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"abouts" poems
Friday marches in. Trumpets playing serenades. Nearly last weeks end. Banners flying high. It's five o clock or there abouts. Hark, Delighted squeals and shouts. Buildings locked, off we trot. To the station, week forgot. Saturday descends with her restful smile. Chill at home just for a while. Wake up in the early hours. In dream state panic. Forgot the day. Thought work was calling me today. Realise it's Saturday. Turn over. Drift back off to sleep. Sunday morn. A sleepless night. Woke up at seven. Coffee on. Then it dawned on me. The weekend's nearly gone. Make the most of Sabbath day. Monday's coming anyway. When back to work. Off I'll trot. Satisfied sort of with my lot. I truly hope Sunday doesn't fly to fast. Sunday waiting for Monday is never a blast! By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
0
Sep 29, 2013
Sep 29, 2013 at 4:18 AM UTC
Ode to the Weekend!
I love her. Basic in it's being. As such is the keeping of it. A thesis to the "ins" and "outs." The "ups" and "downs." The "all abouts." An equation of this and that. In direct proportion to the simplicity of directional momentum... So do we conclude, equal complexity to that which was not spoken. To that which was kept. Only relenting to a factor of time. From which the variable of existence can evolve itself. In and of itself.
0
Feb 12, 2013
Feb 12, 2013 at 6:55 PM UTC
Word Problems
I was sitting on the steps of the wrong building — two blocks over from The Vermont awash in gold and the noble lights of the Avenue. I was drunk, or, there-abouts. Isobel was coming. I was sitting on the steps of the wrong building, pulling the collar of my Burberry coat against my jaw and ears; it was November and the concierge came out to ask me if I’d like to come inside and wait — “No, I’m good, Sir.” “Thank you, Sir.” What was two blocks? I pull out my cellphone — “Where are you?” “My mom’s drunk.” Code for: “I’m playing therapist.” I’m almost out — out of brain cells (really?” out of patience out of love out of “it” out of time — but, the curious thing is, I’m never almost out of money. I notice him when he stops on the step I sit on. He’s a sterling silver chain, the thin, delicate kind that breaks with a soft tug. He looks down at me, eyes the colour of darkened ice, not softened by the yellow lights raining down from under the awning. “Do you live here?” “Where is “here”?” He laughs. Smiles. “The Florence.” He’s beautiful, the way a poppy is beautiful, transparent, saying so much with his flushed cheeks and dark eyes, so full of life and resembling something or, someone, dead — “Lest we forget,” whispered the corpse, ouvert, in the slush of Alsace-Lorraine. He sits beside me, shoulder warm, firm — he’s a guy, but he’s so ******* beautiful — I want to touch him, brush his cheek as if he’s a rose protruding from the briar, the thorny path — not pick him, because he’s too beautiful, too tragic, and I don’t want to **** him; — “Where do you live?” He’s smoking like a flower. I want to lie. I don’t. “The Vermont.” His expression doesn’t change, remains soft, his eyes stay ice. He looks away. I’ll uproot him and plant him in richer soil, I won’t be looking into ice, no more mirror, but, the sky after rain, the soft fragrant grey, so much light. “What’s that? Two blocks?” “Yeah.” He rubs his face. He has sensitive skin, red upon contact with the cuff of his wool coat. “I’ll walk you.” “Please.” I stand up slowly and breathe in cold air and vapour. Out comes alcohol. “You’re drunk?” “I was.” “Your laces are undone.” “Are they?” I look down at him, he’s laughing, lowering his head at my knees and I feel something despite myself — warmth in my chest, accompanied by a warmth in my abdomen, tensing. “I’ll fix them.” I watch him, shoulders moving under his coat, and I imagine him higher, on his knees and, a little higher, stop myself with: “I’m not a child.” He stops — I stop him. He looks up; his lashes are like glass. “I want to kiss you.”
0
Apr 10, 2013
Apr 10, 2013 at 5:08 PM UTC
The Florence
I was sitting on the steps of the wrong building — two blocks over from The Vermont awash in gold and the noble lights of the Avenue. I was drunk, or, there-abouts. Isobel was coming. I was sitting on the steps of the wrong building, pulling the collar of my Burberry coat against my jaw and ears; it was November and the concierge came out to ask me if I’d like to come inside and wait — “No, I’m good, Sir.” “Thank you, Sir.” What was two blocks? I pull out my cellphone — “Where are you?” “My mom’s drunk.” Code for: “I’m playing therapist.” I’m almost out — out of brain cells (really?” out of patience out of love out of “it” out of time — but, the curious thing is, I’m never almost out of money. I notice him when he stops on the step I sit on. He’s a sterling silver chain, the thin, delicate kind that breaks with a soft tug. He looks down at me, eyes the colour of darkened ice, not softened by the yellow lights raining down from under the awning. “Do you live here?” “Where is “here”?” He laughs. Smiles. “The Florence.” He’s beautiful, the way a poppy is beautiful, transparent, saying so much with his flushed cheeks and dark eyes, so full of life and resembling something or, someone, dead — “Lest we forget,” whispered the corpse, ouvert, in the slush of Alsace-Lorraine. He sits beside me, shoulder warm, firm — he’s a guy, but he’s so ******* beautiful — I want to touch him, brush his cheek as if he’s a rose protruding from the briar, the thorny path — not pick him, because he’s too beautiful, too tragic, and I don’t want to **** him; — “Where do you live?” He’s smoking like a flower. I want to lie. I don’t. “The Vermont.” His expression doesn’t change, remains soft, his eyes stay ice. He looks away. I’ll uproot him and plant him in richer soil, I won’t be looking into ice, no more mirror, but, the sky after rain, the soft fragrant grey, so much light. “What’s that? Two blocks?” “Yeah.” He rubs his face. He has sensitive skin, red upon contact with the cuff of his wool coat. “I’ll walk you.” “Please.” I stand up slowly and breathe in cold air and vapour. Out comes alcohol. “You’re drunk?” “I was.” “Your laces are undone.” “Are they?” I look down at him, he’s laughing, lowering his head at my knees and I feel something despite myself — warmth in my chest, accompanied by a warmth in my abdomen, tensing. “I’ll fix them.” I watch him, shoulders moving under his coat, and I imagine him higher, on his knees and, a little higher, stop myself with: “I’m not a child.” He stops — I stop him. He looks up; his lashes are like glass. “I want to kiss you.”
