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"antique" poems
Never should I love, For never will you love me. Never will your deep, blue eyes Look in mine and read my mind, Like a psychic running her fingers along the lines of my palms. Palms that belong to hands you’ll never hold, And handle with care like you would antique china And at the same time grip with a firmness that tells me you’ll never let go. You’ll never let go because you’ll never wrap your soft, warm arms around me in the first place. Your soul will never entangle with mine and fill that void Left by a **** sliced deep within me. A **** left by my father’s youth, And my mother’s faith, Whose knife cut out their acceptance for me And gouged out my trust in them. Can’t you see that you are the antidote to my lifelong suffering? The Accutane to my welted face, The braces to my crooked teeth, The nitro to my aching heart The rhino to my bulging nose The morphine to my broken mind, The running to my fading health Running, running, running away Far away from this broken house Where your dreams never do come true and Where you come out to yourself alone in the bathroom and Where they can’t ever know the truth because my house is Where God resides in the attic and Where Jesus is the only one you should let in your room at night and Where The Holy Spirit has possessed us all to live a lie because my house is Where lifelong love is dead at the delivery room And who is there to blame but me? Who is there to blame but me? But none of that matters to you. It can’t matter to you, Because all you do is love And love And love And love And love. But you never love me. Each year I have known you I have reached out farther than the last, Yearning for something I could never obtain. Fifteen pushes past Fourteen, Both of whom fall short of Sixteen’s growing arms, Which are narrowly outpaced by Seventeen’s spindly, wirey fingertips. Every Year’s efforts have met the same fate; Failing to reach their target they instead grasp fruitlessly Into a dark, brewing storm, Full of tears, And of crackling sparks of hope That are met with the resounding booms of fate Telling me that I am doomed to be alone. Telling me that never should I love, For never will you love me. But I never listen. Because I know you too well. And I know that someday, Someday soon, You’ll make the happy accident Of stepping too close to my many straining hands, And I’ll pull you near to me And you’ll realize that you never loved her at all. And that you always, always have loved me. -The Boy Who Loves You Too
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Sep 29, 2016
Sep 29, 2016 at 10:42 PM UTC
To the Boy Who Won't Love Me:
Never should I love, For never will you love me. Never will your deep, blue eyes Look in mine and read my mind, Like a psychic running her fingers along the lines of my palms. Palms that belong to hands you’ll never hold, And handle with care like you would antique china And at the same time grip with a firmness that tells me you’ll never let go. You’ll never let go because you’ll never wrap your soft, warm arms around me in the first place. Your soul will never entangle with mine and fill that void Left by a **** sliced deep within me. A **** left by my father’s youth, And my mother’s faith, Whose knife cut out their acceptance for me And gouged out my trust in them. Can’t you see that you are the antidote to my lifelong suffering? The Accutane to my welted face, The braces to my crooked teeth, The nitro to my aching heart The rhino to my bulging nose The morphine to my broken mind, The running to my fading health Running, running, running away Far away from this broken house Where your dreams never do come true and Where you come out to yourself alone in the bathroom and Where they can’t ever know the truth because my house is Where God resides in the attic and Where Jesus is the only one you should let in your room at night and Where The Holy Spirit has possessed us all to live a lie because my house is Where lifelong love is dead at the delivery room And who is there to blame but me? Who is there to blame but me? But none of that matters to you. It can’t matter to you, Because all you do is love And love And love And love And love. But you never love me. Each year I have known you I have reached out farther than the last, Yearning for something I could never obtain. Fifteen pushes past Fourteen, Both of whom fall short of Sixteen’s growing arms, Which are narrowly outpaced by Seventeen’s spindly, wirey fingertips. Every Year’s efforts have met the same fate; Failing to reach their target they instead grasp fruitlessly Into a dark, brewing storm, Full of tears, And of crackling sparks of hope That are met with the resounding booms of fate Telling me that I am doomed to be alone. Telling me that never should I love, For never will you love me. But I never listen. Because I know you too well. And I know that someday, Someday soon, You’ll make the happy accident Of stepping too close to my many straining hands, And I’ll pull you near to me And you’ll realize that you never loved her at all. And that you always, always have loved me. -The Boy Who Loves You Too
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68
I remember hiding under an old cherry wood dining table. I remember holding my baby sister, shielding her eyes, covering her and trying to tuck her away. Pulling her as close to me as possible, like I might be able to fold her skin into mine so she wouldn’t have to see what was happening around us. I can still hear her crying into my bony 7 year old shoulder and whaling amongst the chaos with the bitty 4 year old voice that she had at the time. I remember the heart stopping feeling of watching my mother get thrown into the wall and watching my brother, 11 years older than myself, hurtle the beautiful antique silver coffee *** that my grandmother left us- into the space near her head where it bludgeoned the wall. I remember barely being taller than the table myself and pulling my sister out when I saw a chance for us to escape the scene and run into another room.  I remember turning around and seeing my older sister, who was 10 at that time, running up and hitting and kicking my brother and getting shoved to the side. I’ve grown accustomed to the headaches I now get at the sight of flashing police lights.
