Lovely thoughts are shackles.
They invoke what even the microscope
omits from the commentary
Well-prepared cups of tea on Sunday afternoons
The dragging of fountain pens retracing ornate loops.

Each a relief from the threat of whatever crisis interred
by the quiet of a room
The practical, the indulgent, without progression.

The contemporary pastoral
is to be found
Amongst old boxes
of  boy's adventure paperbacks
and girl's glitterworn and broken hairbrushes
Shooting the mind off to tragedies
whirring still away at even further distances.

Memories, like sentiments
when copacetic
Provoking always the invasive link
the dependent, the pathetic.

A picture of a doomed ship in storm
Hung on the red carpeted wall of a restaurant

A jar of olives
left untouched
for decorative purposes
in the old grain store
which now serves unfiltered coffee
and plays loud but pleasing music
'til 6 p.m.

What I have spoken of are McGuffins.
The mind distracts.
Yes, the mind encounters,
we discover, we make lists.
But if you can remember
minutiae, try then to remember
History is the repetition of revelations.
The reel does not cut off.

In short,
don't congratulate
Yourself about life
until you've at least seen the nursing home.

Let the morning's light bell ring
because it is the bell of days
that leads, leery, into other days
All the time making tired weary
or still smiling from a dream.

Call the churchbell to then ring out also
The master of hours , It's spring concerto
for life is song with lung fulls or whispers
reaching behind ears, that strangely echo

May everything you touch be smooth and calm enough
this mourning ; no chills, no blisters
No untimely words that bring the scare of mortality
May the ones you love go on loving
Not dreaded out of by life's chaotic meanderings
Breathe this day, bring to yourself the sense of wonder
that Miranda to The Tempest brings
Only clocks, after all, measure out wanderings
Not footfall, maps, forgotten as carelessly as good fortune.

Because light does fade: even the moon's light
Captivating for a few forgettable moments to replaced
By the the realities of night
Of unspoken humour and desires in darkened rooms.

So if you cough, cough out only the disapproval of yesterday
which today does without.
And out, and, and in, and out
Triplets followed by a last diminished chord.

Each time I attempt to conclude
this equation,
I arrive at the same intersection of doubt,
as if fate sees me coming.

1) Highway ****** Crash
2) The Evasive Goings-on in The Puppy Court
3) A Picture of Susan Howe in a Man's Grey Overcoat

These sequences of event all appeared to me in dreams. The same dream, repeated, over a succession of winter nights. The first few sober, the last an alert blur, wherein the images seemed to make the most sense.

All I can be assured of is this:
because the police officer in the dream was a police officer
Not a garda síochana or police inspector
the dream was definitely set in one of the Midwest United States
where I've never been, yet oddly interests me more than Canada,
where the same applies. It was definitely  freezing
(perhaps the blanket had been pulled off me in sleep?)
and the police officer definitely spoke English and said
"Highway" Hence: American.

The first night the dream arrived
It was that time of year when the night sky
subtly tricks you into believing that
morning is imminently about to break.

Those nights
A reminder that nature
was the first coy tease of suspended disbelief
the first pay-per-view special that took its time
getting going and then ended all too soon.

Two trucks had split in two a mid-size saloon-
That was the first of the dream's episodes-
But a voice arrived like a roll call of ice before an avalanche
-whispering that it was "a setup"-
which I presumed meant "collusion."
So I had a ******, at hand, in my dream-
speaking to the mustachioed Midwestern police detective afterwards-
as mutually understanding as if we had been in the same all-boys Catholic secondary school.
He had the suspects-so we then presided unto-

"THE PUPPY COURT"

Which was-yes, a court whose racial make-up consisted of young Dogs-
(This being a dream ; Dreams which are often the dictionary definition of Surreal and often don't mean anything)
The more I consider it, the Puppies were also most likely Puppets
Acted out by humans who had fists shoved up their *****.
Perhaps this court was a speculative court-it was, most certainly,
A "Kangaroo" court
With no justice being presided over, as such.
Heckles sounded throughout most of the exhibits,
A sternly yapping Yorkshire Terrier banged the gavel to no avail-
He was consistently rudely interrupted by a cocksure Golden Retriever-
who seemed to have as his boyos most of the bench and the jurors.
I never did find out who was responsible
for the horrific collision that spelled the end for the saloon driver,
as at this point I would usually exit the court in disgust
and for some reason found myself reading a poem in front of
an audience of one-
the acclaimed Irish-American L=A=N==G=U=A=G=E (that's how they spell it..) poet Susan Howe.

