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Thomas Thurman Jun 2010
Her soul proclaimed the greatness of the Lord
who dwelt within her belly, and her mind.
The light shines on, the humble are restored,
and food and mercy given to mankind.
That day she saw the everlasting light
she memorised, and treasured up inside,
investing for the fading of her sight
the hope that living light had never died;
till hope itself within her arms lay dying,
a frozen journey, ready to embark,
and nothing more is left for her but trying
to comprehend the greatness of the dark;
yet somewhere shines the light, in spite of that,
and silently she sighed magnificat.
There's something lacking in this one.  I keep thinking there's a straightforward way to fix it, but I'm not sure how.
Thomas Thurman May 2010
May our minds overflow
to the seas of the soul
as we love and we grow
may our minds overflow
from their riverbeds, so
two halves become whole.
May our minds overflow
to the seas of the soul.
Thomas Thurman May 2010
For you
my dear
anew
for you
all through
the year;
for you
my dear.
Thomas Thurman Jun 2010
More deep than my heart
or the roots of my brain:
the smiles you impart,
more deep than my heart,
pull me back to the start
and I'm falling again,
more deep than my heart
or the roots of my brain.
Thomas Thurman May 2010
More love's in your eye
than I can remember,
than stars in the sky.
More love's in your eye
than blackberries, high
in lanes in September.
More love's in your eye
than I can remember.
Thomas Thurman Nov 2010
Go praise thou the Lord! It's seven o'clock!
You cannot afford to slumber ad hoc.
Five times you've hit snooze, and you've wasted an hour,
Forget your excuse, and go get in the shower.

Go praise thou the Lord! The prayerbook awaits,
its words unexplored, so get on your skates.
It stands on the shelf for the start of the day,
For Jesus himself rose up early to pray.

Go praise thou the Lord! Praise him in the morn!
You seem to be floored. You don't know you're born.
I wake you at six and you wail that you're sunk
but just try your tricks as a friar or monk!

Go praise thou the Lord! Take heed what I say:
I know you've implored today's Saturday;
No more may you lurk with alarm clock ignored;
For praising takes work, so go praise thou the Lord!
I think I should set a hymn as my alarm tune. Something like this.
Thomas Thurman Jun 2010
I know a tree whose apples are more sweet
and nourishing and fair than any other:
a person it's a privilege to meet,
a maker, a maintainer, and a mother.
Her branches bring delight to every day
from each repeating month that I remember:
we lie beneath her blossomed boughs in May
and eat her rosy apples in September.
Yet as she gives, she lives as more than merely
a giving tree, that spends itself in giving:
for still she's not consumed, though shining yearly
with ever-fiercer fires of joyous living;
her roots in earth, and sunlight on her brows
and every blessèd child beneath her boughs.
My Mother's Day tribute for Firinel, mother of my daughter, and love of my life.
Thomas Thurman Aug 2010
If anything should happen to The Hague,
if someday they abandon Amsterdam,
philosophers will take these strange and vague
descriptions, and derive each tree and tram
by mathematical necessity:
should nations shake their fists across the seas
with words of war, it follows there must be
a middle ground, a people loving peace.
And is this scrap alone a netherland?
Not so: we spend our nights beneath the sky,
and every country's low for us, who stand
a thousand miles below the lights on high;
if only I could learn to live as such,
and count myself as kindly as the Dutch.
Written, with thanks, for the organisers of GUADEC 2010.
Thomas Thurman Apr 2011
Thou who sent thine own Anointed
once for all the world to bless:
Should we make our windows pointed?
Should our deacons wear a dress?
Should our candles light the dark?
Lord, remain within the ark.

Should our priests be mild and matey?
Should our men be nervous types?
Should our women all be eighty?
Art thou fond of ***** pipes?
Or dost thou, above the stars,
yearn for amplified guitars?