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Mar 2, 2015
Mar 2, 2015 at 12:02 AM UTC
ptsd
and there i am in the midst of it all, conscious of what appears to be existent, yet knowing it is illusory.  and if time is occurring synchronously then how can i look back with contrition?  for if i have the capacity to move backwards and forwards in quantum leaps, i can erase the past like pastel chalk on an antique blackboard, then start anew.  is not the sky my canvas and the arc of the rainbow my palette?  and the stars in lustrous luminosity light my way so that ev’n at dusk I can paint.  yet pain ne’er ceases to hollow me out.  then through a barren vessel i catch more rain, and pour it out upon the parched terrain.  just when i thought enlightenment was nigh, a sharp edge is discovered.  must it necessitate additional sandpapering from the wind?  when will the gemstone sparkle without further pressure?  does it lie in its power to simply shimmer sans duress?  perhaps it was dazzling at its inception, relinquishing its luster upon domestication.  with this proviso, as it nears twilight i shall tarry and blend with the night.  i’ll dance with a moonbeam knowing the jewel will glisten afresh upon the rise of the golden sun. @2016janetaylor
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May 5, 2016
May 5, 2016 at 11:37 AM UTC
nearing twilight
you check on me many times a day with my antique ears I hear your squeaking shoes on these vinyl floors someone laid for those who came before like passengers on a stalled bus with windows that allowed only one view I know you and I wait for the same thing for you to check on the passenger who replaces me he will be no different a few more hairs, perhaps a few less stares you will gently place your hand on his wrist write in his chart, and maybe glance at the date of birth, do the mindless math and wonder without wonder if my replacement will have a bigger number than I but I am still here gazing at your angled eyes while you count the beats which slow a little each day waiting for you to say how long will this one last? don’t worry, squeaking vinyl floor walker when my drum stops pounding I will try to make sure it happens while I am asleep
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Aug 9, 2012
Aug 9, 2012 at 7:42 PM UTC
While asleep
We'll drive Stare out the window And sing to each other Eat terrible food and laugh with one another Gallivant around antique shops and dream of life together. We'll reach the final destination throw our suitcases on the bed of our cheap motel and kiss passionately wherever.
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Jan 6, 2013
Jan 6, 2013 at 11:15 AM UTC
Someday
Pearl swans shatter the ice, and glide swiftly through the stars sparkling on the mirror lake. Twilight falls to the night and the air creates glistening twisted crystals which climb up the trees and freeze the antique summer remnants. The spindled sprigs of silver birches drape their lustre wantonly, forming long ripples in a lengthy cascade. Then the darkness retreats as the pale blue haze of dawn approaches where the robin's breath sighs tangibly on the air.
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Apr 16, 2014
Apr 16, 2014 at 2:34 PM UTC
Winter
He smelled like my Dad Or like Old Spice and Zest He smelled like a person working on cars Or of the outdoors He smelled like fresh milled wood Or like a shirt worn with sweat He smelled like our living room Or like our dog named Stanley He smelled like green trees Or like a tavern where an un-known band plays He smelled like an antique dresser Or like a vintage vehicle He smelled like warm buttered toast Or like fresh brewed coffee Although his smell's been gone for ages I can still remember the way he smelled Sometimes I can still smell him
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Jan 23, 2015
Jan 23, 2015 at 9:21 AM UTC
The Way He Smelled
How many marbles can you fit into a bowl until you say you can't count them? I do not want events layered upon events. Birthdays toppling over birthdays: a layer cake of responsibilities that aren't 'responsibilities'. That do not count. That cannot be measured or described as taxing or numerous. I am outnumbered by numberless nonsense. I am outweighed by weightless wafting pleasantries; and opportunities; and life-sustaining things; that bowl me over. My womb is a desert called Death Valley and you wish to comb it for antique glass bottles. I care not. I cannot partake in any more suggestions of what I might do with my 'free time'. But you're not feeling the tingling sensation in your gut every time you wake up and the lights don't turn on. The wheels don't work. The mechanical arms don't move like they are supposed to. Like the parts of you you're supposed to have on automatic have just given up the ghost and abandoned you. You're alone and miserable and none of it rings any bells. None of it gives out any signs. None of it counts. I'm crying because the milk spilled and there isn't any milk left anywhere in the world. We're out. We're just the land of Honey now.
