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"applin" poems
Tea Talk (or Taking Tea) Jam comes first And then the cream Said the scone from Cornwall To one ‘n’ all Taking tea Milk jug blinked. The teaspoon gasped, Who would have linked The layers of bliss that sweetly kiss With their order between the halves of a scone From Cornwall Where one ‘n’ all Know that the milk is churned Until it’s solid Then we say the cream is clotted. The teapot looked at the scone from Devon Who knows that cream and jam is heaven But only if the cream comes first And then the jam . . . . . My thoughts exactly said the ham From between its sandwich fingers Where it lingers Until it’s time for tea. ‘Are you sure?’ the teacup said To ham within its breaden bed. Saucer asked the cucumber salad, ‘Should jam come first?’ ‘But does it matter?’ said cucumber salad. ‘It’s a ballad So red and white, A symphony of taste Into which to bite. It is so right For those who are taking tea,’ ‘Jam then cream, is what you do,’ Insisted Cornwall’s scone who As we know likes cream to be clotted. But tomato blushed and quickly said, ‘With cream from Devon I am besotted Because we know it’s clotted. . . . . Too. Onion, hearing Cornwall and Devon Knows that cream and jam are heaven . . . . . But jam and cream are bliss Sealed with a kiss that is heaven . . . . .too. The dilemma of order fuels onion’s frustration And onion’s tears lead to prostration For those who are taking tea. What is to be done To solve the question of order Jam first . . . . . or cream? The issue borders On the ridiculous As the layers sweetly intermingle Like the lovers’ kiss As those who are taking tea Bite . . . . . Ouch! said onion The scone from Cornwall And the scone from Devon ‘Either way is heaven. David Applin Copyright …David Applin (2015)
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May 9, 2015
May 9, 2015 at 7:13 AM UTC
Tea Talk (or Taking Tea)
Tea Talk (or Taking Tea) Jam comes first And then the cream Said the scone from Cornwall To one ‘n’ all Taking tea Milk jug blinked. The teaspoon gasped, Who would have linked The layers of bliss that sweetly kiss With their order between the halves of a scone From Cornwall Where one ‘n’ all Know that the milk is churned Until it’s solid Then we say the cream is clotted. The teapot looked at the scone from Devon Who knows that cream and jam is heaven But only if the cream comes first And then the jam . . . . . My thoughts exactly said the ham From between its sandwich fingers Where it lingers Until it’s time for tea. ‘Are you sure?’ the teacup said To ham within its breaden bed. Saucer asked the cucumber salad, ‘Should jam come first?’ ‘But does it matter?’ said cucumber salad. ‘It’s a ballad So red and white, A symphony of taste Into which to bite. It is so right For those who are taking tea,’ ‘Jam then cream, is what you do,’ Insisted Cornwall’s scone who As we know likes cream to be clotted. But tomato blushed and quickly said, ‘With cream from Devon I am besotted Because we know it’s clotted. . . . . Too. Onion, hearing Cornwall and Devon Knows that cream and jam are heaven . . . . . But jam and cream are bliss Sealed with a kiss that is heaven . . . . .too. The dilemma of order fuels onion’s frustration And onion’s tears lead to prostration For those who are taking tea. What is to be done To solve the question of order Jam first . . . . . or cream? The issue borders On the ridiculous As the layers sweetly intermingle Like the lovers’ kiss As those who are taking tea Bite . . . . . Ouch! said onion The scone from Cornwall And the scone from Devon ‘Either way is heaven. David Applin Copyright …David Applin (2015)
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64
Is there anything glorious about August the twelfth? When people privileged with exceptional wealth Think it their right, to blast the sky And the birds that fly, ne'er so high. Is there dignity to the flurry that follows? To be first delivering corpses to fellows And consorts, dining in fair London town On the shot blasted flesh, fallen down ... To British soil, the land of the free! So free, to be trapped in iniquity, In pursuit of what some think to be glorious But surely Blake's heaven would be furious. David Applin 2018
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Aug 2, 2018
Aug 2, 2018 at 2:39 PM UTC
Shooting Grouse: the glorious twelfth
Easter Monday (2015) The silence It was the silence As we entered the gates of hell. Then… The bird song, It was the bird song That chorused our way To the well Of tears at the wall Of many tongues That speak to the silence still, Of the voices that cried For the people who died The void only time will fill. The sun It was the sun Shining on the wooden cross. And… The sky It was the sky So blue, and flecked with the floss Of clouds so white So pure in light That the wall of the well of tears Transfigured the sin We heap on Him Whose loss for many Is the only way To feel the void time fills. The woodpecker drummed a beat On the trunks Of the trees so parallel still. A whisper of wind That rebounds the sound Of innumerable roll calls Of the thousands who now Lie deep