We shall sit around the fire, and
mumble of the Crucified,
preach his gospel to the choir, and
never mind the night outside,
where despite the rain and chill
winds are blowing where they will.
Thomas Thurman May 2010
The sea lies solid under ice,
The blizzard seldom stops;
The glögi's running freely
In friendly coffee-shops;
The trams still run and life goes on
And still I can't remember
Why no-one ever calls a song
"Helsinki in November".
Thomas Thurman Jan 2011
It saddened me to know you from afar:
I never heard the whimpers that you gave
when scratched beneath the chin, or saw you save
your mistress from a cat, or passing car;
you never barked as I approached your door;
you never licked my face; I never heard
your nails on wood, or saw you chase a bird,
and now you’re gone, I cannot any more.
You know, it makes me wonder, Oliver:
I’ve usually dismissed as pious lies
those tales of rainbow bridges in the skies
where faithful friends will wait as once they were
to meet us in the lands beyond the light.
But since you’ve left, I find I hope they’re right.
A friend of mine moved across the country and found a dog named Oliver.  Oliver died before my friend moved back, so I never got to meet him.
Thomas Thurman May 2010
My Welsh is just not good enough for verse.
My dw i'n hoffi coffi's lacking fizz;
cynghanedd is pedestrian or worse;
I wish it wasn't so, but there it is.
My struggle's still to learn, as yours to teach,
and so my englyn's still in English sung,
and aching awdls cower out of reach,
and English shows the thinness of the tongue.
But here's my goal: some month the Gorsedd meet
so many miles ahead— I may be there
to share my bitter words, my verses sweet,
at common table. Never mind the chair.
But that's a dream, and not what's on the card,
and much as I might dream— for now— I'm barred.
Thomas Thurman Nov 2010
My talent (or my curse) is getting lost:
my routes are recondite and esoteric.
Perverted turns on every road I crossed
have dogged my feet from Dover up to Berwick.
My move to London only served to show
what fearful feast of foolishness was mine:
I lost my way from Tower Hill to Bow,
and rode the wrong way round the Circle Line.
In nameless London lanes I wandered then
whose tales belied my tattered A to Z,
and even now, in memory again
I plod despairing, Barking in my head,
still losing track of who and where I am,
silent, upon a street in Dagenham.
Thomas Thurman Jun 2010
Were I a cat, my love, I'd leave each day
a single dying mouse upon your bed;
but, human, I must find another way,
and honour you by leaving verse instead.
Thomas Thurman May 2010
This moment, I am God upon this town.
I compass every window spread below:
each pinprick point in total looking down
a pattern only overseers know.
I feel the human flow and ebb each minute
perceiving both with every passing breath;
each lighted room has home and hoping in it,
each darkening a sleeping, or a death.
    And nothing, nothing makes it wait to darken;
    had I the power it should be shining still.
    Some other one you have to hope will hearken,
    some other on some yet more lofty hill--
whom priests and people plead to, not to be
as powerless to hold these lights as me.
This one has a photo with it: http://green.myriadcolours.com/pittsburgh-09/IMG_0644.jpg
Thomas Thurman May 2010
Is this my home ground?
We'd lived here, it's true.
But what I have found
is this, my home ground,
is town all around
full of empty of you.
Is this my home ground?
We'd lived here. It's true.
Reality Checkpoint is a particular lamppost in Cambridge. Years after we moved away from the town, I had reason to spend a week back there without my sweetheart, and all that was left at Reality Checkpoint was this triolet.
Thomas Thurman Dec 2010
I thought I recognised some guy
asleep off Berkeley Square.
His face had such a peaceful look
behind his ***** hair;

his beard, the scabs across his head,
I thought I'd seen before,
if anyone that I would know
was sleeping in a door.