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Apr 21, 2016
Apr 21, 2016 at 12:43 AM UTC
The Land of Honey
The oxygen secreted from the walnut tree, the snap-pole green beans growing up the side of the rusty garden fence, and bags of aluminum cans stored  in the shed with the old cash registers from the antique store. These are the golden frames caught and edited onto organic film, etched into grey matter, projected from a foggy lens onto reflective marble. We abandoned the clubhouse because of spiders; they took the place for themselves after a storm. Our new abode was the patch of grass between the walnut tree and the fence in the back corner of the yard; shady, rough terrain from fallen walnuts, and the grass always had a slight dew in places. "The place where the snakes live" is what we called it when we were sprouts; now we could catch them in both hands. One night, the wind blew over the shed doors; flimsy, sliding rail, aluminum thing. We slinked in and got to play with the old adding machines, foreign tools, jars full of door hinges, and rusty hand-crank egg beaters. Eventually, the roof of the shed collected so many years of twigs, walnut husks, and foliage fallen that tiny trees began to pop their heads up from the clutter. Crickets underneath the gutter guards- two types; the black singers and the ones you have to dig for that will draw blood if they get a hold of one of your fingers. Sometimes, if bravery was roused and boiling, we would drift closer to the railroad tracks in attempts to catch yellow jackets, or even hornets. One popped their stinger into the back of my neck.
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Mar 24, 2015
Mar 24, 2015 at 9:06 PM UTC
Cousin Punches
The oxygen secreted from the walnut tree, the snap-pole green beans growing up the side of the rusty garden fence, and bags of aluminum cans stored  in the shed with the old cash registers from the antique store. These are the golden frames caught and edited onto organic film, etched into grey matter, projected from a foggy lens onto reflective marble. We abandoned the clubhouse because of spiders; they took the place for themselves after a storm. Our new abode was the patch of grass between the walnut tree and the fence in the back corner of the yard; shady, rough terrain from fallen walnuts, and the grass always had a slight dew in places. "The place where the snakes live" is what we called it when we were sprouts; now we could catch them in both hands. One night, the wind blew over the shed doors; flimsy, sliding rail, aluminum thing. We slinked in and got to play with the old adding machines, foreign tools, jars full of door hinges, and rusty hand-crank egg beaters. Eventually, the roof of the shed collected so many years of twigs, walnut husks, and foliage fallen that tiny trees began to pop their heads up from the clutter. Crickets underneath the gutter guards- two types; the black singers and the ones you have to dig for that will draw blood if they get a hold of one of your fingers. Sometimes, if bravery was roused and boiling, we would drift closer to the railroad tracks in attempts to catch yellow jackets, or even hornets. One popped their stinger into the back of my neck.
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32
Why scrawl any pattern or family of bitemarks or caresses The illustrator has children of his own and loud red wine to waste Visiting your birthplace in your example suggests antique weaponry Through sublime sense Puritan watershed
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Jan 4, 2012
Jan 4, 2012 at 2:22 PM UTC
Drawing
Like a tsunami, you washed away everything I knew. you destroyed all of my original, antique walls. you smashed through my humble home, and left me sitting, ankles deep, on the deserted beach. watching the waves of your destruction kiss my sandy memories. I was furious. until I realized how beautiful the view was.
