize that I may have been staring (glaring?) at them because they have fallen silent and are now looking at me with the squeamish discomfort of people who have just realized that they’re being observed. And I think to myself, **** it,” and I smile and tell them that their handsome poetry professor is married, and their idea of poetry is limited. “You should read some Bukowski,” I tell them, “Then, you just might get it” and they gaze up at me slack-jawed, staring blankly for a moment, and I want to make sure I have not sprouted another head. Instead, I gather my things and walk away. And as I do, I revel in a fleeting feeling of superiority because I know. I understand. I get it. And I can almost feel special.
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35
An old man in a lodge within a park; The chamber walls depicted all around With portraitures of huntsman, hawk, and hound, And the hurt deer. He listeneth to the lark, Whose song comes with the sunshine through the dark Of painted glass in leaden lattice bound; He listeneth and he laugheth at the sound, Then writeth in a book like any clerk. He is the poet of the dawn, who wrote The Canterbury Tales, and his old age Made beautiful with song; and as I read I hear the crowing **** I hear the note Of lark and linnet, and from every page Rise odors of ploughed field or flowery mead.
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1.6k
Chaucer
I've spent what feels like a lifetime trying to ease my way into an English world. The world of Chaucer and Eliot and vocabulary only Merriam-Webster knew. I declared a major. I don’t know if it really matters anymore, because when it’s dark and the campus is empty all I can feel are the forgotten words floating overhead like stars, whispering for me to go home, rectify the official white papers. Become something else; become anything but this. Become who? Someone who can’t feel anything but the weight of the leaves as they crunch under the lilt of their laugh? Or the one who cries outside their advisor’s office, because they read something so beautiful yet still so small, an unshared treasure? Why write? Why speak? I don’t know the answers to either. Because when you are writing, you are speaking, and one is almost as good as the other. But when the words get caught in the back of your throat and your feet are blocks of concrete, unable to move or think or feel — Is writing any better? Will writing save the invisible, or the insignificant or the unheard? The ones who disappear? I've spent what feels like a lifetime, trying to force my face into the light and take a major that isn’t really mine, dashing off poorly executed poems and flash fiction, grasping for something that might work. But in the end it’s nothing and I am still just as lost.
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May 4, 2017
May 4, 2017 at 10:31 AM UTC
Generating an English Major
for Susan He stood there in the card shop finding it hard to decide between a Chinese rose, a flock of starlings, a river scene in summer . . . They all had printed blank inside upon their cellophane wrappers. He felt blank inside when it came to words. How do you say (after twenty-six years) I love you, with that tremor and thrill he remembered when, stopping the car between Holt and the sea, he had looked into those still jade green eyes, and told her so. So he choose Tropical Birds in a Landscape Jan van Kessel the Elder (1628-79). It was Chaucer’s Technicolor Dream.  A Parliament of Fowles no less who *welcome somer, with your sonne softe, Wel han they cause for to gladen ofte, Sith ech of hem recovered hath hys make Ful blissful mowe they synge when they awake.*
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Jun 12, 2013
Jun 12, 2013 at 12:49 PM UTC
Anniversary
The drunken Navy cook was suppurative 1 with tats And the supply boat was always sunk or late Our officers would not release the c-rats So one night someone forced a lock, and we ate: Tin-can crackers, mother////ers and ham Mystery meat with beans in tomato sauce Beans and baby ////s and some heavy jam Beef slices with potatoes in sphagnum moss But Lieutenant Macbeth, a lord over the earth Found us, and then he much displaced the mirth 2 1 Cf. Chaucer’s cook in The Canterbury Tales 2 Macbeth III.IV.132-133 In the end, Lieutenant Macbeth (not the ////’s real name) could do nothing since the looted c-rats were so widely distributed that he’d have had to write up the entire unit.