On second thoughts, it wasn't him.
Or, well, I'll never know.
A glance was all the time it took
to pass him in the snow.
Thomas Thurman May 2010
I thought I saw an execution there.
The fascinated public gathered round.
The cheerful hangmen stripped the victim bare
And built their gibbet high above the ground.
The rope was taut, my wildness filled with fear.
I saw him fall.  I heard his final cry.
Yet when the hangmen left I ventured near
To find my fault: I'd never seen him die.
In fact, I think he'd died some years ago.
There's blackness of decay in every breath.
The sound of flies was all that's left to grow,
Now free to come and feast upon his death;
Prince of the trees, I have a simple plea:
I will not die till death has come to me.
Thomas Thurman Dec 2010
Jill retweeted what I wrote,
forwarding to all her friends.
Time, you thief, who loves to gloat
over hopes and bitter ends,
say my loves and lines are bad,
say that life itself defeated me,
say I'm growing old, but add,
Jill retweeted me.
More marginalia.
Thomas Thurman Feb 2011
This day we lay the universe to rest:
behind this pair of eyes that lived and died
a mirror-image, faithfully expressed,
reflects a mirror-universe inside
all memories. This day we thank the Lord
for all these shining moments held within
this mind where human memories are stored.
And this shall be the moment they begin
to shatter, to become ten thousand stories
reflecting human life in all its beauty:
each smile, each poem, every sunset's glories,
that call to those remaining of their duty
to see this story speaks and never fails;
to call, recall again ten thousand tales.
For my grandfather, who died 10th February 2011.
Thomas Thurman May 2010
Remember all the old familiar faces?
Helvetica's the nicest of the lot.
Gill Sans and Johnston take the second places;
It seems as though the serif has been shot.
Verdana has its own intrinsic glories;
The fairest text that ever left my desk
Was set in these-- for essays or for stories.
But using them for sonnets?  That's grotesque.
   And gravestones are a special case as well:
   A mortal lack of serif fonts would be
   A certain kind of typographic hell
   With Comic Sans for all eternity.
In death, the Roman lettering is best.
May flights of serifs sing thee to thy rest.
Not the most serious thing I've ever written.
Thomas Thurman Jun 2010
I met a traveller from an antique land
Who said... (I couldn't comprehend his speech;
he spoke a tongue I didn't understand.
It might have meant "a statue's on a beach"—
at least, he let me see vacation snaps
and there was quite a lot of sand about
and one old statue, African perhaps,
or Indian, I'm in a bit of doubt.)
So anyway, I saw the statue's face:
its nose was crinkled, like a lord who sniffs.
And then there was some writing on the base;
I couldn't read it.  It was hieroglyphs.
It all seems kind of strange, and far away,
but must have had some meaning in its day.
Thomas Thurman May 2010
Since the day doesn't store,
and the seconds can't stay,
each moment's no more.
Since the day doesn't store,
when you're seventy-four,
I'll kiss you good day;
since the day doesn't store.
and the seconds can't stay.
Thomas Thurman May 2010
They say my future follows on your past,
Commanded not to love you by the wise:
They say he never truly lives who lies
A captive still, and by your charms held fast:
Your warmth was torn by chilly morning air,
through daytime heat your image in my eye
would ever grow, would wane, would never die,
and with the night, you’d once again be there.
You took my life, and took away my breath;
You took my world, and left your words untrue.
No dreams are left I haven’t left with you,
And still you keep reminding me of death.
I’ve abdicated kingdoms for your sake:
And yet, and yet… I wish myself awake.
Thomas Thurman Apr 2011
The Bishop said, "You celebrate
the mass an awful lot.
I've heard the other priests of late
suggest that it's a plot.
You have to write the homily;
you have to heat the hall
three times a day; it seems to me
the congregation's small:
there's four, or even fewer folk.
It's almost microscopic."
The Priest replied, "The Lord once spoke
upon that very topic."
(Matthew 18:20.)
Thomas Thurman Apr 2011
I tried to  say: you make my life complete,
you put my puzzle pieces into place.
But then I tried to send it as a tweet.