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Nov 18, 2014
Nov 18, 2014 at 8:03 PM UTC
Tsunami
The antique shop, a cauldron where memories from far and near boil and froth, where chronological order didn't matter, time stood still, part real, as much magic, different lives from distant lands and time rolled in to one. Here they met, by chance,a man and a mysterious woman,with an eye for unusual, among what was  on display were things a conman would seek and also favorite stuff fit for  kings, artifacts and articles they must have used or hankered after. Past uses these museum pieces as baits for us, secretly preparing us to surrender before future, unkind and rude in mind; he changed roles as both con and king, there was a constant yes, she was the mate in each he couldn't take  eyes  off her, and she asked what he looks for, "The famous ****** quilt, that was to be mine twice before, I missed making it mine, narrowly every time" He wondered how did he make up that story so quick. "I can take you to the quilt, but it isn't here" she said not a bit  hesitant He was flabbergasted by the turn of events,as if a hidden scripted move shows the way They left by her car, she was eloquent about the effects of the ****** quilt. As they stood near the ****** quilt, in this room he thought was part of an antique shop, the place looked deserted, and her eyes shone when she suggestively said "Want to test the effect? Don't be disappointed" It wasn't. How could one  imagine, that the quilt can be so voluptuous. That secret shook him out of his shell, she had  nothing to do  with antique of any kind, just another visitor like him, and the quilt was an ingenious plot she hatched in keeping with my sudden flourish, the quilt, was a new addition in her bed patch worked in silk, light weight, it wasn't a blanket, but ****** in its very touch it was them, the moment of adventure they found had brought the rapture,who would regret?
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Jul 28, 2013
Jul 28, 2013 at 1:23 PM UTC
An ****** Quilt, Found by Chance
The antique shop, a cauldron where memories from far and near boil and froth, where chronological order didn't matter, time stood still, part real, as much magic, different lives from distant lands and time rolled in to one. Here they met, by chance,a man and a mysterious woman,with an eye for unusual, among what was  on display were things a conman would seek and also favorite stuff fit for  kings, artifacts and articles they must have used or hankered after. Past uses these museum pieces as baits for us, secretly preparing us to surrender before future, unkind and rude in mind; he changed roles as both con and king, there was a constant yes, she was the mate in each he couldn't take  eyes  off her, and she asked what he looks for, "The famous ****** quilt, that was to be mine twice before, I missed making it mine, narrowly every time" He wondered how did he make up that story so quick. "I can take you to the quilt, but it isn't here" she said not a bit  hesitant He was flabbergasted by the turn of events,as if a hidden scripted move shows the way They left by her car, she was eloquent about the effects of the ****** quilt. As they stood near the ****** quilt, in this room he thought was part of an antique shop, the place looked deserted, and her eyes shone when she suggestively said "Want to test the effect? Don't be disappointed" It wasn't. How could one  imagine, that the quilt can be so voluptuous. That secret shook him out of his shell, she had  nothing to do  with antique of any kind, just another visitor like him, and the quilt was an ingenious plot she hatched in keeping with my sudden flourish, the quilt, was a new addition in her bed patch worked in silk, light weight, it wasn't a blanket, but ****** in its very touch it was them, the moment of adventure they found had brought the rapture,who would regret?
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56
As I rushed home, I thought about The last thing that I'd read "Can we go out to fly my kite? Before I go to bed." A text was sent by my young son To go and fly his kite I texted back "no problem son," "We'll go do that tonight" Once I got home, I went to change And he changed his clothes too The sun was still up shining And the kite would help the view The wind was blowing briskly Just enough to fly it right And if others were out flying too It would really be a sight I told my son, to dress up warm For the wind did hold a chill But, flying kites with my young boy Well, it gave my heart a thrill He gathered up his kite And then he raced me to the door I picked up my hat that had Been knocked upon the floor He raced me up the street as we made our way out to the park He wanted to be first to get there before it did get dark He held his kite so tightly, I myself thought it would break It was a black and golden box kite With a tail just like a snake We bought it up in Chinatown At a little antique shop When the wind hit it just perfect It would just hover and then stop Of all the kites he owned This was his favorite one I think it was his favorite Because it danced beneath the sun. We got there, I let out the string And I got it in the air And once it became airborne I tied it to his chair My son, can't hold the kite string Can't control the way it flies He's confined to his blue wheelchair Until the day he dies He controls it with his finger Races all around the place And when we get out flying kites There's such a smile on his face He backs it up, the kite responds Flying high up in the sky "i wish that I could be that free" "I wish that I could fly" "One day son, you will be free" "You'll be as mobile as that kite You'll be moving like you used to do "On your feet, you'll be so light" He was injured in an accident But, that's not here nor there, He was hit by a drunk driver He was too **** drunk to care But for now, my boy is smiling We're out flying kites at night And as long as we're toghether Then our world is still all right.
