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I want my name tattooed on your lips
stars tattooed across my back
my name to be a star
I want you to hold me on your tongue
to leave stars in your hair
when I run my fingers through
I want you so bad it’s driving me mad
playing on our radio
I want your lips so bad on my stars
-want stars when you taste me
your fingers to ******* tattoos
the stars to taste our fingers
when they wander through our lips
I want our fingers touching lips
by the stars that bathe our tattooed names
in the music of the madness twixt our hips
I want our ink all over our skin
A stellar map to lead us in
In anticipation of the too-few precious hours in tandem, we divulged our carnal cravings at each others’ hands, but omitted fragments, saving them for some other day, finding them too truthful.

When you hold your body to mine, as you have told me you will, I want a flurry of colored breath, peach and magentas and crimsons slipping translucently from every part of me and wafting in and out and between us like a graceful fog, and not just the force of fingers that have waited too long to touch, but the electrostatic brushes of life’s restlessness falling slowly into their own gravity as we learn to trust the moment.

Our lips are full of nerves and that is why a kiss is so much more than symbolic. I placed my lips to the skin of an orange and I was met with the sensuality of the whole terrain of this world. Intimacy then, is the slow press that reassures humanity – the invitation into a world with no walls – the rush of blood that comes from being completely receptive – that is the kiss I want with your soul.

After all the epochs of lovers, these are all the same words, but they are lanterns bouncing across the plains and sparking anew in the way that the naive are always entranced by the lighter in their hand when they first learn how to light a cigarette, elated and dizzy from the *****. Twinkling.

Sometimes all it takes is a breath and I am light and wind and red paper confetti and the moon and a golden orb that turns all it touches into a shining constancy of what’s called love – and I visit your heart knowing that you can’t tell it’s me, and then I must leave– and I know that I was not in my body, but that it must have kept existing while I was gone because I always wake up in tears, and someone had to cry them.

Conventionality dies between us and there are no titles or promises to speak of. I once found security in labels, only to find that they leave no room for the inevitable growth and weathering of time. So I ask little of you – only that you are always true with me, and that you occasionally put your hand in mine.
Play "Your Hand in Mine" by Explosions In the Sky.
http://www.youtube.com/watch?v=JzIK5FaC38w
Inspired by that.
Infatuation.
It’s a girthy, 5-syllable word and you’re
In a fat, juicy, situation.

It’s a swollen, darkened fruit
That begs to be taken completely,
Flesh devoured entirely.

But it’s a trap.

The sweet and tangy blood of it
That dribbles down your chin
To your neck
To your *******
To your heart
To your stomach
To your hips
To your groin
To your ***
Down your thighs
To your nervous toes
Is not love.

Nobody wants to hear that.

But some day
- If you are incredibly lucky -
You will look at your maroon-stained palms
And the dry, sticky rivers of years running down your wrists
And laugh until you cry when you realize
That you could wash your whole body
Because love is not in the juice.

It is not your addiction,
Your summer picking,
Your hungry belly,
Your well of adrenaline,
Your rushing of heartbeats,
Your tangling of bodies,
Your jealousy, yearning,
Nor pride.

If you are incredibly lucky
You will suddenly know love.
As silent, simple, and strong
As the fabric of the universe itself.
The days that are most full are the days spent pretending we weren’t waiting.
Our organs churn like machines producing twice their expected amount
Of free-flowing adrenaline, which we give a task to circle, rather than the drain
Of lonely, gut-wrenching “what-if-tomorrows”.

There’s the waking struggle of swinging your feet from your bed and testing your floor
And hearing a scream bubbling forth from the lethe, tickling at the daybreak,
And knowing that you must wrestle, mash, and toast it into a tasty breakfast morsel
Lest it overwhelm the dawn with restless shadows.

We drag the lengthy hours through the mud, fatiguing their thread, living mercilessly
Until they no longer resemble time, but immeasurable intangible everythings.
There can be no counting of patchwork days, only the art of making them count
What a productive little distraction, so I can pretend that I’m not waiting.
How relative is time
That when I have an address
Of where to send my thoughts
I may march through the days
With my coveted "tasks" of penship
Fulfilled
Yet when I lack this focal point
And fumble into doorless walls
Each dizzy cell zips about
With not a patient comfort, all
Panicked
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