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Terry Collett Apr 2015
We sat in Victoria Train Station
watching the steam trains
coming and going
on the platforms

and watching passengers
getting on and off the trains
and wondered where
they had been or where

they were going
I'd liked to go to Scotland
Lydia said
see men in kilts

and eat haggis
and see Edinburgh Castle
maybe you will one day
I said

get a train
and off you'll go
can I go from here?
she asked

no Kings Cross train station
I said
can we go there next time?
she asked

sure we can
I said
I watched a man
in a bowler hat

rush past us
as we sat
on one of the seats
on the platform

he looks in a hurry
I said
wonder where
he's off to

to his office I expect
Lydia said
come from the country
maybe up here to London

the man had a brief case
black as soot
and he was rushing
like he had the squirts

I love the smell
of the trains
Lydia said
the sound of the steam

pushing out everywhere
me too
I said
I breathed it in

like it was perfume
I was sniffing
what did your mum say
when you said

you were going
to Victoria with me
this morning?
she said what are you

going there for?
to watch the trains
I said
and she said

what a queer couple
we were
she didn't know other
9 year olds who'd want

to watch trains all day
and my brother Hemmy
said we were queer
and went off laughing

then Mum said
you be careful of the trains
and don't fall off the platform
I wondered why she

gave me a funny look
this morning when
I called for you
I said

she nodded
and we watched more
trains coming and going
and she talked

of her sister
and her sister's boyfriend
sleeping in her room
and she being stuck