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May 1, 2012
May 1, 2012 at 7:40 PM UTC
Kite Flying
As I rushed home, I thought about The last thing that I'd read "Can we go out to fly my kite? Before I go to bed." A text was sent by my young son To go and fly his kite I texted back "no problem son," "We'll go do that tonight" Once I got home, I went to change And he changed his clothes too The sun was still up shining And the kite would help the view The wind was blowing briskly Just enough to fly it right And if others were out flying too It would really be a sight I told my son, to dress up warm For the wind did hold a chill But, flying kites with my young boy Well, it gave my heart a thrill He gathered up his kite And then he raced me to the door I picked up my hat that had Been knocked upon the floor He raced me up the street as we made our way out to the park He wanted to be first to get there before it did get dark He held his kite so tightly, I myself thought it would break It was a black and golden box kite With a tail just like a snake We bought it up in Chinatown At a little antique shop When the wind hit it just perfect It would just hover and then stop Of all the kites he owned This was his favorite one I think it was his favorite Because it danced beneath the sun. We got there, I let out the string And I got it in the air And once it became airborne I tied it to his chair My son, can't hold the kite string Can't control the way it flies He's confined to his blue wheelchair Until the day he dies He controls it with his finger Races all around the place And when we get out flying kites There's such a smile on his face He backs it up, the kite responds Flying high up in the sky "i wish that I could be that free" "I wish that I could fly" "One day son, you will be free" "You'll be as mobile as that kite You'll be moving like you used to do "On your feet, you'll be so light" He was injured in an accident But, that's not here nor there, He was hit by a drunk driver He was too **** drunk to care But for now, my boy is smiling We're out flying kites at night And as long as we're toghether Then our world is still all right.
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68
1545 The Bible is an antique Volume— Written by faded men At the suggestion of Holy Spectres— Subjects—Bethlehem— Eden—the ancient Homestead— Satan—the Brigadier— Judas—the Great Defaulter— David—the Troubador— Sin—a distinguished Precipice Others must resist— Boys that “believe” are very lonesome— Other Boys are “lost”— Had but the Tale a warbling Teller— All the Boys would come— Orpheus’ Sermon captivated— It did not condemn—
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5k
The Bible is an antique Volume
I met a traveller from an antique land Who said: “Two vast and trunkless legs of stone Stand in the desert… Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed: And on the pedestal these words appear: ‘My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!’ Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare The lone and level sands stretch far away.”
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5.1k
Ozymandias
She keeps dancing over the dark water; The flash of iridescent blue Beneath her wings, Quick as a breath. How else could they see? The dragonfly dart; Then hesitate above The mossy green bank – As if it gave liberated pleasure. How could they perceive? The green dimness falling; Between trees, that antique stillness, Then the vermilion leaves – Startling, unexpected, Like an exclamation of delight. How could they receive? That moment when one, then two, Then three dragonflies skimmed All over the once pure river. (9/11/13 @xirlleelang)
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May 27, 2014
May 27, 2014 at 10:13 PM UTC
Black Dragonfly
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts. three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began. him: what will you be painting? me: i can't tell, you might judge me for it. him: alright, but promise me you'll show it to me once you're done. me: okay. same to you too, then. hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting. him: i'm finally done. this is a masterpiece. me: i believe it's the same for me too. him: should we count down as we turn our boards to each other? me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us. we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence. after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other. sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
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Apr 15, 2016
Apr 15, 2016 at 12:58 PM UTC
watercolor jar
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts. three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began. him: what will you be painting? me: i can't tell, you might judge me for it. him: alright, but promise me you'll show it to me once you're done. me: okay. same to you too, then. hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting. him: i'm finally done. this is a masterpiece. me: i believe it's the same for me too. him: should we count down as we turn our boards to each other? me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us. we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence. after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other. sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
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14
