We’d dreaded there’d be nothing left to say,
Moving from fondest hopes and deepest fears
Shared in courting’s dawn to the workaday,
Wednesday’s meatloaf and checkbooks in arrears,
That hearts would be silenced, tongues would be stilled
By diapers and deadlines, things which preclude
Persistence of ardor, devotion chilled,
Love’s early zeal a brief interlude.
We laugh at such now; how could we have known,
(No more than children ourselves, after all)
That devotion has a grace all its own
Which lifts us after pitfall and pratfall
(The flat tire, smudge of soot on the face)
To pilot us above the commonplace.

Live in the moment*, we exhort ourselves as well as others,
But such a mandate is a fool’s errand, nothing more,
For all which we endeavor, all we savor and regret,
Are transitory things, snatches of synapse,
Fireflies gone a-gleaming before we can fasten the cap,
All Chinese-checkerboarded with air holes, onto the jar.
So forgive me, then, for not extolling the virtues
Of your laugh, your smile, a certain set of jaw or wrinkle of nose,
For those are fleeting morsels of time,
Mere snapshots, flat and obsolete at the click of the shutter,
Like the crimson-iris inducing Instamatic images of long ago.
Rather let me, then, dwell
Upon the aftermath of these glimmers in time, in your eyes
Those crevices of memory and apprehension
Where the momentary acquires its shading and gradation,
Its context and concreteness, its niche in ones cosmology
Of those things which flutter the surface
Of somnambulant ponds of sleep,
Roiling the stuff of our dreams for better or for worse.

A center stripe on such a road would be no more than affectation,
The prospect of two vehicles on the same stretch of this blacktop
Which ambles from nowhere to nowhere, old logging path
Morphed into a convenience for fishermen or bird watchers
Heading to the odd bits of Adirondack Park land
Scattered higgeldy-piggeldy in its path
All but a mathematical impossibility.
Indeed, the fog lines are barely visible, a series of dots and dashes
Along the crumbling berm of the shoulders,
And the signs testifying to the calamitous curves ahead
Are faded and pock-marked
In testament to generations of pellet-gun marksmanship
And twelve-ounce projectiles.
There remain the odd traces of the byway’s former usefulness:
Rusted blades or unevenly-spoked wheels
Left behind by ancient logging outfits,
The odd abandoned hunting camp, and here and there,
Visible through gaps in thick, ancient stands of pine
(Having outlasted the original settlers and logging concerns
Through the sheer stubborn implacability of biology),
You might see an anomalous abandoned bus up on blocks,
And there are those who have sworn they have seen them
Adorned with curtains in the windows,
But that is most certainly a trick of the light,
A mis-apprehension of something half-glimpsed
By the drivers as they sped by.

They sit in the humblest of frames,
Faux wood-grained plastic grotesqueries
Purchased long ago from some doomed Grants or Bradlees,
Though one or two enjoy something nicer,
Left behind by some long-timer taking a buyout
Or a sympathetic youngster denied tenure
(She has, for the better part of three decades,
Cleaned up the detritus of middle-school children,
A bit stooped from the work,
Not to mention the burden
Of any number of she’s just  or she’s only
Tossed like so much bric-a-brac in her direction.)
The approximations of old masters equally eclectic in origin:
One or two gallery-quality reproductions
Blithely abandoned by some haughty faculty matron
Mentoring children through noblesse oblige,
The odd promotional piece from a scholastic publisher,
Mostly things she has cut from magazines or discarded texts.
She studiously avoids pieces tending to the dark or muted,
No Stuart portraiture or pensive Vermeers;
She has a strong predilection for bold, boisterous Gaugins,
Mad cubist Picassos, lush Cezanne still-lifes,
Even the odd blocky *******.
If you pressed her to explain her fetish
For the brightest of the great masters,
She would likely be at a loss to explain,
Having no academic bent for such things
(Though she has been known to curse the shortcomings
Of lithographers and pressmen under her breath)
And, as she freely admits, I’m not much good with words.
There would be the uncharitable suggestion
That their purpose is to mask cracks and pockmarks in her walls
(She has, to be sure, lived in a long series of such places)
But she has never, consciously or otherwise,
Used them for such pedestrian and utilitarian purposes;
They are, to her anyway, beautiful, and that is all they need be.

If you observe occurrences in Nature
(The way a stone ripples the water,
The arc of a cormorant descending toward its prey)
You will note a precision in the movements
Which is utterly Pythagorean in its pattern
(Not that the natural world is without its inconsistencies;
The progress of a conflagration, for example, seems entirely random.)
It would seem that such a thing is good;
No, more than that, entirely holy,
All that is necessary and sufficient to prove beyond doubt
That which is equally necessary and central to our belief:
A plan--His plan--which governs all things under the sun.
Such notions, I have found to my considerable dismay,
Do not sit well with viceroys and archbishops,
Who have a vested interest in the maintenance of certain mysteries
(To be fair, they are not evil or necessarily even impious;
They are men, nothing more or less,
And have to navigate perilous, unmapped straits
Between the secular and the sacred; at their appointed time,
They will have their own commissions and omissions to answer for.)
Nevertheless, none of us can escape the certainty
That the root of our faults can be found at our own doorway,
And I cannot deny that the attempt
To reduce God’s works to a schematic of formulas, diagrams and triads
And then, preening and squawking as a peacock,
Trumpet the results to the world
(As if the mystery of faith would be no more
Than a handful of equations and charts)
Is simply the manure of arrogance, the flotsam of sinful pride.
I have had, these past few weeks,
Considerable leisure to pray and reflect;
My thoughts have not drifted, curiously enough,
To the great and sweeping, the grand and all-encompassing
(Perhaps that is due to the whys and wherefores of my current predicament, Perhaps due to the narrow window of my enclosure),
But rather to the most pedestrian of things:
The clarion of the wind in the trees prior to a brief summer storm,
The lover’s dance of the hummingbird and the lupin,
And I am comforted (and, I confess, a bit amused)
By the notion that Our Savior may take a moment from his labors
To watch them as well.

Speak, O capricious ones, and lend a hand
To this sad wretch, who cannot understand
Why he has been abandoned and ignored,
His sad lamentations without reward
As he seeks to relate his paltry tale
(With the fullness of dread that he may fail
And the said rote thing which he may fashion
Devoid of truth and wanting of passion.)
So lift my sad tongue, then, and let me speak
Of those who failed to ascend life’s peak
So like the gods in manner and aspect,
Yet yoked tight to this plane by some defect,
Some dank pock-mark of humanity,
So we spray the gods with profanity
(Though the bray of an *** is what they hear
Not unlike that which I’ve put forth, I fear.)

They prefer if you don’t come in the normal entrance,
Where your actions and demeanor may generate
A semblance of disquietude and anxiety for those clients
With simple dislocations and the de riguer colicky infants.
Instead, you are directed to an inconspicuous doorway
Around the back by the dumpsters and empty pallets
To an unadorned room with to fill out the requisite paperwork
(Which proves quite difficult because you’re shaking;
Most likely because the room is so cold,
Or the folding chairs prove ancient and unstable),
Upon receipt of which they allow you
(Although this go-round
There’s no inked footprints or photo provided)
To take your baby back home.

As children, we learned those truths we needed to know
At the feet of claymation wise men
(Proffered to us through the good graces of Rankin and Bass)
That under-appreciated misfits will receive their reward in due time,
That Mommy and Daddy will sit,
Smiling as without a care in the world,
At the kitchen table with brother and sis
Over a piping hot breakfast forever and ever, amen
Before they adjourn to the shiny tree
Surrounded by legions of dolls, brigades of fire engines
(For Santa shall never disappoint any good boy or girl),
That children shall always bury their parents.
I now know that the snowman lied,
And that when he is removed from refrigeration,
He shall not reappear as the strong, substantial man of snow,
But become merely a puddle,
Then mist rising from the sidewalk,
As invisible as the ditties children sing
While jumping double-dutch,
As fleeting as a hug in the dark
After you’ve chased the monsters from under the bed.

The pin wobbled in a manner which would tantalize another man,
But he knew, surely as he knew his own name,
Knew in the very maw of his soul,
That it would remain implacably upright.
He was right, of course, the seven-pin standing ***** as a toy soldier
In complete defiance of tenets of physics and divine mercy.
He’d been down this road before,
More times than he’d care to remember:
Some occasions of his own making, short-arming the last ball,
Having it hit the head pin too flush,
Or going Brooklyn and leaving the ten unscathed,
But equally often seemingly the victim of random fate or its like,
Where he’d the pocket just so,
With all the action you’d need or could muster,
Yet somehow the pins would bounce off the wall in patterns
Inexplicable via Newton's laws, the work of gremlins or voodoo,
Perhaps the vexatious ghost of some manual pin-setter of long ago.
He’d put together eleven straight strikes
On every lane in the house a half-dozen times,
Some nights when the boards were as giving
As a rich and doting grandmother,
Other times in sport conditions
Where no one else even sniffed two hundred
(On one such evening, he’d scored a perfect game
On the ancient shuffle-alley game tucked into a corner of the bar, Celebrating, in a manner of speaking,
By taking chunky, sad-faced Penny Marie
From the payroll office at the mill
Up against a wall in the dimly-lit alley behind the building.)