Yes, she was indeed wearing a Man's gray Overcoat
Resembling herself in the picture I held in my hand
Next to my own text
And as I looked toward her
The room's low lighting seem to reflect
the sparse "Black and White" filter of the photograph
and she was also wearing what looked like
the same Man's gray (Houndstooth maybe?
She Looked ALL filtered through "Black and White")

So the intention seemed to be that I was reading,
or perhaps presenting, maybe even pitching?
to Susan Howe. ("And how!"-might have been the before-or-after gag I might have used to anyone who new how it was going to go or how it happened-what gamey fun, these puns be...)
Susan looked on with penitence, as if prematurely unimpressed...
I look down to the poem I was expecting myself to read, and realised...
why the ******* did I choose that?

It was a poem I had written several years ago (well, if several means seven, lets say six)
Its subject was a young Canadian (possible Motorway Crash Link? Perhaps I misremembered her as midwestern?..) Muslim student whom I had shared a class on Hellenistic philosophy with back in the first or second year of my undergrad in Dublin (oh the hedonistic, sunsplashed, affordable Dublin of those days) and whom I had shared a flirtatious rapport with, innocent enough of course but always backdropped by a underscored leitmotif that instilled the threat of a problematic outcome across religious and possibly less so cultural divides

(Breath)

Nevertheless, she laughed at my jokes and self-deprecation and would squeeze my arm tightly when particularly amused , would hug me enthusiastically at the end of every class and although I never saw the full profile of her under that headscarf her ****** features Vogue beach fashion shoot stunning and after the module ended I never saw her again oh but how rare and strangely puritanical the lust...

Regardless, the poem began as such:

A Stir in Yemen/ must have been the catalyst for the smokey condensation/ in your gaze/ the mocha swirl in your pupils/ and the vex in your smile/ alluding to double meanings/innuendo that treads together like an Ernst canvas/ a blessed triptych/thrillingly

This poem was typed onto a model of Nokia phone which I have been made aware has since gone out of fashion, like it's producer.

Max Ernst-the surrealist painter, of course. A manual in style for most of us.

In response to my reading, Susan Howe merely nodded silently, seemingly all knowingly, as if she had thought the poem written for her or contained an interpretation that I had unintended (or, if asked by the real-life Susan Howe, would pretend to have intended all along.)

And there the Dream Triptych always ended.

As I said at the beginning I dreamt it twice more that same week, once intoxicated. It always followed the same sequence, and I don't read books on dreams so I have no idea what it meant, why it had three distinct parts or whether if most likely it was all a bit of nonsense. But at least it was INTERESTING.

Make the rest up for yourself.

Last night
We dreamt of subtle imperfections
But were awakened to greater truths
Last night
We scratched with the skin of porcupines
Our breaths reflecting ice
Last night
Dashing out our fears
We heralded the end of youth
Last night
I swore I saw some of the old flicker
Tempt me in your eyes
Before, again-it up and left.

And Time
Only holds true
to the fashioning
and smoking of a cigarette.

Ever since I’ve been a child
I thought the old dead painters
painted the sky.

Coffee cream on Nursery wall blue
stretched out like souls on a
recently ***** dinnerplate.
No planes cutting between them
up there because I’m still watching
from the middle of the green where I lived.

An older version of myself
-in an attempt to dazzle-
while describing an evening sky
might have written “chiaroscuro”
…but for now I’ll stick with “skidding”
as an allusion to the colours I’m seeing
that mark the surface of the clouds
“Like paintings in a museum.”

