An old crow does not fly;
        dark, lopped wings un-sing.

His straw men long’d fought,
        are now with stuffing wring.

A lone branch holds his feet,
        claws scratching at its folds.

His caws now echo hoarse,
        his weak legs too grow cold.

His wings yearn but to spread,
        but spread yearn they to die;

To straws he cannot cling,
        hence trust put he to sky.

And know that these streets are irresponsible,
and that you are too. And that no matter
how bright your eyes and headlamps may be
you will always find something you didn’t
see before. Life will always be throwing at you
curveballs. And car insurance. And the ungainly heft
of police officers leering in lustily at the watch on your
wrist and the hollowed, hungry eyes of your companion.

Do not answer them, I beg of you, when they ask
you too for your name and your father's,
for they truly care not to hear
its sound. They only want to add to the noise -
continue living beneath its dins. Not after money but the
fear, the control that from you stem. Now, yes
I may be over-exaggerating (after all, it was but one
slight dent in the bumper of the car, but

there is no exaggeration to the voicelessness of they
who queued before me, no companions guiding them,
no voices shouting for them.) He, they, there, by the streets,
only has in his hands a car horn. And so he honks.
And so the siren wails. And so the chaos reigns.
And so do they - officers - living silently beneath it all,
urging us onward to yelling and screaming and shouting.
And yet we can’t. And we don’t. And we won’t.
And yet they, for all their damages, do not - scratch,
refuse not - to do so.

They only can look down at the pavement,
dotted yellow, black and white dashed.

Perhaps you aren’t as faceless
as you think you are:

your skin not green,
your face not plastered
with wide-eared grins,
your house neither yellow nor
full of garish trampolines, trapdoors and springs.

This static,
this stillness,
this is you:

Quiet, loud, alone in your room
screaming in whatever tongue you
speak best at, staring back
at reflections in mirrors
that don’t recognise you.

You smile,
measure the gaps between your
teeth and find that they
are a little bit smaller,
check their slant and find
that they lean a little more
to the left,

feel your skin and find
that the green tinge
comes off with a light scratch
of a nail,

and that beneath the coverings,
you still
are flesh and blood.