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TOD HOWARD HAWKS Mar 2021
It is such a short journey, life. In moments, one moves from infancy to old age seeminlgly in seconds. Life is but a shooting star. First, you are here, and then you are there. What has happened? Of what consequence? Your mother's breast, then a red wagon perhaps, a playground of sand and swings, a crush on a fair-haired lass, your first kiss, a miss at the ball that goes whizzing by. Which school to attend, which profession to choose, which sweetheart to capture yours, your children suddenly, this city or that one, a house to become your home, springs of hope, summers of heat and trips to mountains or seas, a fall of desiccated leaves, a winter that portends getting old, all in a flash. Highways of success, dead-end alleys of despair and defeat, then finally you meet yourself. Do you say hello, or do you simply walk by? Your love leaves you in death, leaving you only with memories sweet and now still. What has happened? Where did it all go? Who knows but God and the robin high on an oakwood limb.

TOD HOWARD HAWKS
TOD HOWARD HAWKS Mar 2021
Life is not measured by seconds or minutes, but by memories. An old, white lady in a white uniform trying to teach me how to tie my shoes, a red wagon, lying in that space above the back seat of the Hudson coming back from Grandma's watching the tree limbs go by above as we drove home, snow--lots of it--sliding down the big hill on our sleds, saying hello to Darrell, the bully, in 3rd grade as other classmates literally ran away from him because they were afraid of him, my friend, Bruce, who would not trade me Mickey Mantle for my Allie Reynolds, Ms. Perrin, my 4th-grade teacher, one of the best I ever had, who died of cancer two years later, Virginia Bright, my first girlfriend, who took me to her church Sunday nights to learn how to square dance, my dog, Cinder, my best friend growing up, my red bike that took me everywhere, embarrassed at the Y because my right ******* was not fully descended, Maggie, my Black mother, who fed me breakfast--two poached eggs, buttered wholewheat toast, and grits--every morning, washed my ***** clothes, spanked me when I needed a spanking, hugged me when I needed a hug, loved me when my mother couldn't because she was so depressed, always making straight-A's, my dad taking me to Kansas City to take a test (he never told me it was an IQ test), asking Patty to dance the first two dances--we danced alone at the center of the basketball court  as the music began to play at the SnowBall Dance when none of her other classmates would ever get near her--being elected co-captain of the football team and the city-championship basketball team, elected president of the Student Council at Roosevelt Junior High, elected president of the Sophomore Class at Topeka High by my over-800 classmates, pushed by my dad to Andover (arguably the best prep school in the world) my junior year, chose Columbia over Yale (the Core Curriculum and New York City), was a member of Blue Key, Nacoms, and, most meaningfully, elected by my over-700 classmates one of only 15 to lead the Commencement procession, couldn't sleep in law school, dropped out, couldn't sleep for four more months, spent a year-and-a-half at Menningers (saved my life), started writing poetry when, through therapy, I realized I had my own feelings that coalesced with my intellect in my unconscious, slowly emerging through my subconscious into my conscious mind, when I had to write what was coming out of me, otherwise I would lose it forever, seven months at Topeka State Hospital after dad disowned me, founded and edited TALL WINDOWS, The National Public Magazine, moved to Phoenix in 1977, had an involuntary Kundalini arising (took me six years to revover from it, and did, but only because of the exceptional use of unguided imagery practiced by the most loving person I ever got to know, Dr. Patricia Norris) when my girlfriend, who had wanted to marry me badly, lied to me and ****** her new next-door neighbor to make me jealous (I found this out because I saw her bruised ***** that I knew I had not bruised), still unconsciously traumatized during my childhood by mom and dad's miserably unhappy marriage, selected one of 25 alumni out of over 40,000 to serve three two-year terms on the Board of Directors of the Columbia College Alumni Association (1990-1996), traveled the country as a human-rights activist meeting, talking to, eating with, getting to know the hungry, the homeless, the hopeless that populate our yet unrealized democracy, Jorge Luis Borges writing that the most important task we all have in our lifetimes is to learn how to transmute our pain into compassion. That's what I hope my life has been about.