After enduring the usual consolation and confabulation,
He left the alley, walking up the hill to the old two-story on Fifth St.
Which he shared with his mother and other memories,
Though the house bore little trace of his existence, present or otherwise
(His mother had, just once, put a few of his trophies and plaques
Out on display on the mantelpiece in the parlor;
He’d insisted that she take them down forthwith.
Buncha ******* plastic and stamped tin, he’d snapped,
Don’t mean a ******* thing to no ******* body.)
He’d nodded to her on his way through to his room
(She still, out of force of habit, still waited up for him,
Part simple inertia, part hopeful belief
In the talismanic nature of the maternal)
Grunting Y’know, one of those nights in reply to her inquiry
As to how well or otherwise the evening went.
He’d undergone the usual bedtime ministrations
(An indifferent ****, the near-frenzied tooth brushing
Which failed to remove the effluvium which accompanied him home
Courtesy of bad bar pizza and Rolling Rock)
Before another evening of fitful dreams
Consisting of hazy yet glorious episodes
Which never seemed to reach fruition before the advent
Of an unwelcome and vaguely malevolent sunrise.

I shared a beer and sympathy with a gnarled, obsolete man
Whose wizened visage spoke of unwise choices.
He spoke wistfully (though apropos of nothing) of an abandoned diner
Near the terminus of a truncated and decommissioned road,
Its parking lot an unhappy armistice
Of cracked tarmac and scrub grasses,
The building still sporting caricatures of the proprietors
(The artist a devotee of the Bob’s Big Boy school)
Though time had robbed them of the odd eyeball,
And a shoulder or elbow had faded surreptitiously into the background.
Much of a large sign remained as well,
Appearing to be nothing less
Than some leviathan’s abandoned crossword puzzle,
Fairly shouting “THE B ST  DA N STE K
BETW  N SYR C SE  AND OT T WAOR Y UR MON Y B CK!”  
Nothing else remained, my companion intimated,
Save the odd abandoned farmhouse and vestigial fields,
With long unmended barbed-wire fences doing their level best
To contain the ghosts of bygone and unlamented cows.

I would not deign to speak for that triumvirate of worthies
Whom I had hoped to accompany, but, for myself,
My journey was of a practical, political nature;
There was any number of shared concerns
Which I hoped to discuss with my fellow sovereigns:
Matters of borders and bandits, tariffs and treaties,
And even if my fellow sovereigns were sincere
In their interpretation of this (I would attest, anyway)
Wholly random celestial event,
They are still very much men of the world,
And on such a lengthy and tedious sojourn
It would only be natural that the discussion would turn
To such duties which only the eminent and elevated can appreciate,
And in course perhaps become the basis
For some understanding and accommodation.

Giving them the benefit of doubt
(For if a ruler is not entitled to that, then who may be?)
It is certainly not surprising
That my erstwhile fellow travelers were taken
By the notion of infant kings and augury from the skies;
When you are insulated from the concerns
Of finding food and shelter, my own father once said,
You’ll find something foolish to worry yourself about.
Having subdued their swath of earth, it is only natural
That they would cast their worries toward the skies,
And who among us has not seen darkness at mid-day
Or huge and inexplicably reddened moons?
I could not blame my fellow potentates for attempting
To divine some meaning from such events,
Nor am I astonished that they would find some
Would-be seer or other self-styled holy man
(And it seems the more ******, unkempt and ill-smelling the better)
Who would be all too grateful
To relieve their anxieties and self-doubts
At the negligible cost of some scant pieces of gold and silver.

Had I been able to accompany that group of worthies
For the entire trek, I would have noted
(Though gently, with the most innocuous of smiles)
That I believe the secret of ascertaining
The absolutes of the universe, the eternal verities,
Is accepting the very lack of their existence.
I have cultivated and consolidated my power
Through the noble arts of compromise and conciliation,
Knowing when and how to provide just enough to gratify
(And, if need be, just enough rope for fools to hang themselves with)
While retaining  those resources
Sufficient enough to slap down those
Who are insufficient in their expression of gratitude.  
Sadly, even these arts are not without their limitations;
Indeed, my journey was cut short
When a particularly inept proconsul
(One of my wife’s kinsmen, that accident of birth
Being his only conceivable qualification for such a position)
So spectacularly bollixed what should have been
A perfectly simple matter of taxation and tithing
That it required my return to handle the matter in person.
No matter, then—those affairs I had hoped to discuss
Will still remain when they have come home
From this particular dalliance with stargazing and saviors
(Ah, such fancies…all hail this sultan of the stables,
This high priest of the hay!)
And there are day-to-day concerns
Which I must see to until that time
They come to the realization
That faith is the luxury of the poor.

They'd lived on the flats, humdrum home in a prosaic town.
Those gabled edifices perched on hilltops
Beyond their means, perhaps,
But certainly beyond their needs;
Their children had cribbed at the foot of their bed
To the detriment of sleep and other night-time activities,
And they'd later shared a room, learning early on
That life was often a make-do vocation,
But could be rife with joys in spite of that.
The kids moved on, to mirth and mortgages of their own,
Their parents resolute in their desire to stay put,
Eschewing the siren song of some trailer court in Sarasota,
Some gator-patrolled condo in St. Pete,
Choosing to confront the seemingly never-ending residue
Of stubborn low pressure systems
Lugubriously wandering up the St. Lawrence valley
For weeks upon end,
The humidity and mosquito-laced all too brief summers
(Though, on those nights where no pop-up thunderstorm
Threatened to chase them back inside,
They would sit on the porch, peering at the gravelly old hills,
And he would whistle some tune from some long ago,
Perhaps pulling her out of her chair,
Dancing a slow and somewhat unsteady waltz
While he did his damnedest to stay on key.)

My regiment?  The New York 156th, B Company.
I’d left the farm in the hands of my wife and her uncle
(Polly and I never had children,
Something I’m grateful for now.)
We’d boarded the train in Kingston,
Figuring we’d have a picnic, see the countryside
Fire a few shots at the Rebels and the odd squirrel
And be home before snowfall.
The picnic was spoiled **** quickly, and not by ants;
We took fire within a half-day of meeting up
With the main body of the corps,
And couldn’t get our heads back up until **** near Appomattox.

Truth told, I don’t remember exactly how many men I killed
(And in some cases, “men” stretches  the truth,
As some of them looked like altar boys from the church,
Same age as the sons I’d never had.)
You find after a while it’s best to lose count,
Do what you can to forget faces
(Now that the beds are soft and the fields are quiet,
The faces come back to disturb my nights then and again.)
Fact is, I’m convinced I survived only because I rode down
What was human about me, or at least the good part;
Best to be like cows or some poor **** stupid ox:
Eat what you can where you can,
Sleep when you might have the option,
And, like the other poor dumb bovine *******
Simply waiting for the cudgel,
Don’t let your thoughts stray elsewhere
Until you’re more kin with the animals than anything else
(I remember Tommy Dunbar from over Esopus way
Brought his dog with him;
It marched with us all the way to Pleasant Hill,
And the only time I cried between enlisting and mustering out
Was when that mongrel snuffed it.)
Anyways, that is all over, and good riddance to it;
I’ve no desire to mount up
With the Grand Army of the Republic types
And go wave the ****** shirt in some convention hall in Albany,
Nor am I inclined to meet up with fellow graybeards
From the other side of the line to sleep in tents
And mock-shoot wooden rifles and imaginary minie *****.
It’s over, and I prefer to keep it that way.
Funny thing, the colonels and chaplains always insisted
That God was on our side, and I suspect their boys did the same.
I suspect (though I’d never tell preacher, of course)
That He left the field quite early in the proceedings.

Unlike the feted Ebenezer, our intangible visitors
Are not necessarily seasonal in nature,
Nor do they waft into scene
As the result of our direct malfeasance
(Sometimes the case, to be sure,
But more likely they are the stepchildren
Of our omissions rather than our commissions)
Coming among us not through wanton transgressions,
But the upshot of our mortality
And its associated failings,
And as they glide translucently among us
In this season where the darkness comes so early
(Yet the light clutching the western horizon
For an imperceptibly longer time each day)
Their presence may be somewhat more benign
If we are able to undertake the act
Of forgiving ourselves.

