looks like it’s time for new scrubs
i ripped out my last crotch
picking up a 400 pounder
(off the floor, not in a bar)

as i was playing my ***** at a sidewalk cafe
three bums who’d monopolized a table for an hour
exchanged belligerence with a guy boarding a harley

i don’t know how it started
i was busy with my unfinished symphonies
but i felt the violence in the air

"get off the bike," said one of the mooks at the table
the biker jumped out of his seat and took off his helmet
a hollywood handsome moviestar stud

"come over here," said the seated blowhard

"oh, i’d love it if you took a swing at me"
the biker announced to the whole street

staredown; poseoff
the fools at the table didn’t rise
no thanks
the biker was winning just by standing there
bragging about how he’d love a punch in the nose
he didn’t have to approach
only wave his arms in bring-it-on jerry springer motion

then he overplayed
"my lawyer would love it if you hit me"

a roar went up from the table
"the guy rides a harley and when it’s time for a fight
he hides behind his lawyer"

it was a complicated macho standoff
an intricate defensive moment
the bums had backed down
but the biker had blown it

he climbed back on his bike
"yeah you’re real tough guys"
while the table which had stiffened in NO
taunted him with his lawyer

moral:

***** music incites violence

if i can’t give a lunatic poem
to a lunatic lady
what’s the point of writing one?
well, maybe there is no point

night after night in all those arenas
we hippies understood
only three songs where it happened
RED HOUSE, VOODOO CHILD
and HEAR MY TRAIN A'COMING

you see, THE STAR SPANGLED BANNER
was pop sculpture
1983 (a MERMAN) multi-track symphony
FOXY LADY and PURPLE HAZE *** and drugs
HEY JOE and ALL ALONG THE WATCHTOWER
nifty covers

but it was only in those three fluid blues jams
launched by deep bass and lurching drums
standing on albert king's shoulders
that acid and sonics unlocked the rigid gates of reality
the landscape melting in a psychedelic instant
the trip coming on inexorably
then at warp speed
fillmores became colosseums
roofs shrugged off, slicing treetops
delivering us to a battlefield no one had known existed
a war without violence but with neural flashing conflict
and fantastic consequences

twirling his guitar like a magic lasso out out out
making contact with patrols buzzing through the galaxy
he grabbed the slurping wah and whammy,
wrestling them
into enormous axes, chained maces and
networked nuclear swords
jimi riding elephants and african curtains past the clouds
rushing through different dimensions, pinballing
across the stars
carrying us longhairs with him, jimi
the grooviest warrior
castles disintegrating as he stepped through them

the lyrics were peripheral
singing about longing in HEAR MY TRAIN
****** swagger in RED HOUSE
confronting the issues more directly
in VOODOO CHILD
laughing about his colossal strength
his ridiculous psychic power blasting open
every wretched door
jimi so brave and bold and debonair
charging past speed limits, not with scales and chords
but with lightning bolts, blue notes and a carpet
of feedback
which he captured and twisted into climaxes
galloping across a cosmos of souls, way past calculation
spilling emotion, blues and riffs over the earth
in a scramble
to overcome the forces against us
we could even SEE the armies as jimi confronted them
all alone but with our ears as eyes upon him

and all the seas that jimi hendrix swam through
here on earth
the hydraulic groupies, carnivorous managers
drugs and rock star glamour
NOTHNG next to those cosmic dogfights

and when he was finished, when the battle was over
and the song ended in victory for everyone
and the tendrils returned to the soil
and we all had our final ******
and he tuned up for the next number
the entire firmament revolved once
and applauded itself

being a poet is like being a king
but ******, it takes all my time
seducing the ladies
and corrupting the youth
it’s a full time job

exile is our fate
looking for a way home
even if we’ve never been home

exiled from my pulitzer
from my place at the algonquin roundtable
barred from the scotch of st. james 1966
john lennon’s holding my throne for me
but i can’t get in the club

exiled from our world conquests
our lives of leisure
exiled from the parents of our past
our children and ourselves as children
from the summertime of youth
and in the end
exiled from this ****** earth

an arrogant conductor hires me for a show
it’s a cultural exchange, as we’re from different tribes
he gives me guitar music, a D chord with 4 staves
i ask him how he wants it played
"as it’s written!"
but the 4 bare slashes tell me nothing
it’s like working in a restaurant
and getting an order for chicken
"how you want this chicken?"
"follow the recipe!"
and the recipe is a picture of a chicken
so i cook it the way i like it
basted with latin flavor
oh, he’s ****** after the show
but the audience eats it up