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taylor kathleen Jul 2014
life can deliver unexpected news
the way you handle the outcome is something to choose.

hazel grace was young when she was dealt her fate
cancer consumed her thyroid then lungs, she deteriorated at a slow rate.

she never did give up, even when hearing her mother's sobbing whispers of believing she would die
hazel regained strength enough to attend activities in the literal heart of jesus with the ball-less, guitar guy.

then one day augustus waters appeared out of the blue
blind isaac's friend without a leg and a half smile hazel viewed.

he stared at this sickly teen with compassion and curiosity in his eyes
hazel stared back wondering why anyone would fall for a person that would soon die.

augustus pulled out a cigarette and placed it in between his teeth
a metaphor that could never **** him but brought comfort beneath.

after the lesson he immediately made plans to watch a movie
he drove like a maniac but hazel thought he was pretty groovy.

the time she shared with this new soul was overwhelmingly amazing
the cancer was soon forgotten and their mutual desires were blazing.

she revealed her one kept secret- an imperial affliction
her favorite book and his the price of dawn- max mayhem's adventures became her new addiction.

he loved her natalie portman style, oxygen tank phillip and witty charm
she loved how he never let his cancer make him feel alarmed.

he was on a roller-coaster that only went up, that was his daily quote
hazel felt intrigued by this optimistic note.

she slowly relapsed when water filled her lungs
telling her dream guy to leave this grenade while their love was still young.

after a youth-cancer meeting, isaac grabbed monica's ***** and repeated two syllables to this pretentous ****
and when hazel and augustus listened to "always"- he knew he could never let his new soulmate run.

monica ditched isaac when hearing he would lose his sight
augustus let his best friend break his existentially-fraught free throw trophies and throw eggs at her car with all his pain and might.

phone calls/texts quickly showed "okay" was hazel and augustus' term
this was a word that portrayed their love could always be reaffirmed.

a swing set in hazel's backyard soon brings her to tears
augustus helps her give it to a new family to use for many years.

they fell in love with the way you fall asleep, slowly then all at once
their love grew unbreakable in those shortly shared months.

although augustus knew the world was not a wish-granting factory
he had a plan that he believed hazel would think satisfactory

hazel's dying wish was used in disney, augustus ashamed but still kept his for the perfect time
to see author peter van houten was a dream for hazel and he made it come true- they would see him in amsterdam while still in their prime.

a night in amsterdam hazel will never forget: drinking star-infused champagne and eating decadent food with a boy who wore a suit for the dead
later they shared intimacy and hazel grace left a diagram for her love- augustus was no longer a ****** with one leg and he chuckled at what she said.

the next day they went to see the genius van houten and hazel dressed like ana trying to contain her emotions
turns out he was simply a rude drunk and after calling him "******-pants" they stormed out but the ****'s stewardess came with a kind notion.

she took them both to the house of anne frank
sharing a kiss words cannot describe, they left and gave thanks.

before leaving back to the states, hazel could tell augustus holds back
he finally states the cancer lit his body like a christmas tree and hazel's heart felt attacked.

back in indiana she cares for her dying lover
she finds him trying to buy cigs and infected from his disease, he was trying so hard to cover.

augustus knows he is going to die so he asks isaac and hazel to meet him in the literal heart of jesus, each with a eulogy
he wants to attend his own funeral, hearing isaac crack jokes and hazel thanking him for their little infinity was stated so beautifully.

a few weeks later augustus dies
no energy for living, hazel cannot remove the tears from her eyes.

she did not share her heart-felt letter at his funeral because she wanted their love to remain within each other's hearts
she dictated kind words then was greeted by van houten, finding out his daughter was ana and died from cancer, drinking eased the fact that they would always be apart.

isaac relinquished to hazel that augustus wrote to her before his time ended
van houten e-mailed his writing and her heart was truly mended.

reading his ideology that he liked his choices of who hurt him and he wondered if she did too
taking in this precious letter hazel whipered, "i do augustus, i do".
#tfios #poetry #summerbook #hazelgrace #augustuswaters #truelove
Gossamer Feb 2014
You scared me, Augustus, you really did;
I hate the feeling of smoke in my lungs, and yet
I found myself wishing I was cancer-free
So I could stand with you as you pulled out a cigarette.

But you just held it there between your lips;
It was the epitome of a metaphor,
And I stood there in utter disbelief,
Wanting more and more and more.

And the more I got, the more I loved -
Even your horrid driving (I’d drive with you
Until the end of time, Augustus, it wasn’t your
Time, Augustus, I’ll say it again, “I do.”).

These tears are a side effect of love,
And the fault was in our stars, but someday
We will unite again, Augustus, because our
Love is immeasurable and immortal, okay?
*contains spoilers
*Hazel's POV
*all quotes from TFiOS and belong to John Green
Mateuš Conrad Jul 2018
.wow, i never thought it would ever be possible,
i'm sorry, i have no empathy for these youtuber "creators",
any idiot can regurgitate the news,
venture into vulture journalism,
  then again: gone are the days of closely associated
with people like Bob Woodward and Carl Bernstein...
they are really gone: what the hell was gamer-gate
compared to watergate? gate after gate,
and all i'm hearing is response videos,
it should have never come to this,
whereby journalists are as untrustworthy as politicians,
and of what remains, come the saturday and
the sunday editions, when the petty bourgeoisie
come out of the woodworks of a week,
album reviews, book reviews, t.v. reviews,
restaurant reviews: real, real journalism,
all the grit you'd expect from a warzone...
           journalists forgot they were not kindred spirits
of politicians: but immediacy historians...
the front-line history chroniclers...
i find... these days, esp. these days...
    you know why i like heidegger so much,
and forget the fact that he joined the **** party?
in 1938 he was already disillusioned by it...
so the ad homine fallacy bites the dust...
   even a **** deservers a redemption...
but i find that these days, of all days...
   man, as a historiological creature has to bow
before the unshakeable facets of the biological man,
esp. in the english speaking world...
    in terms of history and biology:
     history has all the fun stories,
and a sensible "concern" for time,
   well... if not "concern" then at least a bearbable
time-frame...
                  after all, i am the one who said:
all the great deserts of the world,
akin to sahara? they were once great
mountain ranges... you already know where
to look between a mountain range akin to the alps
and a desert... bound to h'america...
   monument valley: utah...
  a mountain becomes a rock after a while...
while the desert expands...
    ayers rock (uluru)... but monument valley (utah)
is a transition period between a mountain range
and a desert, if we're going to stand outside
of all space and time, and look back in...
we have plenty of time to catch-up on...
           just like i believe that black holes
are actually 2-dimensional objects:
   that spin really fast, giving an impression
of them being 3-dimensional objects:
as usually represented by a gravity dip associated
with them pulling matter into themselves...
i think that black holes are paradoxes...
since how can a 2-dimensional object
actually exist in a 3-dimensional space?
   that depends on the size of the "3-dimensional"
object / space... the universe is a medium,
it's defined as a "space" but to me...
      it's beyond space... it's only space on the grounds
of isolated time, 365 days,
the time and space it takes for the earth
to orbit the sun... which is an isolated example,
outside? well: there's atmosphere on earth,
outside? vacuum!
who's going to prove my theory wrong?
               not anyone in my lifetime -
besides the point with these youtube content
"creators": where credit is due, credit is due,
but once might have cared for their vulture
journalism... two old farts akin to felix (black pigeon
speaks) and sargon of akaad talking about how:
the youth are congregating to youtube to listen
to music: that's what i've always done...
  i discovered these youtube "creators" by accident,
i just wanted my jukebox back, man,
i wanted my algorithm back, my imprint back,
now that the devil's dozen scenario took hold
of the platform: 1 video playing, 12 back-ups...
and they're all the same, unrelated, *******...
        talk all you want, please, just give back
my algorithm imprint, where i can discover new music...
again... i never thought i'd see another
compilation video, 173 videos bound to one...
and, mind you... after finding about 6 googlewhacks
(googlewhack? when you use the sort of
language that provides you with only one search
result on the behemoth platform of billions
of results, 1 is grand, but 6? it's becoming too
predictable)...
                        so here's what i found
   (band - song):

wooly mammoth - mammoth bones / kyuss - space cadet,
rainbows are free - last supper / grand magus -
                                                mountain of power,
zed - lies / om - cremation chant I & II,
    smoke - hallucination / weird owl - white hidden fire,
orchid - son of misery / witch - seer,
               unida - you wish / black mountain - old fangs,
b.r.m.c. - ain't no easy way /
              jack daniels overdrive - ****** to death,
shrinebuilder - blind for all to see,
                   datura - mantra / the heavy eyes - voytek,
the machine - infinity / clutch - the regulator,
   colour haze - mountain / maligno - son of tlalocan,
dozer - twilight sleep / gomer pyle - albino rattlesnake,
blockback - dead mans blues / greenleaf - witchcraft tonight,
cactus jumper - right way / borracho - bloodsucker,
alabama thunderpussy - motor ready,
                    earthless - sonic power,
my brother the wind - death and beyond,
   zaphire oktalogue - carrion fly / siena root - reverberations,
unida - slaylina / pothead - toxic / sungrazer - mountain dusk,
   rotor - costa verde / blizaro - it's in the lighthouse,
planet of zeus - woke up dead,
     kongh - pushed beyond / ufomammut - smoke,
high on fire - to cross the bridge,
              the secret - bell of urgency,
      unida - wet pussycat / dozer - big sky theory,
cavity - chloride / brutus - swamp city blues,
the grand astoria - something wicked this way comes,
sasquatch - the judge / pharaoh overlord - skyline,
baby woodrose - love comes down / kamni - **** of satan,
lay with me - the flying eyes / cowboys & aliens  -
                                                out of control,
sons of otis - liquid jam / hainloose - recipe,
    ridge - rancho relaxo / bongripper - ****** sutherland,
skraeckoedland - cactus / grails - satori,
    lo-pan - chicken itza / five horse johnson - people's jam,
blind dog - don't ask me where i stand,
     wiht - orderic vitalis / hisko detria - nothing happens,
liquid sound company - leage for spiritual discovery lives,
   goatsnake - black cat bone / gandhi's gunn - rest of the sun,
the egocentrics - wave / propane propane - it's alright,
heliotropes - ribbons / mother mars - price you pay,
che - the knife / annimal machine - condenado,
   earth - tallahassee / the whirlings - delirio,
orchid - heretic / maeth - horse funeral,
siena root - rasayana / graveyard - longing,
           tia carrera - hell / hainloose - recipe,
      burner - five pills (and a bottle of whiskey),
dala sun - guilty for ****** / vulgaari - lie,
        slo burn - muezli / stonehelm - zombie apocalypse,
smallman - evolution / spiders - fraction,
         shakhtyor - e. jaspers / earthmass - lunar dawn,
evoke the lords - dregs / colour haze - silent,
     sutrah - el septimo viaje...

  

who are "these" people,
who: "supposedly" live for the future...
they always cite it,
as the one motivational
momentum of the present -
it's as if they've never seen
a bull itch the ground
with its front hoofs -
   imitating building up momentum
before a charge...
or how a slingshot,
or how a bow works...
   to these people,
the ******* sideways movement
of a bow against a violin...
sometimes...
      you do not retreat into
the past, to hide, to amount
to nostalgia...
     sometimes
the only reason for the reflexive
affirmation, confined to maxims
and aphorism, nay: even poems!
is to look back...
     to reap what was once
sowed, rather than sow blindly,
and reap: what no one wants
to reap...
    drunk? getting there...
       it felt so relaxing paying off
a 100 / 250 part of a debt
i owe her...
            while buying a russian
standard liter,
   asking for a 100 cash-back
of the supermarket cashier,
- the limit is 50,
   but if you buy something else,
i can give you another 50...
- oh... ok...
   so me went to and took a bottle
of shveedish cider...
   rekorderlig...
   mind you? the swedish,
what they perfected fermenting
better than what the the irish claim
to fame is?
    sorry... magners:
               irish? stick to the guinness...
(it's actually the only cerveza
i'd go into an english pub to
drink from the tap... bottled? canned?
not the same)...
     but with such swedish delights
such as the above mentioned,
  ålska and K  ö   nigsberg
                            *œ
?
no competition... the suede(s) just
do one thing grand...
    cider...
- what was i talking about?
  ah... the "dreaded" past...
     the people who say:
  but you can't live out a life,
   holding onto a private past,
a memory...
    so... these other ******* were
allowed to implant a false
past, unrelated to me,
teaching me whether it was
Newton, or Leibniz who first
invented the infinitesimal calculus
method?
                i'm betting on Leibniz...
after all... he took the position
of a ******* librarian...
   and he wasn't buried with pomp
& circumstance at Westminster Abbey...
sometimes...
         one person can't have it all...
but if the education system
is a system that is indicative for
the erosion of memory, esp. private
matters... and juggernauts in
with these selective rubrics of science
and history...
fair enough the basic
implants: numerical arithmetic,
and lettering arithmetic -
    and then... lessons in mental
entertainment... when applied
           to menial labour...
memory is: supreme...
          i can't give my memory up...
that's what: killer proteins
eating the fat tissue of the brain
like starvation in reverse
        of a case of Alzheimer's?
memory is: cameo cinema -
    however distorted it might be,
although i beg to differ on
whether time per se,
  is not the better psychedelic
component
when coupled with memory -
esp. the cinematic aspect of memory...
there was never a "living" in
the past -
      there was a point about memory
to sharpen the edges of
    "dasein"... all speculation and
questions regarding consciousness,
as championed through
a chimpanzee's *** are somehow
pointless:
    given there's a higher tier of
conceptualization -
   working from dasein...
            hierjetzt -
      or in english?             presence...
- because why would i treat
a personal memory,
like some inorganic entity of
a schooling system,
under Catholic measures,
  that made it necessary to include
Pythagoras... but not Horace?
that's inorganic memory...
and unless i turn into some
inorganic entity -
   the organic aspect of my psyche:
my past, my cameo cinema?
   that's going to be a leech,
attached to me...
  and i'm not going to give it up,
just like... when i walk about
my door, and enter the england
that i know on the peripheries...
i'll speak the lingua franca -
     but with my privacy?
    you'd better cut my tongue off
before i stop speaking
my western slavic heritage...
    and it pains me...
when certain groups of immigrants...
don't know the POINT
where immigration becomes
insensible... self-lacerating...
           i once hated their approach...
now i just pity them...
anyone ****** can juggle
     two oranges rather than three...
p.s. old school cure for a cold?
forget the pills...
   glass of warm milk,
  an egg yolk,
     and a good scratch of butter...
  (on the rare occasion,
  milk infused with garlic)

mixed together...
before bedtime...
  if the ****** won't sweat out
the bacteria during the night...
     well... stick to the synthetics...
i'm pretty sure i know why i drink...
certainly not to: PARTY PARTY PARTY...
i always aim for
the one safety net of "pharmacology"...
ssssssssleeeeeeeeeeeeeeeeeeeeeeep.

p.s. so much for children loving their
parents...
        in vitro and the whole
m.g.m. debacle:
so, sweet little *******,
       no *******, no chance for your
for a quickie satellite launch date from
Tehran, under all the weight of
monotheism turned secular...
christianity: the only "monotheism"
with overt tinged of polytheism,
lutheran, baptist, catholic, orthodox...
just today i opened my door twice...
once to a confused curry house delivery man:
did you order some food:
i too replied with a confused look
and the word: huh?! no.
then a black woman with a a white ol' granny
came by with a leaflet...
the jehovah's witnesses were on my trail...
lucky of my grandfather,
   the profanity brigade of the hebrew name
i will not dare utter came by...

  and if you have lived a good enough life:
memory? memory beats hollywood
technicolour and CGI...
at least in the cinema of memory i always
get to play the cameo (role)...

