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Jan 2014 · 2.1k
Full fathom five.
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-****.
Hark! now I hear them,--ding-****, bell.
-William Shakespeare (1564 - 1616)
Jan 2014 · 1.8k
Fear no more.
Fear no more the heat o' the sun;
Nor the furious winter's rages,
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages;
Golden lads and girls all must,
As chimney sweepers come to dust.

Fear no more the frown of the great,
Thou art past the tyrant's stroke:
Care no more to clothe and eat;
To thee the reed is as the oak:
The sceptre, learning, physic, must
All follow this, and come to dust.

Fear no more the lightning-flash,
Nor the all-dread thunder-stone;
Fear not slander, censure rash;
Thou hast finished joy and moan;
All lovers young, all lovers must
Consign to thee, and come to dust.

No exorciser harm thee!
Nor no witchcraft charm thee!
Ghost unlaid forbear thee!
Nothing ill come near thee!
Quiet consummation have;
And renowned be thy grave!
-William Shakespeare (1564 - 1616)
Jan 2014 · 3.4k
Bridal Song
ROSES, their sharp spines being gone,
Not royal in their smells alone,
   But in their hue;
Maiden pinks, of odour faint,
Daisies smell-less, yet most quaint,
   And sweet thyme true;

Primrose, firstborn child of Ver;
Merry springtime's harbinger,
   With her bells dim;
Oxlips in their cradles growing,
Marigolds on death-beds blowing,
   Larks'-heels trim;

All dear Nature's children sweet
Lie 'fore bride and bridegroom's feet,
   Blessing their sense!
Not an angel of the air,
Bird melodious or bird fair,
   Be absent hence!

The crow, the slanderous cuckoo, nor
The boding raven, nor chough ****,
   Nor chattering pye,
May on our bride-house perch or sing,
Or with them any discord bring,
   But from it fly!
-William Shakespeare (1564 - 1616)
Jan 2014 · 1.5k
All the world's a stage
All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
-William Shakespeare (1564 - 1616)
Jan 2014 · 1.8k
Blow, Blow, Thou Winter Wind
Blow, blow, thou winter wind
Thou art not so unkind
As man's ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.

Heigh-**! sing, heigh-**! unto the green holly:
Most freindship if feigning, most loving mere folly:
Then heigh-**, the holly!
This life is most jolly.

Freeze, freeze thou bitter sky,
That does not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As a friend remembered not.
Heigh-**! sing, heigh-**! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then heigh-**, the holly!
This life is most jolly.
-William Shakespeare (1564 - 1616)

— The End —