Submit your work, meet writers and drop the ads. Become a member
Taylor Webb Apr 2014
you, child, are everything.

you are hope and love,
the hand of death,
the tar that swallows species.

you are the morning dew that glistens
and whispers rumors
about the end of the world.

you can be anything you want to be!
is the lie we’ve all agreed to murmur
in your eager, gullible ears

because we know, cruelly, you will believe us.

clasp your hands, child,
in those moments of fulgurant despair
when God seems almost real,
when He seems to stand over you,
all His divine hosts ready to proselytize you
in your moments of weakness.

clasp your hands, squeeze them tight,
fingernails biting into flesh,
because sometimes pain is the only certainty,

and remember the promise, child:
ignore the whiskey-soaked father standing over you
with the notched belt;
ignore the bleeding bread-crumb trails of dreams
left scattered in your wake;
ignore the miles-long nights and worries and grudges
and the abandoned i-wills and i-swears;
ignore the emptiness that swells in your chest until
you cry, alone, because yes, you are alone.

ignore the ceaseless tide of days
where you feel nothing.
do not worry, child: these are the side-effects of greatness.

you can be anything.
Taylor Webb Apr 2014
my heart
is a small room.
it is crowded, even just
by you,
because the walls are close
claustrophobic
and they seal you in.
i’m sorry if it’s uncomfortable—
it’s only that
i’m afraid
you’ll slip away and flee
on your fabled and bandaged feet
after you see
what’s inside
my heart.
Taylor Webb Apr 2014
gooseflesh bulbs on the satin of her skin
like early morning dewfall;
her lips slicken
with blurry, mascara-tinted tributaries
(**** it—she can’t even die pretty)
so the wind carries her
like litter,
a years-old newspaper
with no particularly interesting headlines,
from the 12th story window
in the cerulean dress she bought
just for the occasion.
the dead-end city lights bear witness
to her own dead end into five thick inches of concrete.
and with its downtrodden palms
the city blushes her cheeks with abrasions,
shadows her eyes with bruises,
tattoos her lunar body with its worn-out brands;
it takes her in.
and the ****** kid on his paper route finds her there,
and stops,
and stares,
and wonders,
and eventually lifts his sneakers back to the pedals
and keeps on biking,
because there she is, dead on the side of the ******* road,
and what the **** can you do?

— The End —