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98
Having washed her doll Battered Betty in the baby bath, Helen dries it in an old towel her mother gave her, rubbing it with her childish motherly attention to detail. That done, she dresses Betty in some doll's clothes her father brought home from a  junk shop on his way home one Friday. She wraps Betty in a fading shawl, and goes to the front door. Where you off to? her mother asks. Taking Betty out for a walk, she replies. Where abouts? probably to Jail Park, Helen says. Watch out for strange men, her mother says. I'm with Benedict, Helen says. O, well that's OK then, her mother says, relieved, pushing damp hair from her lined forehead. Helen goes out the front door and walks along to the railway bridge next to the Duke of Wellington pub where Benedict said to met him. She pats the doll's back as she walks, tightens the shawl to keep the doll warm. Benedict is waiting by the pub wall; his cowboy hat is pushed back, 6 shooter gun is tucked in the belt of his short trousers. Helen sees him before he sees her, she prepares herself: licks fingers to dampen down her hair, straightens her thick lens spectacles, wipes her nose on the back of her hand. Am I late? she says as she approaches him. He pushes himself from the wall, his 6 shooter quickly out of the belt, he blows the end. No, he says, just thinking of the Billy-the-Kid I saw at the cinema the other day. Got shot. Died. I wouldn’t have done that, I'd not have turned my back on the marshal whatever his name was. Helen rocks Betty in her small arms. Given Betty a bath, she says, nice and clean now.   Benedict gives the doll a glance, puts his gun away in the belt. Good, he says, can't have our kid ***** Helen smiles, no, we can't, can we, she says. Mum says to look out for strange men, she adds as an after thought. Benedict pats his gun, no strange man will get to you or Betty, he says determinedly. Just as Mum says, Helen says quietly, looking at the cowboy beside her, his hat now pushed forward, his hazel eyes focusing, on her and the doll. Let's go walk, he says, I'll give you and Betty a push on the swings and roundabout. So they walk up Bath Terrace, she telling him about a boy at school calling her four eyes, and he musing of putting a couple of slugs in the kid's head: BANG BANG, the caps will go, just smoke, no holes, no death, or if he chose, maybe a good sock in the nose.
0
Nov 21, 2013
Nov 21, 2013 at 3:46 PM UTC
DATE FOR THE PARK.
Having washed her doll Battered Betty in the baby bath, Helen dries it in an old towel her mother gave her, rubbing it with her childish motherly attention to detail. That done, she dresses Betty in some doll's clothes her father brought home from a  junk shop on his way home one Friday. She wraps Betty in a fading shawl, and goes to the front door. Where you off to? her mother asks. Taking Betty out for a walk, she replies. Where abouts? probably to Jail Park, Helen says. Watch out for strange men, her mother says. I'm with Benedict, Helen says. O, well that's OK then, her mother says, relieved, pushing damp hair from her lined forehead. Helen goes out the front door and walks along to the railway bridge next to the Duke of Wellington pub where Benedict said to met him. She pats the doll's back as she walks, tightens the shawl to keep the doll warm. Benedict is waiting by the pub wall; his cowboy hat is pushed back, 6 shooter gun is tucked in the belt of his short trousers. Helen sees him before he sees her, she prepares herself: licks fingers to dampen down her hair, straightens her thick lens spectacles, wipes her nose on the back of her hand. Am I late? she says as she approaches him. He pushes himself from the wall, his 6 shooter quickly out of the belt, he blows the end. No, he says, just thinking of the Billy-the-Kid I saw at the cinema the other day. Got shot. Died. I wouldn’t have done that, I'd not have turned my back on the marshal whatever his name was. Helen rocks Betty in her small arms. Given Betty a bath, she says, nice and clean now.   Benedict gives the doll a glance, puts his gun away in the belt. Good, he says, can't have our kid ***** Helen smiles, no, we can't, can we, she says. Mum says to look out for strange men, she adds as an after thought. Benedict pats his gun, no strange man will get to you or Betty, he says determinedly. Just as Mum says, Helen says quietly, looking at the cowboy beside her, his hat now pushed forward, his hazel eyes focusing, on her and the doll. Let's go walk, he says, I'll give you and Betty a push on the swings and roundabout. So they walk up Bath Terrace, she telling him about a boy at school calling her four eyes, and he musing of putting a couple of slugs in the kid's head: BANG BANG, the caps will go, just smoke, no holes, no death, or if he chose, maybe a good sock in the nose.
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83
Clasps Thunder Overtoure's Epic opening * Tenderness becoming Gentility of the fragile souls Floating upon floatable Multi~verses * What's solid? Our steps The little Silences? Mild frost Of a season Strumming Galloping Into * Wind chimes violin Goose bumps beauty * We have tinted Ink And gave lives to Cosmic tinkerbells We made vows Across love abouts * Across the plains Of Josephine's Linnen laced double Edged swirl dress Swinging below Zodiac crisp * Summer's canopy Seems To have A life made Out of Tiptoed Barefoot origins * Ticklish Grains Got into our Mild Dreamy oceans Terra Rosa Pine'' Pan Flutes * Come va? Is hour ship sailing Is our sip sang?
