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"assonance" poems
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
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May 2, 2010
May 2, 2010 at 7:10 PM UTC
CONSTRUCTIVE CRITIQUE v SOMETHING WORSE
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
Continue reading...
19
She unfolds petal by petal to spread fragrance To make surroundings to make her presence What a marvelous beauty with her real essence She is what is a credence in poetical assonance So let be the part of eternal music of waterfall It is silent communion between call and recall She is like a bottle of wine which is to enthrall With its taste, charms, graces and just what all My sweetheart I want to be part of your music In the entire world it is only you just to click Out of all beautiful girls you are the only chick So let us kick together the world and be quick Col Muhammad Khalid Khan Copyright 2016 Golden Glow
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Sep 1, 2016
Sep 1, 2016 at 1:40 AM UTC
Music of Waterfall
An agent of assonance, An army of alliteration, A conquistador of climaxes, A fighter with form, A marksman of motif, A mercenary of metaphors, A ninja of nuances, A raider of rhyme, A soldier of synonyms, A vigilante of voice, I strike with the fiercest of sentences, With such clarity and no false pretenses, I assail with the mightiest of swords, I am a warrior of words.
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Aug 10, 2018
Aug 10, 2018 at 8:18 AM UTC
A warrior of words
It's a picture of you Smiling toward a camera That captured only your perfection You asked me why I called it a poem It's only because you're never ending Like similes and metaphors Your body a rhyme to nature Hair so fluid it's rhythmical Heart a gate way to alliterations Covered in bouquets of assonance You're my wallet poem Always there when I'm paying For the movie we just watched And the dinner we are going to Everyday I open my wallet To find the picture worth a thousand words Written to absolute beauty Not a moment goes by When you're not with me I'm grateful my wallet holds Such a magnificent well taken poem
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Jul 21, 2013
Jul 21, 2013 at 3:17 PM UTC
My Wallet Poem
Although alliteration alleviates all affects attributed to anticipation, it will still spill faster from the quill than assonance.
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May 10, 2010
May 10, 2010 at 11:15 AM UTC
Better than Microbiology
Don’t ask me to pass the assonance assessment Or time my rhyming to make you smile. Alliterative pieces I’m proud to produce After pondering, my pretty person. No I’d rather be free When I write poetree (lol). Must write with meaning, So don’t be demeaning, Even if you are screaming. Existence, God, Love, People – They’re what I write about. Oft without form. Just enjoy. Gorgeous gold glory starts the story That ends with a tune under the moon… Paul Butters © PB 20\9\2015.
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Sep 20, 2015
Sep 20, 2015 at 5:29 AM UTC
Assonance Ascending
poetry is heart speaking her deepest wisdom or lightest whimsy traditional form or free verse let souls sing sprinkle metaphor and simile if you are a poet, write like one words are music let them breeze like a melody color with mix-matched sensory don’t stay inside the lines see sounds with eyes closed hear flickering of fireflies’ light smell beauty in distant mountains taste majesty of flowers’ bloom touch forgiveness bring personification to life “she” is much sweeter than “it” and a seat cushion may have a roundness to her throw in some high speech make someone grab a lexicon delete those extra words ‘I’s and ‘the’s especially alliteration can create cacophonic chorus while similar sounds of assonance tie hoards and scores of words together although there are no rules try your best to use poetry’s tools with this above all else: let your truth ring let your insights and revelations be a healing to self and reader let experiences resonate in hearts and harmonize voices
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Jun 17, 2010
Jun 17, 2010 at 4:49 PM UTC
On Writing Poetry...
Opening sentence comma semicolon full stop. Next few lines lost to editing. Sentence fragmented dot dot dot exclamation mark. Vague obscure reference to personal experience. Quotation marks hyphen colon question mark. New paragraph. Assonance with dissident dissonance. More lines lost. Closing line end of poem.
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Aug 30, 2010
Aug 30, 2010 at 3:48 AM UTC
(insert title)
A pencil is of dreams, the Sandman sings sweetly on graphite. Unlearn your rules, unleash your light. Dance on rhythms of pentameter and sing melodies that twinkle on the tip of your tongue, alliterative opera and assonance played among the bass that is literature. Sometimes you must ignore the pain in your hands, let callouses build and relish in blood filling your blisters. Pain here means progress. Sweep agony away for the sake of day then sink into the ink of night. Float on clouds of fantasy and write.
