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#camelot
Where the white land is green and young but the songs still mourn for generations gone in the mists of waiting on the mountains across where life is hard and old where the fireplaces always burn marmots raise their noses by the elderly sitting there picnicking and painting the creeping broom and the round table beyond the camomile fields on the mound behind the heather walls and the fern hedges in the narrowdale that still are waving there on the helmets of drowned iron soldiers I muse about life and I eat chocolate at the camel river Today no mists on the hill where once stood the Lion Fort
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Sep 9, 2025
Sep 9, 2025 at 4:02 AM UTC
Camomile in my head
Merlyn, on His Birth by Michael R. Burch I was born in Gwynedd, or not born, as men may claim, and the Zephyr of Caer Myrrdin gave me my name. My father was Madog Morfeyn but our eyes were never the same, nor our skin, nor our hair; for his were dark, dark —as our people’s are— and mine were fairer than fair. The night of my birth, the Zephyr carved of white stone a rune; and the ringed stars of Ursa Major outshone the cool pale moon; and my grandfather, Morydd, the seer saw wheeling, a-gyre in the sky, a falcon with terrible yellow-gold eyes when falcons never fly. Legend has it that Zephyr was an ancestor of Merlin. In this poem, I suggest that Merlin may have been an albino, which might have led to seemingly outlandish claims that he had no father, due to radical physical differences between father and son. This would have also added to his appearance as a mystical figure. The reference to Ursa Major, the bear, ties the birth of Merlin to the future birth of Arthur, whose Welsh name (“Artos” or “Artur”) means “bear.” Morydd is a another possible ancestor of Merlin’s. Keywords/Tags: King Arthur, Arthurian, Merlin, round table, knights, England, chivalry, Camelot
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Apr 16, 2020
Apr 16, 2020 at 5:04 AM UTC
Merlyn, on His Birth
does nothingness have a reflection can it survive in the orange fog of today's kingdom the kingdom that once was so Camelot Brian Hill - 2020 # 57
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Feb 26, 2020
Feb 26, 2020 at 9:46 AM UTC
Camelot?
On the day he died King Arthur ordered his knights told them to prepare to fight and maybe even die; He was brave and so was Mordred who put a sword through his father, the once and future tyrant. At Camlann, the day was hot, yet so cold; the air was misty and the sea boiled; The trees tilted away looking scared and ashamed; The prophets were quiet, tight lipped, they sat up high, chain-smoking on the peace pipe. Mordred's head was pins-and-needles. He clawed at his sword in stress, looking at the opposite camp. He thought of his mother at Avalon, wondering if she'll bury him there or his father. What will he do upon arriving with heavy steps on the fields of Camlann? He feels lost. King Arthur was brandishing Excalibur, lost in thoughts of murderous sons and treacherous friends and cheating wives. He was reminiscing of his sister and the ***** secret that lay, all his shame, out in the open. “'Tis long overdue.” He pondered. Then came the hour, the minute, the second; On the plains of Camlann an ordinary soldier saw the heavens through the clouds, while the great knights were busy with bloodbath and sacrifice. He screamed with joy and terror as the swords clashed with each other. In the midst of the bloodthirsty, confused horde was Mordred, a ****** smile on his face and his ragged blade tore a gaping hole in his father's abdomen. As soon as he hit the floor, Lancelot came from beyond. He was too late; his king dead, his queen devastated, banished; she fled unwilling, but obediently. There was only one thing left to do; Lancelot knew well. So King Arthur met his end at Camlann and died with his son, Mordred. That was the day their lives ended; The lake Avalon took them in and swallowed their bodies whole; Lancelot watched the fire burn away. Nimue, at the bottom of the lake, broke the sword in half and wailed. The world got quiet and moved on, carrying the weight of forever lost Camelot.
