It eats at me, this singular question. It repeats in my head, over and over—how can I desire what I already possess? I look at the books on my shelf and the coffee table, and I want to love them completely. I want to never buy another book. I look at the TV, a moderately sized HD set already obsolete, but what a fantastic machine it is, and though I've owned it for years, can I desire it? Or do I want something larger, something 4K? I'm trying to desire the objects I own, so when the day comes, when my singularity comes to an end, and I'm waiting for Her to come home, I will be lovesick, anxious, feverish, pure in my desire.

I've been in relationships and fantasized about one-off affairs. I've had one-off affairs and fantasized about something whole, something reliable.

This TV is watchable and this book is readable.

I think a woman is inherently better at desiring what's in her possession. She gives life, she creates, she's given to infrastructure, and future-building. A man destroys. A man conquers. A man stands in the corner of a room with a drink in his hand and recounts his destructions and conquests. You're a woman. Can you tell me how it's done?

The berries are poison berries, the boy said.

What kind of poison?

Bad kind.

How do you know?

Mom told me.

Dare me to eat one?

Yup.

It don't taste like poison.

What does poison taste like?

Worse than this.

I want some.

How poisonous is it?

Mom says it'll **** you.

Then why'd you eat one.

I want to go to heaven.

I thought they were a little poison, like make you **** funny poison.

I figure if I want to make it to heaven this is the only way.

I can't believe this. You didn't say anything—

Bible says all children go to heaven because they is innocent.

I'm going to throw up. You just put your finger on your tongue, right?

Further back. To the tonsil thingy.

It's not coming. I can't. I can't. This—I didn't feed the dogs.

Don't worry about the dogs. We're going to heaven.

Bible doesn't say that.

Preacher does.

Well.

Preacher said it's impossible for a rich man to go to heaven, pretty tough for a fat man—on account of the way being so narrow—and just plain hard for everyone else. The only one guaranteed is kids.

I haven't even kissed a girl.

You're not missing much.

I've only kissed Mom.

Yeah. She kisses okay.

What if the kids aren't innocent?

Kids are always innocent.

I feel funny.

Me too.

But what about kids that do bad stuff?

Like?

You know, fighting and cussing and stuff.

They don't know better. Free ticket to heaven.

Huh.

My tummy is making put-titter-put noises.

What if a kid slayed another kid? You know thou shalt not slay.

I didn't slay you.

I'm just asking.

I wouldn't slay.

You didn't tell me these berries would **** me. Seems the same as slaying me.

Throw up.

I tried.

Let me help you. I ain't losing my free ride.

Geez. You're hurting me.

Throw up.

I can't.

I'm going to punch you.

Don't punch me.

Throw up.

You punched me.

I'm going to do it again.

No.

Throw up.

You punched me again.

Let me try cramming my fingers down there again.

Ow.

If God chalks this up to slaying.

He will.

I'll find a way.

A way?

To heaven.

She ***** on a milkshake through a metal straw. Strawberry.
The place, Tom's on Western, is bare. Ash falls outside. It's
sticking to the glass windows. Glass and steel frames
and white paint and white chairs and ash outside.
A taxi cab goes up over the curb. A black woman in a headdress
gets out and tosses money, red money, blood money.
I'm here too sitting by the bathroom, noting the length
of Strawberry Milkshake's boy shorts. Is this objectification
or object reduction or reverse personification?
The siren in the distance winds down, sounds like it's melting.
Do sounds melt? She, Strawberry Milkshake, doesn't
seem bothered by what's going on outside. I want to sink
my teeth into her shoulder. Ash sticks to the glass, and a
kid, eight or nine, runs by, newspaper up over his head.
He's crying. I can see this, but I don't hear this. Water
starts leaking then pouring then falling in sheets. Ceiling
tile and insulation float at my feet. Strawberry Milkshake
pulls her wet hair back into a ponytail. I clear my throat.
She raises her *******. I walk over and tell her
there's this song she reminds me of. And a bomb hits just
down the street. There goes the glass, crashing all around
us, slicing past forearms and skipping through empty space.
The steel frames bend. She puts her hand to my face. My
face becomes her face, her hand my hand. She and I half-hum, half-sing
"Oh Destructo, you're so destructive. You're so destructive to me."