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Aug 23, 2018
Aug 23, 2018 at 11:21 AM UTC
Sandman’s wand
Assonance
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Jul 26, 2015
Jul 26, 2015 at 7:13 PM UTC
one word poem
*********** like Purity Puckered lips Whispered Ineffability Capacity, Potential-- but never speak above a whisper. NEVER DISCUSS BEYOND THE FUTURE. Just hope empty hopes you use to fill your dreams. -LP
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Sep 17, 2013
Sep 17, 2013 at 6:44 PM UTC
Love Assonance/ Live Dissonance
While rolling, trolling, strolling Found a round astounding gem Pull one word like a cork in the gourd Could not accept a poem worth a foam I accept ten word poem structured in zen Even I tried the challenge for a change One word is so broad; meanings could not contain in a board How would the giver deliver the message to receiver? I got no humor and color for that poem Sorry but this is only my opinion; Don't bring onions Thank you for sharing and found something worth learning Assonance is worth trying.
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Jul 29, 2015
Jul 29, 2015 at 11:36 AM UTC
Too many words poem
Assonance was ensconced in my bonce once. It puts me in the mood for a muse. Love those cool peaceful pools under a Moon in June. Or to croon about dunes and oasis blooms. Such a lovely tune, It’ll make you swoon. Enjoy my runes, No matter how crude. I can be a goon Or even a loon. Sometimes a fool. Poems strewn with clichés For want of a better phrase. Words hewn before noon, To give you a boon. Bad days may loom, Injustices done. Cruelty that’s is fuel for a duel and may ruin a life. We may be doomed. But I must stay upbeat, Give you a treat And make you fall at my feet. Quite a feat! Every dog has his day, Another cliché you’ll say. But I don’t get any pay, So soon be on my way. Love to play with words, Writing songs for the birds. These words are a tool For making me cool. We’re back to those pools: They are shimmering jewels. Paul Butters
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Aug 28, 2016
Aug 28, 2016 at 9:36 AM UTC
Cool
the criminal element is lost have you fought with your boss each day is fraught with challenges but that's what makes you stronger all along the water's edge the waves break and connect like threads of poetry lines of beauty curving at the moon luminous intrusions before we are fallen dreams seethe with colorful landscapes and i am a blade of grass threads of astral fire aspire for the sun my magic is beyond recognition it ignites the silence and burns bright as day words are living breathing entities families of sounds consonants and vowels are relatively harmless unless you dare to speak them out loud control your tone and let aspiration resonate this assonance is rather transient so lets embrace our scansion mansions of impermanence lands of intransigent transients its tragic really how the lead of vehemence can spread so rapidly sentient powers stake their claim in soil that remains dutiful despite your shame have we gone insane its quite likely or are we still the same that remains to be questioned better to drop this game and keep up your crazy vision quest
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Nov 13, 2018
Nov 13, 2018 at 2:03 PM UTC
lost threads
So many minds have filled this space thinking of math and physics Vectors and integrals, derivatives and valence mean little to us- except the rolling assonance of the repeated vees
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Apr 22, 2012
Apr 22, 2012 at 12:10 AM UTC
English Class Room 241 Cory
POETRY IS NOT PUBLISHED IN A BOOK OR SCRIBBLED IN A JOURNAL. IT IS NOT COMPOSED OF STRICT METER AND RHYME, STANZA AND STRUCTURE, ASSONANCE AND ALLITERATION. POETRY IS NATURE. POETRY IS NON-SEQUITUR. POETRY IS THE WAY OUR HIPS AND LIPS INTERTWINE LIKE GRASPING VINES WITH DETERMINATION AND GRACE THAT IS SIMPLY DIVINE. POETRY IS THE WAY YOU WAKE UP ON A LAZY SUMMER SUNDAY MORNING AND LISTEN TO THE HEARTBEAT OF YOUR LOVER LYING NOT TOO FAR AWAY. POETRY IS THE COMPASSION AND SELFLESS DESIRE THAT CAUSES US TO BUY MEALS FOR STRANGERS AND TIP EXTRA JUST FOR THE HELL OF IT. POETRY IS THE FACT THAT EACH AND EVERY ONE OF US IS ANOTHER INFINITELY RANDOM MANIFESTATION OF THE UNIVERSE ATTEMPTING TO UNDERSTAND ITSELF THROUGH CONVOLUTED COSMIC INTROSPECTION. POETRY IS THE WAY THAT THE STARDUST FLOWS THROUGH OUR VEINS AND THE LIMITLESS POTENTIAL OF HUMAN CREATIVITY HIDES JUST OUT OF SIGHT BEHIND OUR EYES. POETRY IS THE WAY THE WISE WINDS BLOW SOFTLY THROUGH THE TREES, WHISPERING SECRETS TO ANYONE WHO WISHES TO HEAR. POETRY IS THE WAY THE RIVER LOVINGLY EMBRACES EACH AND EVERY PEBBLE IN THE RIVERBED LIKE A MOTHER HOLDING HER NEWBORN SONS. POETRY IS ORGANIC. MALLEABLE. THESE WORDS ARE NOT POETRY - LIFE IS POETRY. DEATH IS POETRY. LOVE - LOSS - STRIFE - SUCCESS - POETRY. WE ARE POETRY.
