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The skies they were ashen and sober;
  The leaves they were crisped and sere—
  The leaves they were withering and sere;
It was night in the lonesome October
  Of my most immemorial year;
It was hard by the dim lake of Auber,
  In the misty mid region of Weir—
It was down by the dank tarn of Auber,
  In the ghoul-haunted woodland of Weir.

Here once, through an alley Titanic.
  Of cypress, I roamed with my Soul—
  Of cypress, with Psyche, my Soul.
These were days when my heart was volcanic
  As the scoriac rivers that roll—
  As the lavas that restlessly roll
Their sulphurous currents down Yaanek
  In the ultimate climes of the pole—
That groan as they roll down Mount Yaanek
  In the realms of the boreal pole.

Our talk had been serious and sober,
  But our thoughts they were palsied and sere—
  Our memories were treacherous and sere—
For we knew not the month was October,
And we marked not the night of the year—
  (Ah, night of all nights in the year!)
We noted not the dim lake of Auber—
  (Though once we had journeyed down here)—
Remembered not the dank tarn of Auber,
  Nor the ghoul-haunted woodland of Weir.

And now as the night was senescent
  And star-dials pointed to morn—
  As the sun-dials hinted of morn—
At the end of our path a liquescent
  And nebulous lustre was born,
Out of which a miraculous crescent
  Arose with a duplicate horn—
Astarte’s bediamonded crescent
  Distinct with its duplicate horn.

And I said—”She is warmer than Dian:
  She rolls through an ether of sighs—
  She revels in a region of sighs:
She has seen that the tears are not dry on
  These cheeks, where the worm never dies,
And has come past the stars of the Lion
  To point us the path to the skies—
  To the Lethean peace of the skies—
Come up, in despite of the Lion,
  To shine on us with her bright eyes—
Come up through the lair of the Lion,
  With love in her luminous eyes.”

But Psyche, uplifting her finger,
  Said—”Sadly this star I mistrust—
  Her pallor I strangely mistrust:—
Oh, hasten!—oh, let us not linger!
  Oh, fly!—let us fly!—for we must.”
In terror she spoke, letting sink her
  Wings till they trailed in the dust—
In agony sobbed, letting sink her
  Plumes till they trailed in the dust—
  Till they sorrowfully trailed in the dust.

I replied—”This is nothing but dreaming:
  Let us on by this tremulous light!
  Let us bathe in this crystalline light!
Its Sibyllic splendor is beaming
  With Hope and in Beauty to-night:—
  See!—it flickers up the sky through the night!
Ah, we safely may trust to its gleaming,
  And be sure it will lead us aright—
We safely may trust to a gleaming
  That cannot but guide us aright,
  Since it flickers up to Heaven through the night.”

Thus I pacified Psyche and kissed her,
  And tempted her out of her gloom—
  And conquered her scruples and gloom;
And we passed to the end of a vista,
  But were stopped by the door of a tomb—
  By the door of a legended tomb;
And I said—”What is written, sweet sister,
  On the door of this legended tomb?”
  She replied—”Ulalume—Ulalume—
  ’Tis the vault of thy lost Ulalume!”

Then my heart it grew ashen and sober
  As the leaves that were crisped and sere—
  As the leaves that were withering and sere;
And I cried—”It was surely October
  On this very night of last year
  That I journeyed—I journeyed down here—
  That I brought a dread burden down here!
  On this night of all nights in the year,
  Ah, what demon has tempted me here?
Well I know, now, this dim lake of Auber—
  This misty mid region of Weir—
Well I know, now, this dank tarn of Auber,—
  This ghoul-haunted woodland of Weir.”
(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
Milushka Oct 2010
~I remember...*

~For my two sisters

Future lovers
Are not knocking on my doors,
No line ups
Around the corner
Of my house;
The ladder to my window
Lies injured
On yellow
Lawn
Not nurtured,
Down bellow.

On the Queen Anne arm chair
Ashes of my
Fabulous years,
Wireless affairs,
No strings
Unattached
To my violin.

Sketches in the ****
Of lovers past
Are shivering,
Longing for my tapestries,
Trying, in vain, to hide
Under sad sepia.

Portraits, I promised
To paint
To Dorian Gray.
May still age
Given just a little
More time.

On the stage
I, Manon Lescaut, die,
Only sixteen -
Poor Knight De Grieux

Just another year,
please,
That I have not for sale
Anymore.
Pastels and aquarelles
Turned monochrome;
Chronos
Doesn't stop here
For a single moment -
Walks all over.

In the middle of my chaos
23/7
(What's an hour glass
Or more?),
Sleeps
Master Behemoth.

His fur coat
Once luxurious black
Has specks of grey,
One white whisker;
So are three of my hair.
Wise
Sybilla?

I don't think so.

It's not what
It used to be, my Master
Let's go out
To the open
Let's breathe,
Let's see new cats.
On the chopping block,
Let's lose our heads
Let's get lost.

Let's elope together
The weather
Should be
Just rainy-fine
For the Requiem,
For the funeral.

Tree Sisters gone
To the Cherry Orchard,
Uncle Vanya, again,
Left alone on the estate.
Seagull, before rain
Flies over my head
For the last time.


Author Notes
Two of my sisters are gone already.

Anton Pavlovich Chekhov's plays:
Three Sisters
Cherry Orchard
Uncle Vanya
Seagull

...To name just a few. Manon Lescaut by Abbe Prevost, two operas as well, one by Puccini, one by Esprit Auber. "A woman like Manon can have more than one lover."  The Picture of Dorian Gray - Oscar Wilde
~This is not my Poem; this belongs to me Lamushkia; (Milushka) who is no longer with us.
Check out her other poems in her collection here.
She deserves to be remembered.
~Anna

~          ~          ~          ~          ~          ~

Prior Reviews:

D   Oct 6
Ach! Christ, this is magnificent!
(Jealousy rears it's green eyed head!)

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