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somebody knew Lincoln somebody Xerxes

this man:a narrow thudding timeshaped face
plus innocuous winking hands, carefully
inhabits number 1 on something street

Spring comes
                the lean and definite houses

are troubled.   A sharp blue day
fills with peacefully leaping air
the minute mind of the world.
The lean and

definite houses are
troubled.in the sunset their chimneys converse
angrily,their
roofs are nervous with the soft furious
light,and while fire-escapes and
roofs and chimneys and while roofs and fire-escapes and
chimeys and while chimneys and fire-escapes
and roofs are talking rapidly all together there happens
Something,and They

cease(and
one by one are turned suddenly and softly
into irresponsible toys.)
                              when this man with

the brittle legs winces
swiftly out of number 1 someThing
street and trickles carefully into the park
sits

Down.  pigeons circle
around and around and around the

irresponsible toys
circle wildly in the slow-ly-in creasing fragility
—. Dogs
bark
children
play
-ing
     Are

in the beautiful nonsense of twilight

and somebody Napoleon
I.

the emperor
sleeps in a palace of porphyry
which was a million years building
he takes the air in a howdah
of jasper beneath saffron
umbrellas
upon an elephant
twelve foot high
behind whose ear
sits always a crowned
king twir-
ling an
ankus of
ebony
the fountains of the emperor’s
palace run sunlight and
moonlight and the emperor’s
elephant is a thousand years old

the harem of
the emperor
is carpeted with
gold cloth
from the
ceiling(one
diamond timid
with nesting incense)
fifty
marble
pillars
slipped from immeasurable
height,fall,fifty,silent

in the incense is tangled a cool moon
there are thrice-three-hundred
doors carven of chalcedony and
before every door a naked
****** watches
on their heads turbans of a hundred
colours
in their hands scimitars like windy torches
each
is
blacker than oblivion

the ladies
of the emperor’s
harem are queens
of all the earth and the rings
upon their hands are from mines
a mile deep
but the body of
the queen of queens is
more transparent
than water,she is softer than birds

                2.

when the emperor is very
amorous he reclines upon
the couch of couches and
beckons     with
the little
finger of his left
hand
then the
thrice-three-hundredth
door is opened by the tallest
****** and the queen
of queens comes
forth
ankles
musical with large pearls
kingdoms in her ears
at the feet of
the emperor a cithern-
player squats with
quiveringgold
body
behind
the emperor ten
elected warriors with
bodies of lazy jade
and twitching
eyelids
finger
their
unquiet
spears

the queen of queens is dancing

her subtle
body weaving
insinuating upon the gold cloth
incessantly creates patterns of sudden
lust
her
stealing body ex-
pending gathering pouring upon itself     stiffenS
to a
white thorn
of desire

the taut neck of the citharede wags
in the dust the ghastly warriors
amber with lust breathe
together      the emperor,exerting
himself among his pillows throws
jewels at the queen of queens and
white money upon her nakedness
he
nods
          and all
depart through the bruised air aflutter with pearls

                3.

they are
alone
he beckons,she rises she
stands
a moment
in the passion of the fifty
pillars
listening

while the queens of all the
earth writhe upon deep rugs
consider O
woman this
my body.
for it has

lain
with empty arms
upon the giddy hills
to dream of you,

approve these
firm unsated
eyes
which have beheld

night’s speechless carnival
the painting
of the dark
with meteors

streaming from playful
immortal hands
the bursting
of the wafted stars

(in time to come you shall
remember of this night amazing
ecstasies     slowly,
in the glutted

heart fleet
flowerterrible
memories
shall

rise,slowly
return upon the
                  red elected lips

scaleless visions)
hist      whist
little ghostthings
tip-toe
twinkle-toe

little twitchy
witches and tingling
goblins
hob-a-***     hob-a-***

little hoppy happy
toad in tweeds
tweeds
little itchy mousies

with scuttling
eyes    rustle and run     and
hidehidehide
whisk

whisk     look out for the old woman
with the wart on her nose
what she’ll do to yer
nobody knows

for she knows the devil     ooch
the devil     ouch
the devil
ach     the great

green
dancing
devil
devil

devil
devil

        wheeEEE
writhe and
gape of tortured

   perspective
   rasp and graze of splintered

normality
               crackle and
               sag
   of planes          clamors of
   collision
   collapse         As

peacefully,
lifted
into the awful beauty
                                  of sunset

                                  the young city
putting off dimension with a blush
enters
the becoming garden of her agony
my sonnet is A light goes on in
the toiletwindow,that’s straightacross from
my window,night air bothered with a rustling din

sort of sublimated tom-tom
which quite outdoes the mandolin-

man’s tiny racket.  The horses sleep upstairs.
And you can see their ears.  Ears win-

k,funny stable.  In the morning they go out in pairs:
amazingly,one pair is white
(but you know that)they look at each other.  Nudge.

(if they love each other,who cares?)
They pull the morning out of the night.

I am living with a mouse who shares

my meals with him,which is fair as i judge.
the glory is fallen out of
the sky the last immortal
leaf
is

dead and the gold
year
a formal spasm
in the

dust
this is the passing of all shining things
therefore we also
blandly

into receptive
earth,O let
us
descend

take
shimmering wind
these fragile splendors from
us crumple them hide

them in thy breath drive
them in nothingness
for we
would sleep

this is the passing of all shining things
no lingering no backward-
wondering be unto
us O

soul,but straight
glad feet fearruining
and glorygirded
faces

lead us
into the
serious
steep

darkness
one April dusk the
sallow street-lamps were turning
snowy against a west of robin’s egg blue when
i entered a mad street whose

mouth dripped with slavver of
spring
chased two flights of squirrel-stairs into
a mid-victorian attic which is known as
O ΠΑΡΞΕΝΩΝ
                      and having ordered
yaoorti from
Nicho’
settled my feet on the

ceiling inhaling six divine inches
of Haremina   in
the thick of the snick-
er of cards and smack of back-

gammon boards i was aware of an entirely
***** circle of habitués their
faces like cigarettebutts, chewed
with disdain,     led by a Jumpy

***** who played each
card as if it were a thunderbolt red-
hot     peeling
off huge slabs of a fuzzy

language with the aid of an exclamatory
tooth-pick
And who may that
be i said exhaling into

eternity as Nicho’ laid
before me bread
more downy than street-lamps
upon an almostclean

plate
“Achilles”
said
Nicho’

“and did you perhaps wish also shishkabob?”
but the other
day i was passing a certain
gate,   rain
fell(as it will

in spring)
ropes
of silver gliding from sunny
thunder into freshness

as if god’s flowers were
pulling upon bells of
gold    i looked
up

and
thought to myself   Death
and will You with
elaborate fingers possibly touch

the pink hollyhock existence whose
***** eyes look from morning till
night into the street
unchangingly    the always

old lady sitting in her
gentle window like
a reminiscence
partaken

softly    at whose gate smile
always the chosen
flowers of reminding
stinging
gold swarms
upon the spires
silver

           chants the litanies the
great bells are ringing with rose
the lewd fat bells
                            and a tall

wind
is dragging
the
sea

with

dream

-S
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