oh i get the youtube creators:
   living with his parents... still. aged 33...
funny that i don't mind them,
since they're getting older they're settling
into their solispsism,
        annoying as ****, but i stand them,
thank god the protruding caduceus veins
on my phallus protected me from
a circumcision...
  i can ******* like a girl with a web-cam...
no scented candles:
the no. 1, 2 & 3 on the throne of thrones...
the toilet, simultaneously masaging my ****
and prostate...

men were not exactly supposed to derive
pleasure from ***: they were,
supposed to give pleasure,
and in giving pleasure to one outlet,
they were subscribed to finding out what
best pleases them: ergo?
women would always derive more of
the people from *** than men would ever...
*** is not a story of bragging about
a harem... the woman lies flat...
the man pumps her...
after all... she is the one burdened
to carry a child, why wouldn't she be
the one deriving more pleasure from *** than
a man could ever?
72 virgins! ha ha!
   ah ha ha!
             what's the ratio?
   last time i checked... a 3 hole caravan...
of a woman's worth...
   mouth, ******, ****... and man?
only two points of entry, well...
"entry"...
                    seems that the tomatoe,
really is a fruit, but is treated like a vegetable
nontheless!
homosexuality in the 1960s...
william burroughs in Tangiers...
                    when Islam was quiet radical...

well... i cook, i clean...
                what are my other options of continuing
to write and living the ed gein "lifestyle",
i tried getting social housing in england,
but, i'm not a somali with two wives and a dozen
kids...
              rent, in london?
extortion...
                   housing shortage...
                 well there's me hating my parents,
the outside world just needs to see
an ed gein imitation...
               or there's me living off acorns
in the woods, or rummaging on the streets,
making the N25 bus from oxford st. to ilford
my own personal mobile hotel as a homeless
man in london...

   i think it's time to succumb to your
parents prejudices, if only for the jokes,
no point in making ethical high judgements
to fit into a zeitgeist narrative surrounding
yourself with people: you'd never eat a meal with...
that's how i define the highest form of respect:
if i'll eat with you: implies that i respect you...
i drink alone...
a high school fwend once thought he could
bribe me with his company,
that i "had to" drink with him...
      no... not really...
          i much prefer drinking by myself...
these days you're not expected to honour your
mother and your father,
i.e. make them proud...
               honour is a double-edged sword...
just don't be ashamed of having
a mother or a father...
not that hard: given western divorce rates...
i.v.f., frozen eggs... yadda yadda yadda...
lucky me in having went to university...
oh... really? so much cooler in a cosmopolitan
environment with your contemporary
flat-mates?
               get the picture?
                 paying rent while literally living
in a diguised cardboard box?
i can't help the fact that poetry doesn't pay...
that there are economic factors beyond
my control in play...
   maybe if i was the grandson of my parents,
born in england, and not elsewhere,
there would be some sort of + leverage...
for a bricks and mortar start-up...
plus... i hoard...
         books and music...
                     mind you:
neither of my parents spoke english as their
mother tongue...
  neither did i...
they didn't teach me this tongue:
i had to teach this language by myself:
for myself...
           aged 8: thrown into the deep end
of the pool: now swim ******, swim!

i just feel sorry for the immigrant parents
who gave birth to their children into the *****
of the land they immigrated to...

two days ago i found a heartbreak,
a romanian couple, with a child...
the father was stubborn in teach his daughter
his / her native sprechen...
romanian... but she was already speaking
perfect antithesis of accent kindergarten english...
and almost non-responsive to her tongue
alligned to her biology...
    clearly she was born in england,
but her parents were both romanian...
i've had that conundrum in my head
for a long time...
   what if i married an english girl...
and i was unable to teach my offspring
my native language,
what if i had to silence my native tongue,
"forget" it, or only speak it by myself,
via reading a book in western slavic?
what if the woman i married:
wouldn't see the benefits of bilingualism,
outside of the mainstream economic
mantra of ensuring your children
learn either german or mandarin or arabic?
that worried me...
          oh believe me, i enjoy my lapses
into english: since i am providing the groundwork...
but in the case of having offspring...
e.g. teaching them the western slavic tongue
so they could speak to their grandparents
(i.e. my parents)...
       even my grandparents lament
the scenarios when a woman would marry
an austrian... and she wouldn't teach
her children her native tongue,
and when the grandchildren would visit their
grandparents... they'd be speaking
a crude variation of braille, morse,
   sign-language: na migi...
               i know that my mother is alive
in me even under this veil of english...
because she's more than the womb,
the genitals of my conception, the breast fed off...
she's also the Atlas of my vocabulary
of the "hiding" tongue beneath this one...

i already knew the "game" was rigged from
the get-go... i've seen how one hindu woman
suffered being married to a scouser...
she never managed to pass on her language
to her children,
she bought a library, thinking her children
would succumb to learning: however poor
they might end up being...
but she was suffocated by the english
tongue of her husband...
and her children didn't express even the most
vague of desires to learn their mutterzunge...

that's what worried me to begin with,
marrying an english woman i was afraid
of the ignorance that someone bilingualism
was en route toward a psychiatrist disorder
i was diagnosed with: schizophrenia...
this anglophonic ignorance still scares me...
like: everyone is expected to speak the revisionist
globalist lingua franca: this anglo lingua...
if i didn't meet a bilingual / polyglot woman,
i'd return to rearing idiotic children...
anglo lingua was only supposed to be a middle-ground,
a "no man's land"...
             a language of trivial economic transfers...
a language primarily orientated around usage:
rather than an ethno-centric basis for "englishness"...
to **** with: god save the queen...
the british grenadiers' fife & drum...
                 old scot dragoons': auld lang syne...
those where my forever anthems...
see...
        what gave birth to a jihadi john?
his mother "forgot", his father "forgot":
his "mother" forgot, his "father" forgot to speak
the "ancient" tongue...
there's a point to integration of the immigrant,
an immigrant is a forgetful creature,
an ever pleasing creature...
never to mind himself as an ex-pat...
you ****** forget your mutterzunge...
you'll be speaking in cockney accents
with broken affairs of arabic beheading people
for zombified reasons of grandeour!
*******...
          you, you: you are to blame!
you were so ashamed of your parents that you
delved on honoring them to the point
of thinking giving pride unto them was very
much akin as keeping shame away from
their girdle of the wedlock of your own existence!
death has not made your a martyr...
i guess you deserve those 72 mishaps,
those 72 annoying voices...
and i pray to god that you receive your reward!
i hope that among the 72 you will never find
a chance a repose to find your: self!

integration is one thing,
pandering to the "elites": plebs who think they
are kings among the plebs,
is quiet another...
plebs who go places and think english
is a universal tongue: just because
uncle sam says so...
of those i respect:

y cymraeg: pwy dal eu tafod...
an gàidhlig: cò fhathast bruidhinn an cuid teanga...
i nawet moim: co ma mówić
to nawet tyle: co znaczy tak niewiele!

there are boundaries... learn the customs
of the natives, but ensure you retain the customs
you were born with...
a child, born in a foreign land,
ought to ensure his parents teach him
the words to speak to his grand overseers...
complete immersion,
this cultural abortion,
this cutting of the umbilical chord
from: i have never met a people so
content at having been subjugated outside
the indian sub-continent,
cricket... for ****'s sake...
       as to demand other europeans
to treat them as superiors,
when sitting alongside an englishman...
****-bud-bud, the **** are you on about?!
once again: england has become the circus
for the grounding of what began
with engels and marx...
   wasn't communism born from
engels and marx observing english society?
sure... first experimented en masse in
mongolia... but its origins?

   so of course i had problems finding a suitable
mating partner... i was afraid that my nativ-zunge
would die a slow but solemn death...
that an english bridge would not consider
the worth of a bilingual child, or a polyglot,
or that she would repress the chance of my
"biological continuum nuance" to respond outside
of the anglo lingua refrain of: beside the english language?
there are quiet a few one might want to learn...

it's not easy being a first generation immigrant,
esp. if you moved aged 8, mute as a wolf
to a domesticated dog's barking...
but hey, no jihadi john in me...
           jihadi john should have been raised
bilingual... i wouldn't be the one speaking broken
tourist arabic while beheading someone...
jihadi john spoke tourist arabic...
the dichotomy of the mind to the biological
reality, beside the current, western,
"biological relativism" debate...
      clearly darwinism was "wrong"...
man is, these days, left with neither a biological
reality, nor a historical reality...
              but there is a historical reality:
but it's so knit-&-picky...
come on... philip augustus of the capetian
dynasty?
                 casimir III...
                        jeremi wiśniowiecki...
konrad I of masovia...
                           kuno von lichtenstein...
alles ist gott: und gott ist alles -
  gott mit, uns!

              mit eine leben wert leben:
    erinnerung ist die nur kino
             wert sehen eine film beim;

hell... could be worse:
   i might have translated some latin
of horace into pig-trough comfort food.
Mateuš Conrad Sep 2015
it's not the case of irrationality with the usage of pronouns as a way of being assertive away from the existentialist dittoing of the pronouns; even if i utilise the pronoun to be a noun or a verb via dittoing, with the framework of an esp. exemplar "irrationality," i am still, after all, the speaker of the noun and verbs, and the keeper of them; i am not irrational to the extent that i ditto myself outside of other categorisations of words, since dittoing myself within the pronoun category opens the accusation that i use all other words with ambiguity while allowing no moral ambiguity into my actions - but there is a clear morality to the use of words as the worthwhile exchange of meaning, in newtonian sense in the least and foremost not going beyond the dropped stone or insinuation of passerby engagement into games - but clear crisp cut - silk scarf tagged twelve quid was sold on the haggle for ten quid - so that haggling wasn't an ambiguity, but the price of the scarf was! so how many sexualised insinuations have i heard with impromptu to no action?! too many! all of them declassified from furthering action because of too much innuendo and nuance of that famous disguised dialectics lost - known as the death of god. cartesian in existentialist terms, thinking presupposed as the notation via "i." thought no longer as an existential certainty... but because of the dittoing of pronouns... an... ambiguity! well it was originally an ambiguity, but why excess pausing to counter? the english are a nation of shopkeepers... yes... and the french are a bunch of nosy café patrons with rude lovers disguised as bartenders muscle aching to munch the next croissant in drag and feel sexed up gagging.

verum, ego scribere similis rumi*; scribbles and similitude -
worth an afghan worth of eyes in syria for an afghan girl
saying to her loved up something or other:
see it come back, god forbid you hear the calculative laugh
of augustus on the way back, just while europe resigns from involving
the remnant slavs like libyans or syrians or hebrews in the original format
of strength: let the hebrews deal with them
in their own vatican - we need to curb north africans
and the mid-middle-eastern olives
when taking over the northern peoples for economic harvests.
but then the madman laughed without ordinance and impunity -
he laughed augustus' rationalism into the grave of choking chock fudge brussels
with spare tonsils eating nothing but cauliflower and lard -
elsewhere in movie via ghent; or was it in bruges or
was it in brussels starring jean claude van damme?
i call it... writers went mad on excess phonetics never readied
or introduced - except with magritte wearing a diaper
rather than a full james bond when painting.
i heard it was a proper heist to keep the police numbers handy,
i had it all tanned in argumentation for hued brown in the nordic
special; oddly enough no nordic special sailed for a sinking of the vasa
with predestination - airport was nice - we argued then -
we're not a continent of north harmonicas with jokes
between mythological four lead clovers and oak real canada threesomes.
well i was a continent with croatian and scandinavian,
i'm not originally a mc donald continent - although that 'MADE IN CHINA'
helps to resolve all future wars with the silkworm beginning:
rodeo in the haven of horse's burp and fall of the cheap spain due to tourism -
old continental had corrida - new continent has rodeo -
somewhere between the ****** and maidens came oceans elves for a bet on
who could write a horse out from riding into a blunt metal clasp of stirrup eager sounds:
or a twenty aged colt sounding like an eighty year old nail wrinkled with rust hammered.
blunt metal won, horse gasped for air, the ***** was taken home with stitches,
the maiden was taken home with a groom in stitches also, although
stitches of old age prior asked for in her meringue dress to suit: wrinkles;
but hey! there's **** in between! who's the loser, the aviator or the aqua puncture of thought?
but still augustus laughed it off with nero on the waiting list of possible re-encounters;
israel received the southern cicero of the roman empire,
while the rekindled empire got the north-eastern and northern part of
the unexplored without saints travelling elsewhere,
and for that it got implosions, with the schengen approval reminded
to cloister the leftists eager to holiday in syria on unesco cruises in sand and sheep ****
of kept marble - for that cocktail party convo, and next day article in the new yorker;
shame on you for using children to ploy en masse morality of guilt
to later reproduce the hydra with so much racist cribbing
of a seahorse riddling perpetual dynamos
as to imagine the future cot rock-a-baby-jihadi saladin:
the fire is in his own house, runs with a
              flaming matchstick to his "neighbour's house"
to start the fire rather than trying to put the fire out in his own house.
honestly? sounds a bit binary in bangladeshi.
Mateuš Conrad Oct 2015
i’ve learned all my trickling tricks of puppeteering from philip augustus of france early on in my schooling, richard the lionheart never came close, i was in similitude with philip augustus, that i even bought jim bradbury’s book to read and essay with.*

never become the alcoholic that denies his alcoholism,
you can’t hide an addiction, better embrace it,
when addiction enters the stage as the acted upon acting
there’s no point hiding it,
enter the realm of the full embrace, hiding it will only make it worse
than it actually is, i embraced it, and i think
the piggish commons are getting their tax payers’ money’s worth
with my poems, if you think otherwise... you stand
happy-idle at the supermarket check-out and tell me
the football scores from the big weekend
when a northern monkey team took a thrashing
from a southern fairy team.
the question is different thought - forget the beginning and end
planned - we already have the diapers and the coffin,
make what the middle ought to be, clueless narration, spontaneity,
off the streak of the river currents not expecting change
but having to accept change...
michael greilsammer’s la ville blanche
cream’s white room
or cat stevens’ into white?
none of them... moody blues’ nights in white satin...
but a funny emerged from trying to sing greilsammer’s la ville blanche,
i speak no french,
and in my mumble i managed to see the other imagination,
the skeletal one, not the technicolor one of images and walt
and the housewives sleeping beauty and snow white
(although i appreciate the other walt, the whitman),
i mean, through my “un-imaginative” mumbles i tried
to skewer the words of the song, i couldn’t,
i could usher in a single perfect word
but beyond this i was trying to imagine the god awful spelling excesses
of the french tongue... i mean bordeaux when you only say bore’s door /
boarded up door - no x oh... xylophone, yes, no? no...
oh no wonder dyslexia and spelling mistakes...
these letterings are phonetic approximates,
anyone can make the visuals complicated
and retain power... but few to own up and say:
1 + 1 = 2, but the priestly order said: e + ' = é
as jumpstart ready on the trampoline... but e + ' = è
means you get a sudden attack of the mute & mime.
that’s what happens with a missing diacritic that’s blatant in english,
you get to spell a french word like bordeaux with a zed and look at it and qualify
the tongue to say: yep, bored door... needs oiling... oil up oil up!
then spontaneously play a harp of unconscious snorkelling
(also known as snoring... boor hiccup shush... bore hiccup sheen):
it’s the last stronghold of the imagination, this invested in english
from mother tongue slavic... it’s like trying to sing to a song
without spelling glaring at you...
so you start imagining this blessed primitivity...snakes and matchsticks
to flare up... turn it all into a 1970s disco...
it makes sense to mumble then... for ****’s sake... bordeaux?!
who adds so many letters in between definite lettered sounds
to make it look more uglier than the pretty riviera? huh?!
monaco? oh... well that explains it: why vaduz (capital of liechtenstein)
doesn’t have a grand prix.
Madisen Kuhn May 2013
i know i am young,
i know i am only seventeen,
but when i think of him
and his incandescent smile,
my heart swells and beats in time
with the cadence of his alluring words

his mind is like no other,
filled with such deep
and captivating thoughts
that flutter from place to place
like a moth, and like a moth
i am drawn to his brilliance

i long to hold his face in my hands
and trace his lips with my fingertips
and when i close my eyes
all i see is the way he looks at me,
as if i’m the one who paints
the summer evening sky

i know i am young,
i know i am only seventeen,
but i think i could spend
the rest of my life searching
and never find anything
nearly as beautiful as
the way he loves me
kylie Apr 2013
i. at seventeen, i should know that
the world isn't always beautiful and
that life isn't always lovely and
i shouldn't ever change the way i am
for the sake of a teenage boy,
but yesterday augustus told me that
there is something beautiful in death
and in that moment,
i wanted nothing more than to stand
on the edge of a cliff and feel my feet
get swept out from underneath me

ii. i have never seen something as
breathtaking as the constellations that
lit up the night sky. they shimmered
and sparkled in the same way that
augustus' eyes did before he kissed me
and i never had to ask him if he liked
the stars because i knew. they were *****
of old light from dead bodies that
floated around the universe and i hope
that even after i pass that i do not stop
floating around augustus' mind.

iii. when i die, i do not want to be
buried within the cold ground because
even though the earth is enchanting
and i wouldn't mind becoming part of it,
i do not want augustus to forget me.
i hope he scorches my body with the flame
that burned in our hearts for
so many years and that he keeps me
on the nightstand so that he will
be able to wake up every morning with
a smile on his face because he would still
be waking up to what he had once said was
the most beautiful thing a person
could wake up to.
007
Alyssa Underwood Jul 2017
by Augustus M. Toplady
(1740-1778)

Rock of Ages, cleft for me,
Let me hide myself in Thee;
Let the water and the blood,
From Thy wounded side which flowed,
Be of sin the double cure,
Save from wrath and make me pure.