Such children, our playwrights;
They labor under the sad misconception
That, having written their labored little prose,
They shall be presented wholly unfiltered by the performers.
From God’s lips to their ears, they say, ostensibly joking
While their features and inflection bear full witness
To how deeply serious they are in truth.
The poor souls have no idea
(Really, no more than infants, every last one of them)
Just how little their tottering little farces have to say
Concerning the profundity of suffering, the fever of desire,
(How could they know, locked away in their rooms with nothing
But their parchment and quills—truly, from whence will come
The Moreto or de Molina for our age, artists yet men as well?)
And yet the trained performer is able
With no more than the odd inflection,
The certain insouciance  in the crook of an elbow,
The telltale arch of an eyebrow
As another actor declaims his lines,
Provide blood and marrow to the sad scratchings of the purported author, Create meanings never conceived of by the dramatist.  
How many nights have I shot glances
At these poor men of letters, wringing their hands anxiously,
Huddled in the wings on the opening night of their turgid set pieces.
What performances (however involuntary and unconscious)
They would give, faces contorting with surprise and fury,
Fists clenching with rage or grabbing at their tresses
In frustration and stupefaction at what had been made
From their foolish idioms, their labored clichés.
And, after a surfeit of bows had been taken,
They would come before me,
Bowing slowly, stiffly, mechanically in an effort to keep their anger
From virtually surging from their bodies,
Meekly saying Truly, Senora, I did not know
What effect your legerdemain could have
Upon the audience and my humble words,
But, for all their politeness, their hatred is palpable,
For I have thrown their cherished natural order on its head,
As I have usurped them as the creator.

Still, one should not be so harsh with these hijos;
The error is a common one:
So many viceroys and kings, so many priests and archbishops
Have tried to fix the yoke of man’s poor misapprehension
Upon the forces of the universe,
Forces which would brush them into the abyss
With no more forethought than they would rend the web
Of the poor, innocent spider.  
I have, on several occasions,
Accompanied many a man of means to the gaming table,
Have seen them win handsome sums
And seen others lose those every bit as spectacular.  
I have found the victors to be men
Who do not try to ascertain the hidden mysteries of the deck,
Nor bemoan the fact that they are denied the deal,
But rather treat the cards as simple things
(No more than mere bits of paper, drabs of colored ink),
Minute stages provided to display one’s craft and wisdom
In the pursuit of pleasure and profit.

We’d stumbled upon it simply by chance,
Playing on a channel heretofore unknown to us,
Almost as if the remote, in a final, desperate attempt
To escape the CGI-augmented Britneys and Biebers,
Had taken matters into its own hands and steered us there
(Indeed, when we tried to find that channel later,
It had gone a-gleaming, replaced by some lower-case Telemundo)
Presenting no outsized and over-decibeled spectacle
But a stark, quiet, indeed all but silent black-and-white panorama
Where a distinctly un-scrubbed and un-homogenized Santa
Delivers no new cars, no cartoon-mouse vacation cavalcade,
No million dollar prize from some scripted faux-survival experience,
But those things from the realm of the small, the subtle:
A sweater, a meal, a bottle for those not overwhelmed by the contents,
All courtesy of a purveyor of gifts seeking nothing more
Than to provide some measure of comfort and joy
For those who were well short on either.
It all tends toward the romantic and maudlin a bit,
One could contend
(And, indeed, did not the teleplay’s progenitor
Insist on spending his eternity on a lonely hilltop,
In order that he could have an unobstructed view
Of the cold, narrow lake
For which he’d formed such an improbable and irrational fondness?)
And those who take such a position may very well be right,
But it is equally likely that we could be better men in a better place
If the notion that we could rise above
Our tin-can and yowling-tabby tribulations
And embrace that within ourselves which is child-like and yet saintly
Was submitted for our consideration on more than an annual basis.

Such raiments would be the province
Of those gated and corniced places
Up on the hillside, and even that milieu
Living on residue and recollection,
The glories of the past
Fading like so many past-peak October leaves,
Beautiful in the sense of such colors
They heretofore possessed,
Though in any case, the whys and wherefores
And relative merits of thens and nows
Secondary to more prosaic matters:
The price per gallon at the Gulf station down on Route 17,
Seasonal temps at Bear Mountain
Trying line up some other gig or side-hustle
Once the land locks and the leaf-peepers and hikers go home,
Those hoping corroded propane tanks and curled shingles
Can make it just one more winter,
And if the worried and wondering
Enjoyed the luxury of philosophic musing,
They might ponder upon what those earlier residents
Who had lived at the apex of Manhattan society
(And possibly even those earlier residents,
Jumbles of Patroon and Lenape blood
Who crouched forlornly in the Palisades
As that skyline came into being)
Would think of what became of this place,
Yet as they look up there are no ghosts of the ancients,
But merely the impassive, lazily circling turkey vultures,
Implacable, enduring, constant.

i.

I remember, when I was a much younger girl,
How my grandfather would hold a kopek in his hand
And, making it flutter slowly as if it were in flight
Would pantomime dropping it into a small sack,
Kicking a horseshoe or barrel stave against a rock
To approximate the sound of the coin hitting the sack,
Surreptitiously nudging the bottom of the canvas
To accentuate the deception.
We knew, of course, that it was mere sleight-of-hand
(Indeed, as he grew older and we less credulous,
It was fairly easy to pick up at what point
The small, tarnished piece was actually palmed),
But it was Grandfather, after all, and besides,
The invention was much more pleasant than the reality.

ii.

We were, naturally, prepared to die;
Indeed, if you wear a belt of explosives,
You prefer not to consider other outcomes.
It did not come to pass; there are, sadly, always spies,
Provocateurs who prefer pennies over principles,
And so I have come to this fortress to await my pas de deux
With the roughness of the rope and the kick of the lever.

But there shall be no death.

No death? they shall say, Surely the gravity of your plight,
The strain of isolation has caused you to take leave of your senses,
But I am as clear and constant
As the bells in the guard tower
Which toll on the quarter hour.

Ah, but here is the judge,
Great eyebrows knit, jaw tight,
Reading, measured in tone and pace, from the paper
Which outlines the finality of your sentence,
And I say it is no more than mere parchment,
His words the empty fulminations
Of an unconnected party.

But see here, Musechka, they will insinuate slyly,
What of this image--the eyes bulging,
The face distorted and blue, the tongue blackened,
And I respond that such a depiction,
Along with all prior inquiries and protests,
Are from without and, as such,
No concern of mine.

iii.

When, come sunup the day after tomorrow,
It is time for the law and justice
To finish going through the requisite motions,
I shall walk to the platform
Burdened with neither regret
Nor any notion of dying well
(Such thoughts are for priests, foppish cavalry officers)
And the soldiers that cut me down
Shall, I am sure, will be somewhat irritated with me
For they shall have seen I have, in a sense,
Engineered my own exit,
And that it was a trick
Which they played no part in contriving.

He is in his rooms in the Kenmore Hotel,
Once-gracious lady favored by the ancient city’s elite,
Now tired old harlot patching and spackling with powders and rouges
In a vain attempt to camouflage the slide toward oblivion,
Only fit for unwitting out-of-towners
And those with short-term business transactions to ply
(He stays there out of nostalgia, perhaps,
Or possibly because they’d let him through the door without question
Back when that was far from a given,
Or maybe because it was the trumpet players’ place,
The story being that Bunny Berigan had once left a horn
As payment for an outlandish and fabulously overdue bar tab.)
He is holding court with a local features writer,
Another interview in another town,
(Ostensibly a one-on-one sit-down,
But his suite more like Sears the weekend before Christmas:
Band members doing walk-through warm-ups,
Friends old and new darting in and out,
Lucille frantically mother-henning the whole process)
Juggling many hats as he speaks,
Part-time salesman for semi-herbal quasi-diet aids,
Mirthful mangler of malapropos,
All rolling forth with with an air of street-level entrepreneurship,
But there is a more stolid, settled quality about him now,
The assumption of the mantle of icon
(Bestowed upon him by a continent
Far from his birth, but still)
And the time comes for him to begin the warm-up,
Starting with a high note here, a low note there,
Until he finds one note, that note,
A thing not constrained by lead sheets, acoustics,
Indeed any human construct at all.
On the street outside, two young men,
All stingy brimmed hats, narrow ties,
And not-quite top-line silk mohair suits
(Flipped in and out of the pawn shop
Any number of times, but still)
Shoes shined to a military gleam,
Walking with a gait which implies
That they are hustlers, yes,
But men of substance, nonetheless.
One of them hears the note,
And wonders aloud,
Man, who’s got a horn like that
Around this neighborhood?
(Neither of them deign to look up toward the hotel,
As, for them, threat and opportunity
Is something that exists strictly at street-level)
But his partner grunts dismissively,
Never even breaking stride,
Man, just some old **** fool
Playin’ some old tom’s records.

They rarely bother to mow here anymore,
Once a month, perhaps every other
(Times are tight, full burials being pretty much
A thing of the past these days)
Though it’s unlikely anyone would notice
If the grass grew a bit longish,
Or the crownvetch and crabgrass became a little more prevalent,
No one being buried in this part of the cemetery
For the better part of a hundred years now,
The stones bleached and faded from decades of sleet and sunlight
And acid rain from the auto plants of Flint and Lorain and South Bend,
(Now boneyards for gears and drill bits themselves)
Those names still legible on the teetering, unsteady stones
Mostly the stolid Scotch-Irish surnames
Vaguely familiar from the town’s founding generation
Found on its street signs or pocket-parks,
Their descendants mostly having fled to friendlier climes,
Though the odd lesser strain of the families remain
(Not that they would choose to pay tribute to those ancestors
To whom they have fared so poorly in comparison)
Though many more bear the family names of their trades,
Clusters of Coopers, Weavers, and Smiths,
Their stones bearing the sentiments of grim Victorian fatalism,
Thus in mercy early call’d away or The happy soul is that which fled.
Such thoughts are quaint, eccentric things to us now,
As would be the clothes they wore, the songs they sung,
But we would know them nonetheless,
Know the muted joy of their minor successes,
The depth and finality of their defeats,
The sting of bowing and scraping
To the owners of the mill, the haughty town fathers,
As they served them at the milliners or the drug store,
Their odd, fleeting dreams of grandeur having come to rest here,
Cherry-lidded as they proceed to dust.