in the cot bed
which was
too small for her
and how her sister

and her boyfriend
made giggling noises
in the dark
and other sounds

let's go get a glass of milk
and share some sandwiches
I said
so we walked along

to the main part
of the station
and bought two
glasses of milk

and ate the sandwiches
my mother had made
and sat on one
of the seats

and watched the trains
coming and going
and saw one woman rushing past
with her white slip showing.
A BOY AND GIRL WATCHING TRAINS AT VICTORIA STATION IN 1958
Terry Collett Apr 2015
The view was good from the hotel window the beach the skyline the hotel area with palm trees placed here and there and the swimming pool and the people around it some lying in sunbeds or in the pool swimming or standing talking one or two walking around in bathing trunks or bikinis Benedict stared down at the girls measured with his eyes sizes and heights and age yes that was important some looked younger than they were some were aged but didnt look so from where he stood what you looking at? Abela asked from the bed lowering the book shed been reading making the most of the scenery he replied dont get this view where we live quite picturesque isnt it she said better than the postcard view in the brochure he watched one of the girls walk to the edge of the pool stretch her arms out and dive into the water and splash she resurfaced shaking water from her head like a dog her hair flowing about her head come back to bed Abela said you need to rest before our evening out into town and you know how tired you get unless youve rested well he watched the girl pull herself out of the water her bulbs visible as she moved forward her thighs were fine and a nice **** tight he thought as she turned towards the pool again come on Abela said the view cant be that good ok he said turning away from the window as the girl dived in again he walked back to the bed and lay beside Abela who had the book in her hand and before her face reading he lay there his head on a pillow staring at the ceiling and the fan going slowly around and around Im here now he said how about it? about what? she said lowering the book us now you know relaxing after a bit of exercise what exercise? she asked the kind of exercise that we do in unison he said if you mean *** the answer is no not now Im not in the mood besides Im at an interesting part of the book he sighed and looked at the fan again you must rest she said take a chance to sleep then maybe after out evening out we could exercise she said putting the book in front of her shutting him out he closed his eyes breathed in the scent of her body the sense of her beside him the slight movement of her body vibrating in the bed as he lay the first time hed had *** with her was by surprise not planned one of those things that happened when it didnt seem on the cards theyd just closed up shop after the last customer and had totalled up the till and she went up stairs to make sure no customer had been left in but it was empty the beds and bedroom furniture was as it should be except Benedict was laying on one of the beds by the window what you doing? she asked trying out the bed he replied and? what's it like? she asked come and try he said patting the space beside him on the bed she walked over to the bed and looked at him Ive not got time for testing beds now she said chill out he said patting the bed she sighed and lay beside him on the bed she lay back and felt the mattress beneath her and bounced a little seems good she said running a hand along the surface he turned and faced her she looked around at him it's good she said wish I could afford to buy it and not just sell it need to have a honest feel about things here he said studying her features honest feelings? she said well he said most people buy a bed to sleep in but also to make love in so? she said well how can we say its good bed when we dont know what its like to have *** in? we just say it she said they take our word for it dishonesty at the extreme he said thats business she said she turned to face him they stared at each other he taking in her bright eyes and snub nose and round chin and jawline she took in his hazel eyes moustache and quiff of brown hair and that smiling eyes we must go she said need we? he said yes Ive got to get home as Im out tonight she said who with? he asked friends of mine from college and school he smiled youre quite a beauty Ive not noticed before just how beautiful you are she looked away from him and looked at her wristwatch look its getting on she said we could try the bed out he said we have tried it out she said not love making we havent he said are you suggesting we have *** here now? she said her eyes wide I havent suggested anything he said just thought what kind of girl do you think I am? she said never gave it a thought what kind of girl you were he said well Im not the kind of girl to have *** just like that she said and saying that Im beautiful wont wash with me they lay looking at each other he gazing at her eyes blue or green he couldnt decide she looked at him there that brown quiff of hair and how could she come up here the next day and not see them on the bed having ***? it wasnt on but she lay there sensing an urge opening within her like small bud widening as if water had touched and brought to life but she she could she? she tried to push it from her thoughts the image of them there having *** and he was laying there gazing at her and o why did he have to suggest such a thing she lay on her back and said the bed seems so good for sleeping on seems a shame not to know what its like to have *** on doesnt it? my sentiments too he said she got off the bed and began to undress and he after watching for a few moments began to undress too the upstairs furniture room now seemed transformed seemed smaller the window above the bed showed late afternoon sky a few sounds outside of passing traffic  she had undressed completely he had also following her example got to do it right she said no clothes makes it seem more natural as if it were an experiment rather than a sordid affair he looked at her standing by the bed hed not seen her like that before hed only imagined her like that in the few moments at work when not busy now there she was the small but tight **** the dark brush the thighs shall we? she said and lay down in the bed he lay there beside her she put a hand on his chest and he opened his eyes and she said see you needed that rest now we can get ready to go out he rubbed his eyes as she got up from the bed but he kept the image of her inside his head.
A MAN  AND WOMAN ON HOLIDAY IN 1972.
Terry Collett Apr 2015
Where've you been?
Enid knew her father
would ask her that
once she got in

-I can't lie to him
she told Benny
after they came out
of the cinema
then create
another truth
he said
another truth?
she asked
sure another place
you can go to
be your truth
what other place?
she asked
the church
on the New Kent Road
say you've been to church-

I've been to church
Enid said

her father choked
on his cup of tea
church?
you're lying
he said

no went in the church
she said

-and she had
Benny took her there
and she entered-

what church?
he asked

St Mark's
at the top
of Meadow Row

her father
eyed her darkly
what you do
in church?

I prayed and looked
at the coloured
glass windows

-she had prayed
and gazed
at  the windows
of colour-

what do you have
to pray for?
her father asked

her mother eyed
her husband
be rid of you
I would think
she said

her husband
eyed her
you want another
black eye to match
that one?  

who'd you go
in church with?

-Benny let her go in
alone just in case
Benny said-

on my own
she said
confident
in her truth

he looked away
from her

anyway
he said to his wife
I said to this guy
you want the **** car
or what?

and her father
lost interest in Enid
and she walked past him
and into her bedroom
and shut the door

Benny'd been right
about truth
create one
and stick to it
like glue
it was right
she mused
hearing her
father's voice
from the other room
it was true.
A GIRL AND HER TRUTH AND HER BULLYING FATHER IN LONDON IN 1957
Terry Collett Apr 2015
I wait until
Enid's old man
has left the flats

feeling a bit brave
I walk up stairs
to their flat
and knock at the door

her mother answers
and she has a black eye
and says
what you want?

