"bawds" poems
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the black bird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
6k
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
- Wallace Stevens (not me)
May 2, 2015
May 2, 2015 at 11:04 PM UTC
LOQUITUR: En Bertans de Born.
Dante Alighieri put this man in hell for that he was a stirrer up of strife.
Eccovi!
Judge ye!
Have I dug him up again?
The scene is at his castle, Altaforte. “Papiols” is his jongleur.
“The Leopard,” the device of Richard Coeur de Lion.
I
**** it all! all this our South stinks peace.
You whoreson dog, Papiols, come! Let’s to music!
I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing
And the broad fields beneath them turn crimson,
Then howl I my heart nigh mad with rejoicing.
II
In hot summer I have great rejoicing
When the tempests **** the earth’s foul peace,
And the lightning from black heav’n flash crimson,
And the fierce thunders roar me their music
And the winds shriek through the clouds mad, opposing,
And through all the riven skies God’s swords clash.
III
Hell grant soon we hear again the swords clash!
And the shrill neighs of destriers in battle rejoicing,
Spiked breast to spiked breat opposing!
Better one hour’s stour than a year’s peace
With fat boards, bawds, wine and frail music!
Bah! there’s no wine like the blood’s crimson!
IV
And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills all my heart with rejoicing
And pries wide my mouth with fast music
When I see him so scorn and defy peace,
His long might ‘gainst all darkness opposing.
V
The man who fears war and squats opposing
My words for stour, hath no blood of crimson
But is fit only to rot in womanish peace
Far from where worth’s won and the swords clash
For the death of such ***** I go rejoicing;
Yea, I fill all the air with my music.
VI
Papiols, Papiols, to the music!
There’s no sound like to swords swords opposing,
No cry like the battle’s rejoicing
When our elbows and swords drip the crimson
And our charges ‘gainst “The Leopard’s” rush clash.
May God **** for ever all who cry “Peace!”
VII
And let the music of the swords make them crimson!
Hell grant soon we hear again the swords clash!
Hell blot black for always the thought “Peace!”
2.6k
He only appears in the pouring rain
When all the gutters are clogged,
I asked if anyone knew his name
They said, but my ears were blocked.
There wasn’t a thing you could hear out there
For the water, bubbling through,
The rain’s refrain in a noisy drain,
The thunder and lightning too.
You’d see his shadow on distant walls
Thrown there by a gaslight flare,
And catch the shape of his stovepipe hat
Flitting both here and there,
They say he’s waiting for dollymops
Just as they’re starting to run,
As night is chasing the day away
And rain’s blotting out the sun.
Then rumour has it, the Ripper’s back
We’re waiting for blood and gore,
We’re tense, awaiting the first attack,
For that’s what the Ripper’s for.
They say he chews on his victim’s bones
Then eats their liver and all,
The streets will fill with their awful groans
As blood will spatter a wall.
And then the sound of a horses hooves
Pulling a Landau coach,
Its wheels a-rattle on cobblestones
Just as he cuts their throats,
Perhaps he’ll lure them to take a ride
In that black, square box on wheels,
Then all that slashing goes on inside,
God knows how a razor feels.
We sit and muse in the Hemlock Inn
A dollymop on our laps,
And feed the terror they feel within
Filling in most of the gaps.
They turn to us for protection then
So we gain their favours cheap,
And keep on telling those same old tales
Til the bawds curl up, and weep.
Whenever the fog and the mist are thick
And the lamplight’s just a glow,
We make our way to the Hemlock Inn
Where the skirts are raised, you know,
Then say his shadow’s been seen again
Just to make the bawds all shriek,
‘He’s getting ready to pounce, and then…’
He’ll be there again, next week.
David Lewis Paget
Jun 28, 2015
Jun 28, 2015 at 10:23 PM UTC