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Stephanie Keer Jun 2012
I was near you today, if only for a moment.

And today I felt the wrinkles of worn fingers slide slowly across my heart
as a chest swelled faster than the lake we sit by while the rain pours down.
I have seen the soft curve of a shoulder falling slowly like snow on the calmest winter day,
and give way to embracing arms that bend like roads in the rolling hills at sunset.
The horizon is lovely.
I have seen wind kiss pink onto cheeks and blush as it runs away
and escapes through hair sitting, flowing down a broadened back.
I heard a song as a soul danced sweetly behind a smile,
each curve in each lip spilling music so serene.
And sunlight dancing with the colors of skin glowing brightly,
each scar sharing stories, each freckle a divine masterpiece crafted
slowly, delicately, and put quietly into place.
I felt a glow as calm as summer twilight, lit up with fireflies shining from each pore.
I felt a love that felt like home

I was near you today, if only for a moment.
A quick little piece, inspired by someone close to me.
Stephanie Keer Jun 2012
One day I will have a home
with a wrap-around porch for wrap-around arms and wrap-around lips
squeezing slightly and whispering words so sweet like flower petals
riding the wind until they get caught in your hair.
I want to be there, this home where tongues flow free
spilling words as swift and gentle as the water in the stream
rolling downhill in the yard.
This home will boast open windows like open minds,
the warm sun-lit invitation of an open curtain found around every corner.
This home will breathe with the wind, and grow with the rain.

One day I will have a home
and I want it to call me its own.
This short piece was written after thinking about and discussing my future, concerning both the type of house I would like to live in and raise a family in, as well as the emotional environment that I would like my future family to have.
Stephanie Keer Jun 2012
the red-brown color of this rock reminded me of you as
the rapids pushed cool air onto my damp skin.
the trees here remind me of a jungle.
    i would be jane, you tarzan…or
       the other way around?


i can’t tell today, it’s been that long since i’ve seen you.
This was one of the very first poems I wrote, it was probably written in 2009? 2010? Anyway, it was written while relaxing by a familiar river, reminiscing about persons I hadn't seen in a long time.
Stephanie Keer Jun 2012
I think that I'd be good for you, and you'd be good for me.
I think that we compliment each other,
we contrast in a way that makes our opposites vivid
and melt in a way that makes our similarities swirl together.
Our minds are both high, floating and realizing the depths of the universe, but
the strings tied from our minds to the core of the Earth have not been broken yet.
I feel things in a way that you comprehend, and
our broken pieces fit together like a puzzle, intricate and sweet.
The sight of your body starts a fire, the hot flames grazing my skin,
turning me red but never burning.
I think that I'd be good for you, and you'd be good for me,
because even though you have your woes, and I have my secrets,
we'd be happy.
I'd make you smile, you'd make me laugh. And
we would fall asleep under the night sky, watching the cosmos swirl and flicker,
comparing the sight to emotions in our hearts.
A simple little poem, expressing my thoughts on a current love interest.
Stephanie Keer Jun 2012
He told me to say what comes to mind. So, I sat back and thought for a second. Then I started to talk. I started going and flowing and spinning this spoken jam like a DJ packed with style and fire but the words were still cool in my throat like menthol. I could taste them on my lips, they were smooth as they slid together and I sealed each phrase with a kiss. Each word brought to me this surreal sensation like when you sing for the moment, when you sing of the delirious beauty of a laugh or a friend or the shine of someone in love.

It was you that came to mind. You that made my words soar as you make my heart pound and my mouth smile and my soul grow and grow until my body couldn’t possibly hold it anymore. I had to let it out, through my fingers and my toes and through these words, these words that are still bursting from my tongue, heavy enough that I feel them crunching on my vocal chords. I spoke fast about you and I still felt the tingle in my bones, but as my voice droned on the words turned sour on my tongue, they left a bad taste in the back of my throat. I didn’t notice though, I only noticed how my skin felt like it could melt off my bones at the sight of your smile that was hot as the sun. The words run past my teeth, not letting themselves linger inside my cheeks long enough to recognize that taste. I spoke as I sat in that chair, wringing my hands and wondering if this was really the right thing to do.