0
Jan 23, 2016
Jan 23, 2016 at 1:42 PM UTC
Terra Rossa Pan Flute Plains
The old man sat in the darkness Taking in what he could see He smiled, although slyly And he leaned in close to me He said the air is different You can taste it here abouts Listen close to what's around you The air is different...there's no doubt I didn't understand him He spoke in concepts, not in words He talked of feeling the emotions Of people running 'round in herds He said, I've been here sixty years now Seen people come and people go I used to be the barkeep But, then that's something that you know I've seen Elvis and The Beatles Seen Presidents and Kings I've seen hearts torn all asunder And the pain that a war brings I saw Kennedy on that TV That, one behind your head I watched him drive on straight through Dallas And moments later he was dead This place was just dead silent On the day that that man died And hand to god I'll tell you I was all torn up inside I saw soldiers in that Vietnam Fighting for what? I don't know I saw them on that TV there I watched them lining up to go I saw them having rally's Taunting those who had the guns I saw them bringing back the caskets Of the now dead, teenage sons That TV showed me lots of stuff It never strayed far from the news It always shows the Tigers game I turn it up to hear the boos I saw King and Bobby on that set Taken way to young God, it would have been a different world To see what things they might have brung I sat back and I listened The old man, went on a while He waved two fingers skyward And said, two more beers ...with his smile My life has been a good one I've been alone, except for here I watch the outside on that set It was then, we got our beer I remember back when Elvis died He was the best back in the day But, me I liked Sinatra Dean Martin, Bob and Ray There was folks in here all crying singing songs, and holding hands on various occassions from Lennons death, to Bobby Sands I never really took part In the lives of those who came To spend their time here with me I only knew a few by name My job was just to serve them Not to be their new best friend I guess that's why I sit here still Watching, waiting for the end That set has shown me good and bad That one, behind your head It hasn't worked for fifteen years We got a new one in instead It's there as a reminder more to me, than those still here That life is for the living And I'm alive while I am here He rose and turned back to me Said, it's time for us to close I'll be back again tomorrow To watch more highs and maybe lows I watched the old man shuffle To his room, and to his bed Past the TV he saw life on On the wall behind my head.
0
Oct 28, 2014
Oct 28, 2014 at 12:04 AM UTC
The Old Man and The TV
The old man sat in the darkness Taking in what he could see He smiled, although slyly And he leaned in close to me He said the air is different You can taste it here abouts Listen close to what's around you The air is different...there's no doubt I didn't understand him He spoke in concepts, not in words He talked of feeling the emotions Of people running 'round in herds He said, I've been here sixty years now Seen people come and people go I used to be the barkeep But, then that's something that you know I've seen Elvis and The Beatles Seen Presidents and Kings I've seen hearts torn all asunder And the pain that a war brings I saw Kennedy on that TV That, one behind your head I watched him drive on straight through Dallas And moments later he was dead This place was just dead silent On the day that that man died And hand to god I'll tell you I was all torn up inside I saw soldiers in that Vietnam Fighting for what? I don't know I saw them on that TV there I watched them lining up to go I saw them having rally's Taunting those who had the guns I saw them bringing back the caskets Of the now dead, teenage sons That TV showed me lots of stuff It never strayed far from the news It always shows the Tigers game I turn it up to hear the boos I saw King and Bobby on that set Taken way to young God, it would have been a different world To see what things they might have brung I sat back and I listened The old man, went on a while He waved two fingers skyward And said, two more beers ...with his smile My life has been a good one I've been alone, except for here I watch the outside on that set It was then, we got our beer I remember back when Elvis died He was the best back in the day But, me I liked Sinatra Dean Martin, Bob and Ray There was folks in here all crying singing songs, and holding hands on various occassions from Lennons death, to Bobby Sands I never really took part In the lives of those who came To spend their time here with me I only knew a few by name My job was just to serve them Not to be their new best friend I guess that's why I sit here still Watching, waiting for the end That set has shown me good and bad That one, behind your head It hasn't worked for fifteen years We got a new one in instead It's there as a reminder more to me, than those still here That life is for the living And I'm alive while I am here He rose and turned back to me Said, it's time for us to close I'll be back again tomorrow To watch more highs and maybe lows I watched the old man shuffle To his room, and to his bed Past the TV he saw life on On the wall behind my head.
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84
There is a love no phrase defines Eight letters mean nothing but what you take from them. And some take none. So I'll take a few more letters cos' eight seems not enough, to tell of a love that rests high above the lust of a high school romance. This is a love where you dance through the night with your shirts off to music that doesn't even play. You sneak abouts here and there and hit bowls against the grass and glance on lakes at night the ultimate paradox shining in mankind. Belligerent fights with brooms ensue to be ended by boxes of cardboard pizza or red pepper pita and hummus. Your parents say, "those guys again..." And you say, "Hey! you're talkin' bout' my friends here." So you go. You take rides endless it seems. Take trips to places before unseen. Talks of blabber and sensibility. Snuggle seshes end in wrestling matches. If you wake up and your jaw hurts, you and Maxy probably got drunk again. If your clothes smell a bit, chance that Andy dropped by. If your mind's been blown Mack and Will laid with you by the pond for hours. If you feel a love stronger in your soul, Dbake's nearby. If you laugh your *** off for days, Dusty probably told a joke or pulled his pants down. If you can't wrap you mind around some fact or story, Bankman must have sprouted out some MIT engineering bull you wish you could understand. But who gives a hey when you're out chilling with the bros, brews or not, smokes or tokes or nokes, there is always a brotha out to chill. And to you, I say NAMASTE
0
Sep 13, 2010
Sep 13, 2010 at 11:52 PM UTC
To mis Amigos