He’d never read him, understand,
At least not that he’d remembered;
Might have half-skimmed something in Look or Esquire,
But he certainly wasn’t much for novels,
And there were kids to raise to rise, a war to fight
(His platoon had been pinned down at Anzio,
Leaving him precious little time for dispatches from the front,
Save  for a  singular postcard
He’d bought in Netunno on a rainy April afternoon,
On which he’d scratched Babe, I’m still alive and kickin’,
Worth ten thousand words
To a harried, frightened seventeen-year-old,
With one in the cradle and one on the way),
But then all that was later on, or earlier
Depending on where you stood,
Time being a lazy, molasses-unhurried thing to him now,
Like the leisurely old Owasco Inlet which ran through town,
Seeming to go in no direction in particular,
Running north or south as it deemed fit at the moment.
Once, he’d worked at the typewriter plant on Spring Street,
Fashioning hammers and slugs for Standards and Silents
And, later on, the electric Coronets and Model 250s
Until he packed it in with forty-five years under his belt,
Though all that pretty much the stuff of memory as well:
The factory gone a couple years now,
Rubble carted away, leaving an angry brown patch of land,
The last generation who’d worked the plant
Having up and left, by and large,
In most cases taking his generation with it as well
(Factories tending to be family affairs,
So many of his contemporaries unwilling to be so distant
From children and grandchildren,
Such notions being unknown in company towns)
Leaving the place a touch foreign,
A bit alien to folks who stayed on,
Men without a country as it were, doing their level best
To navigate waters without landmarks, without buoys,
Trying to reach harbors of questionable refuge.

He is, to his way of thinking, the only one wearing shorts;
The nine young men with him, baggy-wearing and body-pierced,
Swoosh-adorned from head to toe,
Sporting something which seem close kin
To blown-up Bermudas or women’s culottes.
Back in the day they would have been laughed right off the courts,
But it is not his day any longer, as he is constantly reminded;
He wears shorts that merit the term, old leather Converse All-Stars
Cracked and faded as the berm of the back roads
In this out-of-the way locale,
A faded and decades-laundered jersey
Bearing the name of a long-defunct auto dealership.
The kids call him “Jumping Toyota.”
Yo, Toyota—no dunkin’ on us tonight, OK?
Hollering and laughing as they dap and jump-and-bump,
Mimicking playground ballers in cities
They have never been within three hundred miles of,
And he smiles in grim resignation,
Knowing he might get a fingertip on the rim on a good day.
His game is strictly cerebral, horizontal now,
The muted, pastel joy of a solid, timely pick
Or well-thrown bounce pass
Has become his vehicle of blacktop epiphany,
And he eases up now and then on the offensive end
To provide succor to tendons and ligaments
Which, in spite of admonitions to himself
That at your age you need to take it easy, *******
Will still register their protests a very few hours from now
Leading to tortured grimaces and the occasional audible grunt,
As he holds his place on the third-shift line at the Alcoa plant
Bringing his co-workers to ask him,
In that hazy place between bemused and stupefied
Man, don’t tell me you’re still playin’ ball?
Once in a while, though, he will still drive hard towards the tin
And, eighteen again for the a snapshot of a moment,
He will stop on a dime and drop a jump shot
Making no noise whatsoever
Save for the whispery snap of the bottom of the net,
Sound every bit the same as it was
Before his knees and ankles went rogue.
Outside the chain-link fence, a young man plugged into his iPod
Bobs his head in time to some unheard song
As he leans in an approximation of nonchalance
Against a great old elm tree
(Branches bedraggled and drooping,
Giving it the air of some old warlock gesturing in mock-menace
Though his wand has gone a-gleaming,
His magic having deserted him as well)
Which bears a large painted orange circle
Signifying its imminent destruction.

(for Alice Bridgwood)


At some point, we simply say to hell with it:
Whether undone by the shortcomings at our craft
Or by the simple bulk of our mere humanity,
We come to the conclusion that certain mysteries of the universe
Shall remain exactly that—oh, we’ll still have
The odd glimpse of the Platonic,
The glimmering flicker of epiphany
Bestowed upon us a few frames at a time,
Grainy and Zapruder-esque,
But, by and large, we will remain sheepish
As some television weatherman who,
Though ostensibly trained to understand the behaviors
Of sluggish storms making their way lugubriously from the Southwest
Or brisk mid-February Alberta lows,
Must admit he, too, was bamboozled
By the sudden deluge or foot-plus of snow.

What, then, do we make of one
To whom the inscrutable calculus of the spheres
Is an open book, as simple as connect-the-dots
Or some child’s paint-by-numbers
(But augmented with shading and shadow
Until the picture is not simple rote coloring
But something else, something finer and all her own),
Whose words move us to follow where she may lead,
Like medieval peasants, dirt poor and bewitched,
Who flocked to the Holy Land
Following the charismatic little shepherd child,
All hayseed and bucolic charm
(Yet all of that simply myth arriving whole cloth,
A mish-mash of sloppy scholarship and errant translation;
She’d have sussed it in an instant)
Hoping that some smattering of his grace
Would trickle down upon them,
Not unlike the prayer of the farmer,
His lands parched and salted, hearing thunderstorms
Rumbling in terrible grandeur in the distance,
Hopes the odd drop or two reaches his fields.

There’s many legends told of those who tended to the nets
Whose talents brought grown men to tears, made bookies hedge their bets.
One man’s special gift was to make the goal lamp glow
Therein begins the woeful tale of Red Light Racicot.

The story starts at Granby in Quebec’s junior ranks,
Where pimply youths have slapshots which seem fired from tanks,
And flashy cat-quick goaltenders will often steal the show;
Alas, no such heroics came from Red Light Racicot.

The ease he was beat stick-side left his goalie coaches dumb.
Granby supporters prayed as one that they would trade the ***
They called him “Ancient Mariner” (stopping one in three or so),
Surely Les Habitants would not sign Red Light Racicot.

But indeed, Les Canadiens dragooned him in the draft,
Fully convincing one and all that Serge Savard was daft.
Children throughout the province prayed Dear merciful God, No!
Don’t let our Forum bear the taint of Red Light Racicot.

But then came a stretch where Patrick Roy’s work had been poor,
And Hayward and Vinny Riendeau had each been shown the door.
And Montreal fans heard the saddest words they’d ever know:
…Starting in goal this evening is Red Light Racicot.

He flailed at wobbly wristers and wound up on his ****.
And gave up much more five-hole than any village ****.
Even cross-check befogged Savard knew it was time to go
And mercifully, he released poor Red Light Racicot

In Heaven there’s a glowing rink where gods of hockey skate:
Maurice Richard, Howie Lorenz, all of the truly great.
In one net, Georges Vezina makes saves with stick and toe
But someday they’ll all float soft goals past Red Light Racicot.

I knew a couple, in that once upon a time
Where fecundity was a going concern in our circle of friends,
Who’d lost another child mid-pregnancy
(It may have been the third time,
As such evils, oddly enough, tend to arrive as a trinity)
They’d fiercely, defiantly given the child a dozen names,
Including each of their saints’ names
(A finger to the eye of certain relatives,
Who’d implied and occasionally outright sniped
Recreation without procreation is the darkest of sins.)
They had, after a fashion, made a certain piece with all that transpired,
God’s will or vagaries of chance or something in-between,
But some weeks down the line the distaff part of the equation
Began to experience something akin to pure madness,
Finding evil portent and intent and all and sundry
Which they’d touched upon during pregnancy:
Doctors, in-laws, her spouse,
Even the fables they’d read to her unborn child
(The tale of the Three Little Pigs singled out for particular scorn;
We live in a ******* house made of brick, and what did that get us?
She all but screamed at her beleaguered husband.)
This all passed after a time, the ceasing of the episodes
Due to the end of some delayed post-partum depression, perhaps,
Or the grim realization that raging against some deaf deity
Is a fruitless, pointless, fretful strut across the stage,
But, in any case, life returned to normal, more or less,
Though her husband found it somewhat disconcerting
How, in the process of doing some semi-necessary remodeling
(Keep her busy, their pediatrician had told him in an aside)
She attacked the old walls in an unused bedroom upstairs
With something very much approximating fury,
The plaster-and-lath flying hither and yon,
The dust hanging in the air everywhere you looked,
Leaving a taste like ashes in their mouths for days afterward.