TOD HOWARD HAWKS
TOD HOWARD HAWKS Mar 2021
Beware of big houses.
There can be a lot of emptiness in there.
What good are stairways
if all they do is take you
from one emptiness to another?
Hallways that lead you to just more loneliness.
Carpets are the softest things
that ever touched you.
Choose a bathroom;  
there are a lot to choose from.
At least their hard tile floors
make no pretenses.
I preferred the attic
on the third floor.
It was filled with things
that used to have a life.
Live children used to play
with the toys.
I remember one rainy afternoon.
My mother was in the sewing room
oblivious to my presence in the hallway,
so I slowly walked down the stairs,
put on my yellow raincoat,
walked out into the rain
and walked six or seven blocks
to the street where Loretta lived,
the girl I think I loved
but didn't know in third grade.
I stood on the side of the street
opposite her house. I stood there
in the pouring rain for quite a long time;  
nobody, I think, saw me,
but nonetheless, I felt I was with a friend.
Finally, I turned around and walked
back to my house.
Mother never missed me.
I took off my yellow raincoat,
walked up the stairway
past my oblivious mother,
found an empty room,
lay down on an empty bed and cried,
just like the rain.

TOD HOWARD HAWKS
TOD HOWARD HAWKS Mar 2021
Why hate instead of love? Why war instead of peace? Why killing instead of life-giving? Those whose lives are filled with hate and war and killing were never loved, or not enough. To realize this metamorphosis from hate to love and other manifestations thereof, we must, singly and collectively, come to the realization that despite different appearances, different languages, different religions, different cultures, we all are brothers and sisters of the family of humanity. The borders that divide us are not on maps, but in our minds and hearts. The air and oceans of Earth do not recognize national borders, nor does the pandemic. Why should we? LOVE--of self and all others--is what ineluctably bonds us together--one, not many. Let all the years ahead be an on-going world picnic where we celebrate all our surface differences, rather than dreading them, rather than hating them, rather than destroying them. Let love be our shared, eternal future, not extinction. You are the match that lights the fire of Love on Earth forever.

TOD HOWARD HAWKS
TOD HOWARD HAWKS Mar 2021
For along time, I've felt James Taylor and I are spiritual brothers. Even though Taylor was born in Boston and I in Dallas, the former grew up in North Carolina and I in Kansas. His father was a physcian, mine an attorney. Taylor attended Milton Academy, I graduated from Andover. Taylor began to experience serious emotional problems in prep school;  I had to drop out of law school when I could not sleep. We are both in our 70s now, I a bit older than he. Taylor spent time in several psychiatric hospitals in and around New England. I spent a couple of years at Menningers, ironically only a half block from where I grew up. Taylor learned how to play the guitar and began to sing the songs he composed. I, in turn, began to write poetry when in therapy I discovered I had feellngs--my own feelings--and when they unconsciously married my intellect, and out popped my first poem:  WHAT A GOOD LITTLE BOY. Many others were to fellow, but all my poems write themselves. I can still feel when a poem is rising up within me. It feels like a Kundalini arising. My job is only to "record" it, which is to say, grab a pencil or a pen, perhaps a tpyewritter, now a deskstop computer. Each poem begins in my unconscious where lie all its components--syntax, diction, all my emotions:--then moves into my subconscious, and finally into my conscious mind. And that's the moment I have to "record" it, because if I don't do that immediately, my poem floats into the infinite Cosmos never to be found again. Writing a poem is like making love:  if you have to force it, stop. Poetry is like the ocean wind:  it blows only for those sails that are open. My sense is that Taylor has a similar experience when he composes. That's why I feel he and I are spiritual brothers.

TOD HOWARD HAWKS
TOD HOWARD HAWKS Mar 2021
I am my own best friend.

TOD HOWARD HAWKS
TOD HOWARD HAWKS Mar 2021
I don't need adornment;
I don't wear a ring.
I sing in the forest;  no one
need hear my sorrow sung.
I am my own audience;
I lament the dying limbs.
My discernments are sufficient.
I see the world as most others don't.
The squirrels that scamper underfoot
keep me company;  bluebirds offer
the recitative. From a distance, I
descry an old farmhouse where a
family long departed once raised
corn and three sons. Cows and
chickens milled about. An old
pick-up took the family where it
needed to go. Now it sits abandoned,
paint chipping, rust increasing with
every rain. Barber's "Adagio for Strings"
wafts through my mind;  tears slowly
slide down my cheeks. There is a
creek nearby that tries to console me.
The yellow sun meanders through
white clouds and blue sky. I cry more.

TOD HOWARD HAWKS
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