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May 1, 2013
May 1, 2013 at 2:41 PM UTC
POETRY
You always said I talked too much. And while I certainly don't think most people of at least a reasonable degree of competency would be inclined to disagree, it just seems to me that you were thinking about it all wrong. Perhaps the real problem was not my tendency to speak loudly and with great frequency but rather it was the inferiority of your listening abilities, or lack thereof. You see, I wouldn't need to constantly dwell and reiterate and repeat if you would have been able to conceive  even momentarily that there was reasoning tucked between the seams of my stories that I kept waiting for you to find. I wanted to give you chances repeatedly to display some needed empathy and to meet even my most basic needs or, **** it, just common decency but all requests were met selfishly and I think its time to leave it behind. I am ready to breathe regularly and sleep without the haunting dreams and stick to it this time without relapsing. I am ready to finally start resisting picking up the phone when you inevitably decide you are feeling a little too lonely and know that you can always count on me to be too desperate and too weak to waste an opportunity to speak because you always said I talked too much. I hope I am finally running out of things to say.
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Apr 30, 2013
Apr 30, 2013 at 7:45 AM UTC
A Good Bye with Overdone Assonance
Extreme Poetry Fights, fumes, resists, entices, twists, endures, seduces Rhymes at times Or so rarely you want it to explode, implode Or just mellow out But you don't stop reading Unless it bores Or you're just too tired Ditties and sonnets And ABAB and the like are all very well But real men and women go for The rough and tumble of truly free verse Where words are the masonry Spitting at you in spurts Confounding, astounding Welcome to consternation nation Where assonance bucks up against alliteration And the inevitable invasion of syllables and vowels A perverse form of Password that traipses over diction when it wants Because there are no rules in Extreme Poetry
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Sep 27, 2016
Sep 27, 2016 at 12:17 PM UTC
Extreme Poetry
A poem is built with sounds Liberally littered with alliteration Rhyming reason Aspiring assonance Up metaphorical mountains. Each letter plays its part. A cast of cascading chords Making mystical music For the discerning ear. Operatic musicals from the Muse: A crescendo of noise Or sometimes Whispers in the winnowing wind. I write because I must, Because I need to In answer to The Call. Paul Butters
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Jun 18, 2015
Jun 18, 2015 at 4:13 AM UTC
Sound
i used to think poetry was alliteration, assonance, rhyme and rhythm literary devices like onomatopoeia but then i found the number of people who wrote poetry about love hurt, pain, brokenness numbness then i realised poetry was simply being touched by you being cut up and forced to live with bleeding wrists and a bleeding heart the blood left on the sheets that's what poems are made of
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Aug 22, 2015
Aug 22, 2015 at 10:02 AM UTC
poetry
Such a shame to let loose That I have absolutely no clue what I'm doing But pretending seems to work so well; You all claw at plasticine symbols The letters deplored with a swish of the ink well. Calligraphic self destructions mean something to somebody Over an ocean with eyes so slight as to shine in the darkness, Glinting in robes of black on the rooftops of rich dynastics And the rhymes of yesterday creeping to the forefront, Reminding me just of how hopeless hopelessness is-- The assonance of a retreating boxcar Is steaming into the backdrops of consciousness. Is it time to rewind somewhere? The visages of paintings only mean so much To the blind bats on cave walls in cavernous reaches Of static television snow drifts. It seems that you and I have come to the biggest of filamentous rifts: Sifting between now and then we have mind-skips Of epic proportion, a sickened distortion Of all of the children left in their contortions It's all leprosy in my eyes Since the skies are burning down as we pinpoint abortion. And we release that defeat, and try to find meaning in it all: A lie of great size Told from my lips yet it was-- You who believed me. Together we made a chimera A deception even worse than anything I've ever known I said that some god had told me all the things that that that-- I can't begin to begin an apology My mouth mummified by request next to Jeremy Bentham I only wanted what's best for you-- But look at what you've done! Oh, Crusades! Oh, Crusades! Children don't lie with your eyes on the sunset For Nietzsche is the ultimate navigator! And you finally catch sight of the top of an alligator floating in the oil, staring at you slanted eyes smiling cruel. It all makes sense now, what half believed lies That explain how the darkness will come to rise But the opposite side of our crystalline marble Has known all along, they knew all along! Facing the east, wasn't He? Then even he knew Perhaps what I said was not all untrue And in fact the fault lies with Him Not me, Not you. Sincerely, The Bible.