There is a love no phrase defines Eight letters mean nothing but what you take from them. And some take none. So I'll take a few more letters cos' eight seems not enough, to tell of a love that rests high above the lust of a high school romance. This is a love where you dance through the night with your shirts off to music that doesn't even play. You sneak abouts here and there and hit bowls against the grass and glance on lakes at night the ultimate paradox shining in mankind. Belligerent fights with brooms ensue to be ended by boxes of cardboard pizza or red pepper pita and hummus. Your parents say, "those guys again..." And you say, "Hey! you're talkin' bout' my friends here." So you go. You take rides endless it seems. Take trips to places before unseen. Talks of blabber and sensibility. Snuggle seshes end in wrestling matches. If you wake up and your jaw hurts, you and Maxy probably got drunk again. If your clothes smell a bit, chance that Andy dropped by. If your mind's been blown Mack and Will laid with you by the pond for hours. If you feel a love stronger in your soul, Dbake's nearby. If you laugh your *** off for days, Dusty probably told a joke or pulled his pants down. If you can't wrap you mind around some fact or story, Bankman must have sprouted out some MIT engineering bull you wish you could understand. But who gives a hey when you're out chilling with the bros, brews or not, smokes or tokes or nokes, there is always a brotha out to chill. And to you, I say NAMASTE
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51
And i walk on, with less luggage to way me down, i've sold my house, said bye to my friends, i send sentiments to family with my pen, i've given up on transport, i just use my thumb, i've taken to poetry, portraying the world is more fun, i've stopped getting dole, I live hand to mouth, I don't do convention, it seems like an alien sensation, i spend less money on tins of the spree, sometimes i go anywhere, and ware anything, I lost the will to care about the judges poking out their heads, i dont care abouts people thoughts of my hobbies, they come and go for years, but hobbies go on I've broken into an old house that was lying in the street, i dont pay no bills and the water is free
0
May 9, 2016
May 9, 2016 at 7:32 AM UTC
Nomad poem
looking across time from my etheric perch or was it a pike as I sat on my flounder… as I was perched on a flounder… perched on a pike I floundered pike perch flounder flounder perch pike pike flounder perch mike’s rounder peach like sounder greetings tricycle ground feet triglycerides around meat polymorphic lounge **** people forget poetry is expression silliness for its own sake nonsensical whimsy for laze-abouts and lollygaggers with unicorns and dragons nothing is more magical than language –
0
Nov 4, 2015
Nov 4, 2015 at 1:02 PM UTC
a steamer, perhaps from Cleveland (garbage)
Lydia sat on the red tiled door step of the ground floor flat looking out at the Square one morning one Sunday her father was in bed her mother preparing Sunday lunch listening to music on the old radio her 15 year old big sister was asleep with her boyfriend her brother Hem was out looking for spiders to pull off their legs one by one the man with his boxer dog walked by then she saw Benedict in tee shirt and blue jeans armed with his 6 shooters in holsters wearing a cowboy hat where abouts you going? She asked him clean up Dodge he replied why? is it ***** then? She called out sitting there in her green flowered dress Benedict walked over to where she was sitting you ok? He asked her pushing back on his head the black hat no I'm bored and fed up she replied come with me we can both clean up Dodge Benedict said to her so where's Dodge? She asked him on the big bomb site off Meadow Row can I have one of your 6 shooters? Sure you can have to tell my mum where I'm going Lydia said Benedict nodded his head and said best not to mention Dodge or she may not let you go with me so she went indoors and asked her mum where will you be? she asked we're going to clean up Dodge City who are we? Benedict and just me her mother stared at her o I see mother said be careful of the roads and that was all she said carrying on with the preparing of the lunch Lydia went off with Benedict borrowing one of his 6 shooters tucked in the green bow of her green dress her eyes bright her straight hair unbrushed and quite a mess.
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Jun 13, 2015
Jun 13, 2015 at 3:20 AM UTC
THE CLEAN UP 1958.
Lydia sat on the red tiled door step of the ground floor flat looking out at the Square one morning one Sunday her father was in bed her mother preparing Sunday lunch listening to music on the old radio her 15 year old big sister was asleep with her boyfriend her brother Hem was out looking for spiders to pull off their legs one by one the man with his boxer dog walked by then she saw Benedict in tee shirt and blue jeans armed with his 6 shooters in holsters wearing a cowboy hat where abouts you going? She asked him clean up Dodge he replied why? is it ***** then? She called out sitting there in her green flowered dress Benedict walked over to where she was sitting you ok? He asked her pushing back on his head the black hat no I'm bored and fed up she replied come with me we can both clean up Dodge Benedict said to her so where's Dodge? She asked him on the big bomb site off Meadow Row can I have one of your 6 shooters? Sure you can have to tell my mum where I'm going Lydia said Benedict nodded his head and said best not to mention Dodge or she may not let you go with me so she went indoors and asked her mum where will you be? she asked we're going to clean up Dodge City who are we? Benedict and just me her mother stared at her o I see mother said be careful of the roads and that was all she said carrying on with the preparing of the lunch Lydia went off with Benedict borrowing one of his 6 shooters tucked in the green bow of her green dress her eyes bright her straight hair unbrushed and quite a mess.
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128
You rode bikes with Milka to the bridge over the river and stood looking down at the flowing water and talked of the latest Elvis Presley film you’d seen and she said that she had wanted to see it but her mother had forbidden it saying it was not the type of film for her age then you talked of the film you’d seen while working as a cinema projectionist called Ben Hur and the great chariot races in it she leaned close to you as you talked her hands on the brick bridge her hips pressing gently against yours she said she like it when you came to their farmhouse and practised judo with her brothers and she could watch and as she spoke you studied her her short fair hair her large blue eyes her delicate hands the fingertips rubbing against the bricks of the bridge the simple green shift dress she had on and do you remember that time you had them both on the grass at once in that karate fight? she said excitedly and you noticed maybe for the first time her small firm bust her figure kind of huggable although you hadn’t hugged her and she went on about wanting to go out with you but her brothers had said Baruch won’t be interested in you he likes pretty girls and you looked at her eyes as she spoke how large they were yet not unbeautiful the orbs blue portraying wide worlds of you and how old are you? she asked because they keep saying you’re too old for me 16 you said well she said I’m 14 so that isn’t too old is it? no you said seeing her eyes look kind of watery like small fish bowls then she talked of having seen you in her dreams and that in her dreams you had kissed her where did I kiss you? you asked on the lips of course she said no I meant where abouts was I when I kissed you? o she said blushing in the barn by the farmhouse o I see you said never having been there with her only with her brothers to do judo fights she looked down at the water her eyes wide and watery a bird flew by a bird song sounded you leaned close to her and kissed her ear through her fair hair and she looked at you and you saw new worlds being born there amongst the blue Milka smiling at an older you.