It didn't fit.  I thought I could delete
one part, about the joys of your embrace;
I tried to say: you make my life complete,

but still it was too long.  I thought I'd cheat
ByMergingWordsAndUsingCamelCase.
But then I tried to send it as a tweet.

It failed again.  I must admit defeat.
Like Fermat's margin, Twitter lacks the space
to let me say you make my life complete.

It makes the longer forms seem obsolete.
But even Petrarch's work would meet disgrace
if cut and scaled to send it as a tweet!

And somehow public posts seem indiscreet.
I think I'd rather whisper to your face
the message that you make my life complete,
and far too full to post it as a tweet.
Thomas Thurman May 2010
I saw the bindweed curl about your tomb
Whereon I set a rose, now short of breath,
And marked the similarity of death
Between your chance to live, its time to bloom.
For though your maker overflowed your hours
Yet still upon your blossom climbed the ****;
You noticed but did nothing; thus its seed
Cast round the earth, and choked your budding flowers.
    But brazen trumpets round its conquering green
    This bindweed blossom, in the rose's stead;
    Just so, before you took this rosy bed
    You sometimes woke and showed what might have been.
But now your chance is gone as chances go.
I've learned your lesson. Let me find the ***.
Bunhill Fields, 21st July 1997.  (Largely autobiographical.)
Thomas Thurman May 2010
When I was young I feared my growing old
lest, being old, I should want youth again,
or lest the growing old should cause me pain;
I knew the worth of silver less than gold.
I tried to hold the sun and not the moon,
I asked the clock to stop-- it paid no heed!
Time blew away like dandelion seed,
as sure as day, the evening came too soon.
   This road I cannot tread the other way.
   The ages passed, and age has come to me.
   Yet still asleep I dream, awake I see,
   as sure as day brings night, the night brings day,
youth, sun and dandelion seed, and why?
They cannot have new life unless they die.
Thomas Thurman May 2010
Look to your Lord who gives you life.
This year must end as all the years.
You live here in the vale of tears.
This year brought toil, the next year strife.
For too, too soon we break our stay.
The end of things may be a birth.
The clouds will fade and take the earth.
Make fast your joy on New Year's Day.
When dies a friend we weep and mourn.
When babes are born we drink with cheer.
But no man mourns when dies the year.
When dies the age, may you be born.
Your death, your birth, are close at hand.
In him we trust. In him we stand.
A rare explanatory note from me: this sonnet is about bellringing.  There are eight monosyllables in each line for the sound of eight bells ringing rounds; "four to two" in the fifth line is a called change; "look to" is the command to start ringing; "stand" is the command to stop.  There are other buried references.
Thomas Thurman Dec 2010
Spanyel! Spanyel! Thine embrace
Places Paws upon my Face;
What celestial Factory
Dare fill thy doggy Heart with glee?

From what Furnace flowed thy Blood?
Whence proceeded all this Mud?
Was that a Cow thou hidst beneath?
What the Tongue? and what the Teeth?

What the Nose? and what the Jaw?
In what Quagmire was thy Paw?
Hast thou swum the Pond as well?
That perhaps explains thy Smell.

Spanyel! Spanyel! Thine embrace
Places Paws upon my Face;
What celestial Factory
Dare fill thy doggy Heart with glee?
Thomas Thurman Nov 2010
I watched from Farringdon as Satan fell;
I’ve battled for my soul at Leicester Square;
I’ve laid a ghost with Oystercard and bell;
I’ve tracked the wolf of Wembley to his lair;
I’ve drawn Heathrow’s enchantment in rotation;
at Bank I played the devil for his fare;
I laugh at lesser modes of transportation.
I change at Aldgate East because it’s there.

The Waterloo and City cast its spell;
I watched it slip away, and could not care,
the Northern Line descending into hell
until King’s Cross was more than I could bear;
he left me there in fear for my salvation,
a Mansion House in heaven to prepare:
so why return to any lesser station?
I change at Aldgate East because it’s there.