I need to see Enid

what for?

it's Saturday
I want to go with her
to the flicks

flicks?
she says frowning

yes cinema
see the morning matinee

she looks past me
as if she's seen
an angel behind me

is her father around still?
she asks me

no I saw him go
just now

make sure he's not
doubling back
he does sometimes
just to be a cuss
she says

so I look over
the balcony
look into the Square

well?
she murmurs

no he's gone
he looked in a hurry
when I saw him
I say

Enid!
her mother says
in a harsh call

she turns
and gazes at me
her eyes dull
the black eye closing

what's he do  
for a side show
I say

what?
she says

your old man
what's he do
for a side show
apart from hitting
you and Enid?

ENID
she bellows

I look back at her
as cool as
a young boy can
brushing my
brown quiff of hair
and glazing over
my hazel eyes

Enid creeps out
and stares out
from beneath
her mother's arm

what is it?
Enid asks
looking at me
then up at her mother

the boy wants
to take you
to the cinema
her mother says

I can pay
I say

Enid says
can I go?

her mother sighs
don't tell your father
you've been
you know
what he's like
she says

do I have to lie
if he asks me
where I've been today?

her mother bites
her lip
slightly swollen

sure you do
I say
lie your head off
tell the schmuck anything
but the truth
I tell her
the truth
he isn't worthy of it

her mother
opens her mouth
to speak but it
remains as
a mouthed O

her mother looks
past me again
you sure he isn't
coming back?
she asks

I look over
the balcony again
no he's not
coming back
I say

ok ok
she says
and she says Enid
can go

so I wait
a few minutes outside
while Enid gets ready
and her mother
stares at me
then the sky
as she brushes her lip
and rubs her eye
closing up
like a dark plum

then Enid comes out
dressed in a blue dress  
and her hair brushed
and we walk off
down the stairs
of the flats