It was one of those fussy, fuzzy little epiphanies;
She’d noticed, a little surprised and nonplussed,
That her wedding ring sat on the window sill above the sink,
Its removal necessitated to scrub the assemblage
Of dishes and silverware facing her,
The act certainly of no particular significance in itself
Simple unconscious mechanics,
Like tying a shoe or a quick goodnight peck,
But a thing at one time unthinkable,
Akin to betrayal and other sorts of unimaginable treachery,
Involving the breaking of solemn covenants
Of undying affection and fealty
(Though such vows rendered impotent
By their very nature, their utter lack of recognition
Of life’s winds and wuthering)
When love was a thing close kin to sheer madness,
Hurtling onward without heed to caution or stoplight
(But such emotion also prone to falsehood,
A three-alarm call with mutual aid to boot,
All for some overwrought trash barrel or barbecue)
And she was stirred from such reverie
By his appearance in the kitchen with a late arrival of glassware
Proffered with a bit of a wan smile,
Which she accepted as sufficient apology,
Taking a moment to push the ring a bit more toward safety,
Away from the minor maelstrom of water
Rushing unheedingly into the drain.

We have the full complement of the requisite barriers:
Barbed wire, barren landscape, unpleasant canines,
Stark metallic towers with vaguely menacing turrets and gunsights
(Though they are remote, poorly lighted,
Perched high enough that I suspect they may be occupied
By mannequins or scarecrows),
And what cannot be attained physically
Is augmented by other means,
Breakfasts at mid-day, bits of bread in the blackest part of night,
Light as dark, dark as light.
We tell our company this and that of the news of the world:
Half–and-quarter-truths, innuendos of some plausibility,
Outright truths as well, but told with the most outrageous leers,
Put forth in a tone which suggest that such things could never be,
(I have come to appreciate Pilate’s question,
For truth is a singular thing,
Valid within the limits of one’s mind,
No more than a lower-case notion
When butting up against those of others),
And I tell myself that this is all something that needs to be done,
That perhaps there is no greater good
Than a certain regularity,a certain order of things,
But I am unsettled by the memory of an episode
Some three days past, where one of this assemblage
(I suspect the person in question was female,
But we keep our band well-shorn, and they are costumed
In rather shapeless and gray tunics
Which, given the lapse of time
And the long intervals between our own re-supply,
Look suspiciously like our own garments)
Look in my direction with what fervor she could muster,
All but barking You! You will be forgiven none of this!
And I was left perplexed by her admonition,
Which, as I began to readying myself for dinner
(Scrubbing my neck, my face, my hands,
Trying to rid myself of the damnable dust
Which is omnipresent, unavoidable, beyond eradication)
Lingered, as I could not for the life of me
Comprehend the calculus which would mark me,
A relative speck, a cog, a mere functionary,
As the one to be singled out.

This most silent of silent nights
Was no different from any which had come before it,
Nothing at all to mark it as extraordinary or sacrosanct:
The village had long since stopped putting up decorations,
(Lights featuring jolly snowmen and steadfast wooden soldiers,
Now faded, cracked, with ancient and capricious wiring
Impossible to replace and impractical to repair)
Those old enough to harbor warm memories of caroling
Having long since wintered in some southern locale
Bearing Spanish names of dubious authenticity,
Those left behind by circumstance or stubbornness
Very likely slouched behind a cash register or un-crating paper towels,
The Wal-Marts, Kinneys, and Price Choppers,
In a shotgun marriage of customer service and rank capitalism,
Staying open a bit later every year,
Though at least providing the unanticipated benefit
Of one less hour to fret over things unbought,
One less hour to dwell upon promises unmet.

There is some solace, perhaps, in the notion
That the good times were only so good, after all
(It’s been said when the great ditch connecting Albany and Buffalo
Was finally completed, you could already hear train whistles,
Shrill and of ominous portent, in the distance)
And as Barbara Van Borland,
Thrice-married and eternally hopeful,
Opined from her perch at the Dewitt Clinton House,
If you’re gonna fall, better offa stool than a ladder.
Perhaps there is a certain mercy in laboring under the yoke
(Allegorical, but securely fastened all the same) of knowing
That we should expect little and prepare to make do with even less,
That these hard times are the only times we can expect to know.

How, then, do we carry on?  
Follow Pope’s dictum, one supposes,
And say your lines and hit your marks
With as much conviction as can be mustered
As we walk through this land of shuttered country schools,
This forest of plywood and concrete,
Where shoots of grasses and patches of weeds
Rise up through crevices and faults in the neglected blacktop
(But ride out on the back roads of the other side of river,
Out toward Cherry Valley, say, or Sharon Springs,
And see the wide panorama of the valley below,
The hills gently, gradually sloping upward to the Adirondacks,
Creating a vista which would make Norman Rockwell blush,
And you would say My God, how beautiful
If it didn’t seem foolish to give voice to something so patently obvious)
Until that time we are carried gently to that plot
Where we shall lie down next to our parents
In the newer section of the cemetery
Sitting hard by the edge of the sluggish Mohawk,
Where the remnants of by-products
From dormant farms and long-closed tanneries
Mix with the residue of hasty abortions
And the bones of forgotten and un-mourned canal mules.

How many deaths are we allotted, then?
It depends on the strictness of your definition, one supposes,
For it comes in several degrees of fatality and finality,
And most often in fits and starts,
A process by which we offer up limbs,
Bits of heart and soul,
So that we can forestall some disaster
Even more wretched, more unwelcome,
And even if we walk more slowly, more cautiously
As the repeated runnings of the gauntlet exact their toll,
It may not be the implacable onslaught of age
Which roils our sleep and the periphery of our waking hours
As much as the knowledge
That, unlike our multi-epoched feline brethren,
We may not land on our feet
As the unseen hands blithely toss us
Down one more set of stairs
Which lead to the abyss.

There is, or so I am told, a debate raging
In fashionable rooms and the halls of government
Which concerns snowflakes: specifically, whether each one
Is of a unique and heretofore unknown shape and formation,
Or whether God sees fit to send down identical reproductions,
Like so many Wilton Diptychs being flogged at market.
I have, on the odd occasion, have seen the snow
As it piles up in billowing waves or lumpy bluffs
In the Alps and the Pyrenees,
And, although I lack such learning
Sufficient to dispute the notion of their individuality,
I can say that, in collections of the thousands or millions,
They are indistinguishable from one another,
And, I suspect, all of their like that has come before.

Like so many of her age, barely beyond the blush of childhood,
My poor sister saw her world in stark colorations;
Thunderclouds of black, endless sunbeams of white,
With no room in her orbit’s spectrum for anything in between
(Sadly, she left this life before she could learn to embrace
The beauty to be found in fine raiments of beige, gray, and taupe).
I have buried siblings, buried husbands and lovers,
Buried memories and mistakes,
And in the endless cycle of embrace and bereavement
I have learned of life
That it is the process of accommodation and compromise,
And that it is only dark, austere death
That refuses to give itself unto the joys of negotiation.

It has lately come to pass that the wretched and lovelorn have,
Seeing no way out of their particular predicament,
Began writing my long-dead sister letters
Asking for her advice, indeed her blessing.
Can you imagine such a thing?
The postmaster of Thurn and Taxis (a very old and dear friend)
Has taken to bringing me some of these abjectly weepy epistles.
I’ve long since stopped reading them, of course;
They sing no new song, tread no new ground.
I simply feed them to a good strong fire,
As anyone seeking the aid of a dead young girl
Has already passed beyond the refuge of last resort.

Man, don’t talk that ****--I ain’t but six-eleven, maybe,
But, pretend as he might, Reggie was seven-foot, legit,
And as bad a cat as ever took the court at Eastern High,
But bad off the court, too, took the neighborhood with him,
Wherever he went--man just couldn’t shake Mack Avenue,
And when the pros just decided
He wasn’t worth the trouble any more,
He had nowhere to go but back home, and nothin’ to work with
Save havin’ a big hand to pull a trigger with
(And that wasn’t getting him too far, like there wasn’t anyone
Who didn’t know who Reggie was),
And at some point you end up on the wrong end of the barrel,
Then nothin’ left to do
‘Cept try to wrestle what remained of the man
Into some huge-*** coffin
(Word was Mike Storen from the Pacers paid for it,
Even though Reggie had threatened to shoot his *** on live TV),
And word was when they got him to the graveyard
The coffin wouldn’t fit in the hole straight-in,
So they had to snap off a couple of the handles
And wedge him in all kitty-corner.
Man, I hope that story’s true,
Folks from the neighborhood used to say,
It wouldn’t be Reggie if he went straight.

When that day of reckoning comes
(Hopefully, some light years distant,
As I like anyone else, cling stubbornly if not desperately
To this process of plodding aimlessly along)
Where the book of myself is closed, I have asked,
Though how I plan to enforce the wish remains an open question,
That I am not Cadillac-carted to some incongruous green space
Where some dark-clad and stiff-collared stranger
Bounces pebble-laden soil onto the top of my bedding for the ages.
Much better,  at least to my way of thinking,
That the remnants of my essentials
Are strewn upon some cold Adirondack lake,
Or perhaps if its current residents
Are sympathetic and not particularly litigious,
The backyard of my childhood home
(I have not fleshed out that particular portion of the equation,
As I, like most people, am much less emphatic about my do’s
Than I am concerning my don’ts and won’ts.)