Three days beneath the earth in stench and smell
I lay, and let the enemy beware:
I learned the truth of tales the children tell:
an Angel plucked me homeward by the hair,
to glory from the depths of condemnation,
to where I started long ago from where
I missed my stop through long procrastination.
I change at Aldgate East because it’s there.

Prince of the buskers, sing your new creation:
the change you ask is more than I can spare;
a change of spirit, soul, imagination.
I change at Aldgate East because it’s there.
Bother, I've got it wrong again. Ballades are ababbcbc, not ababcbcb. I think this can be saved anyway.
Thomas Thurman Jun 2010
A dragon was the beast to fear,
With shining, perfect teeth,
And deadly spines upon its back,
And scaly skin beneath.
You'd see them fly across the sky
With dreadful wings unfanned,
In far-off days of long ago
When dragons ruled the land.

And as they flew they'd watch the ground,
With eyes devoid of pity,
They'd follow humans to their homes
And breathe upon their city.
The dragon's breath was instant death,
No houses still could stand,
In far-off days of long ago
When dragons ruled the land.

Then someone had a wise idea:
King Arthur and his Knights.
They travelled round the countryside,
And held great dragon-fights.
Each dragon's heart was split apart,
So triumphed Arthur's band;
And now no dragons linger
Any longer in the land.
This is a poem from my children's storybook, "Not Ordinarily Borrowable".  Let me know if you'd like to know about it (or just ask Google).
Thomas Thurman May 2010
Tell me, O shell,
what have you heard?
Into my ear
floats the cry of a bird,
and also I hear
pebbles, sea-stirred.

Tell me, O shell,
what did you see?
Into my eye
floats a glimpse of a tree,
a palm, on an island,
surrounded by sea.
I wrote this in 1985, when I was ten.  There were about eight stanzas, and my adult self has cut the bad ones.
Thomas Thurman Nov 2010
"Is there anybody there?" said the caller,
"Six ten eight oh one two four three nine?"
And his ears attuned to the empty hum
Of the long-forgotten line;
And an LED on the handset
Flashed, for a moment, red,
And he dialled the number a second time:
"Is there anybody there?" he said.
But no one replied to the caller,
No sound but the dialling tone
Came drifting into his waiting ear
As he held that haunted phone;
But only a host of phantom listeners,
Of spectres weak and strange
Stood hearkening to that human voice
That echoed around the exchange;
And he felt in his heart their strangeness,
And his heart was afraid and nervous,
With his hand on the final digit
Of that number not in service;
For he suddenly tapped the receiver
And spoke on that line of dread:
"Tell them I called, and no one answered,
That I kept my word!" he said;
Ay, they heard him replace the receiver,
And his mumbled cursing later,
With the usual subdued but enthused delight
Of the switchboard operator.
(This is a parody of "The Listeners", by Walter de la Mare; you should read that first.)
Thomas Thurman Jun 2010
Four and twenty ladies fair
attend St Martin's Hall.
And out then came fair Janet,
the fairest of them all.
She told me of her father's gold
as if it was a joke,
I saw no others laughing there,
and ordered *** and Coke.
She told me of her sculpture course,
and asked to write a ballad;
at such a form in moneyed hands
I choked upon my salad.
"I'll see what I can do", I said,
"to satisfy your itch,
but ballads are a pauper's form,
not open to the rich:
You wanna write in the common metre?
You wanna write how common people write?
You wanna make repetition sweeter?
You wanna churn out ballad stanzas all night?"
Well, what else was in sight?
I smiled and said, "All right."
With apologies to Tam Lin, and Pulp.
Thomas Thurman May 2010
A little FISHY saw a smile,
And curiously, he followed;
He knew not 'twas a CROCODILE:
He very soon was swallowed.

The little FISHY cried and cried
To try and call his mummy,
Because he was shut up, inside
The CROCODILE's dark tummy.