Not the labor of my hands
Can fulfill Thy law’s demands;
Could my zeal no respite know,
Could my tears forever flow,
All for sin could not atone;
Thou must save, and Thou alone.

Nothing in my hand I bring,
Simply to Thy cross I cling;
Naked, come to Thee for dress;
Helpless, look to Thee for grace;
Foul, I to the fountain fly;
Wash me, Savior, or I die.

While I draw this fleeting breath,
When my eyes shall close in death,
When I rise to worlds unknown,
And behold Thee on Thy throne,
Rock of Ages, cleft for me,
Let me hide myself in Thee.

~ Augustus M. Toplady
~~~

https://www.youtube.com/watch?v=3qqDJVGPRdg
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Abigail Ella Jan 2014
though said to be golden like that of Eris,
the mores which you so savor are hollow with worms.
your stony statutes, finally crumbling, now
remind me of rose-colored saran wrap:
stretched too thin across the epochs
to bind each lawless Julia at present.
able now to be whole—free from your unadulterated peace,
spun, measured, and cut are your class lines at last.
and so with a sigh of relief so great that it could echo across
all of the Caucasus,
your Ovid, cast away, has returned.
Mateuš Conrad Jan 2017
that's 3 weeks without a keyboard,
that's 3 weeks on a dual-detox -
         that's that: roughly: antagonism
of: once upon a time...
           there can only be one Hans Andersen,
and as the story goes: ol' granny
   passed on the tales, without which:
no talk of posterity, and seances at
the theatre; alternatively: what if Kierkegård
opted for opera, rather than theatre?
    well: horrid is the task of dropping names,
as if being a village idiot, in that
capacity: giving directions... no such thing!
  nonetheless: a horrid task...
3 weeks... without this horrid world-entanglement...
amphetamines in the wild west,
                   and yet... everything slows down...
that's 3 weeks without such ''luxury''...
    and would you believe it?
3 weeks went by: in a blink of an eye.
             strange, or what 21st century writers
fail to recognise: the ******* canvas has changed!
any-single-one-of-them bothered to scrutinise
this new canvas? anyone?
     ah yes, it's still in its adolescence -
it's still: Dostoyevsky, scuttering in the grand
dungeon: that's the Moscow underground.
             the canvas! the canvas!
                             and indeed, if this be some
bellowing horn, from the depths of some forsaken
place... i'll go into the street, and sabotage
civilisation with graffiti...
                     then again: i have the least
expectations, such that capitalism works...
poetry... and what investment have you made?
nil, or almost nil... evidently: zilch!
      ah, but to have invested in canvases,
a studio, paints, brushes... see... no one sees
investment in poetry: primarily because the poet
has done the minimal...
            unless of course it turns out to ****
with a hot poker something once resembling
nations... which now resides in the insane asylum
(even though those, have been abolished)
                           , nation - ooh! what a ***** word!
the left irksome sometimes uses it:
in theory: the nation-state...
                        and then there's the resurgence of
ancient Greece... in a sing-along:
maybe 'cos i'm a Londoner... brother! brother!
Athenian! Athenian!
                                       but we are born into
a Spartan wedlock... no one really bothers to
**** our gob with Shakespeare...
    then again that is the schizophrenia (alias
dualism) in humanity... thus, to be frank,
psychiatry can be congratulated, it has provided
one useful term... and i will use it, over and over again,
in a non-symptomatic way, because, i find,
it stands, as if the Olympic Graeae (Zeus, Poseidon
and Hades) eating the carcass of some inhabitant
of Tartarus...
                               evidently: tartar steak...
doubly evident: tartars, or the remnants of mongols,
settled in crimea, and elsewhere in the Ukraine...
   tartar                      tra-ta-ta-ta... ku ku ryku!
a ja fu! krecha! a ja znow... fu!       radowitą
uprzejmość... skłaniam...  
    or what i call: rising spontaneously from the depths...
polymaths applauded, the tribunal resides in
bilingualism... trenches... history... perspectives
and current affairs... wicker man media...
                        so... an example of pedantry?
ó....               that's an orthographic dignitary -
        an aesthetic muddle... as is
c-ha                               contending with samo-ha...
     ch                            came from antagonism of
cz                                   which was later antagonised
by č               in česka.... say that: hen party
bound to Prague... in the Czech republic...
                                          ch      k..­.
i am, quiet frankly... standing at the feet of the tower
of babel... and i'm looking up, and i see
correlations, and i see decimal marks,
which, when given enough geography,
can seem like England and the isles,
       and central Europe...
    Iberia? phantom of Seneca...
  eureka! let's begin, once again...
  why is there a continuum beginning with
Plato and Aristotle?
                                           we could become
reasonable people... told to deal with madmen...
we could claim beginnings with Seneca...
and Cicero...
                      and why? the Romans loved poetry...
the Greeks antagonised Homer...
            the Romans loved Horace, Virgil,
                           Ovid... perhaps we should really forget
beginning with Plato and Aristotle...
       the former has become a church,
the latter a dentist's assistant (minus the ancients'
concept of a joke).
                      evidently i have to finish off reading
Seneca... his educational letters to Lucilius....
      moralising ******* that he was, thus, perhaps
a nibble at Cicero? but i must say:
                           it has to begin somewhere,
so not necessarily in stale-bread Athens...
                      and having such perspectives helps
in claiming casual conversation?
   assuredly - if it doesn't involve talking about
the weather...
                                which is always a great mystery
   if it's given enough aurora.
   onto the mystery of dialectics,
as discovered by Alfred Jarry in his Faustroll
Pataphysics contraband...
                                                nag­ging agreement...
nodding without approval... (chapter 10) -
beginning with αληθη λεγεις εφη
        (you speak the truth, he replies) -
   and ending with ως δoκεì
                              (how true that seems)...
and then some dub-step...
        know nothing dROP! boom! jiggy jiggy,
get the rhythm.
   as i always find it hard to look at
    diacritical arithmetic...
                                  given the following
represent a prolonging: hangman:
       å, ā and ä...
                             esp. in Finnish -
stratum: hedningarna täss on nainen.
                        rolling yarn, plateau, two dips;
and i will never say something profound...
i'll just say something no one else has said,
benefit of the doubt? somewhere, someone,
                                      kneels at the same altar.
  such are the distinction - invaders from the
north, and invaders from the south...
                                           even with
crusading Golgotha mann -
the times? many bats, supers, spiders,
but not enough readings of thomas mann...
                              easily befallen into prune-nosed
high-airs... it comes with the diet of literature...
   unfortunately.
                              and with yet another book:
i have burried yet another living person
i could have had a beer with, and conversed.
it always happens, every time i read a book
i have to attend a funeral... by reading a book
i have burried someone alive...
                          shame, in all frankness...
    i will sit in a congested train, touch a breathing
body, and consecrate the touch with
a warring genuflect - harbringer of a Teutonic
passion for initiation: a komtur's slap across the cheek.
   chequers played with passions...
           and some have to be approached like
caged animals, their vocabulary as cages,
                and the whole world before them:
cageless!
             some have indeed become so encrusted in
their daily: routine, that it would take a zoologist
(thrice oh, begs some sort of diacritical marking)
rather than a psychologist to understand them...
    like the darting dupes they are, enshrined in
20% gratis! smile! have a nice day! boxing day sales!
all but pleasantries, fathoming the grave.
   stiff vocab and all other kinds of perfume...
                           a king and his charlatan knights,
who are merely ditto-heads.
                  and not of this world, afresh -
among the nimble hands prior to birth -
surely there is: more grandeour in birth
   that entry via a ******...
                            the greatest pain of ****...
and when the ancient treaty was signed
under the name: Augustus Cesarean - or
recommended for a need of aristocracy -
    it was, for a time, the mana magnetism:
and such was the rule of poetry:
rather than a crown, donned the laurel leaves...
donned the laurel leaves...
    and such was the covenant from ancient
foes when trying to assimilate the Jew...
three kings from Babylon,
                         the child in Egypt...
          no good tides from Nazareth...
         a crown of myrrh - later overshadowed
by dogmatic sprechen, simpler: thorns...
yella things... or rzepak, Essex is filled with it...
rzepak... so why bother adding a dot above
the z, when you get capricious and use rz to
denote the same?! thus a science:
voiced retroflex fricative... Stalingrad!
                       can you really stomach this kind
of jargon? if it wasn't for science fiction:
science would be twice removed from gott ist tot,
*******' worth of pondering, given the close
proximity rhyme... nothing that rhymes should
ever be taken seriously, it should be hymnal!
                         Horatio! mein lyre!
   mein Guinness leier! rabbi krähe -
     and they deem that ****** white when talking:
thinking? i'd prefer Cezanne in real life -
   maggot wriggling and all...
                                          as much eroticism
as bound to a dog slobbering its testicles:
which means ****-all in an almighty stance
   for a dollop of halleluyah in Nepal.
well: pretty talk, pretty pretty pretty: i feel pretty,
oh so butter-fly-e.
                                    2 week stance,
***** in autumn... but so many Swiss hues
coming from the same concentration of decay!
shweet!  zeit-ser!        and that's me talking
kindergarten german: innovation begins with
a fork and a spoon, should the tongue come to it...
            i see a poem,
i see something worth bugging... c.i.a.,
f.b.i., hannibal's lecture in Florence, Venice for
the rats... bugging... shoving...
  shovelling... necro grounding, rattling...
    windy via north... Icelandic...
drums along incisors of abstract gallop:
violins... fringes of the mustang... airy airy...
all regresses toward the Vulgate...
         like ****, like said, and the only pristine
stress comes with vanilla ice-cream,
or a medium-rare beef ****! hmph!
                         fa fa fa excesses with that hurling
puff...
                      and i did finish Kant's
critique of pure reason... minus two calendars...
but, so help me god, the 2nd volume was hiding
under some corner...
                           thus, from transcendental methodology
came plump apricots, plums and pears...
             sweet decay fruit baron...
              and it's called sugars in the intricacy of pulp...
lazily grown, dangling on that caricature of
a formerly known: full crop of wheat-crude fringe.
    2 years... honest to god!
         but so many books in between...
i was given a recommendation...
i cited it already... kraszewski's magnum opus...
29 books...
                       although that's history fictionalised...
but nonetheless, it really was about
     the cossack uprising in the 17th century...
   and it was, as i once said, something i can forgive
sienkiewicz - the film version,
as in: i will not read a book once it has been adapted
to a movie... it's self-evident that too many
people have read a piece of work and are gagging
for a conversation... but where's the playground?
           ******* cherades!
  chinese whispers and a Manchurian candidate!
  i thought as much.
                          and whenever it's not a preplaned
escapade, what becomes of the day?
     was it always about a stance for carpe diem?
  syllables: di                em.
                            carpe is said with more lubricant.
corpus diem. well, that's an alternative, however
you care to think about it.
                and whenever you care to think about,
the proof is there: mishandling misnomers:
poets as tattoo artists... although no one sees the ink,
signatures on a reader's brian (purposively altered,
toward a Michael Jackon he-he, and other:
albino castratos the church venerates!)...
   that's 3 weeks in a catholic country...
  3 weeks... if only the football was better,
      i'd be called Juan Sanchez...
               but, evidently, the football is bad...
     so it's catholicism on par with a sleeping inquisition...
no one really expected Monty Python to conjure
that one... because it never really took place,
not until a trans-generational exodus
postscript 2004... once western brothels were exhausted,
and the Arab started ******* a hippo...
              then it was all about lakes and rivers
and Las Vegas 2.0 in Dubai!
                     you say quack... i say:
                                                    easy target.
and they did receive a blessing from Allah...
enough ink to write out Dante's revision of the Koran,
and some Al-Sha'ke'pir to write a play called:
the Merchant of Mecca.
  last time i heard, when the reformation was
plauging Christendom, no one invited the Arabs...
these days i think the little Lutherans of Islam
watched too many historical movies...
me? pick up a crucifix and march to Jerusalem?
  and is that going to translate into:
   blame the populists! blame the nationalists!
it's like watching a circus... why is the Islamic
reformation asking for third party associates?
                  i was happy listening to
the klinik... albums: eat your heart out...
time + plague...
                             once again: the world narrative
gags for enough people to conjure up
     a placebo solipsism... and that's placebo
with a squiggly prefix (meaning? how far
that ambiguity will take you) - ~placebo...
well: since existentialists were bores...
it's about time to head for Scandinavia
   and ask: is that " ''                 for passing on
an inheritance, or better still: ripe for
acknowledging ambiguity?
                          and if you can shove this
  into your daily narrative... you better be
a connaisseur of chinese antiques...
                frailty... then again, theres: ******;
well hell yeah *****'h, it's a murky underwold
after all.
                     and yes: that's called a petting word...
some say hombre, and we'll all be amigos
and muskateers at the end of the story.
                                    finally... i feel like i'm writing
a poem that i'll never end...
              why? it was supposed to be about
how John Casimir of Sweden championed
  the crown away from his brother Prince Charles
(volume 1)...
                      the bishop of Breslau...
a recluse... couldn't ride a horse...
    then again: nothing worthy imitation...
beginning with a donkey...
                               the transfiguration of palms
into whips... 2000 years later
talk of Hercules is madness... that other bit?
complete sanity.
                              well... if that be the case...
the book is there... i signed it, 2nd volume of
Kant's critique...
  
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | Y| | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |

        an oak... in a forest of pine...
an oak in pine wood...

then onto the wood of sighs:

aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
          (somehow the surd escapes,
and later morphs into, but prior to)

a short script: variation on MW...

      pears' worth of blunting runes:
opulance s and ᛋ - versus z,
    congregation minor: the interchange, ß,
buttocks and *****, minus phantoms of erotica.
yet, taking into account trigonometry...
sine (genesis 0), and cosine (genesis 1),
or            M                                   W
(no Jew would dare believe the Latins have
the second 'alf of the proof: that loophole of all
things qab-cannibal-mystic - cravat donning
mystique - a flit's worth of sharpening,
or dental grit... flappy tongue,
flabby oyster, lazing for a crab's palette)...
so?

1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0

of course there's an
Margar Nov 2014
I love you Augustus,
With my heart entire,
It is you,
I admire,
With all my heart.

It may not seem okay,
That you left me to stay,
With my heart broken,
But as you always say,
"Maybe 'okay' will be our always,"
So will be it.
Okay.

This is our token,
For the "third" space I felt,
And hopefully I'll feel.

Tell me, Augustus Waters,
What can I do when all I can feel is loneliness?
This is as if Hazel were saying it.
MB Aug 2013
Dearest Mr. Green,
It was an honor to have my heart broken by you. Your book, The Fault in Our Stars was one of the best recommendations I may have ever crossed. I thank you deeply for all the hours of pure giddiness and tortuous pain that you created in both Hazel Grace and Augustus Waters. However, I do have many questions about Hazel's future: does she ever loose her battle to her cancer? What happened to Augustus's parents soon after the loss of their son set into reality?