0
Jul 12, 2013
Jul 12, 2013 at 1:59 AM UTC
NEW WORLDS BEING BORN.
You rode bikes with Milka to the bridge over the river and stood looking down at the flowing water and talked of the latest Elvis Presley film you’d seen and she said that she had wanted to see it but her mother had forbidden it saying it was not the type of film for her age then you talked of the film you’d seen while working as a cinema projectionist called Ben Hur and the great chariot races in it she leaned close to you as you talked her hands on the brick bridge her hips pressing gently against yours she said she like it when you came to their farmhouse and practised judo with her brothers and she could watch and as she spoke you studied her her short fair hair her large blue eyes her delicate hands the fingertips rubbing against the bricks of the bridge the simple green shift dress she had on and do you remember that time you had them both on the grass at once in that karate fight? she said excitedly and you noticed maybe for the first time her small firm bust her figure kind of huggable although you hadn’t hugged her and she went on about wanting to go out with you but her brothers had said Baruch won’t be interested in you he likes pretty girls and you looked at her eyes as she spoke how large they were yet not unbeautiful the orbs blue portraying wide worlds of you and how old are you? she asked because they keep saying you’re too old for me 16 you said well she said I’m 14 so that isn’t too old is it? no you said seeing her eyes look kind of watery like small fish bowls then she talked of having seen you in her dreams and that in her dreams you had kissed her where did I kiss you? you asked on the lips of course she said no I meant where abouts was I when I kissed you? o she said blushing in the barn by the farmhouse o I see you said never having been there with her only with her brothers to do judo fights she looked down at the water her eyes wide and watery a bird flew by a bird song sounded you leaned close to her and kissed her ear through her fair hair and she looked at you and you saw new worlds being born there amongst the blue Milka smiling at an older you.
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132
Hand me down children breathe off borrowed air born from slip ups out of the womb they come into the arms of guilty parents and into this world of musical chairs where everybody's fighting for a seat too many kids? or not enough chairs? hand me down children have a way of looking at the world a little differently they ask why and can take a beating they admire the shades of their bruises they are made of the same stuff as firecrackers they know when they are being lied to they even know why Hand me down children will always find each other and love each other Hand me down children sat in the back and couldn't spell too well they did stupid dares and almost died frequently they got socks for Christmas and made them into puppets they weren't scared of the dark or at least that's what they say they slice up the night like birthday cake and pop tires to make swings and the world is their playground monkey bars of lead pipes swings of driftwood slides of cement, toppled building halfpipes sidewalk chalk stolen from substitute teachers Paper cranes made out of pink slips, merri-go-round-abouts, bikes without brakes Hand me down children play in mommys old sweater daddys old socks brothers shoes and sisters scarves and they play after the flashlights burn out and after the fireflies die in their jars
0
May 30, 2014
May 30, 2014 at 3:55 PM UTC
Hand me down
Elsie was a stubborn girl a willful thing at first I watched her grow. My sister's daughter My niece if you will She had a way about her even then but time would carry change. Today I can not place a moment . something brought a change. Elsie was an angry child. She was meddlesome and vile. She kept a vault hidden. Deep. Putrid and unkind roiled about. An ugly distortion. Why to this day. Muted. Slithering. An only child she loved her solitude. sitting calmly with her hands folded drifting to far off places with eyes as hollow as a rotting stump fallen long past. withered weathered. Elsie walked into the woods one day seeking solitude. forlorn and forgotten. A bird sang in the distance. Elsie heard the song. Now I am old and tired. I have done all that was required. made my mark however small still and always through it all I hear the mocking songbirds call Elsie wonders there abouts as nights grow cold She still has not found home. She will one day no doubt. dreams come and go. They Tell Me So.
0
Nov 18, 2012
Nov 18, 2012 at 12:28 AM UTC
Feedback and distortion
Sits between twin bluffs  burrowing into neon souls long to be seen in a  future frame of corpses and flipping through the lenses of the kaleidoscope 1916 or there abouts. Mr Edison took full advantage of the moment transitioning for all time  the boundaries.Maybe Muybrige in1888. The here and now. The real and surreal. the equation is now unbalanced. Is seeing now believing? or is believing a reason to see. The proof is in the putting. Dead men long digested in soil and  ground  can still emit sound and point  a blame-full  finger Linger if you dare in the baleful stare of the science. quiet, silence, desist. No even virtue  can not  still the burning light. cellulose spirits on walkabout lookout from the past again and again flickering things they be.  conjure you as well as you conjure them. The end is sight at the bottom of the hill steel rails to nowhere still squeal to silence, The riders swing free and lite on Italian loafers and skulk away. padded shoulders conceal weak wills and weaker hearts still. Silver screen visual refraction once there for all to admire must now bow deeply. Curtsy? Vanish and still remain at the pointed end of   it.
0
Jul 7, 2013
Jul 7, 2013 at 9:48 PM UTC
The Pointed End Of It
Just another soft spot to bump a thump for a thud that this time finally, proudly could be the long awaited announcement I'd been searching for.   A deep and heavy voice boomed in reply, "I am Hollow, how's all abouts the Do for you today my dear?" I was slightly taken aback by the fine display of manners. "Oh,me oh my! So deeply obliged, you took a stop with a thought to ask so when I say, don't act surprised." Since I surely had indeed been the party calling person, I'd better fancy making proper telling of my Name. But before I did me muster up some suiting gumption for a gab , I heard the haunting husk of a raspy kind of gasp, it was Hollow keen to ask me, "have You come about the Shaft?" I excitedly replied,  "I've been busy bumping thumping thuds all across the Land hoping I would hear a hollow kind of thud coming from the Desert Sands." But, oh my goodness if I truly thumped my thud in the mud, I wondered must I then descend down that deeply dark and doozy kind of danger way below? Then it appeared out of nowhere!! I had the Magic Answer in a sing along song with a pocket tight rhythm gots me dancing and a'singing, "There's a piece of a part of the seat of my soul that's awaiting my return at the bottom of this hole. And as I do recall, it was surely you with your haunting Hollow tune and endless droning echo that reverberated my vertebrae so long ago, and so much so that I lost a litte piece of my Soul." With one final question that I had left to pop, "Is it still with you at the bottom of that drop?? Cause, I've got a grand idea that will bring It to the top. It's a funky fly vibration called Acoustic Levitation!!" So, I cheered up and down as I swung myself around in a turn to tell to Hollow, "When you kindly wind your voice up the scale from lowest note to high, then my piece of soul will riseth, it will hear my gladdened cry." It shall float atop the soul note that IS perfectly wrote just for me and my Soul's harmony. It's been such the perfect ending, All's happy and together, at last finally!!!!!! So never stop bumping for the thump and the thud that is you cause it's really out there somewhere and it's asking, what to do!!!!