in the cradles of mounds Stone faced, inscribed Toten With the number interred within Verboten… now But why not then? In that world of men And women, when humanity’s meaning Was turned on end. And a godless creed That shadowed the world with grief Which now for many, Is beyond belief. The stillness It was the stillness That gave silence the space to breathe, To remember the times, the godless times That now are so hard to believe. But silence and stillness envelope the House A silent place to be To hear the past that shows the present The prayers for a future that sees What could be, What can be But will we Learn, the history from then to now To forge that future for future’s sake And answer the question… How? David Applin … late afternoon and evening of Easter Monday 6th April 2015 following a visit to Bergen-Belsen earlier in the day, completed 7th-9th April. 15th April 2015 … 70 years after the liberation of Bergen-Belsen by the British Army. David Applin (Copyright 2015)
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May 9, 2015
May 9, 2015 at 5:32 AM UTC
Bergen-Belsen: Reflections on Easter Monday (2015)
Easter Monday (2015) The silence It was the silence As we entered the gates of hell. Then… The bird song, It was the bird song That chorused our way To the well Of tears at the wall Of many tongues That speak to the silence still, Of the voices that cried For the people who died The void only time will fill. The sun It was the sun Shining on the wooden cross. And… The sky It was the sky So blue, and flecked with the floss Of clouds so white So pure in light That the wall of the well of tears Transfigured the sin We heap on Him Whose loss for many Is the only way To feel the void time fills. The woodpecker drummed a beat On the trunks Of the trees so parallel still. A whisper of wind That rebounds the sound Of innumerable roll calls Of the thousands who now Lie deep in the cradles of mounds Stone faced, inscribed Toten With the number interred within Verboten… now But why not then? In that world of men And women, when humanity’s meaning Was turned on end. And a godless creed That shadowed the world with grief Which now for many, Is beyond belief. The stillness It was the stillness That gave silence the space to breathe, To remember the times, the godless times That now are so hard to believe. But silence and stillness envelope the House A silent place to be To hear the past that shows the present The prayers for a future that sees What could be, What can be But will we Learn, the history from then to now To forge that future for future’s sake And answer the question… How? David Applin … late afternoon and evening of Easter Monday 6th April 2015 following a visit to Bergen-Belsen earlier in the day, completed 7th-9th April. 15th April 2015 … 70 years after the liberation of Bergen-Belsen by the British Army. David Applin (Copyright 2015)
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69
Guarding the Gate I said to the Old Man by the gate Please let me pass to the field beyond Where flowers lift their blooms to sky That glimmers the flush of hopeful dawn. The Old Man paused and said to me Pass, pass please to your destiny That comes to all but once this way Beyond the gate where I stay. To guard the hopes of those who’ve passed And those to come Their hopes, your hopes Will come to be Through the gate to eternity. David Applin February 2012
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May 4, 2015
May 4, 2015 at 11:10 AM UTC
Guarding the Gate
Rosie’s World Up, up, up to where? To mummy’s shoulder so I can stare Upon my world below, On books, on toys and teddy, so Bought belovedly for me to share With mummy, daddy and those who care For a world of love, fit to live in My world, your world, a place so thrilling Lest we forget the joy of living. David Applin …… 21st October 2011 Copyright David Applin 2015
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Oct 31, 2015
Oct 31, 2015 at 2:29 PM UTC
Rosie's World
The Garden of Gethsemane takes many forms, All different from our usual norms, Reflecting was and what will be As was and are translate to me. Surrendering self on this sacred ground, Is perhaps one step that I have found Hard; to disengage the self that was From the self that is before the cross. Understanding helps us know Humility, so that we can grow To replace old ambitions With new ones, in the same traditions. The Garden allows the Revelations That help us make these translations From old to new, so that in repose We hold true to purpose and resolve. David Applin August 2018
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Aug 6, 2018
Aug 6, 2018 at 1:43 PM UTC
Revelations: learning anew
Night Cries.... Night shadows darken my wall of dreams Shading my thoughts, or so it seems TO me, as misty sleep wakens to goblins and elves Lurking in corners, and on the shelves Where teddy sits and dolly too Their shapes all lumpy, as they grew Grotesque in my mind, started with themes That only come in night time dreams. But here is mummy, and daddy as well To startle the dark which quickly fell From my mind now clear, Of the shadows that cause night time fear. David Applin … 4.30am August 4th 2012 Copyright David Applin 2015