Your story honestly had my heart ripping slowly into pieces, the way you described how Hazel Grace and Augustus had crossed paths and went down a beautiful road into the hearts of all your readers... gave me the deepest appreciation of the young fighters of childhood cancers.

As a daughter of a cancer survivor, I've had my fair shares of visiting support groups with my mother while she was going through her treatments. I remember the panic I felt every time she went in for PET scans and Chemo, worrying for any ounce of her body to betray her. Thank you for making the pain and worry of cancer so beautifully worded, and the uncertainty of how quickly cancer can easily take the happiness away from someone.  
Thank you for the hopes given to me when you wrote the heartfelt words, “Some infinities are bigger than other infinities.”

You are truly an incredible soul with a heartbreaking habit of writing books with main characters who tend to die of some serious form of illness. I find you to be both evil yet so perfect when it comes to your stories. You are my inspiration. However, I am slightly upset that AIA is not a real book. It would be quiet a wonderful rollercoaster to ride.

“Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book. And then there are books like An Imperial Affliction, which you can't tell people about, books so special and rare and yours that advertising your affection feels like betrayal”  Yours, could not have put my thoughts onto paper in any more of a perfected way.

Yesterday, you gained a new fan. I adore you as an author and person. I really do.

Sincerely,
m.b
July 11, 2013- I have yet to hear a reply...
Tommy Johnson Apr 2014
Winnie the Pooh is trying to think
As are Plato and Socrates
While The Little Rascals get rambunctious
And The Marx Brothers cause calamities
Jim Jones stirs the Kool-Aid
And Georgie Porgie makes his move
Bo Peep and Miss Muffett start to blush
Red Ridding hood just swoons
The Muffin Man does a deal
With Johnny Apple seed
These beings and people our real
In our Surreal Reality

******* lets the paint splatter
And Moses parts the sea
Belushi buys an eight-ball
Bruce is on trial for obscenity
Rorschach is on the case
Right behind Sherlock Holmes
John the baptist goes for a swim
Along with Brian Jones
Jack and Jill meet Hansel and Gretel
They're hungry, they're thirsty
These figments of imagination do exist
In our Surreal Reality

Rasputin was so evil
As bad as Captain Hook
Now was it ** Chi Minh or Nixon
Who said "I am not a crook?"
Mao Zedong looked at Stalin
With a shared murderous grin
Booth stormed the Ford theater
And shot President Lincoln
Kennedy and King we're both casualties
Of the process of the deciphering
Of our Surreal  Reality

Zeus said to Aphrodite
"Wow, you look real good tonight"
And Handel says "Hallelujah!"
As the Wright Brothers take flight
Baby Face Nelson
Teams up with Dillinger
Moe, Larry and Curly
Mengele, Mussolini and Adolf ******
Three bears, three little pigs
Along with three blind mice
Sit together, while Maurice Sendack
Cooks them chicken soup with rice
Charlie Bucket had a buy out
Wonka gave up his factory
Fiction or nonfiction it's all a apart
Of our Surreal Reality

Chicken Little tried his best
To warm The Little Red Hen
Of the sly trickster
They call Rumpelstiltskin
Rimbaud applauds Leonidas
And his 300's final stand
Da vinci  paved the way
For both Newton and Edison
Folklore and war heroes
And those with intellectual mentality
Are all just pieces
Of our Surreal Reality

Wee Willie Winkie's scream
Wakes up Rip Van Winkle
But not Sleeping Beauty who's been asleep for thirty years
But has no acquired a single wrinkle
Caligula has lost his mind
And Nero's lost his fiddle
What does Beethoven's hearing aid
Have to do the March Hare's riddle?
Abbie Hoffman fights for civil rights
Thomas Jefferson for democracy
Products of the conceptual
In our Surreal Reality

Berryman writes an ode
To Washington's wooden teeth
Manson speaks of Helter Skelter
Neruda damns the fruit company
Charles Schultz frames the story
And Seuss gives it rhyme
Some where far, far away
Taking place once upon a time
And the villagers all had omelettes
Thanks to clumsy Humpty Dumpty
It's all food for thought
In our Surreal Reality

Santa brings us presents
And Cupid bring us love
But we can never get back
The members of the 27 Club
Warhol makes his movies
And Buddha meditates
Joseph Smith reads the golden plates
Mohammed and Jesus save
Theses figures bring people hope
In life's dualities
Trusting faith
And our Surreal Reality


Han Solo is in carbon freeze
Don Juan's preoccupied
Sinbad sets his sails
Simple Simon didn't get his pie
Caesar looked at Brutus
Brutus looked at Saddam Hussein
Hussein looked at L. Ron Hubbard
Who prayed to Eloheim  
Dionysus can out drink us all
We cringe at Achilles fatality  
As Ra soars through the skies
Of our Surreal Reality

Aristotle says to Shakespeare
"Well Billy you old bard"
Frodo trades the ring of power
To Fidel Castro for a Babe Ruth Baseball card
Biggie and Tupac write their lyrics on paper
Ted Bundy is put in jail
They're making another skyscraper
For King Kong to scale
Hemingway is too far gone
Kant's take on morality
Einstein says it's all relative
In our Surreal Reality

Churchill said victory
John Lennon said peace
Judas gave back the silver
Then hung himself in a tree
Tojo and Kim Jong-il
Wanna be as cool as Brando and Dean
George Carlin warned us all
Now Hermes leaves the scene
So do the butcher, the baker and the candle stick maker
Followed by Old King Cole and his Fiddlers Three
As they make their way to find
A sense or Surreal Reality

Odysseus pines for Ithaca
Paul Bunyan chops the trees
The Jersey Devil has not been found
Noah herds the animals by twos not threes
Anubis wraps the mummies
And Augustus leads Rome
Bugs Bunny laughs with Pryor
All at the expense of Job
So what can we all make of this
Is this all actuality?
Symbolism or nonsense?
Realistic Surrealism or Surreal Realty?
Hannah May 2013
There was a point
when i knew that i
was going to die.
And at that moment
i couldn’t help but
think of Hazel
and infinities
and breathing
and death.
I recalled the day
when hazel was sat
next to me and we
talked about
infinities. How
between one and
two there are many,
and even more
between zero and
two. Now, i can’t
help but think:
breathing is our
largest infinity. Like
the numbers between
one and two,
breathing never
ends. But like the
person who
eventually stops
counting the number
between one and
two, my lungs get
tired. And
eventually, they too,
must
stop.
mja Feb 2015
my mother told me
that I should take
great precaution
because some people die
of a broken heart

what she doesn't know
is I would choose
to die
in the most brutal
and grotesque ways possible
over and over again
just to have my heart
broken by
you.

Don't tell her I said that.


-m.j.a
Mateuš Conrad Oct 2015
if it’s so successful why so much apathy surrounding the justifiably argued vote? is it the bureaucratic 110m with obstacles and hefty organisers of a to b and b to a pink on yellow paper with or without folding or licking a stamp as a dire requirement of a pension in conservative congratulatory applause aided by a flying red carpet that simply spells out: career? we all love the new zealander rugby haka - there’s no democracy in that! it’s a triangle!*

as my grandmother and grandfather said
and i swear it with an oath of death
to give flowers to an american girl:
a. girls will weep... but that’s a girl’s point of view
second....
b. keep you heart small, small enough
to construct nations into agglomerates of empires.
and hence little augustus arose from the people,
since the people felt indulged into being apathetic concerning democracy,
in the numerous they vetoed instead of voted,
and so their party officiate ransacked the crowds into a singular voice, his own,
and disposed of the people like a whirlwind of communist protesters
not willing to assassinate.
cowardly essentials were provided for the toothless lion,
who slurped the meat up like a fly,
and i watched, and watched, while tourist professionals dittoed,
while the belittled men asked men of sheered honour for a judge and jury,
i watched, i watched dearly for my life be spared:
i watched democracy walk in protest to get no sparing or guarantee or success,
i watched it march and watched it fail,
but at the same time i watched no wise man emerge from the tilling of shrunken heads,
so the jokes of aged erections aren’t true?
well that makes up one republic less of what encompasses a democracy
of a single vote.
i watched democracy plagiarise itself into apostasy - but not criminalisation
in secular terms like in the leftist tongue of someone who votes but is taken
in vanus - regression i say! democracy failed a long time ago,
now i’m holding democracy’s economics in a stranglehold to ******* cut off
operas for a point of castrato argued: spoon the moon and dance on water!
i did watch it decide upon a deathbed of the march how the old died with thought of
youth, how eager horned socrates allowed it, how the young then feared
and were unable to cajole with age a mirroring effect to think that too -
having to eat the scribbles of once firm architectures and *** **** a nuance of
the bean turned into a balloon or kidney!
yes, i watched democracy crumble, and i watched it with good stead,
i saw “democracy” craft a war against its people wish,
i watched “democracy” hide the french & russian revolution and the english one,
i saw democracy institutionalise poets as academic byproducts of semantic dirges
concerning life rather than death -
i saw it crumble with syria, and i applauded with alexander’s libido hushed into monogamy,
and since then i have aged, vetoed rather than voted, and articulated
what was to become the segregation of scot from brit looking at two pence worth’s of copper.
Said Myrtias (a Syrian student
in Alexandria; in the reign of
Augustus Constans and Augustus Constantius;
in part a pagan, and in part a christian);
"Fortified by theory and study,
I shall not fear my passions like a coward.
I shall give my body to sensual delights,
to enjoyments dreamt-of,
to the most daring amorous desires,
to the lustful impulses of my blood, without
any fear, for whenever I want --
and I shall have the will, fortified
as I shall be by theory and study --
at moments of crisis I shall find again
my spirit, as before, ascetic."
Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?
The Naming of Cats is a difficult matter,
It isn’t just one of your holiday games;
You may think at first I’m as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there’s the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, George or Bill Bailey—
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter—
But all of them sensible everyday names.
But I tell you, a cat needs a name that’s particular,
A name that’s peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum-
Names that never belong to more than one cat.
But above and beyond there’s still one name left over,
And that is the name that you never will guess;
The name that no human research can discover—
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.
I got a letter from the government
A week back, Tuesday morning
It came in a grey envelope
It was stamped with a red warning

The envelope was tattered
And the words were inked in red
To be opened by recipient
That was all it said

I checked the name typed on there
It was mine, so I could see
John Augustus Reed
Beale Street, Unit 43

I opened it and sat right down
I had been drafted so it said
I had to report on Thursday
I heard a ringing in my head

I didn't understand it all
To me it made no sense
This plain grey mottled envelope
Sent from my government

I followed the instructions
And showed up promptly at the place
Something was asunder
I could tell from the man's face

I showed him my draft letter
Explained, I didn't understand
He looked at it and laughed a bit
This wasn't what I'd planned

He said son, is this you
Are you John Augustus Reed
I told him I'm John Junior
He said that's all the news I need

This letter is a glitch, boy
It wasn't meant for you
It was sent out to your father
Back in nineteen seventy two

Somehow it was mangled
Got lost along the way
Until somebody found it
And you got it on that day

I'm glad you chose to come here
Showed up exactly when it said
But, I think you now can go on home
I think it's best, instead

It's amazing how one letter
And you can take this to the bank
Can fill a man with honor
For that I must give thanks.
Mateuš Conrad Jan 2020
to willingly listen to some russian punk...
they call themselves:
Sierpień - well... Sierpien -
нь is floating around somewhere -
august... август....
perhaps the ****** word "rhymes"
with sierp (i młot) - sickle and hammer...
pień? trunk - stump of wood...
etymological fascination...
august where no emperor augustus
ever stood... unless a Kaцпer...
sier(p) - sickle
(p)ień - stump of a freshly cut tree:
or trunk...
hence the birth of a name
of a month: harvest the trees...
and we are talking about a russian
post-punk goth-punk band...
almost more congested and less
atmospheric the cure...
old kaц the hangover comes in and
says something with a mirror
and fog...
but i'm sure... living under the much
despised (ras)Putin regime would
never give you such music...
look at the people of the...
look at the free peoples of the western /
hinterlands!
no... thank god the view count is only...
what? 3,880 views...
it's an oyster affair...
Sierpien - Cмeрдит дo caмых звeзд (2016)...
people can still produce art of this sort?
is a (ras)Putin required? really?
democracy per se...
power-struggles from among
the populace...
ever hear the petitions of schizophrenics
in the western lands?
a holy grail status for some...
the "nuanced" *****...
or bilingual...
but this album current saved me from
a despair... a friday night is happening
somewhere... and i'm more than happy
to not be there...
i don't even know what's popular
in terms of music in the hinterlands...
the bellybutton of the world: London...
doesn't exactly spew out pointers
to digest what's new and pop with
the crowd...
how long did it take me to hear about
psy's gangnam style?
a good half a year... but then it was already
playing on repeat...
perhaps not in a way that...
once upon a time... Microsoft wanted
to use R.EM.'s it's the end of the world
(and i'm feeling fine)
for an advert...
and R.E.M. refused...
i can't exactly see any use of an advert...
but for the past decade...
perhaps... the outliers of dubstep:
distance, vex'd... burial...
10 years have passed and i don't even
know what music people listen to...
like i said... i'm listening to something...
only about 4K people also listen...
notably in Russia...
i'll translate...
śmierdzić do samych zwezd... gwiazd...
smerdit do samych zwezd...
10 or so years later i'm at this point...
there's no need to invoke Ms. Cмeрц
but it almost never figured for me...
ц somehow borrows from щ...
that's of course ч is related to ш...
to stink of **** up to the stars...
that's how the album name,
"sort-of" translates itself...
in the past 10 years...
this is probably the sort of music i should
be listening to...
i would somehow abhor myself
being the fully integrated western mongrel...
allowing my soul to die and
this language to dictate the fashionista
dictums "from above"... like a good puppy...
origins mostly focusing on...
Lebanon... the old Raj...
i honestly did think that: the de factor default
implication of the word: integration was
to speak the language...
this is not the great h'america where
you'd call it an alliance to a patriotism...
this is england... where people are not
exactly responsive to the word patriotinism...
and whenever it is used...
it's the ugly word nationalism...
so... this is not an extension of thinking
that can be "accomplished" akin to somewhere
in h'america...
this is england talking to itself in me...
or rather... me... looking at england and trying
to find the sort of footing for a tango...
born 4 hours shy of warsaw doesn't help,
either...
still... as names go...
no one was a cooler name for their capital...
come on... war-saw...
beats washington d.c. -
but... loon'don... that's mighty close...
all the democratic arguments aside...
i'm listening to these political commentators...
and i'm wondering...
what sort of music are they listening to?
i'm still looking for a playlist
i inherited that included bands like...
it's dire to even begin to name them...
the best i found are still...
demdyke stare... and that's not really
being pretentious... vomito *****...
but "once upon a time" music could make
a man stay up into the stillness of the night,
far beyond the night,
he might have sometimes glimpsed
a new unfolding as he would go to bed
from the graveyard shift with
some neglected words being seized...
i've just skimmed through u.k. top 40 chart...
i can't relate...
i can understand just having the vote...
but to have the vote...
and be left... in this barrage of...
i understand that man is a political animal
and somehow social...
but a vote is enough...
no wonder good culture hasn't "happened"
in the past 10 years...
i don't like being informed of culture
via the prism of: it's all or not political...
i don't like being
polarised i don't like being politicised...
all i have is one vote...
and i'm nearing 34 and seeing how...
since i haven't already used it...
it's pretty much a redundant affair...
as long as the status quo is there...
as long as there's a status quo...
and there's the shady bureaucracy cushioning...
but how can one expect to find
a tartar stake of sustenance...
when everything resembles an english
sunday roast: with the beef being over-cooked
over, way over well-done?
the meat is butchered twice...
once as the cow... second time as a piece of roast!
i'm not fond of criticism...
bad... i know as a foreigner but also as
a citizen... only the pakistani grooming gangs
are sacred cows in this, this whittle english...
past allegience to soviet russia?
because, what? russian post-punk takes
my fancy...
one! one benefit of a doubt...