On the odd occasion, I am visited by a curious dream
Concerning my departure from this particular plane;
There is a fire, though not some vast, heroic Viking pyre,
(Even my reveries have a certain reserve about them)
But something less prepossessing,
Like some small pile of leaves,
Such as my father burned when I was a young boy,
And a black-suited cleric stands before the flames,
His face only somewhat familiar, yet still comforting
(A distant uncle or favorite teacher, perhaps)
And he litters the embers with the residue of my corporeal self
With words absolving the folly of my acts of commission
(The stumbling footfalls of the blind; throw them on the fire)
The shortsightedness of my omissions,
(Boorishness of children and fools; throw them on the fire)
The sum of my shortcomings and misadventures
(Victims of our angels and gods; throw them on the fire)
And the trails of smoke drift aimlessly upward,
Toward birds who cackle and twitter unconsciously,
Oblivious to all the machinations below.

I have long since forgotten his name
(He was only around for my sophomore year at Dear Old State)
As he was universally known as  “Coal Miner”,
Being of all things, a geology major,
The nickname being buttressed by one heroic drunk
In whose aftermath  he brought forth, all Vesuvius-like,
A dark concoction of dirt, twigs, and some small bits of stone,
Though by and large he was reasonably diligent in his classwork ,
Maintaining his drinking and general decorum
Within sensible boundaries
Not adhered to by the general run of dwellers
In our brick bungalow of doubles and triples.

One perhaps-it’s-truly-Spring day just before finals week,
The Miner went off in an in aberrant and inexplicable rampage,
Replete with wall punching, blood letting,
And annihilation of light fixtures
Which spilled out of the dorm, across the academic commons,
And ended just inches from the Dean of Students himself.
It was the last any of us saw of The Coal Miner
Before he and his disappearance rode off together
As the stuff of undergraduate legend.
We later heard The Miner’s mother had died
Suddenly, unaccountably, down in Cortland,
Succumbing to some rare and misdiagnosed malady
(To be fair, it was one of those illnesses
Beyond the experience or worldview of small-town hospitalists)
And, with her, all his means of support, emotional and otherwise
Vanished like so much ash blown away
From the site of some ghastly fire.
To disprove the theory that God only sends us what we can stand,
The college regretted to inform him
That they were unable to provide
For the unfortunate contingency at hand,
And as such, his only mildly distinguished academic career
Was brought to an abrupt and unfortunate end.

We later heard he’d told one of the coterie of security officers
Who had wrestled him to the ground
(Thus preventing the Dean’s untimely
Though likely unlamented end)
That one of the faded, clumsy portraits
Depciting long-dead medical directors
Lining the entranceway corridor of that hospital back home
Had actually hissed to him
What do you want from us?  We’re only men, after all.
(He’d been in the full-blown midst
Of his shock and grief at the time,
So the possibility of hallucination certainly couldn’t be discounted)
And one of his hall-mates swore upon his mother’s life
He’d seen the shoulders of the founder’s statue
(Heroic bronze figure outside of Waddington Hall
Smiling benevolently,palms upturned, hands outstretched
Offering a bounty of knowledge to all comers)
Actually began to droop a little bit after it had been passed
By a screaming, bloodied, raging Coal Miner,
Though that tale was the handiwork of Tommy Mulligan,
Who was sodden and given to pure foolishness
Remarkable even by our standards,
And I later heard the Coal Miner
Was living in a barely habitable cabin
Up on the shore of Saranac Lake
Where he had become a stonemason
Specializing in the restoration of headstones
Buffeted by epochs of mountain sleet
And Midwest-borne acid rains.

She brushed her veil aside and tilted her head upward,
Not seeking comfort or benediction,
Only to confirm what she **** well knew was happening,
That the skies, full of gray and grim portent if not outright malice,
Had picked this very time to begin steadily dripping,
Signaling what was sure to be a sodden downpour
(The weekend already chock-a-block with disasters:
The chocolate fountain a testament to dysfunction,
The rehearsal dinner poached salmon overdone and dry
The limousine company downsizing them at the last minute,
Having realized their top-line models
Could never handle the grade or narrow figure-eight drive
Up to the mansion’s precarious hilltop locale.)
The photographer, who’d lived around here all his days
And had developed a sixth sense
Concerning the vagaries of the weather
As well as those of combustible brides,
Had done his best to border-collie the proceedings along,
But as the droplets increased in size and intensity
Recriminations were hurled and doors slammed
As the bridal party sulked off
Toward what promised to be a most interesting reception.

We’d witnessed the goings on,
(Bride fulminating, groom supplicating
The location for the pictures apparently his idea,
Thus proving there are places
Where angels and husbands should fear to tread)
From a safe distance, under the overhang of the great porch
Overlooking the broad, ostensibly placid Hudson below,
Having come here in spite of the clouds,
As the odd rumble of thunder,
And occasional spate of rain being part and parcel of things,
As we’d mucked through these parts long enough to know
That they were fleeting,
And not without compensations of their own
If one was of a mind to seek them out
(We knew full well of the bewitchment
Of seeing the clouds descend slowly,
Covering the sleeping silhouette of old Rip Van Winkle
Slumbering in the knobby Catskill foothills just to the southeast)
And no more than fifteen minutes
After the newly minted man and wife left,
The sun broke through, glorious and unfiltered,
And we ducked into the great room of the house,
Reveling in the magic of unaugmented light.

There was plenty cats who could ****** a quarter offa backboard,
They used to say up at Happy Warrior,
But the Goat was the only one
Who could float so long that he could leave change,
And then they’d slap each other on the back,
Laughin' until they couldn’t breathe.
Some folks still tell the story, old timers—hell, old men now,
But they don’t laugh much no more, because they all know the story;
Ain’t one of those things where people ask Whatever became of...
Like a Boobie Tucker or Funny Kitt, because Earl was a myth, see,
A neighborhood Icarus, but one with moments of doubt
The pusher, all loud clothes and soft smooth voices,
Played Earl and played him to his weak hand.
College coach ain’t gonna push for no brother
Who ain’t got the grades,
No matter how much lift he got.  
Then what, man?
You gonna hang outside the park, leanin’ on the fence,
Some old man whose name used to get you respect?
****, man, you think you can fly?
Man, I got somethin’ make you fly.
The pusher baited and Earl hit the hook hard;
Wasn’t long before he was noddin’ on corners
Like some old **** wino,
Pretty soon a stint Upstate after he botched robbin’ some bar,
Then a long slow slide until he died.
The Hawk, Alcindor, The Pearl—they knew he was the man,
Best ever according to Lew, and man how he flew,
But the streets have their own peculiar physics
And the rim ain’t nothing but ten feet off the ground.

You’ll not see their like come race season,
Having left the premises to be replaced
By the preening breast-augmented and face-lifted set,
Shaking their heads and clucking sadly if one inquires
If they might have something
A touch smaller than a Franklin in their wallets,
Their smooth patter, replete with references
To Paris junkets and Milan catwalks
Occasionally interrupted by one of their more prosaic counterparts
(Hard-core players following the nags up from Belmont)
Stopping in to partake in one vice they’d sworn off earlier
While loudly disclaiming the other which had ruined
An otherwise perfectly lovely afternoon
(They’ll down their draughts in short order,
Most likely headed for the harness track
To drop a twenty on some longshot
Which bears the name of a long-departed grandmother.)
This time of year, though, they are ubiquitous
As the black and salted slush,
Sad souls slouching in after a bracing walk from Skidmore campus
Or some down-at-the-heels apartment on Alger Street,
Forlornly popping into some quiet booth
With the familiar long-distance stare seen in those
Beginning to grasp the truth that one
Is an object of prey in a very small pond indeed
(Likely a semester, no more than two certainly,
From having their undergraduate epaulets
Torn unceremoniously from their shoulders)
Being as quiet and unobtrusive as church mice
Until a half-dozen or so Coors Lites
Leads them to pontificate on the injustice of the universe
And if they have not decided to stagger home
Or degenerated into desolate tears of self-pity,
They are wont to dispute the existence of the Almighty,
Saying with a conviction which would be impressive
If expressed by Beelzebub himself
That he does not exist, that he cannot exist,
Though the body of proof cited in support of the proposition
Tends to be fragmented and rife with circular reasoning
(We know that they’re most likely drinking with false ID,
But they are invariably pedestrians—let them have their moment,
Only threats to themselves, after all.)
As for myself, I’m of the opinion that faith in the Hereafter
Is that rarest of bets, an absolute bet-the-chalk- dead- cert
Where you walk to the betting window clutching house money.

There is a certain shock, not from the silence itself
But of its revelations, the laying bare
Of the utter superfluence of language
In all which unfolds before us, the testament mute
But imbued with all the power of an orchestra
In full-throated fortissimo
Delivered through the panorama of the vast steppes,
The bounty of their Junes,
The desolation of their Januarys
The visage of the doomed Strelnikov,
The darting glances of the chameleonesque Komarovsky,
His eyes scuttling to and fro like dark cockroaches,
And most of all by the unquiet, not-of-this world gaze
Of Yuri Andreyevich, a stare which tells tales
Of how fleeting this world's happiness will be,
How final and inescapable its sadness,
And as he stumbles and falls in his mad, final pursuit
Of a grail which is unheeding, unseeing,
Always just a step out of reach,
The dialogue is not a necessity,
For we have a trove of our own words and experience
To attest to the veracity of the scene in question.