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Feb 7, 2020
Feb 7, 2020 at 4:34 AM UTC
The End Days of Camelot
On the day he died King Arthur ordered his knights told them to prepare to fight and maybe even die; He was brave and so was Mordred who put a sword through his father, the once and future tyrant. At Camlann, the day was hot, yet so cold; the air was misty and the sea boiled; The trees tilted away looking scared and ashamed; The prophets were quiet, tight lipped, they sat up high, chain-smoking on the peace pipe. Mordred's head was pins-and-needles. He clawed at his sword in stress, looking at the opposite camp. He thought of his mother at Avalon, wondering if she'll bury him there or his father. What will he do upon arriving with heavy steps on the fields of Camlann? He feels lost. King Arthur was brandishing Excalibur, lost in thoughts of murderous sons and treacherous friends and cheating wives. He was reminiscing of his sister and the ***** secret that lay, all his shame, out in the open. “'Tis long overdue.” He pondered. Then came the hour, the minute, the second; On the plains of Camlann an ordinary soldier saw the heavens through the clouds, while the great knights were busy with bloodbath and sacrifice. He screamed with joy and terror as the swords clashed with each other. In the midst of the bloodthirsty, confused horde was Mordred, a ****** smile on his face and his ragged blade tore a gaping hole in his father's abdomen. As soon as he hit the floor, Lancelot came from beyond. He was too late; his king dead, his queen devastated, banished; she fled unwilling, but obediently. There was only one thing left to do; Lancelot knew well. So King Arthur met his end at Camlann and died with his son, Mordred. That was the day their lives ended; The lake Avalon took them in and swallowed their bodies whole; Lancelot watched the fire burn away. Nimue, at the bottom of the lake, broke the sword in half and wailed. The world got quiet and moved on, carrying the weight of forever lost Camelot.
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*Insane, insane what follows old This tragedy you're about to be told. Though we walk through the valley of the shadow of death, It is love that we most of all bequeath. Amongst green pastures grows a flowering field One not tainted by what this life yields. Somewhere in the withered forget-me-knots It lives long enough to be what it ought. A shining prince upon a silver steed Riding home to find that which was decreed. Nothing more than just a thought Of something born here in Camelot. Oh mastery of misery art thou my friend? Do we have so much to gather or defend? Send us upon this grievous plain To battle for all that must be regained. Oh ported soul of Arthur’s gallant lot Send to us the dear Sir Lancelot. He be the bravest of all hearts, His bravery known right from the start. He hast no legend braved in fear Doing the right by his lady Guinevere. Life deals us such a broken art Of a finger painted love here in Camelot. The quest be of ill fated charms Where love survives the coat of arms. To be so brave is to be a slave Fighting for the thing we crave. For no coat of arms can delay Love’s onslaught once on display. For to pour the grail back into the flask Would be to hold love as a captured task. For ‘tis love that captures all at last And nothing loved can truly pass. Though the lance laid silent Lover Lancelot His secret survives him here in Camelot.*
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Feb 5, 2018
Feb 5, 2018 at 10:28 PM UTC
Camelot
“Half sick of shadows,” cried the Lady of Shalott, half sick of darkness growing, doorways twisting, with faces grotesque on yellow wallpaper and speaking woe in whispers passed dream-thin through limbs and veins and minds because a window is a stop sign until opened, and locks are stitches sewing chapped lips tense as the web woven, intricate designs layered vibrant color on a lonely loom in a tower otherwise lightless, heavy with pressure, bearing down on the Lady of Shalott and her art-- made up in the image of Camelot.
