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It feels like nothing can mend the broken pieces of your heart--
Left here to be trampled upon.
Only he can fix it…but he is nowhere to be found…
Far away in a world that you may never enter,
A world that separates the true love of two sweethearts,
As if to play with them like dolls.
“You may love,” it says,
“But know that you can never be together,
For I keep a strict, binding contract
Made long before you met.
You are forever bound to your life here,
And that will never change."

It hurts…you know things
Could have been different.
Doubt begins to fill your head,
And soon you begin to hate…
Hate God for doing this to you…
Hate yourself for ever letting yourself end up this way.
Hate that there is nothing that can change
All bit of hope is lost, like nothing you do
Will ever change what is.
“Maybe I could…”
But there is no end to that sentence,
For what you could have done
Is too far into the past to revive.

“If only…”
But you learn that if onlys make the pain worse--
For knowing what could have been
Doesn’t change what it is now.
Thus once again you are left with nothing.
Nothing but hurt…pain…tears…
Brokenness.

Perhaps there is a way to change this nasty fate…
But God only knows how…
You think that if it is meant to be,
Things will work themselves out…

One can only hope.
© 2010 Meg McCluskey
Love and the gentle heart are one thing,
just as the poet says in his verse,
each from the other one as well divorced
as reason from the mind’s reasoning.

Nature craves love, and then creates love king,
and makes the heart a palace where he’ll stay,
perhaps a shorter or a longer day,
breathing quietly, gently slumbering.

Then beauty in a virtuous woman’s face
makes the eyes yearn, and strikes the heart,
so that the eyes’ desire’s reborn again,
and often, rooting there with longing, stays,

Till love, at last, out of its dreaming starts.
Woman’s moved likewise by a virtuous man.
Far down, down through the city's great, gaunt gut,
The gray train rushing bears the weary wind;
In the packed cars the fans the crowd's breath cut,
Leaving the sick and heavy air behind.
And pale-cheeked children seek the upper door
To give their summer jackets to the breeze;
Their laugh is swallowed in the deafening roar
Of captive wind that moans for fields and seas;
Seas cooling warm where native schooners drift
Through sleepy waters, while gulls wheel and sweep,
Waiting for windy waves the keels to lift
Lightly among the islands of the deep;
Islands of lofty palm trees blooming white
That lend their perfume to the tropic sea,
Where fields lie idle in the dew drenched night,
And the Trades float above them fresh and free.
Yes, bright the velvet lawn appears,
And fair the blooming bowers;
Yet blame me not—I view with tears,
This scene of light and flowers;
Strangers possess my native halls,
And tread my wonted ways;
Alas! no look, no voice recalls,
The Home of Happier Days.
The gay guitar is still in tune;
The greenhouse plants are rare;
Glad faces throng the wide saloon,
But none I love are there:
Oh ! give me friendship's cherished tone,
Give me affection's gaze;
Else my sad heart can never own
The Home of Happier Days.
Your hands easy
weight, teasing the bees
hived in my hair, your smile at the
***** of my cheek. On the
occasion, you press
above me, glowing, spouting
readiness, mystery rapes
my reason

When you have withdrawn
your self and the magic, when
only the smell of your
love lingers between
my *******, then, only
then, can I greedily consume
your presence.
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may **** me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
All the while they were talking the new morality
Her eyes explored me.
And when I rose to go
Her fingers were like the tissue
Of a Japanese paper napkin.
719

A South Wind—has a pathos
Of individual Voice—
As One detect on Landings
An Emigrant’s address.

A Hint of Ports and Peoples—
And much not understood—
The fairer—for the farness—
And for the foreignhood.
Oh do not die, for I shall hate
    All women so, when thou art gone,
That thee I shall not celebrate,
    When I remember, thou wast one.
But yet thou canst not die, I know,
    To leave this world behind, is death,
But when thou from this world wilt go,
    The whole world vapors with thy breath.

Or if, when thou, the world’s soul, goest,
    It stay, ’tis but thy carcass then,
The fairest woman, but thy ghost,
    But corrupt worms, the worthiest men.

O wrangling schools, that search what fire
    Shall burn this world, had none the wit
Unto this knowledge to aspire,
    That this her fever might be it?

And yet she cannot waste by this,
    Nor long bear this torturing wrong,
For much corruption needful is
    To fuel such a fever long.

These burning fits but meteors be,
    Whose matter in thee is soon spent.
Thy beauty, and all parts, which are thee,
    Are unchangeable firmament.

Yet ’twas of my mind, seizing thee,
    Though it in thee cannot persever.
For I had rather owner be,
Of thee one hour, than all else ever.

— The End —