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Terry Collett Apr 2015
Look at these
I show her
in my palm

three marbles
blue and green
and one red

Helen pokes
with finger
turns over

and over
then she stares
through thick lens

of glasses
at the shades
of colours

beautiful
she tells me
standing back

her enlarged
girly eyes
look at me

I then move
the marbles
from my palm

to pocket
of my jeans
can I hold

one of them?
she asks me
sure I say

and get one
and place it
in her palm

a small palm
delicate
like a pink

rose petal
the marble
seems a gem

to her eyes
she moves it
with finger

round and round
red and pink
becoming

almost one
in her palm
she smells it

she rubs it
beautiful
she utters

you keep it
I tell her
as a gift

she lifts her
teary eyes
upon me

you mean it?
she mutters
sure I say

she kisses
the marble
and puts it

in the small
dress pocket
and leaves it

to nest there
like an egg
then we walk

slowly up
Meadow Row
to get chips

from Neptune's
for lunch time
to eat on

the bomb site
and I wish
as we walk

I was that
red marble
resting there

in the green
dress pocket
lying there
all unseen.
A BOY AND GIRL WITH A GIFT OF A MARBLE IN 1954. IN LONDON.
Terry Collett Apr 2015
When I pass
the office
where once

you worked,
my son,
I look up to see

if you are there
as once I use to do
before your

sad demise,
but you are not
of course,

just the windows
as they were,
emptier now,

less meaningful,
as one who looks
into a dark abyss,

remembering
the last spoken word
and final given kiss.
A FATHER TALKS TO HIS DEAD SON.
Terry Collett Apr 2015
Milka sat on the grass outside the farmhouse. It was a warm day and insects buzzed the air. Benny had just gone off on his bike; she hadn't wanted him to go, but he had  to be some place else and he had ridden off. Her mother had arrived and was carrying bags of shopping from the boot of the car into the house. She gave Milka a look as if to say: You could help, but said nothing, hoping that a look would indicate the need, but Milka looked back at the road hoping Benny would return to her. Although they'd had *** in her bed-while her mother was out shopping- she felt she needed him still, as if the *** had not been enough, as if her appetite was bottomless. The mother disappeared inside the house, then came out again to the car for more bags. You could help rather than sit there looking into space, her mother said. Milka got up from the grass and made her way over to the boot of the car and picked out two of the lighter bags and carried them behind her mother into the house and placed them on the kitchen table. Anything else? Milka said. Her mother looked at her and saw the stance of her daughter and how reluctant she seemed to be of any real use and shook her head. No, wouldn't want to put you out in anyway, the mother said. I can help if you want me to, Milka said. Make me a drink of tea, then, her mother said. Milka filled the kettle with water and put it on the stove and lit up the stove with a match, then put three spoonfuls of tea into the teapot. She took two cups and saucers from the cupboard and laid them on the top. Her mother put away the groceries and then sat down at the table and  watched her daughter going about the task of tea making. What have you been doing while I’ve been shopping? Her mother asked, you were in bed when I left. Milka looked at her mother. The kettle began to boil. She said, got up and washed and dressed and ate breakfast. Her mother's eyes scanned her. That all? Her mother said. Had she seen Benny along the road? Had she passed him? She gazed at her mother for any clues or maybe a hint as if her mother was testing her. Benny came for a while, Milka said, he's just gone. I know, I saw him along the road riding his bike, her mother said, he waved. The two females looked at each other for a few moments in silence. What did you do? Her mother asked. Questions and questions. As if she suspected. She looked at her mother's face. Took in the eyes. I showed him the baby piglets, Milka said, he thinks they're cute. She had shown him the piglets just before he'd left. After the ***. After the *** and while she was still damp and yet still hungry for it. He's a good boy, her mother said, I like him. I know you do. If only you were younger. Milka nodded and looked at the kettle boiling and whistling away on the stove. She put the hot water in the teapot and stirred the tea-leaves around with a spoon. He'd make a good farm helper, her mother said, shame he's otherwise engaged in that nursery work. Milka poured two cup of tea and added milk and sugar. She took both cups in saucers to the table and sat down. He has worked on a farm he told me, Milka said, when he was thirteen helping out after school. Her mother smiled. And sipped her tea. It'd be good if he worked here, her mother said, on the farm. Yes, you'd like that wouldn't you, having him about the place so you could fuss over him, wishing you were younger, wishing you were a girl again. Ask him, Milka said, knowing he wouldn't, knowing he was happy where he was. I will next time I see him, her mother said. Milka sipped the tea. She still felt damp and sticky. She'd go up and wash down later. She watched her mother sipping tea, looking at the table, thinking. If only you knew what we did earlier, you'd not think him so good. She moved her bottom on the chair, to get comfortable. The image of Benny in her bed was still stuck there in her head. Her arms around his waist. He entering her. She sighed. Her mother looked up at her. What’s up with you? She asked, studying her daughter closely. Stomach pains, Milka said, the first thing that came up in her head. Her mother studied her. Can't believe you're that age, her mother said, don't seem long ago you were pushing a dolls pram around the place. I'm fifteen and have the week coming up, Milka said, pulling a face. When I was your age I’d started work, her mother said. I will when I leave school in July, Milka said, secretly rubbing herself below. Time flies, her mother said, draining her cup of tea, must get on with the housework. She stared at Milka. You can help by tidying your bed and your room, she said. The bed. She had tidied it a bit after the ****** acts, but it may need proper seeing to. Yes, I'll do it when I've drunk my tea, she said, hoping her mother wouldn't venture in her room before her, hoping she'd not see any signs. Make sure you do. I've never seen such an untidy room, her mother said. If she'd seen it earlier it was a right mess. Seen us. At it.  She blushed. Her mother had gone. She felt herself redden in the face. What if she had returned early? What if she had opened the door? Her heart missed a beat. It seemed too surreal to think about. Where was Benny now? Seventeen and at work for two years and she wants him here working? If she knew. She went to the window and peered out. It was warm out and the sky was a brighter blue.
A GIRL AND HER MOTHER AND SECRETS AND DESIRES IN 1964.
Terry Collett Apr 2015
Benedict never
hit a woman
but he came close
when Netanya

