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En torno de una mesa de cantina,
una noche de invierno,
regocijadamente departían
seis alegres bohemios.Los ecos de sus risas escapaban
y de aquel barrio quieto
iban a interrumpir el imponente
y profundo silencio.El humo de olorosos cigarrillos
en espirales se elevaba al cielo,
simbolizando al resolverse en nada,
la vida de los sueños.Pero en todos los labios había risas,
inspiración en todos los cerebros,
y, repartidas en la mesa, copas
pletóricas de ron, whisky o ajenjo.Era curioso ver aquel conjunto,
aquel grupo bohemio,
del que brotaba la palabra chusca,
la que vierte veneno,
lo mismo que, melosa y delicada,
la música de un verso.A cada nueva libación, las penas
hallábanse más lejos del grupo,
y nueva inspiración llegaba
a todos los cerebros,
con el idilio roto que venía
en alas del recuerdo.Olvidaba decir que aquella noche,
aquel grupo bohemio
celebraba entre risas, libaciones,
chascarrillos y versos,
la agonía de un año que amarguras
dejó en todos los pechos,
y la llegada, consecuencia lógica,
del "Feliz Año Nuevo"...Una voz varonil dijo de pronto:
-Las doce, compañeros;
Digamos el "requiéscat" por el año
que ha pasado a formar entre los muertos.
¡Brindemos por el año que comienza!
Porque nos traiga ensueños;
porque no sea su equipaje un cúmulo
de amargos desconsuelos...-Brindo, dijo otra voz, por la esperanza
que a la vida nos lanza,
de vencer los rigores del destino,
por la esperanza, nuestra dulce amiga,
que las penas mitiga
y convierte en vergel nuestro camino.Brindo porque ya hubiese a mi existencia
puesto fin con violencia
esgrimiendo en mi frente mi venganza;
si en mi cielo de tul limpio y divino
no alumbrara mi sino
una pálida estrella: Mi esperanza.-¡Bravo! Dijeron todos, inspirado
esta noche has estado
y hablaste bueno, breve y sustancioso.
El turno es de Raúl; alce su copa
Y brinde por... Europa,
Ya que su extranjerismo es delicioso...-Bebo y brindo, clamó el interpelado;
brindo por mi pasado,
que fue de luz, de amor y de alegría,
y en el que hubo mujeres seductoras
y frentes soñadoras
que se juntaron con la frente mía...Brindo por el ayer que en la amargura
que hoy cubre de negrura
mi corazón, esparce sus consuelos
trayendo hasta mi mente las dulzuras
de goces, de ternuras,
de dichas, de deliquios, de desvelos.-Yo brindo, dijo Juan, porque en mi mente
brote un torrente
de inspiración divina y seductora,
porque vibre en las cuerdas de mi lira
el verso que suspira,
que sonríe, que canta y que enamora.Brindo porque mis versos cual saetas
Lleguen hasta las grietas
Formadas de metal y de granito
Del corazón de la mujer ingrata
Que a desdenes me mata...
¡pero que tiene un cuerpo muy bonito!Porque a su corazón llegue mi canto,
porque enjuguen mi llanto
sus manos que me causan embelesos;
porque con creces mi pasión me pague...
¡vamos!, porque me embriague
con el divino néctar de sus besos.Siguió la tempestad de frases vanas,
de aquellas tan humanas
que hallan en todas partes acomodo,
y en cada frase de entusiasmo ardiente,
hubo ovación creciente,
y libaciones y reír y todo.Se brindó por la Patria, por las flores,
por los castos amores
que hacen un valladar de una ventana,
y por esas pasiones voluptuosas
que el fango del placer llena de rosas
y hacen de la mujer la cortesana.Sólo faltaba un brindis, el de Arturo.
El del bohemio puro,
De noble corazón y gran cabeza;
Aquél que sin ambages declaraba
Que solo ambicionaba
Robarle inspiración a la tristeza.Por todos estrechado, alzó la copa
Frente a la alegre tropa
Desbordante de risas y de contento;
Los inundó en la luz de una mirada,
Sacudió su melena alborotada
Y dijo así, con inspirado acento:-Brindo por la mujer, mas no por ésa
en la que halláis consuelo en la tristeza,
rescoldo del placer ¡desventurados!;
no por esa que os brinda sus hechizos
cuando besáis sus rizos
artificiosamente perfumados.Yo no brindo por ella, compañeros,
siento por esta vez no complaceros.
Brindo por la mujer, pero por una,
por la que me brindó sus embelesos
y me envolvió en sus besos:
por la mujer que me arrulló en la cuna.Por la mujer que me enseño de niño
lo que vale el cariño
exquisito, profundo y verdadero;
por la mujer que me arrulló en sus brazos
y que me dio en pedazos,
uno por uno, el corazón entero.¡Por mi Madre! Bohemios, por la anciana
que piensa en el mañana
como en algo muy dulce y muy deseado,
porque sueña tal vez, que mi destino
me señala el camino
por el que volveré pronto a su lado.Por la anciana adorada y bendecida,
por la que con su sangre me dio vida,
y ternura y cariño;
por la que fue la luz del alma mía,
y lloró de alegría,
sintiendo mi cabeza en su corpiño.Por esa brindo yo, dejad que llore,
que en lágrimas desflore
esta pena letal que me asesina;
dejad que brinde por mi madre ausente,
por la que llora y siente
que mi ausencia es un fuego que calcina.Por la anciana infeliz que sufre y llora
y que del cielo implora
que vuelva yo muy pronto a estar con ella;
por mi Madre, bohemios, que es dulzura
vertida en mi amargura
y en esta noche de mi vida, estrella...El bohemio calló; ningún acento
profanó el sentimiento
nacido del dolor y la ternura,
y pareció que sobre aquel ambiente
flotaba inmensamente
un poema de amor y de amargura.
G Apr 2015
Rouge
Comme les pétales de roses
Envolées
Qui bougent,
Afin que j’ose
Te donner un baiser.