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May 25, 2019
May 25, 2019 at 4:19 PM UTC
C-Rations, Lieutenant Macbeth, and Mirth Displaced
A master of characterization After moments of gesticulation Your characters become universal Images play without dress rehearsal . First created, an idealistic knight, Who teaches the perfect techniques to fight. Next danced a lad of ladies' desire . Your words described me, "a lad of fire." A counterfeit nun pilgrimed with the bunch. She starved her dogs to have a second lunch, Yet, you viewed her as whimsical and tame. The way she faked, sung, and lied was a shame. Still, I know this false Prioress today, Characters such as this wont fade away. The Miller modeled your retched Scot. I too am Scottish, but retched I'm not! Though we don't always view the world as one, I have the faint soul of your pseudo son. I too would flirt with the strong Wife if Bath, And roam with the pilgrims down that God path. Master at comic irony, you are The church was corrupt, relics in a jar Or a pardon for an extorted fee. Friars with gifts for girls could not trick thee. Twenty four of one twenty were finished, But the affects will not be diminished. They say you're number two in history. For people like me, that's a mystery. In a quill duel between Shakespeare and you, You'd leap to number one, Shakespeare to two.
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Dec 28, 2012
Dec 28, 2012 at 7:56 PM UTC
Geoffrey Chaucer Wins
When the saints...go marching in Oh when the saints go marching in Oh how I want to be in that number When the saints go marching in Of all the saints, I want to know The ones who write, I'd love to meet Oh how I'd love to meet all the authors When the saints go down the street E.A. Poe...even Thoreau Hemmingway would be ok Mailer and Andrew Taylor I'd learn to drink like a sailor when these saints come strolling in The Writers Guild...I'd be fulfilled Meeting writers long since dead Just think of what I'm learning All that knowledge in their heads I'd love to know, I'd love to know Is Bill Shakespeare who we think? Christie, Austen and Dickens This is where the whole plot thickens When the saints go marching in Is it the best, of all the books Is the bible just a tale Can you think of someone better When Melville speaks about a whale Capote sits, while Chaucer reads Bronte knits while Stoker bleeds Oh how I want to be in that number When these saints go marching in The list goes on, oh on and on There's just so many who've passed on It's a list that leads by example When these saints go marching in Oh when the saints go marching in When the saints go marching in How I want to be in that number When the saints go marching in
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Apr 1, 2013
Apr 1, 2013 at 11:20 PM UTC
When The Saints Go Marching In (Writers edition)
SO PRIKETH HEM NATURE IN HIR CORAGES Never did help my Da enough. Always head-stuck-in-a-book. "Donall son..."he call "Can you hold this while ...I saw.!" "Awwww Da!" I'd wail. Me lost in Chaucer and his tale. And so the saw saws but all I see is..."Yo!" "The Miller was a chap of sixteen stone, A great stout fellow big in brawn and bone. The saw cuts through the afternoon. Pauses: then....chaw chaw Chaucers on again. "He did well out of them, for he could go And win the ram at any wrestling show." "Say what...? Oh, don't get me wrong I adored the aesthetic beauty of sawdust floating in a universe of its own suspended in sunlight and shadow. The smell of pine kidnapping my mind. The green dance of the bubble in a spirit level. Didn't have time for all that hammering and sawing. I was a boy on a mission ever since our teacher sighing "Oh I...don't know why I teach you scruff Chaucer ...you'll never read the book!" But by the weekend ( furious at the rebuff ) I( ha ha)HAD! My poor auld Da only getting begrudging help. "Whan that Aprille..." ( the words falling like gentle rain upon my mind ) "...with his shoures soote the droghte of Marche..." (Words words oh sweet words. . .) "hath perced to the roote" (My mind. . .) "...bathed every veyne in swich licour," (the bubble in the spirit level poised perfectly...perfectly poised) "Of which vertu engendred is the flour."