Right at the corner of the street An antique store lights it bulb I went it My eyes stuck at the shiny matroyshka doll The owner stood up And gave me the doll The 1st doll look so happy There is sparkle in its eyes and the smile shines as bright as the star who lights up the darkness of the night I open the 2nd doll It smiles without any sparkle on its eyes It smiles as if it has no soul I open the 3rd doll It has no expression It doesn't look happy or sad either As my head is spinning around I look and open the 4th doll With the sad look on its face I start to realize that something is off Then I open the last one And i feel like I'm watching myself A broken pieces doll Deep in my heart I feel like it is me I smile as bright as the sun like the first doll While I'm actually broken inside like the last doll
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Mar 4, 2019
Mar 4, 2019 at 1:53 AM UTC
Matroyshka Doll
It was a Friday night, I was on the phone with my grandmother when I looked at the clock suddenly remembered, it was time for the ritual. I immediately hung up on my grandmother, and stripped of my clothing. The ritual required I be naked. I then took some goat cheese out of my refrigerator, and put it in the microwave. I waited. The goat cheese seemed like it took forever to melt, but it only took a few minutes. In those few minutes, I just sat there, and played with my left ****** Finally, the timer went off, and it was done. I took the melted goat cheese, and poured it onto my body. It burned, but I suffered through it. I would do anything for the Goat Gods. Anything. Once the melted goat cheese was poured onto my body, I began to lather myself in it. Soon, I was covered in melted goat cheese. The smell, was horrendous, but in a way, I enjoyed it. Then, I removed the goat blood from my refrigerator, and poured it into a *** which had been on the oven all day, waiting. I began to boil the goat blood. I took a sip of it. "No" I said as a shook my head in disappointment. I had been ripped off again by my goat blood dealer. There was no flavoring in it. It tasted like goat blood. So I threw in some carrots, and a dollop of horse radish. While it was boiling, I went to my bedroom, to my closet, where I found my goat mask. A real goats head I had carved out and made into a mask. I put it on. When I had it on, I felt like one with the Goat Gods. When I returned, the goat blood was done. I poured it into a Tupperware container, sealed it, and put on my shoes. By now, the once hot and slimy goat cheese, was dried, and stuck to my body. It was crusty, like the crusties you get in your eyes, just all over your body. I walked out the front door, across the street, to my neighbors house. I tried to open the front door. Locked. They knew I was coming this time. Last week, they forgot. So I left the goat blood on their front steps, and left. When I got home, I immediately went to the TV, sat down, and turned on "Antique Roadshow". I looked out my window, and saw my nervous neighbor grab the goat blood, and bring it inside. "Soon they will join the Goat Side" I said as I repeated it to myself, "Soon they will join the Goat Side".
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Apr 4, 2012
Apr 4, 2012 at 7:55 PM UTC
Goat Blood
It was a Friday night, I was on the phone with my grandmother when I looked at the clock suddenly remembered, it was time for the ritual. I immediately hung up on my grandmother, and stripped of my clothing. The ritual required I be naked. I then took some goat cheese out of my refrigerator, and put it in the microwave. I waited. The goat cheese seemed like it took forever to melt, but it only took a few minutes. In those few minutes, I just sat there, and played with my left ****** Finally, the timer went off, and it was done. I took the melted goat cheese, and poured it onto my body. It burned, but I suffered through it. I would do anything for the Goat Gods. Anything. Once the melted goat cheese was poured onto my body, I began to lather myself in it. Soon, I was covered in melted goat cheese. The smell, was horrendous, but in a way, I enjoyed it. Then, I removed the goat blood from my refrigerator, and poured it into a *** which had been on the oven all day, waiting. I began to boil the goat blood. I took a sip of it. "No" I said as a shook my head in disappointment. I had been ripped off again by my goat blood dealer. There was no flavoring in it. It tasted like goat blood. So I threw in some carrots, and a dollop of horse radish. While it was boiling, I went to my bedroom, to my closet, where I found my goat mask. A real goats head I had carved out and made into a mask. I put it on. When I had it on, I felt like one with the Goat Gods. When I returned, the goat blood was done. I poured it into a Tupperware container, sealed it, and put on my shoes. By now, the once hot and slimy goat cheese, was dried, and stuck to my body. It was crusty, like the crusties you get in your eyes, just all over your body. I walked out the front door, across the street, to my neighbors house. I tried to open the front door. Locked. They knew I was coming this time. Last week, they forgot. So I left the goat blood on their front steps, and left. When I got home, I immediately went to the TV, sat down, and turned on "Antique Roadshow". I looked out my window, and saw my nervous neighbor grab the goat blood, and bring it inside. "Soon they will join the Goat Side" I said as I repeated it to myself, "Soon they will join the Goat Side".
