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Romantic Poetess Jan 2011
How do we begin
The music
Of love making?
Are we sure
That the language we share
Is harmonic?

Who arranges the pulse of the piece?
Who decides which beats are
Accented
Which beats
Are not?
Will they give rise
To our motif?
Will our phrases
Use repetition or contrast
Be weak or strong
****** or repose?

Will our passage
Be AABB
Or AABA?
How many themes
And how many variations

Will we play
on our
delicate instruments?
Will our cycle be
a symphony
or will we
happily create
a one movement work
with an air
of spontaneous inspiration
and call ourselves
a rhapsody?

— The End —