They still weep;
Not as often in those early days
When the telegram delivery boy,
Every bit as foreboding as the Grim Reaper,
Had arrived at their particular doorstep,
But at odd, importune times:
When the light shines just so in his old bedroom,
(Some instances just as he left it,
Other times clean and empty
As if never occupied at all)
The sound of boys playing baseball
In the field on the Klondike Road,
The bells at the Methodist Church
Ringing for another young couple.
Still, the world rolls along
In its own diffident manner:
There are cars, butter, and gasoline now,
Young men who were at Midway and Omaha Beach
Are back on the line at the mill,
Their mothers plan weddings
And buy dresses from Larson’s down in Ridgway.
They may pause briefly if they catch something
In the eye of a friend
Who has no need to buy frocks
Or reserve banquet halls,
And they will say, casting down their eyes a bit
Life goes on, I guess.
Yes, but they still weep

He is unsure at this point if the soft pings and dings
Which inflict themselves upon his ears
Are courtesy of the wired-up grotesqueries
Stuffed cheek-to-jowl by his bedside
Or from the ubiquitous phone perched forlornly next to him
(Even at this stage, he has his inevitable newsfeed,
And he imagines he will be tagged in Facebook posts
Long after he has been exorcised
From the concerns of this workaday world)
Chronicled nattering of people
Tethered to him in the most tenuous of manners,
Or the fifteen or so seconds of flashing come-ons
Purveyed to capture what passes for our attention
On those three-inch billboards
Without which our very existence
Would have only the most speculative of meanings.

As he totters toward the final reckoning,
Remaining breaths perhaps few enough
To be counted upon his desiccated fingers,
He would, though he has nothing left to pawn,
No collateral left to barter upon,
Give all for just one more trip around the sun,
Even though he remains nonplussed by the notion
That we leave as we arrive,
Bereft of clues or whys and wherefores,
Not unlike those came before us,
Whose weathered and indecipherable stones
Stand as mute sentinels as some staid convoy
Brings our pitiable refrain to a full stop.

Their natural habitats vary widely, as they are an adaptable lot:
Sometimes a sufficiently surreptitious booth in a bar on the main stem,
Poring over a gaggle of Racing Forms,
Perhaps a convenient light stanchion
Just inside the track’s main gate,
Maybe even behind some lectern
Fronting some staid, stately stained glass,
But, in any case, a tout is a tout is a tout,
Their dissertations and dissection of speed ratings and other holy text
Promulgated as gospel truth
(Albeit tinged with a sotto voce touch of the disclaimer,
That nothing can shake its author’s faith
As long as the weather is clear,
The pace not too frantic over the opening quarter)
Though the nuances of sacred writ lead prelate and pundit
To come to quite opposite conclusions as to the race’s outcome
(Indeed, the disagreements can become quite heated)
Leaving the wagering public with little more to do
Than clutch sheaves of pari-mutual tickets
Close to their chests in the manner of rosaries,
Knowing that as their favored mount
Makes its way to the paddock for that final time,
It’s all too likely the tote board will flash “INQUIRY”
In grave and portentous typescripts.

i. “…THE SAME FORCE AND EFFECT AS AN ORDER OF FILIATION…”

She’d said she wasn’t expecting or demanding a ******* thing
(It’s probably your kid, she said, But I wouldn’t swear to it)
And his buddies swore he was crazier than a ******* rat
To even think about going along with the whole idea
After she all but given him a Get Out Of Jail Free card,
But he’d gone ahead and signed all the paperwork
Which, in the eyes of the state and the child-support folks,
Made him the one true father of this baby-to-be.  
He couldn’t begin to explain
Why he hadn’t fought the notion tooth-and-nail,
Save for the occasional muttered Baby oughtta have a father,
But there was more to it that; he had a vague notion
That knowing half of who you were was worse
Than having no knowledge at all, your whole reason for being
Becoming the exploration of odd hunches and unrealized fears,
The study of every man that crossed your mother’s path
In the hope (or, more likely, the absolute and utter dread)
That you were glimpsing a part of your genetic destiny,
Though such a line of thought was probably just *******,
A product of Genesee Cream Ale philosophizing.
When the time came, he’d agreed
(An idea which reduced his friends
To mute amazement and slow, sad head shaking)
To be present at the birth,
And, after certain undertakings
He’d just as soon not have seen were complete,
The nurse (saying It’s a boy.  A big, beautiful healthy boy.)
Handed him a black-mouthed, screaming little mass,
Fists clenched tightly, entire body tensed
As if it realized just how inadvisable the whole situation was.
Faced with this tangible evidence of his ostensible patrimony,
He found himself unable to say anything except
*******.  **-lee ****.

ii. As The Old Joke Goes, “In The Morning?  
*****, I Don’t Respect You Now.”

He had, of course, forgotten her name,
Assuming he’d ever known it,
And so it had been chica and hija and amada all night,
Though, to be fair, she couldn’t remember
If he was Juan or Jhonny or Jesus;
She simply remembered that he was Colombian,
All dark hair and bright smiles and quite tall
Although that could have just been a trick of the eye,
As his friends were all compact squatness,
Which she had pointed out  while they were dancing,
To which he’d subsequently horse-laughed out loud.
Chica, he’d fairly shouted over the music,
The best way to be good looking is to have ugly friends.
He’d come to Batavia to hunker down for winter
After the wineries had buttoned things up for the season,
Spending his time catching odd jobs here and there;
Anything to get by, he’d said with the most outrageous of winks.  
She’d had no intention, none whatsoever, of taking him home,
But anything to get by takes in any multitude of sins,
Venal and otherwise.
She woke up about two-thirty or so, all damp with sweat
And the remnants of *******,
To see him awake and getting dressed.
Before she could say a thing, he put a finger to her lips.
Shhh chica, he said softly and soothingly,
Like he was trying to hush an infant,
I got some stuff I really need to take care of;
Look, we’ll get breakfast, OK?
You know the Bob Evans out by the highway? Six o’ clock, eh?
And with that, it was a quick, almost brotherly, peck on the cheek,
Then he was gone, so stealthily that she was briefly unsure
That he’d ever indeed been there at all.
Breakfast, can you imagine she thought
As she rolled over to get some sleep,
Like I’m even awake at such an hour.

iii. We Don’t Ask For Directions, And We Sure As Hell Don’t Make Lists

There had been no blowup, no volcanic incidents of infidelity
No grotesque financial stupidity;  
The china and glasses had remained unbroken,
The plaster-and-lath not displaced
By the seismic slamming of doors.
It had been slow, subtle,
Like the slow unraveling of a thread here in there
Opening up a gaping hole in a old comfortable sweater,
Or how the unhurried seeping of water
Would occasionally cause an outcropping of rock
To tumble into the gorges over at Letchworth.  
Oh, there had probably been the proverbial last straw:
Maybe the new refrigerator that didn’t fit through a single door
In the entire house (and who in hell bought something like that
Without taking measurements anyway)
Or the foolhardy extended warranty on the Volvo,
Which had **** near a hundred and fifty thousand miles on it
And had no more trade-in value
Than a Matchbox miniature of the model,
But it any case, the immediate cause
Was probably more symptom than disease, anyway.
He’d packed a couple of bags with the basics
To ****, shave, shower and dress,
And jumped into the ancient but well-protected wagon,
Heading to God only knows where:
His brother in York, maybe,
Or his mom’s place way the hell up in Tupper Lake,
(Not that he had the stomach for the questions and sidelong looks That particular destination entailed)
But about ten miles out he realized
He’d forgotten his ******* bike.
****, ****, stupid **** he said,
Pounding the steering wheel in rhythm;
The notion of going back like some dumb-*** eight-year-old,
All hang-dog look and tail between his legs
Was not particularly appealing,
But the notion of having to **** time
Without the prospect of a bike ride
(Wind in what was left of his hair,
The barking in his calves as he climbed an incline,
The whole **** freedom of the thing)
Was simply too much to consider,
So he swung the car around and headed back.
She was, as he knew she would be,
Waiting in the doorway with the bike
(**** near sharing a brain after all this time, to be sure),
Her face hung with a look not really a smile or frown
Or anything that fit a definition,
But endearing all the same, and he heard a voice not quite his ask
Well, is it OK if I come in for a few minutes?

iv. The Bob Evans Out By The Highway

…the **** am I doing here anyway, she thought,
Staring down at the table, chunky taupe-ish coffee mugs
And logo plates, fine china for everyone and no one,
Set for two (she hadn’t ordered, she was waiting for someone)
The restaurant more or less empty,
Only the odd trucker or  some senior citizen
Who was still on rat-race time.
The clock had hit six-fifteen when she,
Eyes cloudy and threatening to ambush hastily applied mascara,
Was ready to flag down the waitress to let her know
That she was just a coffee, thanks, when he walked in,
No, burst in, like a madness of chrysanthemum
Where there had only been undifferentiated greenery
Mere moments before.
I’m sorry, chica, he said, bending over to kiss her cheek,
This whole life thing gets in the way sometimes, eh?
He sat down, slapping the table with both hands
Man, he said, all but snorting, I could eat a horse,
And what better place than this, mmm?