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Oct 31, 2015
Oct 31, 2015 at 2:22 PM UTC
Night Cries
Lily’s first poem Lily’s eyes are a pool of dreams Love and laughter are two great themes To fill her life with wonders to be Which are the dreams we wish for thee. Lily’s name is a field of flowers Weaving the colours of beautiful bowers Havens of peace made secure By mummy and daddy who make life so sure. Sure to know, and sure to do The future, my future is the clue To forge the dreams of beautiful flowers Whose powers Are the symbol of Loves great tower. David Applin 11.00pm November 17th 2014 David Applin (Copyright 2015)
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May 9, 2015
May 9, 2015 at 7:03 AM UTC
Lily's first poem
What is Life? Schrodingers thinking Lingering still In the recess of Mitchell’s mind. Where proton pumping And electron streams Released the energy That powered the dreams Of Crick and Watson’s thinking. Exculting the coils That toss and dance To the chance of whimsical nature. The random acts of random doings Not knowing, Mr Darwin explained As better the dance The better the themes That evolve from primeval electron streams. What quantum edge has uncertainty given To Darwin’s original thinking? Is the particle here Or is it there Where starry light, twinkling Prompts the notion That the galactic ocean ………………….to be completed Copyright David Applin May 2015
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May 9, 2015
May 9, 2015 at 1:12 AM UTC
What is life?
What is this selection of love so natural To drive men insane and women to purgatory Can Mr Darwin explain? I doubt not , but is the meaning clear Why love one to one remains so dear. Karl denied it, Lenin too And Uncle Joe dismissed it As a plot to subvert what was good for the proletariat. But in that recent time when Hitler’s darkness shadowed The Earth Love glowed in the gloom of the despair of nations’ Terezins Which to-day helps to repair our broken dreams Of why we love one to one. Keats loved one ***** Brawne And Coleridge his Asra But what is ecstasy’s advantage? When comes the pain of separation Mr Darwin, please explain. Is it lust, is it reproduction? But then when love is thwarted We cannot function, Where is the advantage Mr D --- what is the aim, can you explain? How the coiled spiral passing from time to time Its immortal message which condemns each generation To the pain of separation When the reaper calls, or the rival sunders The coils of love’s message we’ve inherited Since the beginning of time. Why? What is the advantage? Mr D, please tell me your answer. The whales they sing one to one Like Eliot’s mermaids singing Not to Prufrock but perhaps to you and me The message of communication. Is this love as one to one Each supports another wounded By the enormity of the harpoon? The dictator’s message in another form Devoid of love, sundered, never whole Coming from that Terezin we never solve. Dysfunctional Mr D, where’s the advantage For such conflicting feelings to evolve? David Applin (Copyright 2015) March 2012
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May 9, 2015
May 9, 2015 at 5:08 AM UTC
Mr Darwin, please explain
What is this selection of love so natural To drive men insane and women to purgatory Can Mr Darwin explain? I doubt not , but is the meaning clear Why love one to one remains so dear. Karl denied it, Lenin too And Uncle Joe dismissed it As a plot to subvert what was good for the proletariat. But in that recent time when Hitler’s darkness shadowed The Earth Love glowed in the gloom of the despair of nations’ Terezins Which to-day helps to repair our broken dreams Of why we love one to one. Keats loved one ***** Brawne And Coleridge his Asra But what is ecstasy’s advantage? When comes the pain of separation Mr Darwin, please explain. Is it lust, is it reproduction? But then when love is thwarted We cannot function, Where is the advantage Mr D --- what is the aim, can you explain? How the coiled spiral passing from time to time Its immortal message which condemns each generation To the pain of separation When the reaper calls, or the rival sunders The coils of love’s message we’ve inherited Since the beginning of time. Why? What is the advantage? Mr D, please tell me your answer. The whales they sing one to one Like Eliot’s mermaids singing Not to Prufrock but perhaps to you and me The message of communication. Is this love as one to one Each supports another wounded By the enormity of the harpoon? The dictator’s message in another form Devoid of love, sundered, never whole Coming from that Terezin we never solve. Dysfunctional Mr D, where’s the advantage For such conflicting feelings to evolve? David Applin (Copyright 2015) March 2012
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45
"Pop's" she said, And that was Rosie "You have a patch That is no posy Of flowers, Because no hair Grows there." "Pop's" said Rosie "Is that fair?" David Applin August 2018
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Aug 8, 2018
Aug 8, 2018 at 4:12 PM UTC
Pop's bald patch