she's silent
but excited
and I look down
the stairs ahead
hoping her old man
isn't coming back
as he does sometimes
to catch them out
and commit more crimes.
A BOY AND GIRL AND A CINEMA DATE IN 1957 IN LONDON.
Terry Collett Apr 2015
Snow drifted by. Snow drifted by the large window of the locked ward of the hospital. Yiska watched from the black sofa in the main lounge. White and pure. Cold and white. White as her wedding dress she wore to the church, but he never showed, and she stood at the altar alone. She watched the snowflakes drift. His best man brought a message: he couldn't go through with it. She refused to removed the wedding dress. She wore to bed that night and next day and only after someone injected her to sedate her was it removed and she woke up in the locked ward of the hospital. She wrapped the dressing gown about her. The snow seemed to be getting heavier. The hour was unknown to Yiska, but the night nurse was in her small office, writing notes. Other patients still slept in the dormitory; men in theirs and women in theirs. She could hear their snores or moans. Her wrist was bandaged where she'd slit it a few days before with a knife liberated from the meals wagon which came twice a day with meals. The nurse who stitched her up said it was just as well it was vein and not an artery as it would have been worse. The wound was sore. She sensed it still each time she moved her hand. Benny walked from the men's dormitory across by the night nurse's office and into main lounge. He walked to the window and peered out. How long has it been snowing? He asked. It was already coming down when I came in here a little while ago, she replied, looking at him standing in his nightgown and slippers. Peaceful looking, he said. He turned and gazed at her on the sofa. How's your wrist? She looked at her bandaged wrist. Sore. He looked past her. No one else up yet then. No, thank God. He sat down next to her and pulled the nightgown tight about him, tucking in the ends as he had no belt. Cigarette? He asked. She nodded. He took a packet from his nightgown pocket and offered her one and took one himself and lit both with a plastic lighter. She inhaled deeply; he inhaled half heartedly. Where'd you get the lighter? Same place I got the ciggies: one of the day nurses left them behind by error I assume. Why the slit wrist? Mistake. He raised his eye brows. Only a vein, not artery, apparently. Bit like your hanging attempt, she said, eyeing him through the released smoke from her cigarette. Second attempt, he said, exhaling slowly through his nose. How's your *** life? He smiled at her words. Same as yours, I expect. She inhaled and looked at the drifting snow. I ought to have been on my honeymoon a few months ago, she said, not looking at him, but at the snow flakes drifting by. Had the ******* showed that is. Benny looked at her beside him. She smelt of apples. He caught a glimpse of thigh as she moved her leg and moved the dressing gown. Why'd he not show? Because he's a cowardly *******. Did you notice he wasn't keen? He seemed up for it. But wasn't? No I guess not, she said turning her head and staring at Benny. She sighed and inhaled the cigarette smoke. He smoked deeply and sat and gazed at the snow. She put a hand on his leg. You're the only one here to ask apart from the quacks. He turned and gazed at her. He placed a hand over her hand. Two lonely people drifting in an open boat, he said. On a rough sea, she added. They sat and held hands and looked at the snowflakes passing the window as they smoked. Once the cigarettes had been smoked, they stubbed out the butts in an ashtray. She kissed him on his cheek. He kissed her lips. They parted and sat gazing around the lounge of the locked ward. No where to be alone, she said. Unless, she added, looking at him, we go in the shower room. He looked at her. It can't be locked. No room here locks apart from the doors leading into the ward itself. Who cares, she said, no one will be up yet. He looked towards the passage. What about Florence Nightingale? She won't know or care. She seldom leaves her office, Yiska said. Do we dare? He asked. To eat a peach? Or walk tiptoe on the beach? She said.  She took his hand and led him along through the long corridor to the shower room silently as they could walk. He sensed her hand in his. Warm and soft. They reached the door of the shower room and entered in and closed the door after them. It wasn't very big, but it seemed sufficient room if they set down just right. Turn off the light, she said. He pulled the cord. Dimness surrounded them, light from the corridor let in a vague light to part the darkness. She kissed him and held him close. He embraced her to him tightly. She lay down on the floor of the available space and lifted her legs and pulled him down between her. She kissed him before he could say anything. The space was cramped. He felt hemmed in; he couldn't stretch out his legs, but knelt there, hands on her hips. Pressing on her lips. She sensed the sore wrist, an ache in her back, a cramp in a thigh. Can't do it, he said, too ****** cramped. She nodded and said, we might if we're quick. She wanted to kiss again, but her thigh stiffened and she said, I got to get up, cramp. He tried to lift himself in the small space. Treading by her hip and one foot hovering over her visible ******. He placed the foot on the small space of floor and stood up against the shower door. She pulled herself up by dragging herself up by his arm, her wrist sore as hell, blood seeping through the bandage. She rubbed her thigh vigorously with her other hand. Shall I do that for you? He asked, peeping out at the corridor. No, you'll turn me on more and there's no room, she said, rubbing the thigh, biting her lip. Blood seeped more through the bandage and he lifted her arm up. They kissed. They heard a voice coming down the corridor, the pitter-patter of shoes on the floor. They parted and held their breath. The night nurse walked by to the toilets next door and closed the door behind her.  They stood in the dimness kissing, she rubbing her thigh, he holding her ****** wrist right up high.
TWO PATIENTS IN A LOCKED WARD IN A PSYCHIATRIC HOSPITAL IN 1971.
Terry Collett Apr 2015
YOU DID WHAT?
Janice's gran shouted
I fired a bow and arrow
Janice repeated

fired a bow and arrow?
Janice nodded
she wasn't going
to repeat it again

she knew her gran
would go off
the deep end
if she told her

but she couldn't
tell a lie
it was too complex
and required

a good memory
but when her gran
asked her where
she'd been and what

she'd been doing
she had to tell the truth
even if  it meant
a spanking

where about?
Gran asked
the bomb site
on Meadow Row

Janice said
doubling her chances
of punishment
what have I told you

about bomb sites?
not to go there
Janice said timidly
who were you with?