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79
A true story of a chance gathering of strangers in the back room of a Gelato Parlor *** restaurant, two years ago, in a little village near the bay, on a land surrounded by vineyards. Come visit. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Gelato Nation There is a place, location secret, mine to keep, mine with which you to tease, make you envious, a back room 'office' jealous guarded by a barkeep, whose chosen invites sweeps you into a reality that is what you will it to be. But nota bene, note well, remembrances of things swell from your past be the only tongue spoken here.   Code word entry only, a shared whisper. Perhaps One Woman, may reveal its pleasures, if she so chooses, which are: gelato laughs, poetry snaps, Beatle songs sung ensemble, by rag tag strangers self-collected accidentally, sung de rigeur off key by voices lubricated by cognac, laughter, and the coldest of white wines, issue of the very soil upon which we sit.   Words to value properly, not in my possess to capture the few moments in time when; Strangers transform themselves into a triple A nation united, that will never be S&P; downgraded. A holy alliance celebrating July 4th all night long, all participants signatory witnesses to its gelato conception, as well as pallbearers to its last drink dissolution, the fullness of its lifetime a vintage of a few hours extant, a vintage, once drunk, is a history, forever gone. Mixologists please record: One playwright, a psychologist, bond trader and a social scientist with a dash of museum director, and do not forget the Hundred Year Old Woman, whose Dowager Princess Daughter (she, a mere eighty)' from Central Park West clarifies all of life dilemmas with the singular analytical tool of: But is it good for the Jews? **But t'is the barkeep who is the leavening in this evenings human pastry-petrie dish.** He makes the pastiche,         the ions of personalities, coalesce best, guitar strummer, singer of songs that were our multiple national anthems when we were pseudo-rebels starting out on our long and winding roads.   Long the King of the Keep! Long live the memory of our Gelato Nation, may it stay sweet in our antique collection of the best moments of our intersecting lives. July 2011
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Jul 4, 2013
Jul 4, 2013 at 6:00 PM UTC
Gelato Nation (July 4th, 2011)
A true story of a chance gathering of strangers in the back room of a Gelato Parlor *** restaurant, two years ago, in a little village near the bay, on a land surrounded by vineyards. Come visit. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Gelato Nation There is a place, location secret, mine to keep, mine with which you to tease, make you envious, a back room 'office' jealous guarded by a barkeep, whose chosen invites sweeps you into a reality that is what you will it to be. But nota bene, note well, remembrances of things swell from your past be the only tongue spoken here.   Code word entry only, a shared whisper. Perhaps One Woman, may reveal its pleasures, if she so chooses, which are: gelato laughs, poetry snaps, Beatle songs sung ensemble, by rag tag strangers self-collected accidentally, sung de rigeur off key by voices lubricated by cognac, laughter, and the coldest of white wines, issue of the very soil upon which we sit.   Words to value properly, not in my possess to capture the few moments in time when; Strangers transform themselves into a triple A nation united, that will never be S&P; downgraded. A holy alliance celebrating July 4th all night long, all participants signatory witnesses to its gelato conception, as well as pallbearers to its last drink dissolution, the fullness of its lifetime a vintage of a few hours extant, a vintage, once drunk, is a history, forever gone. Mixologists please record: One playwright, a psychologist, bond trader and a social scientist with a dash of museum director, and do not forget the Hundred Year Old Woman, whose Dowager Princess Daughter (she, a mere eighty)' from Central Park West clarifies all of life dilemmas with the singular analytical tool of: But is it good for the Jews? **But t'is the barkeep who is the leavening in this evenings human pastry-petrie dish.** He makes the pastiche,         the ions of personalities, coalesce best, guitar strummer, singer of songs that were our multiple national anthems when we were pseudo-rebels starting out on our long and winding roads.   Long the King of the Keep! Long live the memory of our Gelato Nation, may it stay sweet in our antique collection of the best moments of our intersecting lives. July 2011
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86