0
May 5, 2015
May 5, 2015 at 3:09 PM UTC
At the bottom of The Shaft
Just another soft spot to bump a thump for a thud that this time finally, proudly could be the long awaited announcement I'd been searching for.   A deep and heavy voice boomed in reply, "I am Hollow, how's all abouts the Do for you today my dear?" I was slightly taken aback by the fine display of manners. "Oh,me oh my! So deeply obliged, you took a stop with a thought to ask so when I say, don't act surprised." Since I surely had indeed been the party calling person, I'd better fancy making proper telling of my Name. But before I did me muster up some suiting gumption for a gab , I heard the haunting husk of a raspy kind of gasp, it was Hollow keen to ask me, "have You come about the Shaft?" I excitedly replied,  "I've been busy bumping thumping thuds all across the Land hoping I would hear a hollow kind of thud coming from the Desert Sands." But, oh my goodness if I truly thumped my thud in the mud, I wondered must I then descend down that deeply dark and doozy kind of danger way below? Then it appeared out of nowhere!! I had the Magic Answer in a sing along song with a pocket tight rhythm gots me dancing and a'singing, "There's a piece of a part of the seat of my soul that's awaiting my return at the bottom of this hole. And as I do recall, it was surely you with your haunting Hollow tune and endless droning echo that reverberated my vertebrae so long ago, and so much so that I lost a litte piece of my Soul." With one final question that I had left to pop, "Is it still with you at the bottom of that drop?? Cause, I've got a grand idea that will bring It to the top. It's a funky fly vibration called Acoustic Levitation!!" So, I cheered up and down as I swung myself around in a turn to tell to Hollow, "When you kindly wind your voice up the scale from lowest note to high, then my piece of soul will riseth, it will hear my gladdened cry." It shall float atop the soul note that IS perfectly wrote just for me and my Soul's harmony. It's been such the perfect ending, All's happy and together, at last finally!!!!!! So never stop bumping for the thump and the thud that is you cause it's really out there somewhere and it's asking, what to do!!!!
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12
Della holds tightly in her stubby nail bitten 8 fingers a buttered slice of toast taking bites now and then then dips it in the boiled egg yoke deep her mother watches her Downs daughter with those kind Mongoloid bright blue eyes how'd you sleep? My eyes closed Della says sleep all night? Yes all night did you dream? Had nightmare what about? Froggy's touch what about Froggy's touch? I pretend I'm asleep why pretend? If he thinks I'm asleep he won't touch over much he touches? Touches me tickles you? Not always but sometimes? Della nods eats her toast her mother looks at her the wide mouth the broad tongue touches me secret place secret place? Where abouts? Della dips the soldier of sliced toast in the yoke of yellow prods it down and then out and licks it where abouts does he touch? Mother asks secret place Froggy says mustn't tell where abouts Loadingdoes he touch? Froggy said cousin's can where abouts did he touch? Mother asks once again Della stares at her plate of boiled egg and sliced toast thinking of Froggy's touch and promise she had made not to blab (Froggy's word) about it the secret touching place it's nowhere Della says dreamed of it in my sleep are you sure? Mother asks Della nods and dips toast in the yoke of the egg thinking on Froggy's touch up her leg.
0
Dec 30, 2013
Dec 30, 2013 at 4:59 AM UTC
SECRET PLACE.
IN THE AFTER-TIME " Alice thought she had never seen such a curious croquet ground in all her life; " It was somewheres near Roswell 18 something and something there or there...abouts & Billy the Kid & the boys have just ...paused: in their croquet for a tintype photo. Billy's the guy in the cardigan sweater. Him & his gang ( the Regulators ) are posing like they were a prototype for Tom Petty and the Heartbreakers or the band THE BAND. Pure Americana. Billy the cardi-cowboy and his gang of croquet playing outlaws... Not exactly how one would have somehow imagined them . . .passing the time. One of the outlaw...eh...gentlemen points out that Billy " . . .the Kid has spooned his shot!" A ricochet of tobacco coloured spittle hits a spittoon. Silence congeals about the accusation. Now, whether Billy has merely pushed the ball silently through rather than soundly hit it is: neither here nor there. A cold revolver clicks & "I says I hit it...I hit it get it?" The other gentleman outlaw begs to agree. "Ok, Billy boy...keep yer cardi on!" And so, we leave them there in the croquet craze of 1878. Time like a yellow ball hit through hoop after hoop until: it arrives at this present...NOW! And a photo found in a store for a dollar or a few dollars more repays the expense by morphing into the 5 million dollar photo. But I hit the ball back through hoop after hoop after hoop until it arrives back at Billy's boot. And a voice cries: "Ok, kid...play!"