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Nov 2, 2016
Nov 2, 2016 at 5:29 PM UTC
SO PRIKETH HEM NATURE IN HIR CORAGES
On the phone and in a row boat... It was there for the taking and they took it. Love lust and warm em-brace. Faces in the dark whispers joy intellect speaking miles upon miles- they were the ****** To change a generation and build upon past memoirs notations poetry prose literature - swindling no one. In the deep they did swim In the deep they did swim to find each other In the deep they did swim breaking into paper huts and liquor bottles In the deep they did swim INVENT- INVENT -INVENT! In the deep they did swim casting away the structures that were built for them- but not by them In the deep they did swim live wires of truth  justice  perseverance  principles In the deep they did swim What of Whitman!  What of Geoffrey Chaucer!   What of social demand! In the deep they did swim with no thirst for consequence In the deep they did swim for life's love eroticism passion of words In the deep they did swim ...for the beat generation
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Jul 15, 2015
Jul 15, 2015 at 10:14 AM UTC
on the phone and in a row boat
We called our maths master *** happy Chappie,  Mr Chapman stank to high heaven like an ash tray and smoked like a chimney even while taking class. We called the English teacher Jesus because he was young, bearded and wore a white suit. One of the lads flicked ink all down his back one day without him noticing as he walked up and down between the desks. Another English teacher took it on himself to teach *** education. He advised us not to ********** the night before an exam. He doubled up as a career adviser and told everyone to go into banking or insurance. The history master liked to nod off in lessons when he was supposed to be teaching us and we had to stay completely silent. If anyone made a noise he would yell at us, and he would sometimes hit us with a tennis shoe with a golf ball jammed in it.  He wrote Stoke City for the cup in chalk mirror writing on the sole so that it would come out on our backsides when he whacked us. The first headmaster was nice, we liked him, he was human. But then *** took over. He tightened up the rules about school uniform, no coloured shirts, things like that, but wore luminous green socks himself, the silly ******* He gave me the slipper for sciving off an afternoon once, I hated him. I think if I'd had a gun I might have shot him.  Someone said they think he's dead now, and I thought good, I hope he died in agony ha ha. Then there was Mr Eaton, another English master. He was one of those truly inspiring teachers whose enthusiasm for his subject was infectious. On the day he introduced us to Chaucer's  'The Prologue '  he gave us the text and proceeded to recite from memory the whole thing.  I never forgot that.   It was a mixed experience, Grammar School in the 1970's.
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Jan 23, 2016
Jan 23, 2016 at 10:45 PM UTC
Ashford Grammar School
We called our maths master *** happy Chappie,  Mr Chapman stank to high heaven like an ash tray and smoked like a chimney even while taking class. We called the English teacher Jesus because he was young, bearded and wore a white suit. One of the lads flicked ink all down his back one day without him noticing as he walked up and down between the desks. Another English teacher took it on himself to teach *** education. He advised us not to ********** the night before an exam. He doubled up as a career adviser and told everyone to go into banking or insurance. The history master liked to nod off in lessons when he was supposed to be teaching us and we had to stay completely silent. If anyone made a noise he would yell at us, and he would sometimes hit us with a tennis shoe with a golf ball jammed in it.  He wrote Stoke City for the cup in chalk mirror writing on the sole so that it would come out on our backsides when he whacked us. The first headmaster was nice, we liked him, he was human. But then *** took over. He tightened up the rules about school uniform, no coloured shirts, things like that, but wore luminous green socks himself, the silly ******* He gave me the slipper for sciving off an afternoon once, I hated him. I think if I'd had a gun I might have shot him.  Someone said they think he's dead now, and I thought good, I hope he died in agony ha ha. Then there was Mr Eaton, another English master. He was one of those truly inspiring teachers whose enthusiasm for his subject was infectious. On the day he introduced us to Chaucer's  'The Prologue '  he gave us the text and proceeded to recite from memory the whole thing.  I never forgot that.   It was a mixed experience, Grammar School in the 1970's.