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Aug 27, 2015
Aug 27, 2015 at 9:25 PM UTC
Shalott's Loom
A mythical reality of Presidents and Kings Oval Offices, Round Tables And the power each one brings A dream of unknown future Of what we wished to see A fictional creation Of life not meant to be Magical creations That lived just in our mind Families so cursed There's just remnants left behind A time of recollection Be it near or long ago A true tale of "what if?" That we all will never know Brothers dead, dreams vanished Future Princes of the Realm Plantagenet or Kennedy Which son will take the helm? A Mythical creation A place we want to see again Is there royalty in waiting? To be the leader of free men
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Mar 17, 2013
Mar 17, 2013 at 5:40 PM UTC
Camelot
Alone she weaves her tangled web Twisting, tying, all amiss and she sees not the darkened threads that twine about her wrists. A single light in a darkened room one window one mirror, little sight to the world outside her bower wall Blurred separation between day and night. Her head swirls with tangled threads forgotten thoughts and anguish low the monotony of a thousand days left to weave and wind and sew Sighs escape now from her lips those ruby lips, once known by kings now known to only lament and sobs for what she lost in love-lorn pining. "Faithless have I been, O father." she breathes at morning prayers as pearl beads slip through milk white hands and dust hangs about the air. When all is done, and mass is sung she retires to her cell once again to sew and weave her rich and long, sad, tale. First she finds the pale while thread and then she finds the blue And quickly, with her shaking hands weaves the face she once knew. She weaves the gown of green she wore on the fated wedding day and adds the flaxen hair he praised When laced with the flowers of May. At last she finds the golden thread, but pauses, silent, the room a mess she lays the golden spool aside and kneels before the long locked chest. With trembling hands, and gleaming eyes she lifts the lid, on the life she once had A rush of air and dust and mould and feeling, at once, joyful and sad. First she takes the bright blue gown and then she takes the green, finds the jewels her mother wore it's all where it should have been. Within the dusty corner dark, the twilight fading, sun going down she sees the gleam of gold once more and takes from the depths her golden crown. In the flickers of the candlelight the jewels they sparkle once again, And all the memories come rushing back From childhood days to the kingdom's end. Tears are falling from her eyes when again she takes the golden thread and reverently she weaves the crown upon the figure's head. At last she's cut the final string and takes a step back from the frame she sees her life before her eyes, and feels the tears come again. There Arthur stands, in kingly garb His soft eyes staring back at her and in his arms, her younger self, she remembers, how happy they once were. To her left stands Lancelot his shining armor gleaming bright his pleading gaze finds her again with the love that turned to blight. Between these two men she still stands Two heros, once in brotherhood bound She chose the Knight above absent King and three hearts were trampled into the ground. Memories swirl about her head as she takes the knife flashing flint, and drives the blade into the silk Till every thread once whole, lies rent.
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May 22, 2014
May 22, 2014 at 10:18 AM UTC
Guinevere
Alone she weaves her tangled web Twisting, tying, all amiss and she sees not the darkened threads that twine about her wrists. A single light in a darkened room one window one mirror, little sight to the world outside her bower wall Blurred separation between day and night. Her head swirls with tangled threads forgotten thoughts and anguish low the monotony of a thousand days left to weave and wind and sew Sighs escape now from her lips those ruby lips, once known by kings now known to only lament and sobs for what she lost in love-lorn pining. "Faithless have I been, O father." she breathes at morning prayers as pearl beads slip through milk white hands and dust hangs about the air. When all is done, and mass is sung she retires to her cell once again to sew and weave her rich and long, sad, tale. First she finds the pale while thread and then she finds the blue And quickly, with her shaking hands weaves the face she once knew. She weaves the gown of green she wore on the fated wedding day and adds the flaxen hair he praised When laced with the flowers of May. At last she finds the golden thread, but pauses, silent, the room a mess she lays the golden spool aside and kneels before the long locked chest. With trembling hands, and gleaming eyes she lifts the lid, on the life she once had A rush of air and dust and mould and feeling, at once, joyful and sad. First she takes the bright blue gown and then she takes the green, finds the jewels her mother wore it's all where it should have been. Within the dusty corner dark, the twilight fading, sun going down she sees the gleam of gold once more and takes from the depths her golden crown. In the flickers of the candlelight the jewels they sparkle once again, And all the memories come rushing back From childhood days to the kingdom's end. Tears are falling from her eyes when again she takes the golden thread and reverently she weaves the crown upon the figure's head. At last she's cut the final string and takes a step back from the frame she sees her life before her eyes, and feels the tears come again. There Arthur stands, in kingly garb His soft eyes staring back at her and in his arms, her younger self, she remembers, how happy they once were. To her left stands Lancelot his shining armor gleaming bright his pleading gaze finds her again with the love that turned to blight. Between these two men she still stands Two heros, once in brotherhood bound She chose the Knight above absent King and three hearts were trampled into the ground. Memories swirl about her head as she takes the knife flashing flint, and drives the blade into the silk Till every thread once whole, lies rent.
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