Orange
Comme la pleine lune
Qui séduit
Étrange,
Ta caresse opportune
Qui glisse et s’enfuit.

Jaune
Comme le diamant
De couleur
Trouvé dans la faune,
Je saisi dans l’instant
Et ton sourire cajoleur.

Vert
Comme l’espoir
Qui s’installe
A découvert
Dans tes yeux noirs
Ou rayonne l’amour fatal.

Bleu
Comme le ciel pur
Aux reflets
Délicieux
Qui dessine notre futur,
Sans regrets.

Indigo
Qui es-tu ?
Plus bleu que bleu
Un faux ?
San vertu ?
Alors ami, fais le beau.

Enfin s’immisce le Violet
Dans le noir de l’encre
De tes tatouages.
Alors j’ouvre les volets
De nos amours tendres
Sans ambages.
Amours multicolores-le 16 juillet 2014, pour Charles
From a vessel of mercury stained with Cinnabar, they brought next to Vas Auric, an ocher figure from the environment posed by the sarcophagus, to the detriment of the meats that resisted the Larnax or ash sarcophagus that came in other larnakes from Persia. The colors were specified in nature from a new terrarum upon the arrival of this prehistoric substance, in Neolithic pride, as it shone in the ceramic that they had been climbing from the hill of Patmos. Post-mortem, they were aedicules that were already established with pecuniary obols, to coin the solidity of the disputed and risky lands of the Camels; Gaugamela in the ambages of the bodies that must have remained standing, but with their staunch resistance they ended up colored by the ocher of cinnabar, and the rust of camels looking for traces of the mercury trickery that snatched them in the fleshless tombs, in thick and vivid sight of the Ghosts of Shiraz, who mostly accompanied him from their stagnant warehouses in Jaffa. In the northern Governorate of Zefian, the bodies from the Tel Gomel siege, in particular the Cinnabar embalming funeral company and mobile, came alongside Wonthelimar as pieces of Lord Hades' grave goods, mutilating the diaphragm with little light than in any eye that could observe, binding to HgS sulfur; Cinnabar that was already decanting from the last reduced specimen in the Hellenika Necropolis, Kímolos. Being ocher that glowed, and was complemented by the hyper chlorinated red blood cells with the Aldehyde, to micro-inseminate in mischief from the sketches of the Infant from Kalymnos Raeder, which appeared in some masonry sketches in harmonious earthy alchemy, removing the Larnax packages that they brought the ashes of Alexander the Great, and in others the anatomical of the others that were only simulated, since they could never reunite their symbolic bodies of osteology, which was diagnosed before all along with the Larnax of the Emperor that would be revived by the Vas Auric.