I haven’t seen you, and it’ll be a while till I do. This time I feel the bittersweet taste coating my tongue and pulling on my mind like a child trying to get mom’s attention. I’ll just ignore it though, because the thought of you still burns that light inside my soul, the one you said you saw that night in February on Marlow Street. It’s June already, and a realization tries to hide behind my eyes, but I know that as long as I keep speaking my mind, I’ll talk about you till the day I die.
This piece, like most of mine, was written as a spoken-word poem. The inspiration for this piece came from a strained relationship with a friend that lasted quite a few years, and then suddenly ended.
Stephanie Keer Jun 2012
I lay in my bed with my pillows and blankets wrapped around me like a cocoon, the heater keeping the air at a warm-enough 66 degrees as this roof sits over my head and the walls circle around me keeping the snow out, and I say 'When is it my time?'. I lay in my bed with my light on and it illuminates the shadows and I see just outside my door, the kitchen, with a fridge full to the brim with food and drink and running water in the sink and an oven to cook out all the bacteria from my food so that I can eat, and I say 'When is it my time?'. I lay in my bed and outside my window I see a car, my link to the outside world, this pristine-filled with gas-driving machine that takes me to work and school so I can live my dream, and I say, 'When is it my time'?. I lay in my bed, and I forget for a moment, about every other living person out there, those that I know and those that I don't. Those without homes. Those without stoves, those without soles in their shoes. Those like me and those like you.

Those who were given a chance, those who were given a smack when they messed up daddy's dinner that they didn't even know how to make. Those who take from the stores what they need but can't afford cause they ain't had a job in a year cause no one wants a ***** off the street like you. Those who take from the poor. Those who are pumping your gas cause they couldn't pass a standardized test or make it to class. Those without a chance, and those without a choice or a voice of their own, who are given drugs and guns, and are told that 'man, if you wanna make it out here, you're gonna have to learn to ****'. Those who cry at night, cause even if they try with all their might, they're still given such a fright by their spouse that they can't just walk out. Those that are old. Those that are told 'you'll be doing a great service to your country son', and then they're given a gun and taught to **** against their will and have to come home ill cause they don't understand what they have done. Those with sons and daughters that they can't feed, that they beat cause 'that's what my daddy used to do to me, you see?'. Those with feet that aren't covered in shoes. Those who lose, and those with ***** filling the bottles they clutch in their hand cause they can’t stand the cold no more and the juice keeps them a little warm as the snow comes down on the bench where they’ll be sleeping tonight. Those who die, cause they were so desperate to fly away from here that they put a little too much in the needle this time. Those who lie just to try and get by. Those who were seeking affection but were lacking direction and therefore were lacking protection and then had those three choices and had to make a selection. Those who were striving for perfection but instead were driven to intravenous injection and every morning have to watch their own resurrection cause they’re sure a part of them died the night before. Those who are sore when they walk in the door after working 13 hours and they still have to cook dinner and put the kids to bed and there’s still that pile of laundry. Those who’ll smile cause they hope that things will be better, just in a little while. Those that are tired, and those who are trying. Those who are living. Those who are dying.

I lay in my bed and I forget about them, I ignore them till they go away and I say, as I look at my stuff and decide it's not enough and I say, with this dollar in my pocket and plastic in my wallet and I say, as I lay in my warm bed with no ache in my head and I say, 'When is it my time to finally have something go right?'.
This piece was written as a spoken-word poem, and has been presented so far in that fashion. Although I do enjoy it better when it's presented as spoken-word, when read I believe the message is still put across well. The poem was inspired by the novel "Last Exit to Brooklyn" by Hubert Selby Jr., as well as conversations involving privilege and oppression through a feminist lens. Some of the topics discussed in the piece can be difficult to read for some individuals.

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