justin bieber's jazzy interlude in:
love yourself... and that's it...
i decided for the: leave me alone button...
and for all the vitality of the western ways
i'm left either the window-licker prized oscar
nominee or some lethargic melancholy prone:
a decade on and a decade without
the better part of me...
i somehow own about 10 pairs of shoes
but every time i only walk in single pair...
until they are worn,
until i can almost imitate:
no borrow metaphor from the african
continent... my second mother siberia...
and the indo-europeans and whatever tag!
tag it necessary! caucasian and la la land...
this was political... before it even started...
even whether there was a demand for my vote...
the tide came, the tide went,
i wasn't given so much as a sniff of civil rights...
my civil rights had to be political rights:
in a redundant format best described:
as a vote... opinions first, vote later...
by then the vote is already a confirmation
of how many more ***** will sink
to this level of: humpty-dumpty...
a culture can thrive when power is clarified...
there's no culture when the only
despotism is the finding the lost
in the labyrinth of bureaucracy...
since i base my focus via Kant... yes...
these are idealistic words...
because idealism is - the already focused on
status quo... and again...
the status quo... perhaps even stasis qua!
- but i'm not listening to current music...
from a "certain" place that once could
salvage the rest of the world of bodies
with its beacon of soul...
not "current" as in: where meat is more mince
than steak...
it's all fine and dandy...
to have the provisions at your disposal...
but you can't expect an annual supply of carrots...
or meat... to feed the mouth that neither
opens, nor bites, nor chews,
nor swollows, not ******* saliva
for the premature process of digestion...
you can't expect this most perfect supply & demand...
something has to be missing for
the soul to have... the realism of the fact
i am bound to a robotic / unconscious body...
what conscious decision do i have...
over the already calibrated heart?
the delusion that the brain... is somehow...
freed from what?
psychological metaphysics?!
i have an automated digestive system...
and an automated ****...
i don't exactly know when i'm going to ****...
but i do **** - and with so much pleasure so...
that i would forgo all homosexual exfoliations
for the mere pleasure of...
easing a **** out of that ******* bang hole...
than allowing a vaselined cockrel in...
quiet a disgust pecker of high ambitions...
when it comes to enjoying
massaging the prostate muscle when sitting
on the throne of thrones...
i am trapped in an automated body!
the only aspect of me agreeing to evolutionary
biology is to invoke the soul...
as something ex "nihil" in coprus...
from "nothing" in body (intact)...
hello intellectual safari of the thesaurus
and the synonym chasers...
from under the Iron Curtain...
once more... thrown under the Silicon Curtain...
but there is something in me that
allows me to escape the already well oiled,
this well calibrated body... shy of being
merely treated as baggage...
there's something that allows me to restrict...
when i will **** out a full bladder...
from time to time...
but this is still oh so mechanical...
the fickle nature of man's own self interests:
the only mirror i could find
to compensate the complexity
of deus ex machina...
i'll last 10 minutes with a swollen bladder...
until i give way...
that's when i know that i am rebelling
against the mechanical nature of this body...
- nonetheless the conversation run down
a different route...
i want to be, as i once was...
politically starved... give me the vote and lace me
with civic duties... minding culture...
don't give me this politico journo-*******...
this spare straitjacket of "opinions"...
opinions that do not hone in on a dialectic...
but a dichotomy...
while under (ras)Putin there was a resurgence
of post-punk... brutalism debauchery...
in the vest of the west...
do i really have to give gil scott heron over?
see? what power do i have?
i have.... a chance to glimpse how a culture
can thrive... musically...
no... oh no! no Vlad... you're not getting off
that easy...
Tchaikovsky - 1812 Overture...
tell me... as a cat might look you in the eyes...
and cats do... when you find it uncomfortable
to lie... a cat will look you in the eyes
when it knows the agony of you telling
the truth... too frequently...
now... tell me...
of the 1812 Overture...
how close was Tchaikovsky teasing...
plagiarising... la marseillaise?
oh i think: this close ||.
i still don't know: listening to classical music...
is supposed to make people,
"somehow" smart?!
- just like Beethoven hides / licks /
alludes to the crescendo of
ode an die freude that is to come in the 9th symphony...
lots of crashing plates and banging
templates of cooking vessels in between...
a crescendo is almost like...
but not quiet... no... it's never exactly a chorus...
but Ode an die Freude is revealed
in a subtle way somewhere in the vicinity
of the genesis of the 9th...
i'll ******* duel over this remark though...
if it takes blunt knifes and spoons...
so be it...
negate: Tchaikovsky's 1812 Overture does
not allude to La Marseillaise!
*****, test me! i swear to god -
you tell me this russian кaцaп is not alluding to?
what sort of culture are to speak of,
as citizen... if we have to be...
worthwhile less the already invalid vote...
and more the sway-ghost-vote of...
ditto-heads and less and less...
i remember when i would start a conversation
with girls on the basis of: so...
what music are you into?
has... the don mclean prophesy come true?!
the only music is the democratic opera
of the inability to hush competing interests
of the less than homogenous, cerebral hive?!
wow! believe me when i state:
i would truly rather shun my state of being:
stunned!
to me... people have forlorn to "worry"
about petty, ahem... "petty" cultural worries...
this political transfusion, verbiage,
look... a broken arm of a word that used
to resemble pref-                 ending in
the loose limb that ends with 9...
scary language... informal language...
not exactly the english standard: terse /
whimsical... "way-hey-hey-ha-witty"...
hardly anecdotal: mein herr kapitan!
oh but this is certainly a cultural desert...
i'm still doing my best to shake off the 20th century...
what's it called... what's it called...
you are... ah! 20th century inheritence...
not that i'm by any measure a man
of the 20th century...
come the year 2000 i was still a mid-way
between child and man...
2020... 34... i am a 21st century man...
as i also have circa 10K of student debt to pay off...
but this is england...
a chemistry degree gets you nowhere...
i always fancied the Leibniz route...
a garbage man... perhaps "the librarian"...
the street-cleaner...
10K worth of pounds of debt...
paid? when one earns over 15K per annum...
bless ol' england... this debt will be written off
after 30 years...
i really wanted to find a job akin to being
the street-cleaner...
i wouldn't even mind... seeing as how i could
come home and write a rhythm
of a crooked guitar... perhaps doing some work
in the industrial sector...
the scottish widows' h.q. roof, near st. paul's?
i did that... well... part of the team...
industrial scale roofing...
whatever... this is not going to become
"yet another" autobiographical sketch...
a degree in chemistry led me nowhere...
some lucky fist-first-think-fewest landed
their english B.A.s and:
"the authorities" would never let them starve
having... their poo'ems better read...
oh i wish i could think without having
itchy fingertips and what words i want
to say when i however have to say the mundane
formality of the everyday...
i'm the sort of jack spicer *******...
that i cannot work with this lexicon beside
what's always greeting me with a welcome return
of surd applause...
i can't speak the everyday language
of the everyday -
even my punctuation is suspicious -
an *****-nilly I.R.A. bad device...
i can hold the hounds of bark, leash, girdle and muzzle
until they finally find the dog...
but not until i have feasted upon
the blank canvas that will never see any colour...
but this x-ray of hiding faint hues
working in the subtle grey-of-no-grey area
that comes with these words, these bones...
i have to drink...
to find these words... and an echo prior
to the cave... this being the cave after i heard
the echo... even among drunks i couldn't
speak such words, such sentences...
under them the drunks cower...
and... this is the better part of a friday night...
i best exclude myself to this page
of rummaging... because even if i drink...
i wouldn't find a conversation among the drunks
to compliment this! to compliment this
with an immediacy of a dialogue -
a shared experience...
better i write this... and wait for a delay...
better i wait for a delayed response...
in the quantum sense of:
when observed a wave... when not observed...
a particle.
science as this cohesive orthodox litany of
dogmas to undermine religion...
science is more vogue than religious dogmatism...
science is modern...
it will only and has only succumbed
to modern finicky... vogue... science is...
hardly a... blind sighted hive brain-drain focus
of the replicas and clone surds nodding...
this language... would never be spoken among
the drunks...
i hardly think it would or even does:
deserve a stage... perhaps only if i wore face paint...
if i were truly an entertainer...
but these words deserve more than a stage...
they deserve an: umbratempus...
zeitshatten... a time-shadow...
cień czasu... (время тень)..
regurgitate something to me, akin to:
T4T (oliver baez bendorf)...

see! i knew нь was floating around...
it comes... back... full circle.
lkm Aug 2014
(n.)
a nostalgic longing to be near again to something or someone that has been loved and then lost


January //
Your smile makes flowers grow in my lungs and I'm too busy taking care of the garden, pulling the weeds out for the flowers to live and bloom, I forget I need to breathe too


February //
They say addiction is a habit; kisses are drugs but your lips are rehabilitation and I keep coming back for more sessions because I need it; you're my "personal brand of ******"


March //
I write symphonies about the way a single touch from you defines the revolution of the Earth but I was wrong; it actually defines the whole galaxy


April //
My eyes are the same hue of empty, vacant, while the ocean is trapped in your eyes; there are more than meet those chocolate orbs, so let me explore every depth of the waters with you


May //
Your voice is the sound of the soft pitter-patter of the falling rain on the window pane after a storm, and the clouds don't hide the sun anymore


June //
I love the smell of books and coffee, especially with extra teaspoons of sugar and a story about looking for a place to call home as I long for the scent of belonging I only get from having you wrapped in my arms


July //
I fell in love with the way every novel I read has pages with traces of your footprints, your mark imprinted in my heart like how one is drawn to TFIOS; heartbreaking and tear-filled but it was true and the love is real, sort of like you and I; I like to think of it like that — you are Hazel and I am Augustus


August //
I don't believe in full-stops, I don't believe there could be an end to this love we have like how there is an end to a sentence; you might not have noticed that there is not a single full-stop here because our story is not ending, I'm not saying goodbye yet, and Augustus has not died yet; please do not leave me
Nigel Morgan Dec 2012
‘This is a pleasure. A composer in our midst, and you’re seeing Plas Brondanw at its June best.’ Amabel strides across the lawn from house to the table Sally has laid for tea. Tea for three in the almost shade of the vast plain tree, and nearly the height of the house. Look up into its branches. It is convalescing after major surgery, ropes and bindings still in place.
 
Yes, I am certainly seeing this Welsh manor house, the home of the William-Ellis family for four hundred years, on a day of days. The mountains that ring this estate seem to take the sky blue into themselves. They look almost fragile in the heat.
 
‘Nigel, you’re here?’ Clough appears next. He sounds surprised, as though the journey across Snowdonia was trepidatious adventure. ‘Of course you are, and on this glorious day. Glorious, glorious. You’ve walked up from below perhaps? Of course, of course. Did you detour to the ruin? You must. We’ll walk down after tea.’
 
And he flicks the tails of his russet brown frock coat behind him and sits on the marble bench beside Amabel. She is a little frail at 85, but the twinkling eyes hardly leave my face. Clough is checking the garden for birds. A yellowhammer swoops up from the lower garden and is gone. He gestures as though miming its flight. There are curious bird-like calls from the house. Amabel turns house-ward.
 
‘Our parrots,’ she says with a girlish smile.
 
‘Your letter was so sweet you know.’ She continues. ‘Fancy composing a piece about our village. We’ve had a film, that TV series, so many books, and now music. So exciting. And when do we hear this?’
 
I explain that the BBC will be filming and recording next month, but tomorrow David will appear with his double bass, a cameraman and a sound recordist to ‘do’ the cadenzas in some of the more intriguing locations. And he will come here to see how it sounds in the ‘vale’.
 
‘Are we doing luncheon for the BBC men? They are all men I suppose? When we were on Gardeners’ World it was all gals with clipboards and dark glasses, and it was raining for heaven’s sake. They had no idea about the right shoes, except that Alys person who interviewed me and was so lovely about the topiary and the fireman’s room. Now she wore a sensible skirt and the kind of sandals I wear in the garden. Of course we had to go to Mary’s house to see the thing as you know Clough won’t have a television in the house.’
 
‘I loath the sound of it from a distance. There’s nothing worse that hearing disembodied voices and music. Why do they have to put music with everything? I won’t go near a shop if there’s that canned music about.’
 
‘But surely it was TV’s The Prisoner that put the place on the map,’ I venture to suggest.
 
‘Oh yes, yes, but the mess, and all those Japanese descending on us with questions we simply couldn’t answer. I have to this day no i------de-------a-------‘, he stretches this word like a piece of elastic as far as it might go before breaking in two, ‘ simply no I------de------a------ what the whole thing was about.’ He pauses to take a tea cup freshly poured by Amabel. ‘Patrick was a dear though, and stayed with us of course. He loved the light of the place and would get up before dawn to watch the sun rise over the mountains at the back of us.’
 
‘But I digress. Music, music, yes music . . . ‘ Amabel takes his lead
 
‘We’ve had concerts before at P. outside in the formal gardens by AJ’s studio.’ She has placed her hands on her green velvet skirt and leans forward purposefully. ‘He had musicians about all the time and used to play the piano himself vigorously in the early hours of the morning. Showing off to those models that used to appear. I remember walking past his studio early one morning and there he was asleep on the floor with two of them . . .’
 
Clough smiles and laughs, laughs and smiles at a memory from the late 1920s.
 
‘Everyone thought we were completely mad to do the village.’ He leans back against the gentle curve of the balustrade, and closes his eyes for a moment. ‘Completely mad.’
 
It’s cool under the tree, but where the sunlight strays through my hand seems to gather freckles by the minute. I am enjoying the second slice of Mary’s Bara Brith. ‘It’s the marmalade,’ says Amabel, realising my delight in the texture and taste, ‘Clough brought the recipe back from Ceylon and I’ve taught all my cooks to make it. Of course, Mary isn’t a cook, she’s everything. A wonder, but you’ll discover this later at dinner. You are staying? And you’re going to play too?’
 
I’m certainly going to play in the drawing room studio on the third floor. It’s distractingly full of paintings by ‘friends’ – Duncan Grant, Mondrian, Augustus John, Patrick Heron, Winifred Nicholson (she so loved the garden but would bring that awful Raine woman with her). There’s  Clough’s architectural watercolours (now collectors want these things I used to wiz off for clients – stupid prices – just wish I’d kept more behind before giving them to the AA – (The Architectural Association ed.) And so many books, first editions everywhere. Photographs of Amabel’s flying saucer investigations occupy a shelf along with her many books on fairy tales and four novels, a batch of biographies and pictures of the two girls Susan and Charlotte as teenagers. Susan’s pottery features prominently. There’s a Panda skin from Luchan under the piano.
 
These two eighty somethings have been working since 8.0am. ‘We don’t bother with lunch.’ Amabel is reviewing the latest Ursula le Guin. ‘I stayed with her in Oregon last May. A lovely little house by the sea. Such a darling, and what a gardener! She creates all the ideas for her books in her garden. I so wish I could, but there’s just too much to distract me. Gardening is a serious business because although Jane comes over from Corrieg and says no to this and no to that and I have to stand my corner,  I have to concentrate and go to my books. Did you know the RHS voted this one of the ten most significant gardens in the UK? But look, there’s no one here today except you!’
 
No one but me. And tea is over. ‘A little rest before your endeavours perhaps,’ says Clough, probably anxious to get back to letter to Kenzo Piano.
 
‘Now let’s go and say hello to the fireman,’ says Amabel who takes my arm. And so we walk through the topiary to her favourite ‘room’,  a water feature with the fireman on his column (mid pond). ‘In memory of the great fire, ‘ she says. ‘He keeps a keen eye on the building now.’ He is a two-foot cherub with a hose and wearing a fireman’s helmet.
 