0
Oct 21, 2015
Oct 21, 2015 at 5:29 PM UTC
IN THE AFTER-TIME
I'm outside in the grounds I can smell the fresh air and flowers hear bird song someone has wheeled me out from the ward where the smells and voices hemmed me in hello Grace a voice says to my left I turn my blind eyes where the voice comes Philip is that you there? yes it is he replies I reach out to touch him he holds my hand in his where abouts have you been? I ask him war work stuff its stop secret can't say much o I see he squeezes my hand gently your doctor has said I can take you out for that meal next week he whispers take me out into town? yes up West have to risk the bombing from Hitler's bombing crew Philip says you don't mind taking me? why should I? I've no legs ****** blind I want to take you out he utters you can wear that red dress I bought you I recall the nurse talk about it the red dress thank you for taking me I tell him what about other things? other things? what if I need to go to the loo? I can't go on my own can't manage I tell him Joan's coming with Donald she'll help you Philip says a foursome? just the four Donald's driving I sit still and stare at where he is she won't mind taking me? of course not anyway Nurse Kavel will be there on duty just in case she makes five Philip says I am thrilled to be out not caring who stares at me that night I can't see I won't know a weird one out on show.
0
Jun 22, 2016
Jun 22, 2016 at 2:01 AM UTC
OUT ON SHOW 1940
This is where I work, I told Tilly. She followed me around the place. It was a Saturday; the place was almost empty. I had come to clear up a few things from the day before. You make marquees? She said. The women do, I just help, then go out helping to put up marquees all over the place, I said. Where abouts have you been? All over the place; did a racing stables the other week, some big wedding, I said. Not our wedding, then Benny? No not ours, I said. Shame, she said. I her showed the area we kept the canvas and ropes. Soft here to lie on, she said, touching a piles of canvas sheets. Guess so, I said. Anyone about? She said. A few not many, I said. Would they look for you if you were missing awhile? Who knows? I said. I'd take you home, but Mum's there today, and she'd only give another inquest into what we may have done the other week, Tilly said. I opened the door and peered out the passage way; all was clear, no one about, I said. She lay down, and I lay beside her. We kissed and hugged, and I touched her thigh, and she began to unbutton my jeans. Benny, Benny, are you around? a voice said from down the passage. I jumped up, and she tidied herself up, and I got up, and opened the door. Yes, you wanted me? I said along the passage. The manager stood in the doorway. Do you know what we did with the order book? I think I saw Joe put it in the green file, I said. Where'd he put it after that? The manager said. God knows, I said, maybe it's in the workshop. I'll look there, he said, and walked off. I went back to Tilly who was now standing in the room against the door. Has he gone? she said. Yes he was looking for the order book. I best go, she said. Ok, I said, and showed her the back way out, and she kissed me, and walked off. See you later, I said. She nodded and I went in. Almost made it, but no big sin.
0
Jun 7, 2016
Jun 7, 2016 at 1:26 AM UTC
NO BIG SIN 1965.
This is where I work, I told Tilly. She followed me around the place. It was a Saturday; the place was almost empty. I had come to clear up a few things from the day before. You make marquees? She said. The women do, I just help, then go out helping to put up marquees all over the place, I said. Where abouts have you been? All over the place; did a racing stables the other week, some big wedding, I said. Not our wedding, then Benny? No not ours, I said. Shame, she said. I her showed the area we kept the canvas and ropes. Soft here to lie on, she said, touching a piles of canvas sheets. Guess so, I said. Anyone about? She said. A few not many, I said. Would they look for you if you were missing awhile? Who knows? I said. I'd take you home, but Mum's there today, and she'd only give another inquest into what we may have done the other week, Tilly said. I opened the door and peered out the passage way; all was clear, no one about, I said. She lay down, and I lay beside her. We kissed and hugged, and I touched her thigh, and she began to unbutton my jeans. Benny, Benny, are you around? a voice said from down the passage. I jumped up, and she tidied herself up, and I got up, and opened the door. Yes, you wanted me? I said along the passage. The manager stood in the doorway. Do you know what we did with the order book? I think I saw Joe put it in the green file, I said. Where'd he put it after that? The manager said. God knows, I said, maybe it's in the workshop. I'll look there, he said, and walked off. I went back to Tilly who was now standing in the room against the door. Has he gone? she said. Yes he was looking for the order book. I best go, she said. Ok, I said, and showed her the back way out, and she kissed me, and walked off. See you later, I said. She nodded and I went in. Almost made it, but no big sin.
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115
Do you known what *** is like? Yiska said. No I lied. We were lying on the grass of the sports field near school. A warm sun overhead. Wonder what it's like she said. No idea I replied although I lied. She looked at me I wish we could find out she said but there is no where here abouts. No no where I said. She lay on her back gazing at the sky. I lay beside her other kids were lying about or playing ball or chase games. If my mother wasn't home all day we could go there in our lunch time but she's always there Yiska said. Shame she don't go out I said. Some girls in class reckon they have but I think they just say that to sound big she said. Guess they do I said. Any boys in your class reckon they have? she said. No one has said to me such I said. Too young really I guess she said. Yes I guess so I said keeping what Yehudit and I did in the gym that lunch time well hid.
0
Apr 16, 2017
Apr 16, 2017 at 4:03 AM UTC
WELL HIDDEN 1962
You've held onto it tightly Never let it go As it has been your friend for life Through all the highs and lows Through all the winter storms In all the summer rains It has been the anchor which Has held it all in place Among the ups and downs All the ins and outs The many cares left unaware With the here's and there abouts You think it over when you're under As it helps to calm the doubt When there seems to be no other way For you to walk the lonely mile You may one day choose to let it loose Where it can have its say In hopes it helps another Along their merry way Until then... You'll hold onto it tightly Never let it go As it has been your friend for life Through all the highs and lows
0
Mar 23, 2016
Mar 23, 2016 at 7:32 PM UTC
Holding Tight
Just the upper torso of dunes waving back to us where we walk all hymn: the sea, 7ish, and ourselves the sun; going slow echoes of sea birds tunnelling above the sea always near home.
