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Filmore Townsend Dec 2012
time thought of long words and
the sun’s life as it burns,
never minding the hip or the un–
as the cat awaiting shores
looses his body to
the darkness of the year,
lame-eyed ******* wrote thirteen
in repetition. lingering on Vonnegut.
unnamed, land-lover ran between
the death of the night and day,
creating waste. riding on, rinding on.
hoarse questions grew as
tea scalded palate and man tapped
his heart in waste of thought.
drawn by claims of a saxophonist,
******* wolfish with stolen cigarette,
spouting roundabout racial slurs
called the Ocean’s syllables.
Filmore Townsend Dec 2012
i am become as ignorance,
i am the one who refuses mathematics
to save myself the death of beauty.
i am my fathers’ lackadaisical prodigy,
i am the one who plans for plans
and never follows through –
maintaining self-controlled anarchy.
destroy myself in paradox.
i am my souls’ awakening,
i am the one who lingers in
the hindbrain and find myself
never questioned – never analyzed.
look’d over with lack of repetition.
i am become laid bare upon
your chest of bronzed censure.
i am become as isolation.
i am become as words that linger.
Filmore Townsend Dec 2012
- - - and i have been thirteen years out,
thirteen cast out, in it to
impress with some congress
and break a rhyming scheme
with some unrelated information
that could – and would –
ramble on and on, trapped in a
roundabout and listless format
pressed upon from birth in
mimicking action of that conception.
of anyones, of graphic denial
to linger in bliss and in blind
parasitic servitude.
- - - and i went for a cigarette,
and basked in the sun on a
November-ending day.
and i thought
of my plans, and how i am
pathing myself; and i thought
of my writing, and how i am
advancing myself; and i thought
of my life, and how i am
fulfilling myself; and i thought
of my death, and will i be
able to accept myself. and in on
in repetition, once again
in haste, in waste, in mending
of past-lives and weaving their
threads into this greater fabric.
- - - and my **** is constantly hard,
and i try to be shameful of Sin
on the long winter nights.
then there’s a point in exhaustion
when the mind stops. stoic absence.
“what brought you to this town?”
a bad decision, a woman.
“mind if i pray’d for you?”
if you want.
“mind if i pray’d right now?”
one hand grasped in both of his,
‘oh heavenly . .’
kindness out into the world.
and my ***** constantly hard
and my lungs tarred
and a harsh word traded for prayer.
- - - and perception becomes skew’d
with the last drop of sanity
cryin’ forth to ride the snake,
to nip at Apollo’s heels in
his retreat at the end of night.
and to wail from my place of rest
at the loss of the Sun’s mistress,
to the loss of a lover given.
logic null’d by the body of another,
inert love, nothing more than
a little friction.
we press’d against each other
with hopes that we could
impress upon anothers physicality.
venial sin, so long as confess’d.
congenial sins we are bound to regress.
- - - and i beg to be set free,
beg to be loose’d,
to have the notch that is me
relieved of a taut string.
to feel my force release’d
through the heart of another.
to be witness to a love
called ones own while Ross
wails on with his epic poem.
we fail as the red and white
haul us to a stroboscoping stop –
intermittent breathing and panic.
Filmore Townsend Nov 2012
so, here i sit, having read that semicolons are a ******* tool - im only a partial *******; so, its admissable. in a bar drunk, sass'd, white *****'d, hot as ever-living hell, hoping for a saxophonist. white ******* off bike lock keys in the bathroom as the door is attempted to be opened; "Sorry, we were *******." splurted, what an excuse; white ***** on a bike lock key - protection from theft, i guess. almost out of tobacco, yet i feel i can sustain, excuse me, remain. "i cant believe you did that, ***** crystal." (not what you think (totally what i think)) ambient psychedelia and a saxophonist (shes been mentioned) wailing, wail, whaling; expunge that Conscious ocean as if you were a Japo. yeah, racial slurs racial slurs. im told its 11.55 post on the 7th, but i am quite aware thats a lie. (most knowledge is (vindication symplified and unerred) unaware of what is being typed anymore) ..
Filmore Townsend Nov 2012
coming back
     to a younger format --
                 one with emphasis.
       one that's bold and
     forces my hand,
        forces my voice.
                      and i'll dress it up
               with style,
          with fancy words that
               have syllables more
        than you have age.
   yeah, pretentious a bit.
                         snarky a bit more.
                     after all,
               there has been little to no sleep
                         in a day and some hours.
Filmore Townsend Nov 2012
and to see your feet move upon the stage again
as the audience gasps when you take a leap -
no need for concern, your toes find you nimble.
to witness the fluid, the uninhibited, the Angel
you become when your wings are allowed to unfurl.
and this is how i remember you.
Filmore Townsend Nov 2012
quips scrawled on scraps of paper, written
during a come-down stupor. something
she wrote, and then proceeded to destroy.
(i gathered all the pieces but have become
too lazy to care how she upset herself)
drawings drawn in between sentences,
in between words. in between syllables. drawn
to obviate thought, to put me somewhere
between Zen and poser. (the drugs obviate titles,
but i’d hedge my bets on the latter)
the remains of the Urban Squirrel Hunter –
a mythology of the Grey Fox –
shredded in the maw of a blue heeler-mutt.
written while ******, drunk, and heat-stroked.
poetry of a homeless kid.
ramblings of an alcoholic, ravings of a tweaker,
with commentary by the one who is just visiting –
       self-destruction is all we can ever be certain of.
religion created in a notebook while
doing research on a chemical. figured out what
near-death means, found life by dumb luck.
found life via pocket valiums,
gave up religion while sweating in the snow.
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