The pond reflects the column and the fireman looks down on us as we gaze into the pool. ‘Health, ‘ she says, ‘We keep a keen eye on it.’
 
The parrots are singing wildly. I didn’t realise they sang. I thought they squawked.
 
‘Will they sing when I play?’ I ask.
 
‘Undoubtedly,’ Amabel says with her girlish smile and squeezes my arm.
This is a piece of fantasy. Clough and Amabel Williams-Ellis created the Italianate village of Portmeirion in North Wales. I visited their beautiful home and garden ten miles away at Brondanw in Snowdonia and found myself imagining this story. Such is the power of place to sometimes conjure up those who make it so.
Unrequited Love Jun 2014
John Green made me sad in the best possible way...

So thanks

Augustus,who taught me to love people no matter what.

Hazel,for showing me we are all beautiful.

Alaska,for saying its okay to be a bit mischievous.

Pudge,for proving that you don't have to have millions of friends to feel loved.

The Coronel, for teaching me to believe in myself,no matter where I had come from.

Colin,for my eureka moment.

Both Will Graysons,for showing me is okay to not know exactly who you are.

And every character in Paper Towns,who just made me really happy.

But lastly and most importantly I'd like to thank John Green,because you made my life a better place with your books, and for that I'm forever greatful
I'm so happy I found those books
Ashlei Cottom Jun 2014
You told me I was beautiful,
A cigarette between your teeth.
I raged at the careless gesture,
You laughed and smiled.
The first meeting,
A beautiful metaphor.

A first kiss,
A shared wish,
And the silent love.
A beautiful metaphor.

Happily Ever After came crashing down,
Our demise up in lights,
You held on 'til the bitter end,
A flickering candle in the dead of night.
A beautiful metaphor.

You'll live forever in me.
Augustus and Hazel,
Okay? Okay.
A beautiful metaphor.
A poem about "The Fault In Our Stars"


This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Zaynub Jun 2014
comfortable silences
are like a third space
found in the phone calls
of Hazel Grace
and Augustus Waters

they hold their own infinity
with the power of words
unspoken
because nothing needs to be said
in a place of mutual silence
Midway upon the journey of our life
I found myself within a forest dark,
For the straightforward pathway had been lost.

Ah me! how hard a thing it is to say
What was this forest savage, rough, and stern,
Which in the very thought renews the fear.

So bitter is it, death is little more;
But of the good to treat, which there I found,
Speak will I of the other things I saw there.

I cannot well repeat how there I entered,
So full was I of slumber at the moment
In which I had abandoned the true way.

But after I had reached a mountain's foot,
At that point where the valley terminated,
Which had with consternation pierced my heart,

Upward I looked, and I beheld its shoulders,
Vested already with that planet's rays
Which leadeth others right by every road.

Then was the fear a little quieted
That in my heart's lake had endured throughout
The night, which I had passed so piteously.

And even as he, who, with distressful breath,
Forth issued from the sea upon the shore,
Turns to the water perilous and gazes;

So did my soul, that still was fleeing onward,
Turn itself back to re-behold the pass
Which never yet a living person left.

After my weary body I had rested,
The way resumed I on the desert *****,
So that the firm foot ever was the lower.

And lo! almost where the ascent began,
A panther light and swift exceedingly,
Which with a spotted skin was covered o'er!

And never moved she from before my face,
Nay, rather did impede so much my way,
That many times I to return had turned.

The time was the beginning of the morning,
And up the sun was mounting with those stars
That with him were, what time the Love Divine

At first in motion set those beauteous things;
So were to me occasion of good hope,
The variegated skin of that wild beast,

The hour of time, and the delicious season;
But not so much, that did not give me fear
A lion's aspect which appeared to me.

He seemed as if against me he were coming
With head uplifted, and with ravenous hunger,
So that it seemed the air was afraid of him;

And a she-wolf, that with all hungerings
Seemed to be laden in her meagreness,
And many folk has caused to live forlorn!

She brought upon me so much heaviness,
With the affright that from her aspect came,
That I the hope relinquished of the height.

And as he is who willingly acquires,
And the time comes that causes him to lose,
Who weeps in all his thoughts and is despondent,

E'en such made me that beast withouten peace,
Which, coming on against me by degrees
****** me back thither where the sun is silent.

While I was rushing downward to the lowland,
Before mine eyes did one present himself,
Who seemed from long-continued silence hoarse.

When I beheld him in the desert vast,
'Have pity on me, ' unto him I cried,
'Whiche'er thou art, or shade or real man! '

He answered me: 'Not man; man once I was,
And both my parents were of Lombardy,
And Mantuans by country both of them.

'Sub Julio' was I born, though it was late,
And lived at Rome under the good Augustus,
During the time of false and lying gods.

A poet was I, and I sang that just
Son of Anchises, who came forth from Troy,
After that Ilion the superb was burned.

But thou, why goest thou back to such annoyance?
Why climb'st thou not the Mount Delectable,
Which is the source and cause of every joy? '

'Now, art thou that Virgilius and that fountain
Which spreads abroad so wide a river of speech? '
I made response to him with bashful forehead.

'O, of the other poets honour and light,
Avail me the long study and great love
That have impelled me to explore thy volume!

Thou art my master, and my author thou,
Thou art alone the one from whom I took
The beautiful style that has done honour to me.

Behold the beast, for which I have turned back;
Do thou protect me from her, famous Sage,
For she doth make my veins and pulses tremble.'

'Thee it behoves to take another road, '
Responded he, when he beheld me weeping,
'If from this savage place thou wouldst escape;

Because this beast, at which thou criest out,
Suffers not any one to pass her way,
But so doth harass him, that she destroys him;

And has a nature so malign and ruthless,
That never doth she glut her greedy will,
And after food is hungrier than before.

Many the animals with whom she weds,
And more they shall be still, until the Greyhound
Comes, who shall make her perish in her pain.

He shall not feed on either earth or pelf,
But upon wisdom, and on love and virtue;
'Twixt Feltro and Feltro shall his nation be;

Of that low Italy shall he be the saviour,
On whose account the maid Camilla died,
Euryalus, Turnus, Nisus, of their wounds;

Through every city shall he hunt her down,
Until he shall have driven her back to Hell,
There from whence envy first did let her loose.

Therefore I think and judge it for thy best
Thou follow me, and I will be thy guide,
And lead thee hence through the eternal place,

Where thou shalt hear the desperate lamentations,
Shalt see the ancient spirits disconsolate,
Who cry out each one for the second death;

And thou shalt see those who contented are
Within the fire, because they hope to come,
Whene'er it may be, to the blessed people;

To whom, then, if thou wishest to ascend,
A soul shall be for that than I more worthy;
With her at my departure I will leave thee;

Because that Emperor, who reigns above,
In that I was rebellious to his law,
Wills that through me none come into his city.

He governs everywhere, and there he reigns;
There is his city and his lofty throne;
O happy he whom thereto he elects! '

And I to him: 'Poet, I thee entreat,
By that same God whom thou didst never know,
So that I may escape this woe and worse,

Thou wouldst conduct me there where thou hast said,
That I may see the portal of Saint Peter,
And those thou makest so disconsolate.'

Then he moved on, and I behind him followed.
Anais Vionet Dec 2021
(the birth of Christ - in Gen-Z slang)

Mary and Joseph were tight-ship.
Mary was a real-one, and no clout-chaser

One night Angel Gabriel overstreeted with word
that Cap-G made Mary chabby with soup-baby
Mary was shook and big-mad but Joseph
was baby-goggles for Cap-G’s quinlan fetus

so Mary was “okrrrrrrrrr”

A minute later Mary and Joe had to roll deep,
adulting to Bethlehem with tribute to Augustus,
the main character, but no mo-mo swerved em’
ghetto and asan Mary was Cap-G’s baby-mama!

Later these bchaps rfts biters brang Cap-J
some bag and herb to extra flex for Cap-G
while angels lay in the cut with lowkey bop.

———————- translation


Mary and Joseph were married and in love.
Mary was an average girl not into notoriety
.
One night Angel Gabriel appeared and said
that God made Mary pregnant with his child
Mary was shaken-up and and angry but Joseph
Was excited for them to have God’s beautiful child

so Mary was had no choice but to say “OK”

Months later Mary and Joe had to travel far together,
As citizens, to Bethlehem to pay taxes to Augustus (Caesar).
Emperor of rome, but a lack of motels caused them to
Stay in a manger and there Mary had God’s child.

Later these rich star followers brought Jesus
some money and herb as gifts to impress God
while angels gathered and sang to comfort the child.
Tis the season. Merry Christmas! =]
Mateuš Conrad Jul 2016
reinventing the resurrection of the Roman Empire with
a pseudo-Christ in tow will prove fatal -
or simply propelled to an established
norm for all the wrong reasons
other than a quasi-Narcissism fully embracing
fetishes beyond the standardised
practises of human evolutionary concerns -
see how Darwinism is incubator
of fatalist vocabulary? too much arrogance -
they're nothing more than Spanish
Inquisition leeches - because when was
atheism intended as a fashion statement
with mismatched socks and matching
loafers? probably never.
we already sought to put atheistic economics
on the guillotine tablature -
the temple named: all men are born equal
was always Samson's prize for demolition's
just escapade, in or anywhere outside of
a Glasgow housing estate -
a Scot making a joke about Scots:
how was copper wire invented?
two Scots arguing over a 2 pence coin...
a stretch Armstrong moment i'd like to see.
all we need is Hillary for the unholy alliance
to materialise - the birth of horse racing
and womanised politics -
and are you the baby tarantula on the back
of mama tarantula? no? oh... don't
expect much from mama tarantula
if you're not part of her family and genetic vector.
the resurrection of the Roman empire as cited
by Divine John has a major fault...
the original intention prior to the authority of
Augustus was based on republicanism -
not democracy - the autocracy evolved from
republicanism, not democracy -
and if this be the McDonald model of work
ethic and success, it will be hard finding a few wise
old men to quench a rise in despotism -
the naive-expectation will over-power them -
we could see America as our safety laboratory once -
where the fates of Greek democracy and Roman
republicanism were played out -
rule of the many v. rule of the informed worthy few -
if elections came about the former would
have a lot of numbers anonymously signed X -
while the latter a few numbers but identified with
articulate signatures - democracy is basically
a stab in the dark, that precipitates to a vote of
no confidence - and an immediate imitation of
Pontius Pilate's quest for conscience and washing his
hands in pseudo-Dostoyevsky's the machinist,
with bleach - ****** courtroom -
when older poets recite their republicanism knowing how,
the newer ones recite their democracy knowing neither
how or why - thus the resurrection of Rome built
around democracy and not republicanism -
the washing of the hands and loss of conscience -
this prophesied resurrection of Rome was not based
on republicanism but on democracy, for the simple
fact that democracy had its martyr - a republican member
should another be fixed to compete with him -
no Platonic notation of the idea behind the republic
was ever established - but indeed a lot was noted
concerning democracy - which in practice wasn't
a practice in dialectics, but in dichotomy -
the polarisation of opinions in the simplest terms:
man v. woman, old v. young...
the republicans only had one dialectics ruining them:
the dichotomy between one man and the many -
is man to be as automated as insect or Satanically
rebellious and in his own sway "himself"?
there need not be a conjuring of biblical myths with
this concern - man was not temped for insight
into the disparity of good and evil and subsequent
confusion of attributing each its invested share
of expression in the world of choice -
but man was made an ontological alliance with
the famous villain (i too, akin to Milton's sympathy
a pledged allegiance do make an oath to consummate
a rival marriage, kindred of celibacy shared
by truth or perception, royal, named Elizabeth I) -
for if not by rebellion Satanic not make elemental conquests
or at least improve on them?
Francis Bacon died attempting to conjure up
a refrigerator with a dead chicken - dying from
hypothermia, or a really bad cold; never mind that,
if the resurrection of a united pseudo-Rome is to be
established it cannot take root in democracy -
but it already has, and is doomed to fail
given one of its former provinces risked all to exit -
it has to be rooted in the origin, in republicanism -
but it can't take root there, given the lost vitality of ancient
old age and modern old age leaving behind
only disparity - audacity of youth in every sphere
of life - and the blatantly over-stretched comforts of
old age - the American experiment of having
democracy v. republicanism staged failed -
that was the intention - to see which one was more the success
story of the revival - i appears neither or precisely both -
in that democracy has fuelled the city-states once again:
globalisation and the city-states: London, Paris, Germany...
they exist as separate entities in a web segregating
themselves from national politics and associating themselves
in global politics with only their counterparts -
the Greek city states have been revived by such dynamic;
so if democracy fuelled that, then surely republicanism
has fuelled what happened in the British exit from the union?
coup d'état in Turkey (on the waiting list, joining in
2020 along with Serbia and Albania etc.) - if you can't see
xenophobia and a choice of politically correct vocabulary
you don't see the naivety of Polish pensioners and English
pensioners - Turks at home in Germany - but let's revitalise
the memory the Iraqis share with Mongols and the sacking
of Baghdad and the Siege of Vienna between Turks and Poles -
i've assimilated into British society i don't identify with
such ethnic historicity - i was taught history including Roman
conquests; do i think the Scots will break from the Union?
i think they'll break for ethnic moral - that's
the other member of the unholy alliance, a real cat fight,
2nd Ms. Thatcher in Downing Street? the youth voted
in - the old voted out - when they were concentrating
on the gender gap a milieu gap was convening -
outside of London the impression of the family environment
suggested the youth didn't vote, in the urban environment
youth mingled with youth, to later hear their parents
or grandparents were dying ****-stained in care-homes...
strange: you always seem to wish to be part of a Mongolian
horde in such times for the oddest but the most blatant
reasons... oh yeah, and i read 5 books today...
well, i told you, once you read enough books of your
own choice you end up reading poems and reviews to
give yourself some slack...
- les parisiennes by Anne Sebba (review by Daisy Goodwin)
  (always women reading books by women,
   and men reading books by men... what sexism
   in this post-sexist culture of FEMININE EQUAL)
- Paper: passing through history by Mark Kurlansky
    (review by John Sutherland) p.s. best citations
    from this review... maybe some other time...
-  The Age of Bowie: how david bowie made a world of
     difference
by Paul Morley (review by Will Hodgkinson)
-  the Girl who Beat Isis: my story by Farida K(h)alaf with
    Andrea C. Hoffman trans. by Jamie Bulloch (review by
    Catherine Philp)
-  Pinpoint: how GPS is changing our World by Greg Milner
    (review by Damian Whitworth)
and finally...
- All things made New: writing on the Reformation by
    Diarmaid MacCulloch (review by Robert Tombs)...
                                indeed,
                                 the terrible has
                                 already happened
;
never leverage on
a positive thought when
working from Pompeii -
as the lessons of failure
from the past magnify -
there is nothing
but hindsight and pessimism
in the past to unearth -
while uncertainty and optimism
toward the future readying
itself for the burial rites
of the already unearthed artefacts
in continuum imito (in a continuum of imitation).
Mateuš Conrad Jan 2020
anyone who has been in this position
will tell you:
              when you start reading philosophy
books, well...
   there's not much a psychologist
or a psychiatrist can really help you with...
after all: psychology is pop philosophy,
it's an off-shoot of philosophy,
       and that's not some pompous
affirmation of the subject matter,
            it just is, what it is,
                 blatantly it's rather problematic,
if the h'american education system
introduces philosophy in high school...
you should really discover philosophy
aged 21, at least 21...
        hell, alcohol and *** can come before,
as they naturally will...
but i have a sharp aversion with regards
to teaching teenagers any philosophy...
again: what an over-used term:
   "philosophy" - esp. in the climate