You’d like to think such work was done by stolid, silent monks
Quilling ancient parchment in some great hall,
Stilted shafts of sunlight filtered by primordial dust,
Incense wafting on unseen breezes as only incense can,
Time measured in the tap of finger cymbals, the odd table-top gong,
But the reality was, as reality is wont to be,
The very essence of mundane:
An unprepossessing warehouse in an unremarkable neighborhood
In a better-days-gone-by northeastern city
All high ceilings, fluorescent lighting, owlish men and women
Hunched over not-quite-obsolescent Macs,
Rifling through squat, square metal cabinets
Filled to overflow with sundry clippings and clip-art,
Fighting deadlines and technical demons
In order to have camera-ready copy done in time
To meet the narrow print window of the small newspaper
Which committed these noble teachings to paper
(The pressmen watching them quick-step the plates in,
Bemused to an extent, but a print job is a print job is a print job.)

All of this in the past of course,
Certain things being pedestrian yet inexorable,
The newspaper falling victim to the nuances of readership and ROI,
The improbability of top-line growth, the inevitability of retrenchment,
Its press operations shut down and moved elsewhere,
The old press bay converted to the most micro of micro-business,
A concern selling chocolates and other sweets
(One assumes His Holiness is unaware of such events,
Although you’d hope that he would, upon hearing the tale,
Smile that particular smile, thousand-watt yet somewhat inscrutable,
And golf-clap his hands and chuckle, Sweeeet.  Ah, sweet.)

The clouds have piled up to the west once again,
Grave and solemn as ancient, inscrutable judges
As they roll off the lake out toward Buffalo,
Odd ciphering of dots and dashes
Camouflaged in the heat lightning,
The key to its code beyond our ken
(Though we suspect the message is straightforward enough:
No rain for your beans and sorghum tonight.)
We are steadfast in our belief that rain will come,
Indeed, that it must come, if for no more reason
Than our fathers believed it would come,
And their fathers before them as well,
No matter that it was a simpler time then,
And confidence and conviction simpler as well:
No maze of subsidy and acronym to navigate,
No peppers from Argentina, no corn from DuPont.

We have seen the grain markets roller-coaster and ricochet,
The price per hundredweight of milk crash in a manner
Which sent our citified ancestors strolling off window ledges,
And yet we continue (aided and abetted by the bank,
The co-op, the seed company, each of whom also knows
Exactly what the denouement entails)
The inexorable cycle of madness:
Plow, plant, harvest, then winters of regret
Until it is time to plow and plant again,
Each year the liquid manure smelling a bit more acrid,
Like there was some Gomorrah smoldering under the surface,
Its inhabitants blind, soulless, cackling at us
With something that may as well be malice.

How to carry on, then?
Surely we could not be blamed
If we rent our garments and rolled madly in the dust,
Cursing God or jabbering in tongues,
But that is not our way, has never been our way,
And so we face one more cold snap that takes the tottering lambs,
One more inconvenient frost which threatens the apples and grapes,
With antique stoicism and grimly set jaws
As we stare at one more darkening sky,
The thunder in the distance
All but issuing a mocking challenge to our fidelity,
In wait for some moisture, some meteorological baptism
That is far from certain to come.
It’s what leads us to faith,
So those who reside in the pulpits tell us,
Ascetic men who tip-toe through the barnyards and pastures
As though the cowflops were landmines,
But we could tell them that faith is no blank check
Which awaits us at the end of days,
But rather the grim and desperate struggle
To force our gods and demons into a box
And somehow secure the lid
As we simply try to ride it all down just one more ******* day.

We didn’t dwell on the streetlights,
Festooned with garland-strewn bells, ersatz nutcrackers,
The odd buoyant and ebullient snowman;
We were crossing the Hempstead Turnpike,
No task for the faint-hearted in bright light of midday,
Outright perilous on a late Friday evening
(Especially for those feeling the effects
Of an afternoon of social drinking
Which had gently spilled over into that good night.)
There were four of us—myself, and a Tehran-born trio
(Fun-loving, borderline jolly sorts,
A group of thin, dark Falstaffs, as it were)
Headed to a nearby off-campus bar,
Low-slung ranch-style edifice constructed on the Levittown model,
As non-descript and indistinguishable as its regular clientele,
Some of whom eyed us warily if not angrily,
Weighing the pros and cons of lobbing a comment in our direction
Before we headed to the “Downstairs Disco”
Which had been added, very grudgingly at that,
As a nod to the times and fiscal necessity.

In between ear-numbing bass lines
And the strobe light’s cornea-threatening ministrations,
We nursed significantly watered *****-and-tonics,
Smiled unsuccessfully at spike-heeled and Jordache-clad local girls
(Every bit as unwelcoming to clear outsiders
As their decidedly less glamorous counterparts upstairs)
And carried on brief, lightweight bits of conversation.
At one point I’d mentioned that I was looking forward to getting home
And partaking in some peace and quiet and home cooking
When suddenly, one of my companions
(A full-bearded sophomore named Anush,
Whose last name I never knew;
As his roommate Mossoud once told me,
Shaking his head and smiling,
You would never be able to pronounce it.)
Gave forth with a wail—full-throated, tear-stained
Pained to the point of being almost *******.
As I stared uncomprehendingly, Mossoud snapped at me
(His eyes thunderstorms, his words blunt as broadswords)
You! What do you understand of any of this?
And as he comforted Anush as best he could
(The music the volume of bombs,
Disco ball spitting light like tracer fire)
I began to suspect my relative uselessness
Was not simply the inability to comprehend Farsi

The classically-trained and symphony-polished,
If someone deigned to listen to their disapprobations,
Would tell all and sundry that he was playing it all wrong;
Indeed, his technique so unsound, his ******* so maladroit
That those who had wrestled with that stringed contraption
Reportedly favored by the angels
For years, indeed decades, at Julliard and Oberlin
Insisted that he couldn’t really play at all
(His opinion of his critics remained unquoted,
Though it was said he tuned his instrument
In such a fashion to ensure that he alone
Could produce notes from it)
Yet every night, in the middle of another knockabout farce,
He would sit alone, under a single light, and pluck away
While the gathering in the seven-fifty tickets sat rapt,
Commutes from Chappaqua and mortgages in Great Neck
Forgotten for the *****, wholly transported out of themselves
By the shabby- hatted and unruly-mopped figure before them,
Even the cognoscenti and conservatory-bred
Bewitched in spite of themselves,
Though they regarded the strumming
Much differently than the great unwashed in the stalls
(The author of these anomalous tones, being a reticent sort,
Keeping his opinion of them to himself.)

It is undeniable, when in the embrace of the great pipe *****
At the venerable old Episcopal church on Third Street,
Or wholly encircled by Tiffany-issue stained glass
At St. Joe’s in South Troy (ostensibly the “ironworker’s church”,
But gifted with its invaluable windows
Through a mixture of noblesse oblige, piety,
And a certain venal pride)
That there is a presence, a corporeality when the tune rises
From the pipes, be they iron or wholly human in origin,
Which is steadfast and implacable in the certitude of faith.

I’d heard the tune on another occasion,
Some half-dozen blocks north of the gaggle of churches,
Emanating from a squat, red-brick edifice
Which seemed a bit unsure of its own solidity,
As if the trust placed in mortar and block
Was somehow a bit presumptuous.
The voices were reedy, a tad threadbare and careworn,
And the accompaniment was unprepossessing
(A single guitar, perhaps, or an ancient and wobbly Casio
Rescued from the beyond by some kindhearted DPW worker)
And, though the voices were pitchy
And the harmonies a half-step or so amiss,
One hopes that it would constitute an acceptable offering,
Even not having fully shed the cloak of reticence
Which can be so difficult to unclasp on the road to devotion.

It was only gonna be a little three-hour jump
‘Till the barometer bottomed out and the Minnow went bump
But you make chocolate milk when life gives you turds
Ain’t nothin’ like Thurston Howell and The Thirds.

When that sightseeing gig hit a bit of a snag
It stopped that tight trio from bein' everyone's bag
Because, Daddy, those cats are just too cool for words
Ain’t nothin’ like Thurston Howell and The Thirds.

TH III drips with sophistication,
But it don’t stop the man from syncopatin'
They trumpet like elephants ‘n twitter like birds
Ain’t nothin’ like Thurston Howell and The Thirds.

It’s Thurston on the keyboards settin’ the pace
Little Buddy on drums, the Captain on bass
Wowin’ folks drinking coconut shaken-and-stirreds
Ain’t nothin’ like Thurston Howell and The Thirds.

They blow sixteenths and eights and do it in style
Cooler than cats on any charted isle
Keep your Goodman Quintets and your Thundering Herds
Ain’t nothin’ like Thurston Howell and The Thirds.