0
Jun 5, 2013
Jun 5, 2013 at 9:19 AM UTC
There abouts
My ankles are swollen now thanks to you buggers. I didn’t even do anything but you satisfied your hungers. We are sitting enjoying a glorious day And in you buzz, determined to have your own way. You hide your nests gradually making them bigger And then their where abouts it’s our job to figure. You can ruin a picnic or a leisurely walk And drive a hiker to jump off a dock. Under the water is a place you won’t go, But we are air-breathers and this fact you know. Cleaning up carrion and devouring our pests But why come after me while I’m having my rests? You’re nasty, Mr. Wasp; you and your stinger. I hate you. I fear you. You’re a real hum-dinger!
0
Aug 4, 2014
Aug 4, 2014 at 1:39 PM UTC
The Sting of Summer
while I center this vast wondering confusion of self, I call me. others may know as that silly boy king, foolish to the end and hardly the sight for sore eyes, but still he just might be some what an okay guy. or, simply that guy with his windows rolled down. or just That guy, oh crap, no body wants to be "That Guy" umm. humm, yeah. okay. um. well at least I will be doing it while rolling this list, so, there is some saving grace... ;-) never bested by more than my silly *** self, and I'm best at that for sure. **** that guy thing again. lol. smile, I am. Imaginary Friends, never had them till recently, but I find that delusions can be far more than fantasy and rather a wonderful thing to embrace. Funny, I am the only person I have ever known of that is happy with the simplest of things being simply what they are and beautiful for what they are without meeting some sort of standard or expectation. Yeah, the day my imaginary friend/s ever become real,,, know that I am happy that they are simply whom they are and not preconceived anything, Yes, the most beautiful thing to me, is the flaws of the beauty of what it is without being altered for any reason, for it , them, is made just so by the life they lived, the choices they made / make, the things they feel and do, and I choose not to read into that till such til comes that it be needed and so far when one chooses to see the beauty in something or someone for its simple truth of its self, there is never a time to arise to prejudge or expect anything other than what comes. and that, my friend is the greatest beauty and gift I can think to grace yourself and them with, for it is love whole heartedly, without a desire to alter of precieve them in any other light than the light in which they shine. so, yeah, it can be done, and is done, and will be done for one day, whether you or anyone ever know about it, I will be smiling and sharing with that beauty for eyes to see and ears to hear, one then truly sees that , I care not how things started, nor why, nor for what true end, for I see something that few might be lucky enough to see, that more has happened and transpired in this time, events, and whole saga, than one could have ever expected. and for that, I am grateful, hope you are too. cause in the end, I know I will be victorious in some wonderful way and I will get the girl, so don't dare say, you don't believe, cause friend, isn't believing what this is all truly about? and isn't, believing what with out a doubt, forms that which you live? so, yeah, I will. and I smile. So yeah Time to roll the center a round abouts my whole of my soul... and roll away this list of tunes, with my windows rolled down too. ;-) Full Moon Thoughts On Lavender Moon Nights In My Dreams https://www.youtube.com/watch?v=VeI9lKNoM9k&index;=2&list;=PL1X51wyhBF7-q3cJh8zRJm5aMyI5WK0be
0
Jul 13, 2015
Jul 13, 2015 at 7:33 PM UTC
Time to roll the center a round abouts my whole...
while I center this vast wondering confusion of self, I call me. others may know as that silly boy king, foolish to the end and hardly the sight for sore eyes, but still he just might be some what an okay guy. or, simply that guy with his windows rolled down. or just That guy, oh crap, no body wants to be "That Guy" umm. humm, yeah. okay. um. well at least I will be doing it while rolling this list, so, there is some saving grace... ;-) never bested by more than my silly *** self, and I'm best at that for sure. **** that guy thing again. lol. smile, I am. Imaginary Friends, never had them till recently, but I find that delusions can be far more than fantasy and rather a wonderful thing to embrace. Funny, I am the only person I have ever known of that is happy with the simplest of things being simply what they are and beautiful for what they are without meeting some sort of standard or expectation. Yeah, the day my imaginary friend/s ever become real,,, know that I am happy that they are simply whom they are and not preconceived anything, Yes, the most beautiful thing to me, is the flaws of the beauty of what it is without being altered for any reason, for it , them, is made just so by the life they lived, the choices they made / make, the things they feel and do, and I choose not to read into that till such til comes that it be needed and so far when one chooses to see the beauty in something or someone for its simple truth of its self, there is never a time to arise to prejudge or expect anything other than what comes. and that, my friend is the greatest beauty and gift I can think to grace yourself and them with, for it is love whole heartedly, without a desire to alter of precieve them in any other light than the light in which they shine. so, yeah, it can be done, and is done, and will be done for one day, whether you or anyone ever know about it, I will be smiling and sharing with that beauty for eyes to see and ears to hear, one then truly sees that , I care not how things started, nor why, nor for what true end, for I see something that few might be lucky enough to see, that more has happened and transpired in this time, events, and whole saga, than one could have ever expected. and for that, I am grateful, hope you are too. cause in the end, I know I will be victorious in some wonderful way and I will get the girl, so don't dare say, you don't believe, cause friend, isn't believing what this is all truly about? and isn't, believing what with out a doubt, forms that which you live? so, yeah, I will. and I smile. So yeah Time to roll the center a round abouts my whole of my soul... and roll away this list of tunes, with my windows rolled down too. ;-) Full Moon Thoughts On Lavender Moon Nights In My Dreams https://www.youtube.com/watch?v=VeI9lKNoM9k&index;=2&list;=PL1X51wyhBF7-q3cJh8zRJm5aMyI5WK0be
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4
Round-abouts of confusion A ship of misconception. Free falling into fire, But only getting higher. Together but alone, Still holding onto hope. Slowly the fire dies, Waves begin to arise. And suddenly something breaks, Even though he still cared. It's the sound of a shattering heart, Faults on both parts. Constellations breaking, Connections tearing. Last night she loved him, Well into the foggy morning. Tonight she just cries, Asking herself why? She wonders if he's doing the same, How long must she pray? Know that she cares, Know that she dares. She sees his girl, But does he see she's hurt? But perhaps it's okay, She needs to drift away.
0
Oct 20, 2014
Oct 20, 2014 at 10:24 AM UTC
Picking Up The Pieces