of self-help gurus...
                  philosophy is not a subject
that fixes ****... it complicates life...
   and when life is already complicated:
the only aid is to at least
fortify your mind...
                     rarely a life uncomplicated
with an uncomplicated mind...
but such life exists...
  nonetheless...
                  these days philosophy lies
in the shallow grave of psychology...
                 psychology just seems to be
a pursuit, a cascade of schematism,
    oh yes... schematism...
           schematism is the new scholasticism,
on note, that medieval system becomes
more and more appealing...
   without jumping to any conclusions...
hard to pick up random facts,
unshakeable facts for a befitting narrative...
i mean, the usual suspects are there:
the big bang, darwinism, world war II...
but there is no "real" narrative
      for so many of us...
                        unless from mouth to mouth...
but from a mouth you've never heard
speak?
          a distant voice that has no power
to resonate?
                 in my hands i hold two books...
history of germany 1918 - 2000...
           modern history is so dry...
                      people in this book are so
unimportant upon a retrospective reading,
even ****** is akin to a dwarf...
    since the "concern" is germany...
             history books, a great genre,
when dealing with individuals,
    esp. medieval individuals...
       for what is history?
                         an incremental seduction
by minor events toward a memorable
crux, a single: outstanding culmination
zenith / sigma...
                           the summa summarum
of here and now.
   will it be considered "****" to have
a fetish for the german tongue,
after all, west saxon, english,
   is the offspring of altmanndeutsche
(would i have a fetish for russian?
   i don't think so, i'm too entwined in english)
alles in allem auf hier und jetzt...
    again: heidegger's dasein seems to be
forward looking: rather than inward looking...

so, in my other hand?
     jim bradbury's biography of...
    philip augustus: king of france 1180 - 1223...
a mighty book... but more a mighty person
invoked...

what is to justify man's desire for happiness,
for the content life?
                        the more i ever felt the relief
of a contentment with life:
         the more it passed me by,
                     i was more or less asleep than
awake.

         eh! the current canvas of history via
the mainstream application bores me,
jumping between the two genesēs of
the big bang (yeah, in a vacuum, good luck
playing a violin up there,
with someone reciprocrating what
eventually looks like a mime) and darwinism...
it's congesting: custard for a brain -
      vanillesoße zum ein(e) gehirn -
out of the blue, a question -
    is it the same in german as in english,
regarding the indefinite article?
        i.e. a tree
                        an amber stone
         ein gehrin
                 or eine gehrin,
         the grapheme question...
  are two vowels allowed to mingle again?
   i.e.               æmblem
                       well... doesn't that become
a directive? an indirect article composed
of itself and a noun becomes definitive,
a definite article? as far as i'm aware...
there are no consonant graphemes...
sure... you can have SZ (SH) reduced to
a caron S (hiding the Z like a hebrew
might hide a vowel) i.e. Š...
                                       just a thought...

funny that... after my first psychotic
trip (mild drug, marijuana, so hardly
a point breaker) - i once studied chemistry,
i was semi-good at mathematics...
but then... my language skills / interests
exploded...
                     it became and has remained
a fixation...

  mind you, if you're still in high school
and are taking up majors,
and are thinking about furthering your
language skills?
               flat chance of you achieving
your satisfaction taking pure english lessons...
i took history...
     and history? well, you're still taking
an english major, but a major in a science,
at least all the history books have
a gratifying narrative...
              but in terms of history per se?
etymology...
                 how words arrived,
and how words morphed...
         guilty! i like to confine myself
to the sort of history i find to be bound
to a comprehesive retreat...
           big **** darwinism and all its
regressive ontological tactic of explanation
is one thing, the big bang is another thing
also...
               but at least i can return
to the history span that begins,
   and ends... with phonetic encoding...
the birth of thought,
when you could begin to shut up
without an empty bath's worth of the head,
but all the plastic ducks and foam
in your head, and itchy finger tips...
greedy buggers who could only be
satisfied with an alphabet,
and puzzles of words, and later sentences...

just give me a bottle of whiskey,
a decent album (akin to wooden shjips V)
and i'll sing like the kind of sparrow
you only hear at night...

and all this current ******* of "m'ah opinion",
my opinion this, my opinion that,
that "grand" constructions,
             surely it would be easier for
the phallus to find a ******
     than a tongue to find the dialectical
insertion point of the whole "my" opinion...
well, not really, every time i think of the act,
i always found the insert point
to be below my original intent,
what with women having
   to seemingly parallel coccyx bones
either side of their pelvis...
            the frontal deceptive coccyx
bone just above the v'ah-g-g...
            eh... amateur... even with prostitutes...
but this whole: it's my opinion!
it's my opinion! well, you'd be hopeful
to entertain a dialectic also,
apparently that's not the case:
give, "my" opinion insinuates:
     it cannot be debated, it cannot be changed,
no other person can entertain it,
what a primitive defence mechanism...
even poisonous frogs have
a better defence mechanism...
            again: i don't really own anything
in this world,
   i'm only guarding it, but i don't own it:
the everyday story of every single
antique...

  again, back into a "critique" of history
as a literary genre,
               i own a few first editions,
     the biography of philip augustus is one
of them: 1998 edition, first,
which is beside the point...
            i'm sure that life in medieval europe
was harsh...
but at least you had peacock characters,
rather than this, moden, bland c.c.t.v.
reality t.v. personalities...
              oh of course modern life
has all the perks... standing in line...
               but there's no way of replacing
an adventurous ambition with
complacency and comfort...
plus, they had such great names!
        peaches geldof (rest in peace)...
peaches?!
               compared to bertran de bron?
joscius?           conrad of montferrat?
  saladin & the ayyubid empire?
       hell, the smaller the tribe,
  the better the name...
             the angevins, the capetians,
the merovingians!
         now?        eh: zee fwench.
boo'ring...
   even a bull wouldn't charge at
the colour red even if you wanted him
to.

again: these days you can rely on
people who know the facts...
   and factoid checking is all we ever do
these days, being always "right"...
facts overshadow the story we're about
to tell...
            a bull charges at head:
because he / it sees a honing pointer
of: there's something "missing"...
              daltonism "vs." protanopia...
i once had a high school fwend who
laughed... at this catholic high school...
purple blazers were yellow to him...
who needs l.s.d. then?

       once again... a medieval history book?
as a genre?
                so many stories...
but there is no a priori factual check
impetus...
     the facts are a posteriori...
  what is a priori? the story...
                          and why wouldn't
philip augustus be overlooked?
given the fwench rhe-vou-lú-çion?!
****! T gone missing! T gone missing!
the H is a surd, but it shoved itself
past the cue, elbows high!      
          
  the battle of bouvines (bou-veens,
or: bou-v'ah)
                     depends...
                how selective we "must" become
to make choices from such
an impossible spectrum of events...
after all... muslims readily cite and remember
the crusades, even to this day...
hush hush the sacking of baghdad by
the mongol horde...
for the library was burned and
the skulls were stacked!
hush hush about the first defeat
of the mongols by the mamluk slaves
in egypt... who weren't mohammedians
to an extent of being slaves...

you almost stand there,
bewildered... what about the jihad
into mongolia...
well at least go and help your brothers
out in Xinjiang and Henan!
why isn't the botherhood attempting
to jidad their way:
jihad with the chinese communist party?

hush hush... let's adore the palm trees
lining avenue des Champs-Élysées...
let's sit back... procreate for a while...
eat the good food...
let's sit back and procreate...
the 2010s was a good year for fear and
tarantulla bite-numbing escapades...
let's just sit and procreate...
let's become lazy... chant with the Tehran
zindiqs ****'ites! deaf to h'america
and we've conquered London and...
just sit back... because... we've earned it...
we have satisfied ourselves with
the blood of the ***** (kuffar)...
allah the almighty will bless us in
our respite concerning those Persian
zindiqs! the people of the desert with but
one book have conquered!

true indeed: where a jihad would be
even deemed "justifiable"...
in cha-cha-china... where muslims are
being persecuted... London! London!
we need more in London...
well this whole: muslim brotherhood
and the whole muhammad ali thing...
malcolm x... only worked...
but this is the chinese doing it to their own...
no need to intervene and bring
the good people back into the ummah...
    
  hush hush, hush hush, hush hush...
cherry picking history, are we?
    well...            let's cherry pick together!
look at this garden of time:
plenty of picks, plenty of beginnings!
at this point: a certain amount of history
can become fiction,
and not in a bad way...
it can become the basis for "studying"
archetypes...
             funny how time treats those
who experience it...
    it mutates them...
                   and to no purpose
of appealing to the general public,
  so much can and has happened in my life:
and yet...
         nothing is worth the curator's knowledge
of commentary,
  the status of laureate:
   i'd sooner be found, bound to the pleasure
of shooting dead ducks floating in
the water with a slig-shot...
       than, whatever, the aspiration for
the post, deserves;
  g.c.s.e. allowed poetics can deal with that...

again:
   why is poetry so overtly scrutinißed?
no one makes so many notes regarding prose...
but then poetry is being analyßed?
out come the scalpels, the weights,
the whole forensic scrutiny!
        10 words are expanded into
a 10,000 word essay...
      gay science my ***...
                   it's the most over-scrutinißed
form of language,
no wonder people are intimidated
by it... who would want to write in a medium
that has so much scrutiny hovering
above it: and no, it's not a ******* halo
or a laurel wreath!

           there's only so much meaning
that can be derived from a sentence,
before the pun, dries out,
  before the metaphor, dries out,
before all these bogus over-stressed
ars poetica identifiers via "technique" become
exhausted, and what you're left with,
is the ancient art of narrative...
  
  yeah, sure sure, i too wish my narrative
"skills" were better...
             i'm streuengehirn...
              if i really wanted to write
a ******* mathematical rubric of:
1 x 1 = 1
1 x 2 = 2
1 x 3 = 3...            i'd be currently writing
a YA vampire romance trilogy...
do i look like someone who's going to write
a YA vampire romance trilogy?!

           eh... back when you could respect
a homosexual akin to william burroughs...
back to a tomorrow's worth of respecting
a homosexual akin to douglas murray...
   or that gay sitcom starring
           ian mckellen & derek jacobi...

                       two old **** talking:
        eloquence and ettiquete...
                     now, that was fun...
i too wish some perv shoved his ****
through my ***, picked up my hands...
and transformed by idle tongue
to present a, stage performance worthy
of an encore...
                             alas...
   given the current climate...
          i'm stuck with the sort of gays
the old gays would probably be ashamed of...
so much for the adventure and
          the... courage... of feeding a pleasure
of "something" going in, rather than coming out...

irritable bowel syndrome from time to time,
i honestly enjoy taking a **** too much,
so much so that i find the male
****** to be overrated.

post- scriptum musing:

favourite past-time?
catching a mosquito by the *****
while wearing boxing gloves.  
  
don't know how drunk doesn't
translate into shy...
or how the former translates
into an antidote for the latter
(&
   also
     bound to italics) somehow...

a fool's idle wondering
equating itself with
all the world
   and the men invested in it:
ambitions, adventures,

            so... who's going to follow
suite in gratifying this "grand"
errand?
             surrounded by unshakeable
cliffs of "knowledge" of facts...
what story is to be told,
without a fear of plagiarißm?
since there is a fear:
it implies... the story is not worth
passing on,
not unless the newly-born arrive
and are born from a foreign
body, not alligned
   to the organic allignement
of continuity...
  pass what may pass...
               once again: arriving
at the jargon babylon deposit of
the fuel for a will to live,
                             as shared universally.
Mateuš Conrad Dec 2015
what england needs now is no **** & dump king, it needs a lethal combination of edward the confessor, philip augustus (the 2nd, house of capet), and george iii (house of hanover); the first for the bluntness of truth, blunt knife of honesty is not honesty per se, per se a weakness isn't a weakness at all, esp. if it's colliding in polite society that understands it as rudeness; philip augustus for the genius of plotting: playing off richard i with henry ii, and richard with king john... george the iii? the one that went into the cuckoo's nest? i need him for the halo and the innocence of others, provided the innocence of others is simply a way with lies.*

which had me thinking,
the bit where i mingled linguistics with chemistry,
the asymmetry of c & k,
of s & z... cat, kettle, empiricism,
i don't know know of another s & z example
that does't involve the ß, sure the s is sharpened
into a z... perfect contortion for 90°...
fair enough... acute angles...
but i mean this quasi chiral sentencing...
c is non-super-imposable on k,
s isn't quite a z in alice's adventure
the other side of the mirror...
but in some instances (due to the lack
of diacritical marks in the english language
to bespeak australian and american and south african
and canadian accents as proof of moth / ćma)
it appears as if i mistook my spelling
even though the english language is the easiest dyslexic,
even i make spelling mistakes in the odd bit of phrasing,
but that's natural, there are no clear phonetic quanta
to base my judgement on...
clearly i can mistake on letter for another...
it's the clear over-individuation of worded distinction
that gets me bothered, finding semblance
in current celebrity culture of the:
gone with the wind / farted into the wind /
****** against the wind looking a locomotive
of dry cleaning, as was don quixote at the dry-cleaners
lance and delusions in hand...
i can arithmetic the word onomatopoeia
from the sound: on oh mah toe *** ah...
but where the hell is the vowel i?
can't find it... found a baboon quicker
shoving it's crimson **** cheeks into a birthday cake
quicker - laughing at whatever i.m. weasel said
when cartoon network was fun and intelligent
and had a chessboard logo and m.t.v. was
all about music videos and not about
16 year old teen mums... is that music to my ears?
indeed it is i.r. baboon ****.
a anyway... it's chiral in the mouth that c and k
it's super super impress tactic of two left hands
acting like one right hand...
but on paper even C or K could say that
one stroke-curving was like 3 segments:
down, north-east across to centre co-ordinates (0,0)
and south-east across to the same centre;
it's symmetrical in the mouth, but
asymmetrical in the eyes -
hurts a lot, like watching english (historically
speaking / moving on / a quality lost with time,
non-possessiveness of a quality,
came the pakistani post-colonial migrants
and gave a shoo to shoe-shine as under the carpet
and all was well in multi-culture of a sociological
experiment) governed by so so many
worded accents as to produce one a and not
one moldovan j (ж)... it's almost japanese
given the news!
so if quanta are incremental units of energy
in the french lingo 1cm,
then higgs are incremental units of mass,
in french lingo 1 of something...
it's still coconuts and palm trees with polar bears wandering
free in poland, given the english perspective
of the colonial past, with polish girls migrating to
the islands of discontent by storm eve;
those prone to eloquent scheming are in confession clumsy;
and those mad are capable of the highest intelligence...
but those with strap-on-****** will hardly manage
a zoo, let alone a human decimal of involvement;
fractions sounds better though,
we need surd markings on some of our phonetic symbols,
akin to diacritic marks... but whereas diacritic
marks stress... surd marks make pronunciation dissolve...
hence the need for censorship in theology akin...
we might require a pseudo hebrew take on things...
hiding the vowels will only elevate all other languages
to the extreme of hebrew, but it will not be enough;
we'll need for an ace of spades over a bible passage:
then revelation and poker faced tango.
Was it supposed to be this way,