threw a cup
at his leg
during an argument
and it felt

as if she'd
cracked a bone
and he rose up at her
and stood almost

in mid air
and stared at her
knowing that
had it been a guy

he would have
decked him
with a right
but it was she

who stood there
in her 5'3' height
and he fumed
through his nose

and walked away
and said
if you hadn't
been a woman

I'd have put you down
and she said
didn't mean
to throw it

at your leg
I meant it
for your HEAD
and that was it

he went into the garden
to cool down
and she lit up
a cigarette

in the kitchen
and inhaled death
into her lungs  
he lit up

and inhaled
what he could
of calming juice
and after they'd

cooled down
she came out
in the garden
where he was sitting

in an old deckchair
and she kissed his head
and said
if you'd been a woman

I'd not have kissed you
like that
and he said
if you'd not been a woman

but a kissing guy
I'd have knocked you
in the eye
and she smiled

and walked away
and that was it
for another day.
AN ARGUMENT BETWEEN MAN A WOMAN IN 1975
Terry Collett Apr 2015
You must practice, Yochana's mother says, you need to have the Schubert off better. Yochana moves her thin fingers over the keyboard, eyeing the music-sheet on the piano stand. Her mother walks behind her, eyes on her fingers' movement. Angela said some boy pays you attention, the mother says, focusing on the fingers, how they seem too stiff. What boy? Yochana says, pausing her playing, please to stop, eyeing her mother, thinking on the boy Benedict, the kiss he gave her on the cheek. Angela spoke of some boy at school in your class, the mother says, and play on, your fingers are stiff while playing. There is no boy, Yochana says, lying, but trying to do a professional job at it, but not that good as her eyes give her away, proceeding to get her fingers playing over the keyboard once again, bring the Schubert back to life. Then Angela is either mistaken or lying are you saying? Her mother says. Yochana says nothing, wondering how much Angela had said, and how much pressure Mother put her on the poor girl. I've told you about boys, you have no time yet for boys, not while at school at any rate, and it then needs to be the right boy, and I cannot see there being that kind of boy at that school, the mother says slowly, but with emphasis on the word -right boy-, and still the firmness in the way of speech. Yochana comes to the end of the Schubert piece and puts her hands in her lap. She sits stiff. She hears her mother breathing, pacing behind her. Still too stiff in playing, she says, and this boy and I assume there is a boy or Angela would not have mentioned one and I do hope you are not taking to the art of deception, Yochana, as you do not have that skill to any great degree. Yochana turns and looks at her mother. Just a boy in class and it's nothing, she says, never going to mention the kiss on the cheek, she thinks, eyeing her mother's eyes. And what is he up to, this boy? Nothing, just a boy in class who stare sat me. And why does he stare at you? Have you been encouraging the boy to stare? Yochana shakes her head. Her dark hair moves from side to side. Of course not, she says, seeing Benedict near her in her mind. So why does he stare? the mother asks, leaning over Yochana, her hands each side of the piano-stall on which Yochana sits. Maybe he likes to stare at me. Don't be flippant, the mother says, Angela says he seems too friendly with you. Too friendly? Yochana senses herself blush and tries to add distraction by turning and playing a few bars of Beethoven, he's just a boy who stares and jokes. Then discourage him, the mother says firmly, or I will write to the Head and complain. I do discourage him as best I can, she lies, bringing the Beethoven along fiercely. A slap drives her hands from the keyboard