You tried to learn everything you could. About life, love, religion. The whole deal. You were convinced that you would be the one to go to if there was ever an apocalypse. You laughed things off, but you always had a heavy heart. And when you shared your soul, It was beautiful. You used to call me in the middle of the night Pretending to be an old black man from Louisiana Keeping me up for hours laughing. I ALWAYS found it creepy to wake up on the couch to you spooning me. And whenever you just randomly licked me across the face, I was truly disgusted. I've never seen someone break a bone before, But you took it like a champ. And still caught the ball. Washing dishes. Late night bike rides. (You riding Mom's bike, honking that **** horn at EVERYONE) Sunglass and antique shopping. Ancient Ways. Bonfires. Oreo races. Sushi trips. Labyrinth hunting. Our obsession with graffiti. And SO much more. We had such a rocky start. And we drove eachother crazy. But you made me feel special. Important. You saw things in me that no one, including myself, would've ever noticed. I will be forever thankful to have gotten the chance To see what a beautiful person you truly were. You grew to be more than my friend. You were my brother. I Loved you more than you'll ever know. This stupid poem doesn't do justice to explain just how much you meant to our whole family. You were a part of it, whether you wanted to be or not. That's where you ended up, And I've never been so happy to have a *** sleeping on our couch. You were one weird ******* kid. But man, I sure loved you♥
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Nov 27, 2012
Nov 27, 2012 at 12:14 PM UTC
Nicholas David White: RIP You Goofy *******
You tried to learn everything you could. About life, love, religion. The whole deal. You were convinced that you would be the one to go to if there was ever an apocalypse. You laughed things off, but you always had a heavy heart. And when you shared your soul, It was beautiful. You used to call me in the middle of the night Pretending to be an old black man from Louisiana Keeping me up for hours laughing. I ALWAYS found it creepy to wake up on the couch to you spooning me. And whenever you just randomly licked me across the face, I was truly disgusted. I've never seen someone break a bone before, But you took it like a champ. And still caught the ball. Washing dishes. Late night bike rides. (You riding Mom's bike, honking that **** horn at EVERYONE) Sunglass and antique shopping. Ancient Ways. Bonfires. Oreo races. Sushi trips. Labyrinth hunting. Our obsession with graffiti. And SO much more. We had such a rocky start. And we drove eachother crazy. But you made me feel special. Important. You saw things in me that no one, including myself, would've ever noticed. I will be forever thankful to have gotten the chance To see what a beautiful person you truly were. You grew to be more than my friend. You were my brother. I Loved you more than you'll ever know. This stupid poem doesn't do justice to explain just how much you meant to our whole family. You were a part of it, whether you wanted to be or not. That's where you ended up, And I've never been so happy to have a *** sleeping on our couch. You were one weird ******* kid. But man, I sure loved you♥
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39
You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; ***** and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
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4.4k
Letter
You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; ***** and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
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44
an oval antique photograph from the century just passed six youthful brothers must be sunday dressed exuding life and promise facing forward all in line symmetry pervading sister mary in their center on the photos right a startling recognition an image seen before colins great grandfather raymond often ray in features and a gaze seemed as colin would have stood photo has a crease fading but still clear now with photos recent privileged to compare colin next to ray both fully present yet a gaze away rays gaze anticipating army time in paris fortune seeking in the west fortunes to be found four generations branching to colin and beyond colins gaze capturing a journey now beginning does he see montana paris or the stars repeating patterns forward reflect photographic truth music completes the pattern with colorings of sound rays trumpet and harmonica introducing a guitar which colin has absorbed thus in his confirmation new dimensions now foreseen confirming four generations reflecting many more expanding light and love carrying our gratitude for the glimpse an old photograph favored us to find (poem written for my grandson's confirmation....)
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May 9, 2012
May 9, 2012 at 12:38 PM UTC
confirmation
You were sitting in my golden room You threw my things off their perches and proceeded to wall on my antique bed. My bible was pretending to lay silent on the floor. Oppression wasn’t in the Quran on my bed but the 2000 Red Dodge Ram Drove you away. Your parents deemed my short haircut a symbol of homosexuality. They placed my name among the delinquents. You would always rock your skinny jeans. I know you were wearing them when you tried to slit your own wrists. You found things to live for when you found me. We shed our pants, camped out on my battered couch, and watched Rocky Horror. I’ll never understand; you can have love affairs with Panic!At the Disco and Carried Underwood. You drug me to Jarritos Mexican Soda And hugged the stranger in the TWLOHA t-shirt. You texted me “Goodnight, seep tight, don’t let the zombies bite” when you finished my “No mas pantalones” notice. We went to Sweet CeCe’s to celebrate getting fired from your therapist. I know you’re okay the same way you quoted John Green in my room that day and I still miss you. Keep your smiles and your paints. we’ll be 18 one day.
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Nov 12, 2012
Nov 12, 2012 at 5:17 PM UTC
This Poem I Wrote For a Workshop