It had been, indeed almost constantly so,
Spotted and dotted with the odd bit of graffiti:
Hastily spray-painted citing of some school’s graduating class,
Irregularly shaped hearts bearing initials of couples
Whose undying fealty would not last the summer,
The odd cartoon figure, its subject occasionally discernible
But what had appeared
Upon the old Buffalo-and-Boston railroad bridge
Was a different animal altogether,
Painstakingly crafted brushstrokes
Crossing t’s and gently rounding o’s,
The entire length spanning Route 20
Marked with a simple admonition—Just Love.
The DOT crew, adequately supplied
With power washers and gray paint
And sufficiently featherbedded with summer help,
Sauntered in after the weekend to restore the overpass
To something akin to pristine condition,
But one of the summer kids
(An accounting major from the state school over in Cobleskill,
Probably knew who’d written this in the first place)
Hesitated before pulling the trigger on a sprayer.
Boss, he grumbled, it just don’t feel right blasting this off.
The foreman sighed (his disdain for the temp help
Bordering on downright mania most days)
I feel ya, kid, but the time to love yer fellow man
Is all off the clock.

It was an unornamented, workaday kind of place,
The type of hand-to-mouth concern
Scattered all through these not particularly grand towns
Tethered onto the old Grand Army Highway,
(Each interruption in the amalgamation
Of tight turns and gently stoop-shouldered hills
More or less the same, the only variation being
The extent to which the main drag was not what it once was)
A collection of the detritus and left-behinds
Of a place a comfortable preponderance of its denizens
Had found it prudent to leave in the rear-view mirror
Though the contents wherein more of a regional nature,
Old Duquesne beer signs and Penn State football programs,
Souvenirs such as Adelphia Cable jackets
Or 1954 Guaranty Paper calendars
Too painful or too precious to be put up for sale,
The edifice itself a gerrymandered concern,
Rooms created from dividers and acoustic wall panels
Yet unable to hide its giant single-room past
As some small manufacturing concern,
A machine shop or ancient tannery,
Telltale signs of ancient and abruptly capped plumbing
Incongruous fuse boxes and gas connections
Peeking out unobtrusively here and there.
We’d picked out a couple of bits and bobs,
Haggled respectfully but not aggressively
And swung the car back onto the main road
Heading west to Port Allegany,
Hoping to catch breakfast at a diner whose Yelp reviews
Lauded the quality of its corned beef hash,
Though we found the place shut tight,
A sign hopefully noting Temporarily Closed for Renovations
Yellow-taped and fading stuck fast to the front door.

The story is in Grimm’s ancient tome
Of the girl who wove straw into gold
Bamboozling the evil, gnarled gnome
With subterfuge both cunning and bold.

Sing songs of cold tea in Styrofoam
And rude brown bread, dry without butter;
She knows no carriage nor castle home
Awaits the princess in the gutter.

The dwarf chose not to concede defeat,
Rightly convinced that a deal’s a deal;
Filings and pleadings finally complete,
The circuit court to hear the appeal.

Sing songs of cold tea in Styrofoam
And rude brown bread, dry without butter;
She knows no carriage nor castle home
Awaits the princess in the gutter.

The panel’s judgment swift and direct;
The lower court had most gravely erred.
Petitioner may rightly expect
Payment plus damages, they concurred.

Sing songs of cold tea in Styrofoam
And rude brown bread, dry without butter;
She knows no carriage nor castle home
Awaits the princess in the gutter.

Bailiff took heir and inheritance,
Leaving nil which could be sold or pawned,
The king’s glances gave full evidence
The scapegoat would be a clever blonde.

Sing songs of cold tea in Styrofoam
And rude brown bread, dry without butter;
She knows no carriage nor castle home
Awaits the princess in the gutter.

There was no chance she could be returned
To her former home life in the woods
The miller’s girl, derided and spurned:
She’s a beauty, yes, but damaged goods.

Sing songs of cold tea in Styrofoam
And rude brown bread, dry without butter;
She knows no carriage nor castle home
Awaits the princess in the gutter.

A room in Amsterdam’s red-light tract
The former princess is on the game.
Still works under an implied contract;
The terms, however, not quite the same.

Sing songs of cold tea in Styrofoam
And rude brown bread, dry without butter;
She knows no carriage nor castle home
Awaits the princess in the gutter.

We raise them well enough to a point,
These children sprung from our fancy and gray matter,
But they often prove unruly and recalcitrant,
Immune to both wise counsel and outright admonition
And so we exile them to some corner
Until such time as they are willing
To acquiesce to cooperation and a certain conformity,
Where the remain as sullen accusations
And though we scorn them as obstinate failures,
We give into (at least, in our quieter moments)
The suspicion that their shortcomings
Lay much closer to home.

Proffer
the moon, and stars
As love-tokens; I give
you dirt from near this undisturbed
rose bush.

You’ll not see their like come race season,
Having left the premises to be replaced
By the preening breast-augmented and face-lifted set,
Shaking their heads and clucking sadly if one inquires
If they might have something
A touch smaller than a Franklin in their wallets,
Their smooth patter, replete with references
To Paris junkets and Milan catwalks
Occasionally interrupted by one of their more prosaic counterparts
(Hard-core players following the nags up from Belmont)
Stopping in to partake in one vice they’d sworn off earlier
While loudly disclaiming the other which had ruined
An otherwise perfectly lovely afternoon
(They’ll down their draughts in short order,
Most likely headed for the harness track
To drop a twenty on some longshot
Which bears the name of a long-departed grandmother.)
This time of year, though, they are ubiquitous
As the black and salted slush,
Sad souls slouching in after a bracing walk from Skidmore campus
Or some down-at-the-heels apartment on Alger Street,
Forlornly popping into some quiet booth
With the familiar long-distance stare seen in those
Beginning to grasp the truth that one
Is an object of prey in a very small pond indeed
(Likely a semester, no more than two certainly,
From having their undergraduate epaulets
Torn unceremoniously from their shoulders)
Being as quiet and unobtrusive as church mice
Until a half-dozen or so Coors Lites
Leads them to pontificate on the injustice of the universe
And if they have not decided to stagger home
Or degenerated into desolate tears of self-pity,
They are wont to dispute the existence of the Almighty,
Saying with a conviction which would be impressive
If expressed by Beelzebub himself
That he does not exist, that he cannot exist,
Though the body of proof cited in support of the proposition
Tends to be fragmented and rife with circular reasoning
(We know that they’re most likely drinking with false ID,
But they are invariably pedestrians—let them have their moment,
Only threats to themselves, after all.)
As for myself, I’m of the opinion that faith in the Hereafter
Is that rarest of bets, an absolute bet-the-chalk- dead- cert
Where you walk to the betting window clutching house money.

That thing of varied tangibility,
Be it the West or the frontier or whatever,
Has long since gone a-gleaming,
The time when it was still proper
To pay ones respects
Having passed beyond memory itself,
Those phenomena so elemental,
So deeply interwoven in our days and fates
They were bestowed monickers of their own
Now simple chemical reactions and natural curiosities
Familiar and easily explicable,
Yet as we apprehend those still, starlit skies
Which engendered such wonder in our forebearers,
Our understanding of the heavens
Has not left us any less lonely or forsaken
Than those sad men on horseback
Who whispered a name plaintively into the zephyr.