and into her lap where she digs them deep between her thin thighs. Don't try and distract me my girl or you will  be pushing me to my limits and you know what that means, the mother says. Yochana looks down at the keyboard, senses the sting of pain on her hands. She nods. I will ask Angela to keep an eye on this boy and you it seems. Angela and her big mouth, Yochana muses, looking at the motionless keyboard, black and white keys. She sees Benedict kissing her again on her cheek just out of the blue that day. It was sudden. Smack on the cheek. Damp, warm. He standing there smiling. She stirred up, but pretending not to be. Understand me? Her mother says, turning Yochana around to face her, gazing into her daughters eyes, through the thin wired framed glasses. Yes, I understand, she says, trying not to look at her mother, attempting to hide her tears coming, the sting of hands. Then go to your room and focus on the English work, otherwise you will get behind with that and you will need that if you are to make anything of yourself at that school, her mother says, standing back allowing room for her daughter to rise up from the piano stall and move. Yochana walks away from the piano looking away from her mother, her eyes watery. And remember, girl, you are only fourteen not twenty one, still a child, the mother says at her daughter disappearing back. Yochana says nothing, but walks out of the music room and up the stairs, one foot climbing after the other in a slow determined fashion. She knows what her mother is implying. She remembers how strict her mother can be. She walks to her room, opens the door and enters, closing the door behind her and leans against it. Tears fill her eyes. Angela's big mouth. No doubt innocently said. Mother pushing it. Squeezing all she could out of the dim girl until it had all she needed. I'll see Angela and have a word. Keep it quiet. Mouth shut. Or I'm for it, I'll tell her, Yochana  says to herself, moving away from the door and picking up the English grammar and lies on the bed. That sort of boy. That kind of school. Was Benedict that kind of boy? What kind was he? She didn't know. Not her mother's idea of a right type of boy. Kiss on the cheek. She felt her cheek where she recalls he kissed her. Fingers feel there. The sting in her hand is still there as she moves her fingers. She puts the English grammar book beside her on the bed and closes her eyes, pushing out tears. She places a hand to her cheek. Rubs it. Takes the fingers from her cheek and puts the fingertips to her lips and kisses, then slowly blows the invisible kisses towards the window, hoping to God her mother doesn't see the invisible kisses flyby and go.
A GIRL AND HER MOTHER AND THE BOY IN 1962.
Terry Collett Apr 2015
There was a knife fight
in Stockholm the night before
and next morning
Dalya says to me

did you see it?

yes I was a few feet away
just broke out
like a struck match
two guys near me
began pushing
and one drew a knife

what did you ?

sold tickets

no really ?

nothing I just moved out
of harms way
and wondered what
it was about
there was a dame nearby
so maybe they
were fighting over her
I say

was she screaming?
Dalya asks

no she was saying
stop it
and don't be fools
and such words

and did they?

no they kind of
encircled each other
then a siren went off
and cops came
and they melted
into the crowd
and I walked on
to the nearest bar
for a beer and smoke
where were you?
I ask

looking for you
you weren't where
you said you'd be
I met that Polish
mother and daughter
and we went off
in the city and yes
it was ok
but I wanted
to meet you
I couldn't invite them
into my tent could I?

guess not
anyway we can
go off today
in the City
and maybe I can
enter your tent tonight
now the German girl's
gone off
with the Aussie
I say

