"--you know, I've either had a family, a job, something
has always been in the
way
but now
I've sold my house, I've found this
place, a large studio, you should see the space and
the light.
for the first time in my life I'm going to have a place and
the time to
create."
no baby, if you're going to create
you're going to create whether you work
16 hours a day in a coal mine
or
you're going to create in a small room with 3 children
while you're on
welfare,
you're going to create with part of your mind and your
body blown
away,
you're going to create blind
crippled
demented,
you're going to create with a cat crawling up your
back while
the whole city trembles in earthquakes, bombardment,
flood and fire.
baby, air and light and time and space
have nothing to do with it
and don't create anything
except maybe a longer life to find
new excuses
for.

during my worst times
on the park benches
in the jails
or living with
******
I always had this certain
contentment-
I wouldn't call it
happiness-
it was more of an inner
balance
that settled for
whatever was occuring
and it helped in the
factories
and when relationships
went wrong
with the
girls.
it helped
through the
wars and the
hangovers
the backalley fights
the
hospitals.
to awaken in a cheap room
in a strange city and
pull up the shade-
this was the craziest kind of
contentment

and to walk across the floor
to an old dresser with a
cracked mirror-
see myself, ugly,
grinning at it all.
what matters most is
how well you
walk through the
fire.

this time has finished me.
I feel like the German troops
whipped by snow and the communists
walking bent
with newspapers stuffed into
worn boots.
my plight is just as terrible.
maybe more so.
victory was so close
victory was there.
as she stood before my mirror
younger and more beautiful than
any woman I had ever known
combing yards and yards of red hair
as I watched her.
and when she came to bed
she was more beautiful than ever
and the love was very very good.
eleven months.
now she's gone
gone as they go.

this time has finished me.
it's a long road back
and back to where?
the guy ahead of me
falls.
I step over him.
did she get him too?

It's never quite right, he said, the way people look,
the way the music sounds, the way the words are
written.
It's never quite right, he said, all the things we are
taught, all the loves we chase, all the deaths we
die, all the lives we live,
they are never quite right,
they are hardly close to right,
these lives we live
one after the other,
piled there as history,
the waste of the species,
the crushing of the light and the way,
it's not quite right,
it's hardly right at all
he said.

don't I know it? I
answered.

I walked away from the mirror.
it was morning, it was afternoon, it was
night

nothing changed
it was locked in place.
something flashed, something broke, something
remained.

I walked down the stairway and
into it.

ignore all possible concepts and possibilities ---
ignore Beethoven, the spider, the damnation of Faust ---
just make it, babe, make it:
a house  a car   a belly full of beans
pay your taxes
****
and if you can't ****
copulate.
make money but don't work too
hard --- make somebody else pay to
make it --- and
don't smoke too much but drink enough to
relax, and
stay off the streets
wipe your *** real good
use a lot of toilet paper
it's bad manners to let people know you **** or
could smell like it
if you weren't
careful

some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply
there won't be any more, abstract or otherwise;
there'll always be mony and ****** and drunkards
down to the last bomb,
but as God said,
crossing his legs,
I see where I have made plenty of poets
but not so very much
poetry.

it's the same as before
or the other time
or the time before that.
here's a ****
and here's a ****
and here's trouble.

only each time
you think
well now I've learned:
I'll let her do that
and I'll do this,
I no longer want it all,
just some comfort
and some ***
and only a minor
love.

now I'm waiting again
and the years run thin.
I have my radio
and the kitchen walls
are yellow.
I keep dumping bottles
and listening
for footsteps.

I hope that death contains
less than this.

good weather
is like
good women-
it doesn't always happen
and when it does
it doesn't
always last.
man is
more stable:
if he's bad
there's more chance
he'll stay that way,
or if he's good
he might hang
on,
but a woman
is changed
by
children
age
diet
conversation
***
the moon
the absence or
presence of sun
or good times.
a woman must be nursed
into subsistence
by love
where a man can become
stronger
by being hated.
I am drinking tonight in Spangler's Bar
and I remember the cows
I once painted in Art class
and they looked good
they looked better than anything
in here. I am drinking in Spangler's Bar
wondering which to love and which
to hate, but the rules are gone:
I love and hate only
myself-
they stand outside me
like an orange dropped from the table
and rolling away; it's what I've got to
decide:
**** myself or
love myself?
which is the treason?
where's the information
coming from?
books...like broken glass:
I wouldn't wipe my *** with 'em
yet, it's getting
darker, see?
(we drink here and speak to
each other and
seem knowing.)
buy the cow with the biggest
****
buy the cow with the biggest
****.
present arms.
the bartender slides me a beer
it runs down the bar
like an Olympic sprinter
and the pair of pliers that is my hand
stops it, lifts it,
golden **** of dull temptation,
I drink and
stand there
the weather bad for cows
but my brush is ready
to stroke up
the green grass straw eye
sadness takes me all over
and I drink the beer straight down
order a shot
fast
to give me the guts and the love to
go
on.
from "poems written before jumping out of an 8 story window" - 1966

don't feel sorry for me.
I am a competent,
satisfied human being.

be sorry for the others
who
fidget
complain

who
constantly
rearrange their
lives
like
furniture.

juggling mates
and
attitudes

their
confusion is
constant

and it will
touch
whoever they
deal with.

beware of them:
one of their
key words is
"love."

and beware those who
only take
instructions from their
God

for they have
failed completely to live their own
lives.

don't feel sorry for me
because I am alone

for even
at the most terrible
moments
humor
is my
companion.

I am a dog walking
backwards

I am a broken
banjo

I am a telephone wire
strung up in
Toledo, Ohio

I am a man
eating a meal
this night
in the month of
September.

put your sympathy
aside.
they say
water held up
Christ:
to come
through
you better be
nearly as
lucky.

the house next door makes me
sad.
both man and wife rise early and
go to work.
they arrive home in early evening.
they have a young boy and a girl.
by 9 p.m. all the lights in the house
are out.
the next morning both man and
wife rise early again and go to
work.
they return in early evening.
By 9 p.m. all the lights are
out.

the house next door makes me
sad.
the people are nice people, I
like them.

but I feel them drowning.
and I can't save them.

they are surviving.
they are not
homeless.

but the price is
terrible.

sometimes during the day
I will look at the house
and the house will look at
me
and the house will
weep, yes, it does, I
feel it.