From the Hellenika necropolis in Kimolos, the spectrographies of the sarcofaghus of the fallen in Tel Gomel were indicated, there were five thousand Macedonians who were transmigrated from the Lepidoptera sarcophagus that was injected by the psyche that covered them from the fifth house of the Necropolis, or the “V” courtyard (fifth sarcophagus) of Hellenika, the favorite place of her Erichthonius or fetish serpent who was her consort of Athenea. Here the chemical elements of Prometheus crossing all the ages of time, and the age that oxygenated him in its chains in support of the Neolithic, were represented. Vernarth's Zefian computer brought sodium, magnesium and aluminum, Borker silicon, phosphorus and chlorine, Leiak Calcium, iron, and Potassium and finally Kaitelka throwing graphitic carbon through space. The chemical shadows of Hellenika's fifth courtyard varied them with ultra-trace of Labrys or double-edged axes swinging on the pendular in front of Prometheus as the savior of man, and the abstract demiurge of Hellenika's philosophy. The red blood cells with their links stained the ink of Aeschylus of ruddy color, and of an Oceanid orange hue like a glanders viaduct that turned iron towards the narthex or transmigration portico of Helleniká on the way to Patmos, to finally transport the mercurial bodies of the five thousand, totally covered with sulfur cinnabar in all its bone structure. The scapulae of some Hypapists had eagle claws that exported the sacrum of another in one claw, agglutinating into little crows that grappled with the jambs of cubes and humerus in the hemipelvis of the one who avoided it? But it lay split in two, almost pointing with its index a versicular of the Hebrew Vulgate. Some femurs of some Hoplites histrionized in the spectrogram and iris of Zefian who analyzed them, and who ventured the right ulna of a Macedonian to Tartarus, an undamaged Hetairoi as acrostic white bleeding from a distal epiphysis that was seen to be crowded with red blood cells, in order of Zefian and the grace of the serpent Eriction, for temporary sedimented colorations, and then to is taken to the zygomatic where a flabby Leonatus had embedded itself in the bronze, as a temporary fauna in the left, while Athenea relieved them after the post-exhumation.

Zefian with sodium, magnesium, and aluminum ritualized raising them in each of the morbid dances, but relieving the stains in each of the affected areas, with a pinch of Mashiach Cinnabar, for the post-mortem effect that was coming in the galloping efflorations of the Nótos de Borker, which bore a replica of a diadem of the skull in perforation of its forehead with the “V” mark, ibid, Athenea being a favorite and born from the forehead of Zeus. This rubric was made on most of the bodies that were sewn with the hides of raptors that protected them until it was time to exhume them with the basal chlorination of Cinnabar and Antiphon Benedictus.

The surface of the Helleniká solid was made up of lavish kinetics, and nuclei to react in hydrogen sulfide, in ionized particles of greater growth to the development of a mythical embryonic and updated, in Promethean neo-policies of the transcendental size of distemperance, which rose in carts of mass photons, by the Heracleian ultra theater trying to emancipate a concentric character in the tragic proscenium, and of an antagonistic whole as an actor of institutionalization of the surviving scenic works, flagellating images that are not of his intentions, nor by whom erected them or by whoever takes them to the ultra gothic scene, or of demigods who save man from his siege in contemporary total disappearance, subjugated to the enslavement of a utopia, and not of the seasonality of Gods made men, with policies, made in the cookbook measure of tasteless soups in invisible realms.

