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Valerie Gillis Apr 2012
One square
poised on the board
unimportant, overlooked
by Bishop's blessing
and Knight's March.
As Queen's cut circles
round lost rice fields,
the rain runs clear
off curved, stone tiles.
The luckiest children
play here in exile
barefoot in pure mud
or asleep on woven reeds
their moments unfettered,
ruleless; unlimited
on an island of green
in a monochrome sea.
Here, they rest.
The peace of pawns
who never learned to play.
I wrote this poem while traveling in Japan.  I passed a little wooden hut in the middle of a series of rice fields that struck me because it was so out of context with the industrial cities I was traveling through.  I thought about all the wars and conflict Japan has seen, and wondered how long that little wooden hut had been standing there.
Valerie Gillis Feb 2012
Click
Watching
progress load
the home movies of strangers
I will never meet

Click
Listening
to high school ghosts
sing the same six songs
till my earbuds sproud

Click
Fortifying
castle walls
invisible mortar against
a vast and empty hoarde

Click
Checking
how you are
who you're with
holding your shortand

Click
Whispering
how I am
screening my life
when the phone won't ring

Click
Searching
flickers of signs
that you are there
reading this
and one day you
(we?)
will
Click.
Valerie Gillis Feb 2012
Dig
Worry sets in when
I've no contribution
not already conceived
into sweeter fruition
   by someone more clever
   succinct and brunette
   the picture of an artist
   in suffering and debt
Hell, even when musing
on futility
the words lumber lacking
all fluidity
   Meters much marked
   Rhymes relentlessly schemed
   Capering for couplets
   as yet still undreamed
Why bother?  I wonder
Why scribble along
and much melancholy
for one hopeful song?
   Doubts in ascendance,
   my pen digs the earth
   to China if need be
   and the end of poem's worth.

— The End —