The CROC had heard the FISHY's tears.
She pushed him past her liver
And through her heart, and out her ears
And back into the river.
I've read this on video at http://www.youtube.com/watch?v=CTm05cvINJs .
Thomas Thurman May 2010
My inside's on the out, the day I die,
Though (here and now) my inside's on the in.
Spread out like spirit butter on the sky,
the sunrise flaunts its colours in my eye
like all I'm not, sequestered here in sin.
My inside's on the out, the day I die,
yet here the world's outside and I am I,
divided from the cosmos by my skin.
Spread out like spirit butter on the sky
the clouds reflect my soul, the lights on high
are macrocosms matching what's within;
My inside's on the out. The day I die
is creeping slowly closer. By and by
will freedom of my captive self begin,
spread out like spirit butter on the sky.
And separated out, I still may sigh,
The waiting's brief, the barrier is thin;
My inside's on the out, the day I die,
Spread out like spirit butter on the sky.
Thomas Thurman Jun 2010
Electric sparkles in your touch,
the echoes of an amber god.
You fill my batteries with such
electric sparkles in your touch,
that Tesla would have charged too much
and Franklin dropped his lightning-rod:
electric sparkles in your touch,
the echoes of an amber god.
Thomas Thurman May 2010
The fall will unwind
the shrivelling day,
the works of my mind
the fall will unwind,
the key left behind
and longing for May:
the fall will unwind
the shrivelling day.
Thomas Thurman May 2010
Asleep in your bed
with the smoke of your hair
where dreams lie unsaid
asleep in your bed;
the fires in your head
who create and prepare
asleep in your bed
with the smoke of your hair.

The smoke of your hair
in your sleep, in your bed
is strewn through the air.
The smoke of your hair
from the fires within, where
new worlds will be bred:
the smoke of your hair
in your sleep, in your bed.
Thomas Thurman May 2010
I saw the ruddy sunshine growing wild,
I saw his smiling visage disappear,
the sky, once filled with luminance so mild
becoming dark with shadowings of fear.
The southern wind with angry violence blows
Olympus, perched on Atlas' shoulders' height
who quavers as the tempest's fury grows
and fills the air with thunder in his fright.
But, see! I saw the veil of darkness break
within the morning's rainwater dissolving,
and see! I saw the daybreak's glory take
its former ground, back to its heights resolving;
and to the sky I wondered, "Who can say
if such a change as this lies in my way?"
This is my translation of *La tempestad y la calma*, by Juan de Arguijo (1567-1623).  My Spanish is very basic, and I was mainly working from someone else's translation into English prose.  The original is at http://es.wikisource.org/wiki/La_tempestad_y_la_calma .
Thomas Thurman Oct 2010
This is the poem with something to say
that shows you the human condition.
This is the poem both deep and banal,
a triumph of juxtaposition.
This is the poem they'll write on a plaque
to show I was born somewhere near.
This is the poem that folks will recite
whose minds fill with worry or fear,
a poem to take in a book to the park
and ponder for passing the time.
This is the poem that classes recite
for children to learn about rhyme.
This is the poem those children will learn
that sticks evermore in their head.
This is the poem they'll print on a card
for people to buy when I'm dead.
This is the poem that changes mankind,
and teaches the world not to fight.
This is the poem that stands in the place
of one I intended to write.
Thomas Thurman May 2010
I have no patron saint. But if I should
I doubt that Doubting Thomas would be him.
Though well he worked with what he understood,
I cannot emulate my eponym:
too squeamish still to press your ****** palms,
too cowardly to bear the cross you bore.
too blind to fall and sing believing psalms.
With other saints called Thomas, all the more.
   But then there's Thomas Cantilupe's career,
   So concrete: he was born in 1218,
   was chancellor of Oxford for a year,
   gave countless counsellings to king and queen
and years of selfless service to his see;
and lives today recalled by God, and me.
Thomas Thurman Dec 2010
St Henry was for Finland, and before he took the land
He wandered through Uppsala with a beer-mug in his hand.
For through his understanding of the Finns and what they are
If you should serve him sahti, it must be in a jar.