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8
I’m a fan of my own poetry I think it is most fine I cogitate on every word I swallow every line Of all the words I’ve written I hold each poem dear No matter stones that you might throw Nor how rude your Brooklyn cheer I’d rather read my words of wit Upon a restroom wall Than Suffer Will and Chaucer’s Works; inside some fancy hall Folks today never talk like that That train left long ago So give me five my brother Make it high; or make it low Come share my homespun wisdom I don’t promise it will rhyme But you won’t need a college sheepskin To interpret every line I write words plain and simple So a child of nine or ten Can enjoy every story As he reads them in the den And I don’t need no critic To explain or to expand What the words meant when I wrote them Because they’re already plain If I never sell a single book Well that will be just  fine For I’m a fan of my own poetry And will read you every line
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Sep 25, 2010
Sep 25, 2010 at 11:57 PM UTC
The Fan (tongue-in-cheek)
the small wooden floor room where she spreads her trinkets her mystery box spells and potions in tiny bottles she lay there amidst her tokens and treasures and sings softly along with a song that plays in the distance on a radio a song that speaks to her of simpler times and beautiful people of a better world we all left behind decades ago a world she could rejoin if she belived hard enough the days when she holds enough hope there is a smile and she faces out towards the sun but i dread the days when she captures a glance at the reflection   of her fast vanishing days and how little things have changed in her life her smile is gone on thouse days her face is a shadow i must carry her through days like that she needs my strength to keep from getting trapped the crisp blue skies frame the giant oak tree that we lay under leaves float down here and there with vivid fall color you can taste fall in the air you can feel it in the texture of her conversation as she talks of hallows eve and Christmas William Tell Ivanhoe and Chaucer its the season for dinner theater its the season for a bottle of red wine in the sand by the river and the tales to be told grand ventures to be undertaken in bold and fast words alone she takes your hand and with a deep smile touches your lips with her fingertip and begins to speak but you never get to hear what she would have said you awaken sheets soaked in sweat twenty years on and she still visits you near every night sometimes its her on the beach where she died sometimes its the weeks that lead up to that godforsaken day twenty years twenty years twenty years
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Aug 10, 2013
Aug 10, 2013 at 2:53 PM UTC
potions in tiny bottles
the small wooden floor room where she spreads her trinkets her mystery box spells and potions in tiny bottles she lay there amidst her tokens and treasures and sings softly along with a song that plays in the distance on a radio a song that speaks to her of simpler times and beautiful people of a better world we all left behind decades ago a world she could rejoin if she belived hard enough the days when she holds enough hope there is a smile and she faces out towards the sun but i dread the days when she captures a glance at the reflection   of her fast vanishing days and how little things have changed in her life her smile is gone on thouse days her face is a shadow i must carry her through days like that she needs my strength to keep from getting trapped the crisp blue skies frame the giant oak tree that we lay under leaves float down here and there with vivid fall color you can taste fall in the air you can feel it in the texture of her conversation as she talks of hallows eve and Christmas William Tell Ivanhoe and Chaucer its the season for dinner theater its the season for a bottle of red wine in the sand by the river and the tales to be told grand ventures to be undertaken in bold and fast words alone she takes your hand and with a deep smile touches your lips with her fingertip and begins to speak but you never get to hear what she would have said you awaken sheets soaked in sweat twenty years on and she still visits you near every night sometimes its her on the beach where she died sometimes its the weeks that lead up to that godforsaken day twenty years twenty years twenty years
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And as smoke snaked from between your lips Like the angry ash of inactive volcano, You said “They’re all a bunch of crackers, no good, no fun, no nothing.” I smirked as I tasted Parliament in your gums. “That’s enough now, let’s party” and we certainly did. You (featuring me) hit up every street and every open door; we heard the Music bleeding in the road, shaking the feets of the young dead. As their ears crinkled, their mouths dried, And their halos melted, I thought I heard you humming Satie. But you were only coughing up nicotine In rhythm to the dying song of an overdosing art student.
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Feb 15, 2010
Feb 15, 2010 at 9:43 AM UTC
You ******* about your class on Chaucer,