The way they’re “so far up but floating even farther away.”

Serious and untouchable and content
the keepers of dreams
adrift in the biggest sea of all
which is the sky.

-Westley Barnes.

Fragmented embers of the evening light casting shadows on
the outline of your preferred wanking pants.

Rathmines all blue and black outside
with stern encroaching trees reminding
of your parents
(and what they might be expecting to do now, as opposed
to what you're doing)
encircling empty Doritos packets submissive to
console lights ever glowing
Stacked shores of ruin against life's pursuing

And mocking you in  the corner
The amp that laid echoes to a thousand bands
thought of that never were.
Figurehead of a thousand conversations that led to kisses
never so sweet as those felt and remembered
in this dungeon of worn out ego and instilled fear.

Home to one hundred nights of solitude
sans reprieve or want of care
with the stench of student bachelor
left hanging in the air.

So the lads decided to head down the town one day
(it bein' a great stretch of sun, especially for here,
and playin' Fifa tournaments and
actin' smart were losin' their charm)
Anyway,
Miles had his eye on this young one, and Giro and Hooper
bein' the friends they were riled him up no end about
what he was goin' to do once he got his chance with her, y'know, the usual stupid teenage macho lad crap.
But sure, poor auld Miles, as he was back then, was a sensitive sort
and although he was the handsomest of the chaps at that stage
-with the boyband cheekbones and
the butter-wouldn't melt bring-me-home-to-your-mammy-she'll-think-I'm-Lovely exterior-
he was just a bit too shy to get taking to her in the square that day,
the two of 'em were both awkwardly just sat on opposite benches
with their eyelashes flutterin' in the wind.
And sure didn't the boys make a holy show o'the chap by shoutin' "D'YOU WANT TO SHIFT HIS FRIENDS" at the young one's mates, and them visibly horrified,
with the precious stuck-up Loreto girls' mouths dropped in mortification.

They were somethin' else back then, alright.

But here's the thing,
He's marrying that girl next weekend. (-The same one?) (-Hardly?!)
Swear on me Granny's grave, got sent the invitation on Facebook and all!
Meself and Tracy are goin' to it, obviously, but I barely seen the chap since he moved up to Dublin that time, but the girl is friend's with Tracy's cousin.
Danielle is her name, she works as a graphic designer.

(-She designs games?) (-No, ads, posters and stuff, you ****)
(-Well, I extend my heartfelt apologies
to Mr. CAO himself over here)
(-G'way you, the last time you heard tell of the CAO
was when  you used it as a farewell greeting to
the sub-teacher you fancied when you
handed in your pass maths exam.)
(-What's he doin' again?) (-He works in KPMG)
(-...Sorry I asked)

Apparently they had lost track of each other, but then randomly met out one night and rekindled the old flame. (-what, the old premature pubescent horn?)
My point is, doucher, that you cant keep a good man down...not the greatest choice of words given the context, but, y'know,
fair ******' play to him anyway.

On the other hand, I saw Giro in Mooney's there last weekend,
back from Canada after only six months over there.
Hated it apparently, plasterin' walls in a city that was
only bein' built up for the first time, nothin' to do on the weekend
but drink **** beer and go fishin'.  I told him he should have gone
to Vancouver but he wanted to head where Hooper was goin'
-Those two were always the same, they'd manage to waste each others time if they got to the moon.

There Giro was, all he got to show for himself for goin' to Canada
was a flannel shirt, a snapback hat and a beard like one of those
grizzly lads from gay ****. (-What would you know about gay ****?) (It's an metaphor, genius, I don't need to know anythin' about it in order to make the connection.)
(-Sounds like the only expert piece of information you've given it all night) (-Here, your Da hates ya, go home)

But I suppose, at least a lad like Giro, totally directionless, still has the ability to laugh about himself.
He'd say worse things about himself that I would and laugh away at it, no bother.
But that's it, isn't it? Being able to laugh at the lads and at yourself when you deserve it, to own up to your flaws and forgive them.
That's what it's all about.