St Patrick was for Ireland, and before the snakes were out
He ate a steak, and washed it down with pints of Guinness stout.
For since he was from Ireland, people shouldn't make mistakes:
Unless you give him Guinness, then you mustn't give him steaks.

St Louis was from France, and before he was the king,
He bought champagne and cheeses and he ate like anything.
For since he was from France, I must say it once again:
Unless you give him cheeses, then there must be no champagne.
This is all extemporisation on Chesterton's poem "The Englishman", about St George, which you can find online.

p.s. I know St Patrick was not from Ireland, so don't worry about telling me.
Thomas Thurman May 2010
To sleep next to you
when the weather is cold
is trusted and true.
To sleep next to you
is decades from new
yet it never grows old
to sleep next to you
when the weather is cold.
Thomas Thurman Sep 2010
Ah, would I were a German!
I'd trouble my translator
With nouns the size of Hamburg
And leave the verb till later.

And if I were a Welshman
My work would thwart translation
With ninety novel plurals
In strict alliteration.

And would I were Chinese!
I'd throw them off their course
With twelve unusual symbols
All homophones of "horse".

But as it is, I'm English:
And I'm the one in hell
By writing in a language
Impossible to spell.
Thomas Thurman Dec 2010
See you our server farm that hums
And serves HTTP?
It's spun its disks and done its sums
Ever since Berners-Lee.

See you our mainframe spewing out
The Towers of Hanoi?
It's moved recursive discs about
Since Babbage was a boy.

See you our ZX81
That prints the ABCs?
That very program used to run
With Lovelace at the keys.

Magnetic floppy disks and hard,
And tape with patience torn,
And eighty columns on a card,
And so was England born!

She is not any common thing,
Water or Wood or Air,
But Turing's Isle of Programming,
Where you and I will fare.
A rather silly homage to a rather lovely poem in Kipling's "Puck of Pook's Hill".
Thomas Thurman Jun 2010
Two creatures' eyes have seen the sun,
and now their lids are filled with dust.
But if their eyes were blue, or brown,
I cannot tell, and yet I must.

St Claire's an Amiable Child
who sleeps secure and snug as Grant,
but who can tell me of his eyes?
(The city parks curator can't.)

And Johnson had a cat named Hodge
who fed on oysters, and was fine;
his coat was black, but not his eyes,
whose shade I cannot now divine.

Two creatures hold me in their gaze,
and thoughts of it I can't dislodge:
the nature of your eyes, my friends,
your sleeping eyes, St Claire and Hodge?
After Edward Arlington Robinson.  I make no claim for this to be good work; it just turned up in my head this afternoon.
Thomas Thurman May 2010
With mind in neutral on the train today
I thought about a poem that I'd seen
ten years, four thousand miles, a life away
inside a cheap religious magazine.
The rhymes were forced, the metre was a sham,
the metaphors far-fetched and rather trite,
the feeling shallow-told, yet here I am
remembering the words again tonight.
    I wrote another poem, as a kid:
    another paper bought it for a prize.
    Ten thousand pairs of eyes saw what I did.
    I wonder if, from all those pairs of eyes,
still, somewhere on this planet, I might find
some reader with my poem in their mind.
Thomas Thurman May 2010
Within this world, there waits a patient wood
that longs for recreation by your touch
to fall, be sold, be sawn, and seen as good.
Its oaks have pinned their hopes to suffer such;
its maples dream as much as they are able,
and every aspen whispers to itself:
they pine for you to bring them to the table,
or give them self-assurance as a shelf.
   Then there's yourself.  The elements essential
   within the raw material of you
   are scintillating stock, with star potential;
   still, steadily you work, and make them new.
And beauty's born, no matter where it lies,
for all the world reflects behind your eyes.
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