The formulas and equations were re-coined in the bones and columns that are erected by the dynamics of human demand, which revives him on pilot scales that wander unchanged from the Theater of the Epidaurus, and in the memory appendix that is subtracted from the West: Dyticá (Twilight of Leiak), a species of Prometheus of the Forests, but this time not stinging any sip of liquids with entomology, and Lepidoptera of Gethsemane in flocks that come to clean the scabs of the heroes, who are only capable of resisting such effusion of subtle prophylaxis, in this neo-Ambrosia Mercurial.
Prometheus in Vain
Four conspiracy passages were left by the flash of the Greek mercenaries who left the troops of Darius III since the deployments of Iso to Alexander were part of an ultra invasion when Athens was subjected by Xerxes, here is the laudatory trust of Alexander Magno in Vernarth knowing that he had to meet again in the vicinity of Skalá where the Achaemenides' supplies would arrive. Neither Cassander, Ptolemy, nor Aristobulus had the precognition of Vernarth to have the resistance that was already coming with the Airs of the Granic, Iso, and the Siege of Arbela. Events struggled with each other to combine with significant silences, something like an amplified apnea to later grasp the ephemeris of the bleeding hands of Vernarth who longed to dry him out in some unconverted faithful of pagan Gods, when they saw the relatively widespread propagation of the absent in the revived panoply, that Vernarth would shake from the files of the Marble dust in allusion to a submitological military policy, with suspicions that allude to the archives of the Codex Raedus, in the greatest parapsychological bilocation of the Sybillas for those who prescribe the effective and untested faith of a chancellor, who continues to be the incense of Hellenic blood for millions of kilometers around, from a heavy Olympian democracy, who anticipated Atmospheric Changes with the lifeless voice of the Kassotide source, crystallizing in the reviews of the great advance of a few hectares in fires from Hylates, to wake up with his fumarole in the Vas Auric as the only and presumed active amazement of the super and multi parapsychological genre, before a final time, so that the interests that make the rise of the high testimony deserve are conclusively accepted, where Vernarth's Anabasis rewrites it in his autobiography with the exploits that they will advance the story where Vernarth's foreshortenings will three-dimensionalize the fineness of the fold that supports his profile, in the lightning flashes that resolve the protective ambages character, which predicts the escapes and splendid resignations of the mercenary soldiers who joined personal and chromatic renewed, to then subtract in trifles of those who have never had a thousand murderous ideologies, containing them so as not to be blamed for stoning a brother, who made the thick eyes of someone who wears a Xiphos, being able to have temporary amnesia, then adorning the ceilings where the keepers left their quivers empty of Artemis and Aorion. Leaving behind all the things that in parallel seem to be a comedy, if it is that some soldier was not going to wail on the huts of Xerxes, not being a Hoplite, but positively if it were Achilles who is prostrated before both, they will mourn Vernarth and Alexander Great, with the supernatural vividness of the divine biosphere, where she will all bow!

Vernarth at that moment was preparing to return to Patmos, he plunged into the Marmara, swimming several kilometers in yew trees over hydraulic potholes that threatened to swallow him up. Here there were still feminine essences of Heles, some Stymphalos and Gerakis flying over the aquifer depression of Vernarth with which he wrote the imprint of his overflowing "Totus Tuum Ergo Sum". Here he himself sensed Heracles in the depth of the macro drops that turned into a great solid bank of golden sand, which he held after losing the perspective of him by losing consciousness of him. He spent a long time on that promontory of explosive silica, with large Cinnabar attachments that harmonized to be able to breathe and from here prophesy the changes of the Era and its subsequent Atmospheric Changes since the cessation of the Kassotide, making nuances of sanity in a reciprocal way to the great heroes who longed to be with him, and save him from the waters that at this point were equivalent to huge mountains of the sea that would pour prophecies of disability, moving the changes of the world with the will of the muscle that already flattered his enormous superhuman capacity, to resist the unconscious sea, only being the stereotypical conventional figure swinging. In the end, after regaining consciousness of him, he moves his arms, filing the sub-floor of the seabed, later on catapulting himself from a margin towards a sacrifice, which was already emerging as a prediction that would be his affront on Patmos.

The behavior of both leaders grew similar to a sacrifice never existed before, both perched in the mountainous meadows near Skalá, seeming to cover more than two hundred meters on their backs with their backs, and their legs stretched beyond 200 meters in length. . They both faced each other in the face of the mountain of the Thuellai and the Profitis Ilias leaning on Vernarth. Both were seated in the customary Akashika channel that traced them through different places, over the temple of the Apostle Saint John that floated through the air and passed between them, the herds passed through the legs of both sitting in these valleys that crossed the Profitis and the Alturas del Thuellai, towards the slopes of the river that also passed under the muscles of the huge Alexander the Great and Vernarth, who had undergone an exaggerated transfiguration of their body, after macroscopic from a platform with a silver miter to give the emphasis of rivers of myrrh that would fill the valleys, from where the two leaders rested before starting their trip to the Island.

All this was a dreamlike infrastructure full of cantilena auras and rituals between the two of them sitting in this immense region of rams that crossed between them. This path became so repetitive that it would limit the south and fill them with its rain in the afternoon to wake up from this dreamlike fantasy. From this northern reverie, they wake up and look at each other and greet each other Khaire. Then the sustentáculos formed by the south of the Aegean when leaving the arched path rose on the torrid volcanic masses from where it suddenly reactivated with its volcanic area, Patmos gave indications of rising to the sky, leaving everything in the central crater with the capriciousness of the Profitis Ilias who refused to increase his height by joining with the Prasovouno, mitigating the ex-Kartika volcanic spelling to allow them to definitively awaken both leaders with the crossed Xiphos, who came down from the 269-meter Profitis breastplate until equaling that of the Prasovonuno with its 237 meters Tall.
Kassotides

— The End —