Gran asked
eyeing her grand-daughter
with her beady eyes
Benedict

Janice replied
Benedict?
and it was his
bow and arrow?

Janice nodded
and does his mother
know he has one?
yes she gave him

the money for it
Janice said
her gran sat down
on a chair

which indicated
that punishment
was coming
and where did you

fire the arrow?
at a wall
Janice said
what wall?

Gran asked
of a bomb out house
Janice informed
her gran looked

at the floor
then up at Janice again
and why a wall?
Janice hesitated

then said
Benedict drew a man
on the wall
with a head and heart

to aim at
drew a man?
her gran said
with chalk

Janice added
her gran sat back
in the chair
her hands on her knees

Janice knew now
punishment
was certain
and wished she could

stretch the truth
as Benedict was able
her gran sighed
and gazed at her

well you've told the truth
can't punish you for that
but don't do it again
or next time

you'll know
what to expect
Janice took in
a deep breath

and nodded her head
as Gran got up
off the chair
and gave her a sturdy stare.
A GIRL AND HER GRANDMOTHER AND TELLING THE TRUTH IN 1955.
Terry Collett Apr 2015
You see a blue tractor pushing through deep snow in a far away field and trees laced with the whiteness of the recent fall and ignoring the babble of voices behind you you peer up at the dull grey sky and the chill makes its way through your body’s flesh and bones as you stand in your nightdress and bare feet because they don’t trust you here in the asylum with laces or belts or anything you could hang yourself with what with the last thing you did in the female john with the dressing gown cord around your neck tied one end to the high up flush system and the other around your pretty neck and if it hadn’t been for some nosy patient giving the game away and screaming at the top of her voice like some demented cow bringing the white uniformed nurses racing to your unwelcome rescue you’d be swinging your way to some paradise by this time or not so but now you stand by the window peering out with a cigarette in your mouth and your hands behind your back and your head leaning to one side as if some string had broken in the neck of a puppet and you trying to forget the memory of Bates and his leading you on and down into the dark depths and all that pumping of ***** and needles and that moon that you recall shining down on you as you lay on the grass your head about to explode into a thousand shapes and colours and sounds and the heat there uniformed and not so over you looking down their words lost in haze of Hendrix and guitars and all you wanted then was to slit your wrists and lay in a bath of warm water and go meet Jesus if He allowed but the heat boys had other ideas and the stars were all over the place and you talked of each note of music being still out there somewhere racing through space each tone and half tone each blues note easing itself through the space of time and you and your mind and the heat boys just looked on and smiled and thought no doubt she’s on a trip to nowhere let’s get her to the A& E of salvation and they did you recall and their words and touches were of kindness and not of lust or *** or that fecking ***** that some deliver to you remember out in the real world if real it is and who the heck knows anymore and as you stand by the window looking out at the snow and field and tractor and trees Sassy comes upon you with her arms around your waist and her lips on your neck where the scars of a failed hanging show mild red and none of the nurses are looking in your direction too busy in their work to see you and the dame with her lips ******* your neck and her hand feeling your ******* and even if your ******* is on hold what with the stress and such you don’t feel much for the loving touch she wants to give remembering Bates and his strong fingers and his tongue like some viper licking and you turn away from the window seeing her eyes and smile and her hands held out to her side like some Crucified waiting for the nails and hammering and the goodbye words and far off you hear the morning birds and feel the emptiness open wide to swallow all and each and whatever it is you want hidden or lost or seek just yourself within the walls of your mother’s womb and there to hide.
A WOMAN AND HER MENTAL ISSUES.
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