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Dec 30, 2010
Dec 30, 2010 at 6:09 PM UTC
Sincerely,
Such a shame to let loose That I have absolutely no clue what I'm doing But pretending seems to work so well; You all claw at plasticine symbols The letters deplored with a swish of the ink well. Calligraphic self destructions mean something to somebody Over an ocean with eyes so slight as to shine in the darkness, Glinting in robes of black on the rooftops of rich dynastics And the rhymes of yesterday creeping to the forefront, Reminding me just of how hopeless hopelessness is-- The assonance of a retreating boxcar Is steaming into the backdrops of consciousness. Is it time to rewind somewhere? The visages of paintings only mean so much To the blind bats on cave walls in cavernous reaches Of static television snow drifts. It seems that you and I have come to the biggest of filamentous rifts: Sifting between now and then we have mind-skips Of epic proportion, a sickened distortion Of all of the children left in their contortions It's all leprosy in my eyes Since the skies are burning down as we pinpoint abortion. And we release that defeat, and try to find meaning in it all: A lie of great size Told from my lips yet it was-- You who believed me. Together we made a chimera A deception even worse than anything I've ever known I said that some god had told me all the things that that that-- I can't begin to begin an apology My mouth mummified by request next to Jeremy Bentham I only wanted what's best for you-- But look at what you've done! Oh, Crusades! Oh, Crusades! Children don't lie with your eyes on the sunset For Nietzsche is the ultimate navigator! And you finally catch sight of the top of an alligator floating in the oil, staring at you slanted eyes smiling cruel. It all makes sense now, what half believed lies That explain how the darkness will come to rise But the opposite side of our crystalline marble Has known all along, they knew all along! Facing the east, wasn't He? Then even he knew Perhaps what I said was not all untrue And in fact the fault lies with Him Not me, Not you. Sincerely, The Bible.
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54
Please repay me My childhood! I want to listen My lost assonance in my mother’s enunciation! To refresh myself with melody of eternity! Please bestow me My childhood! I want collect dew from the leaf! To amass nature’s blessing! Please confer me My childhood! I want to flee my kite to perpetuity and mist in the hallowed invisibility!
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Apr 23, 2014
Apr 23, 2014 at 2:29 PM UTC
Give back my time!
Heartbeat Empty glass. Droning fan, trying to write. **** Writer’s block. But it’s more than that. Every writer can eventually find the words. Maybe I’ll take other’s advice and make words up? How? If the dictionary can’t explain it, How can I? Beautiful, perfect. Want? Need. No. still too common. The words I’m looking for don’t exist, No alliteration, No rhyme, Irony, No assonance, allusion, slant, idiom, pun, Simile, metaphor, nothing Would allow me the Ability to Write the words I want. The only language that exists to me Now is the language Of my pulse. Remind me I’m alive? My feet are cold, My palms clammy. So How To Say What I want? It Can Not Come From My Heart. But. By. My. Soul. Make. This. Real. Heaven? I want days where I can sit in the dark. Not see, but feel you. Not physically. Feel your emotions radiate. Repair your heart. Even if you don’t know it is me. You are the beat, The life, To my Heart. But I don’t want my heart. I want my soul. Take. It All From Me. . . . . . . .
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Oct 7, 2011
Oct 7, 2011 at 11:31 AM UTC
Heartbeat
And each morning as she slept I'd take her a tray of poetry A croissant of commas warmed from the inside out An ounce of assonance A cup of freshly squeezed couplets A bowlful of rhymes That inside she might find Our promises of forever The memories we crafted together: I’d take her a teapot of The little things we’d forget In the busyness of daily life I’d take her a knife to spread across the toasts we’d host To the moments we cherished most To our victories and our regrets And every morning as she slept I’d place a kiss on her head As I placed beside our bed A tray of poetry, The words she so carefully, cordially, candidly Composed out of me.
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Jan 19, 2018
Jan 19, 2018 at 11:40 AM UTC
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Regardless of my reagal remonstration, I remain a regular rodent in a rig.
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Jul 21, 2016
Jul 21, 2016 at 7:01 PM UTC
(assonance gave way to literation) And Then This Happened