Or was there a fault in our stars?
A collision of worlds
That tore us apart?
I once read that it is not our stars,
But ourselves that hold the answer.
Was it fate that brought us here
Or was it simply chance?
Someone must be punishing me,
Punishing you
For a mistake we once made.
It may have been our foolishness
Of falling in love at such a young age.
Our lives, though limited,
Had so much more to give
To the world and to each other
But neither one of us can live.
The pain that demands to be felt
Is slowly breaking my heart.
And the constellations in the sky
Are my thoughts of you, turned into stars.
And looking up at the vast infinity,
Makes me realize you are mine.
I’m swinging on my garden swing
Kissing you as I kiss the sky.
For one of my favourite books: A Fault In Our Stars by John Green
Cathyy Jun 2014
I've got a hot date in Heaven..
Don't keep me up 'cause he'll be waiting,
He was my first love,
And maybe my last love,
.. Sometimes my worst love,
But we won't talk about that ;)

And i'm lying here while he sets us a table,
I've been to Amsterdam but never to the city of angels
All i know is i'm in love,
With my only best friend..
And it's a holiday i'll tell them,
I'll be back more 'heaven sent'..

But til then i'll just talk to the stars..

Oh would it be okay if i chose not to move on?
'Cause i believe in holding on,
And i believe you're holding on too
&All; the stars that alligned us,
Will hopefully find us..
Again,
And again..
And againnn..

I've got a hot date in Heaven..
Don't keep me here 'cause Augustus is waiting..
He was my first love
And maybe my last love
But always my favourite love
... Yeah i'll talk about that.

Someday i'll write about that.
Heyhey it's Cathyy,
So today is the 12th of June here in the UK, the first screening of tfios is showing !! I'm missing it though haha but i'm watching it next week! I know already so many of you american fans have watched it this week! I hope you like my new song lyrics! Would love to record this properly.. Someday ;)
Mateuš Conrad Jan 2017
i could conceive the western concept of the rehab,
but then for 3 weeks i was in poland
i didn't touch the bottle for that period of time...
i don't see how an addict with a bunch
of addicts can be cured by anything other than
stigma... i'm actually happy addicted to
addiction: i entered my reading-mode...
   that said, most people can't digest a Kraszewski
book... **** me, we read Bradbury in snippets
just to tow in an essay for A-level english...
       philip augustus, or the chess player concerning
the Angevin family... great stuff...
   i didn't choose the book, my grandfather did,
he owned half the Kraszewski collection and read
nothing of it, he had to find a ******* "bored"
enough to read one of the books,
   and as i once said: i've seen the movie adaptations
of the Sienkiewicz trilogy...
         the cossack uprising, the swedish deluge...
and i said to myself: i can't and i won't...
thanks you jerzy hoffman, and yes: thank you
peter jackson...
              the infinite supply of elven arrows
and Legolas shooting orcs at point-blank range did
it for me...
                thankfully i can write something
as obscure as this, and know, for certain, that
there's a back-alley of the human populace out there
that might be searching for something like this...
   but that's what i found entertaining,
i actually had the opposite of wanting to compliment
the film adaptation of sienkiewicz, with an actual
sienkiewicz book... mind you: Kraszewski covers
the same period... and it's all the same time frame...
   should i write a proof that i read the **** thing?
maybe... but the main idea is that:
a metropolis cannot provide the right environment
for a book... or completing a book...
books are read in the countryside, in small towns,
in palaces... in hunting lodges...
          and i dare say: reading a book, getting into
full swing of the narrative is best done in daylight hours...
and i'll come back to the daylight hours,
  as a drinker and writer i chose the night...
  you know how long it took me to restore my
biological clock, and regain the nocturnal realm after
spending 3 weeks with a clear schizophrenia
of sleeping in the night and wriggling about during
the day? 2 weeks! i restored the biological pendulum,
but i have to admit: i feel ****...
    but i guess it's a worthy sacrifice...
i'm planning to go back to my country of origin
during late spring to read some more books...
i couldn't have read don quixote, the brothers karamazov,
bertrand russell's history of western philosophy
    yada yada yada... or kierkegaard's either / or,
or finished off kant's critique without my place of birth...
  and isn't it like a badge of honour?
                some will tell you to speak out an eastern
mantra... om... and the shattering of chandelier...
the western mantra is also a type of hypnosis,
you have to find a rhythm with a book...
  the mantra is the narrative of a book, and the silence
that incubates you has shark-teeth should anyone approach...
   but urban living makes this spot harder to find
than a begger or the ******... you can read books
in large cities... before you head home you're
bombarded with the psychology of exploiting your
literacy, in adverts, in orientating signs...
        with them being so authoritarian, it's hard
to find time for a liberal attitude to books...
            esp. what books are, best described by people
who'd probably like to throw them like molotov
cocktails in protest marches: thick as bricks those
gargantuan apostles of the void are...
       and so we are: sitting in times of hyperinflation
of literature... if that isn't the case, let me know by
Tuesday next week, i'll brood the assumption myself
until then...
      that's 2 weeks it took me to return to my writing mode...
to get back to the nocturnal realm
where everything is doubly black & white...
                 the point is: i want to write at a time when
the surrounding world sleeps...
     last time i remember, i didn't get a message in my dreams,
i'd love to see letters in my dreams, fortunately
i can't... i haven't seen these artefacts in dreams,
      but it's hard to blame memory as not strained enough
to do so... the unconscious and memory don't really
interact that well... it's a paradox that they even do
and that dreams have some sort of existence involved in
the architecture of our psyche...
                        last night i dreamt of lego batman because:
d'uh his endearing sarcasm... and godzilla!
   boo ya!         and this large city being eaten up
by a tornado, and other things phantasmogorical....
well pandemonium here, pandemonium there...
    don't get any ideas about the nature of dreams and
oedial repression... please! unaffordable housing prices
these days can only mean i'd really earn a mortgage
if my ***-drive went to the dogs, of the profession.
    so 3 weeks of a sober life and enough time to read
books... and my return into a writing life, a nocturnal
life, and drinking...
   mind you, in between there was that masters final
with ronnie o'sullivan (at least romford is famous for
something) vs. joe perry... in the last frame, when they
had 30 odd points each, and they were plucking at the
last remaining red ball for the snooker?
       snooker is a metaphor for the savannah...
you either watch snooker, or a david attenborough naturalist
show... there's the herd of buffalo (the red *****)...
           and the cue ball the hunting predator...
well... it's all a bit abstract, there are just ***** on a green
table... but still... at least in snooker you can bug
the "pawn" (red) ***** without having to *** them,
in chess you destroy completely... the pawns go...
there's no time to keep them for a no-man's land pause...
and i just turned 30... which goes to show:
                  if the game of football was perfect,
i mean perfect like tennis is with hawk-eye and
    6 judges vertical, 4 judges horizontal...
                  then football wouldn't be so passionate,
so religious... the reason it is so religious is because
judging it is so ****** imperfect...
     there's a reason why football can't be perfected in a way
as rugby can, where the referee can pause the game
and ask for a replay... the unfairness principle!
it has to be unfair in order for people to feel even more
impassioned by it! that's why in that film
when Alec Baldwin says something along the lines:
god comes first (while his hand holds out
the index and *******), and football comes second
(the index finger disappears)...
      football can never be a sport that has perfect
refereering... which makes me surprised as to why
it can grace the Olympic games...
                   football (in english, not that theme park
of jumping torpedoes) - yes the football known as:
ballet with hairy legs...
                   it has to remain unfair and subsequently
quasi-religious because it generates the most money,
but apart from that, it has gained a quasi-religious
status because it reflects a sort of life we acknowledge:
the referee made a bad decision, god did this... blah blah...
  and we get passion, religious passion that's
best represented by football hooligans...
                        but whereas other sports perfect their
techniques of refereeing a game, football hasn't done
the least possible, because it requires the whole debate
of: life's unfair!
    if it wasn't for unfair refeering, the game would not
be alive, as it is alive, to stage a confrontation
with: apache west ham, and sioux millwall...
       it's the best way to ensure tribalism...
         make the refereeing unfair, don't improve it...
blame it on the man in the sky, or the ponce in new zealander...  
mind you....
   the last football match i went to was at Stamford Bridge,
Chelsea lost to Newcastle United...
             i just just there like a stoic twant...
           i couldn't imitate the screams and the chants...
   i was just mesmerised at how it's so different from
watching a football match without the television acting
like a microscope... i am sure i was looking elsewhere
when someone scored a goal...
                 i probably went to the toilet when i
missed another goal...
                        and i'll reiterate...
   it can't be a gentlemanly sport, the rules can't be fair,
that's why they call it the sport of the rabble,
they have to contain the illusion of being unfair...
       because it's a "rabble" sport...
the referee has to make bad decisions,
otherwise there would be a "what if" dimension...
ask any Pole about the 1974 semi-finals with Germany
and ask them about the weather that day...
  then ask about the Polish wingers... and how fast they
were... and how the pitch was so slosh, and ice-puppy
fudge that the slow germans won it...
                     because the Poles always say:
we could have beaten the Nedetherlands in the final...
        again: football, if it is to be stated as the secular
alternative to religion, has to have an inherent unfairness in it...
all the other sports will perfect their judgement,
football will not move an inch... just like a religion -
perhaps that's also because we live in times of
cold-consumerism,
       a quick comparison is:
   the reactions of antonio conte vs.
                       ivan lendl -
   the former looks like a raving lunatic when something
good, or bad happens...
   the second? is he watching tennis, or playing poker?
They took their shovels and digging tools
To the top of Highgate Hill,
They walked in a deadly silence there
In the dusk, in the evening chill,
They picked their way through the deep-laid bones,
The monuments, great and small,
And looked for the plain Rossetti stone
In their search for Elizabeth Siddal.

That red-haired, wraithlike, ghostly girl
Who had charmed the PRB,
She'd sat, at first, for Deverell
Who was doomed, with Bright's Disease,
She'd fallen hard for the artist then
Though her love was never returned,
For Deverell died so suddenly -
It was as if her love was spurned.

She sat for Dante Gabriel,
For Holman Hunt, Millais,
As the model for drowned Ophelia
In an ice cold bath she lay,
She lent her beauty to every brush,
Each stroke laid bare her soul,
When she looked around for herself she found
There was nothing left at all.

Rossetti had kept her close to him
As he slowly became obsessed,
He scribbled a dozen portraits from
Her head to her heaving breast,
He placed her high on a pedestal,
A Madonna in all but name,
But kept his physical love from her
That she might not suffer shame.

He penned the poems he wrote for her
In a small, grey calf-skin book,
He carried the poems everywhere
As a proof of the love it took,
He made no copies, he held them close
They were food for a future muse,
For his art and poetry vied with him -
It was painting he would choose.

But she; who knew what rent her soul,
The cravings she despaired?
She sipped at the potion laudanum
As her heart and her mind were bared,
She scribbled the weary verses that
Spoke love, of a love long-lost,
While Dante frolicked with Annie Hughes
At Elizabeth Siddal's cost.

As Lizzie despaired on laudanum
She had ceased to be of use,
Her visage was sad, and aged and drawn
In the sick room of abuse,
While girls with youth, vitality
And an earthy yen for sin
Like ***** Cornforth, came to sit -
And Rossetti let them in.

They wed, but much as a faded dream
The knot had been tied too late,
As Lizzie, dying a little each day
Succumbed to a morbid fate,
For one dark night she had laid her down
Penned a final note, to whit:
'My life has become so miserable
That I want no more of it.'

She lay by an empty laudanum phial,
Rossetti was quite distraught,
He'd loved her, but with a purer love
Than his lust or his money bought,
His grief was such, as he laid her down
In her coffin, she looked so fair,
That he placed the book of his poems
Between her cheek and her auburn hair.

The years went on and he sank himself
In a pit of despond, unwell,
Withdrew from his friends and dosed himself
With a phial of chloral,
His painting suffered, his income too,
He turned to the ancient muse,
And thought of the poems beyond the grave,
He knew that he'd have to choose!

He wrote to Charles Augustus Howell
A rogue that he'd used before,
To test him; whether to dig her up
Or to lose his poems forever;
Howell replied he should get them back,
Or he'd lose them to death, for good,
'Your works are the works of genius,
Bring them back to the world - You should!'

So Howell, he toiled up Highgate Hill
While Dante hid in his lair,
Too scared to look on his love again,
His muse with the auburn hair,
A fire was lit in the dead of night
The coffin was raised on high,
His love was torn from her deathly stare
They could almost hear her sigh.

The book was caught in her tangled hair
Which had filled the coffin's space,
And she was lovely, and quite serene
As they lifted the book from her face,
They lowered her gently, back in the ground
That had served as her awful tomb,
She lay defiled like a bride, reviled,
But without her lawful groom.

Rossetti published his poems then,
They sold by the thousandfold,
For Howell had leaked the story out
That he hadn't wanted told;
But a fate awaited Augustus Howell
A revenge that would beggar belief,
He was found, throat cut in the gutter -
With a coin, tight clenched in his teeth!

David Lewis Paget
Mateuš Conrad Jan 2016
i staying this hostel in amsterdam,
less glorifying than ginsberg
to be a czech fool king wording
self-praise about spinoza,
two germans (who decided to take
mushrooms watching american dad:
i tell you, hallucinogenics
and television - plato's cave -
equate to plato's deepest caverns),
i spent the first day with the germans,
i didn't smoke ****, i just drank,
second day i spent the day
with the egyptian (architect student,
nice scrapbook of doodles), who was cradling
a bottle of the potato elixir known as *****,
in one of the cafes he gave me a blunt,
then gave me his hearing-aids from which
music blasts, he chose to play me
le trio joubran's masar (https://goo.gl/4vcBE1),
there and then i opened my mouth and
in oh oh oh surds imitated a woman's ******,
all ******-active drugs are a release from
thinking, ******-active drugs don't like thought,
indeed i was thoughtless, and in ecstasy bold
enough to attract a dutch girl's curiosity
at my mouth turned in O and my eyes closed
being fed the agarwood trembles of horsehairs
tied either end for a song,
it felt... it felt like a unison resound of
solomon's harem... i turned marijuana into
a ****** because of the music...
these ******-active drugs don't like thinking,
they disperse thought into a semi non-existence,
less carousel more dodo (extinction),
active ingredients of such a nature restrict thought
and reveal an intoxicated self, or self without thought:
a "true" / "undiscovered" self.
and now looking into something resembling
a library, but actually a graveyard...
you tend to do that, keep company with the dead
scribblers, given your position of demised
appreciation numbered less than expected
filling a quarter of the imagined auditorium,
you turn to the dead ones...
among the tombstone crucifixes a few are still alive:
will alexander (poet), fady joudah (poet & physician),
jim bradbury (historian specialising in accounts of
philip augustus), norman davis (historian,
author of god's playground, competitor
with paweł jasienica about the history of poland),
there's also an addition by will self and irvine welsh,
but that's about it... the rest of the ******* are dead:
and this makes me feel nearer to what's intended:
a brick, on a shelf, a brick in the heart layering
of first 20 years, and subsequent life after till
promised anno mortum 60 with the world's age
of civilisation aged 2052 (e.g.);
hence too the exhausted day filled with sleep
awaiting its completion,
but that memory stitches me up into a whole of
the puffy duck-feather teddy bear's abdomen content,
as i parted the egyptian with laughter
once a single drag of the blunt started to wear off.

— The End —