I'm promising nothing
she says

so we went into the City
on a bus about 10
and I felt
like a prince
amongst men.
A MAN AND WOMAN IN A STOCKHOLM BASE CAMP IN 1974.
Terry Collett Apr 2015
Elaine walked home with her sister after getting off the school bus she had looked up as the bus drove off and stared to see if John was looking and he was and she smiled or she is sure she did smile then after the bus had gone she wondered if she had smiled or not or whether she had imagined she had done so her sister walked on chatting about her day Elaine just listened as much as she thought she ought but deep down she was not interested in her sisters day she was more concerned about John and how he had talked to her and named her after a butterfly but now she had forgotten the name of the butterfly was it Peacock or whatever she couldnt recall and did it matter? no it didnt stay in her mind the name so it couldnt have been important  at all she thought looking past her sister at the trees and the hedgerow which they walked past when they entered the house her mother was in the kitchen preparing the dinner her sister talked to her mother about her day but apart from saying hello and yes she was all right Elaine walked up the stairs to her room and shut the door and put her school bag on the floor and walked to the window and stared out at the garden and the trees and birds in the air and she thought of John and his talk of birds and how he sought out their nests not to invade or destroy but to study and see what nest it was and how many eggs and what was the name of the butterfly he said she was? she couldnt recall and looked back at her bed at the neatness of it after her mother had made and tidied up and her favourite doll lay next to her pillow she lay down on the bed and crossed her legs at her ankles and put her hands over stomach and stared at the ceiling white but with a spider black and plump settled in the corner by the window she hated spiders hated the way they settled there as if waiting for the lights to go out at night then creep along above her bed and then silently lower themselves down into her bed or head or on her pillow she thought of john how he had talked to her even though she had stormed off a while ago after the kiss he gave her and it had unsettled her but now she wondered if he would kiss her again and if he did how she would feel next time she sighed and looked at her feet at the shoes black and slightly scuffed and she knew her mother would tell her off for having her shoes on while laying on the bed she stared at the shoes then eased them off with one foot after the other the shoes falling to the floor and her feet just having the white socks on and she wiggled her toes and sighed and closed her eyes and wondered what John was doing now and if he was at home now and what he was thinking and was he thinking of her as she was thinking of him she mused trying to imagine him in her minds eye wondering if he would kiss her kiss her the Frump as the other kids called her at school he had once kissed her she embraced herself her hands on her shoulders crossed over her ******* imagining that maybe he would embrace her like that and hold her close to him and if he did how would she react and why did he blush so easily as she had when he seemed to take note of her she wanted to pretend he was there beside her now here in her room where she felt safe and here on her bed so she could hold him and he hold her but what then? kissing? and how would her body react to that? She didn't understand her body it seemed to act on its own like it did that time when he kissed her and her body acted almost independently of her heart plump faster and her pulse raced that day and O God she had thought sh'd wet herself  but she hadnt it was just a thing about him how he could affect so even if she didnt think her did he did she pulled the pillow from behind her head and held it close to her feeling it with her fingers with eyes still closed she imagined it was he there his body she was holding soft not firm she sniffed it it smelt of herself her shampoo her sweat her not him she held it against her ******* kissed the top pretending it was he whom her lips touched but it wasn't like him when he kissed her that day it seemed so soft like a feather touching but it was him his lips touched her so softly yet stirred her so much she hugged the pillow tighter yet hugging it made her feel uneasy what if it was him she was hugging where did things go from there she wondered what happened next when he had kissed her that day his hands had touched her back one hand moving over bottom and yet she wasnt so aware at the time of the effect it was afterwards after he had gone that she realized that he had touched her there or the maybe it was like a palm print there at least she imagined so was that what happened? was it touching too? where touching? O she pushed the pillow away from her and opened her eyes and stared at the pillow laying there white and soft and lifeless an aunt had said to her a while ago beware of boys Elaine they only want to get into your ******* and yet her aunt had never said why or what the boys were after and she hated being fourteen at times she wanted to be nine or ten again when thing seemed simple and her body did what it was told but now it seemed to do what it wanted and not what she thought it should she sighed and put the pillow under head again and lay on her side and stared at the wall her hands tucked between her thighs her mind full of what ifs and sad sighs.
A FOURTEEN YEAR OLD GIRL IN 1962 AND THOUGHTS ON A BOY AND HER LIFE.
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