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st64 Apr 2014
dive.. dive..
dive*


1.
I am eating fog on this pre-dawn bridge
an overcoat of no particular mood
     keeping intact considered-sincerity of warmth
     inhaling air tight with thin droplets
the c-cold of someone's click-clack in the distance
only an echo of studious-oblivion
glancing over the rail as the water swirls, dense

the silent hum of a slow-passing vehicle
windows darkly stare
I wonder who'd possibly be passing by here
and would they be connecting with that swirl, too


2.
there must be a walrus under there
         (shrinking-violet, that it is)
its projections long and probably needing plumbs
the departing fingers of night gnaw
attempt to steal what little shelters here
consent delayed by vertical-curses in bloom
and I'm thinking of a cat I used to have
who certainly didn't favour water

protests become latent-airborne, take off
as screeching squawks swoop by
hungry heartbeats gurgle, drip valiant
station within view.. phew, made it!



an accordion starts to play..
an elegy fit
for a dive.







st64, 3 April 2014
lovely weather these days.



sub-entry: goad-change

nothing like lifting the lid
insects swarm
sun exposing
giving rays

(thanks forever.. for all the help)

change is so good
change is healthy
what a goad-change!
st64 Mar 2014
plea of oddities: bring the tinkling back
its bell lies silent


1.
Existing (not entirely) alone
entertaining itself with nightmares witnessed from long ago
It waited and waited
until the neighbour-orb grew to a level sophisticated enough
to house that lovely assortment of fine specimens.. of females
       that flock of dusted-crystals so long dreamt of
       that mould of sensibility, that plug of warmth
       that banner of softness
which all mirrored the opposite of their ways


2.
they fled in quiet-rebellion from inhospitable hands of the boor-males
altogether, in a ship.. down into the bowels of their breaking planet
subtleties long abandoned by the barbed-wire handling of  rough hands
these gentles could take no more and *uncoupled
themselves for good
burning, like the bridges behind them
               they disconnected and slid into a nether-sphere

When the males woke in stupor to find them gone
                 they flipped and fed in anger
and with access to goodness gone and unplaced voracious appetites
It decided to encase them.. in a giant glass-jar, preserving them in ire
until the time was right.. like a tea awaiting perfect steeping
In stasis, they remained for what seemed aeons
the glass-jar which held this army of men, was reduced
became small, like a coin.. which Foog summarily swallowed
and waited . . .  


3.
The sun turned its face in blank-horror of severe sights
                                                               splayed across the surface
forests shrank to toothpicks and died
         blue seas curled and dried
                                 meadows melted to greyish slush
every flying creature lost gravity and got ****** away, too high..
                                                        into harsh deafening-holes
when the tall sentries of oxygen.. twisted and became wiry-distorted
the sky sank and folding itself up.. hid in a black corner
                               behind the crumbling mountains

Foog hid beneath a crater made of ice, on the dark side of said planet
and once every millennium
        it felt the colliding-smack of a passing planetessimal
and it swore that somewhere, somehow..
        that punishment awaited new life

So, it shut its senses to the bay of life
       while hankering viciously for the scream of warm blood
The bell-jar inside, silent and
                        also somehow.. obscenely waiting in its oblivion



4.
Then, came Earth spinning round in flourish.. oh, the day on hand
Yet, veryyyyy far away.. an eye slowly opened
                      / /  roused by the smell of fressshhh life . . . / /



5.
A popping sound and the bell-jar was birthed from a slit on its forehead
It looked nearly quizzically at this odd creation beneath the silent-glass
this assortment of creatures trapped in the folly of Foog:
                                                                ­     oh, shall I, or not?
A cosmic joke, almost.. with so few revisions
The lid lifted and with proportion righted once more..
                                they came, oozing out in droves
Roaring from their milleniac-slumber,
                               crazed in half-remembered wounds
But alive with burning-purpose - - to find the equivalent
of
those soft-crystals

To melt the iron.. inside.



(unsolicited but self-warranted visitations:
camouflaged abductions.. secret prodding..
subtlety re-learnt.. poverty rehashed..
Fugue in a glass bell-jar.. unleashed)  



But alas, when sweet-sounds are closed again
see at whose smart-hands calamity befalls Life
Yet.. who are ultimately the ones
picking up the pieces after devastation wrought?





st, 27 march 2014
woke from nightmare.. to find this on my waking-plate.


sub-entry: day to dawn

It came in a dream.. and told me so
a day to dawn
for reckoning.
st64 Mar 2014
I learnt to tie my shoes
I learnt to ride my bike
I learnt to smoke
I learnt the vulnerability of fully exposing an idea
I learnt to tie my shoes
I learnt to adapt my behavior in the light of others' actions.
I learnt the difficulty of sustaining the hopes of youth.

I remember a French girl with an English name.
'Leave me now, return tonight,' she told me every morning, and I did.

I remember an English girl with an French name.
We were the circle that no one could break, or so I thought.


Yesterday I was there.
Today I am here.
The two are light years apart.

I dance with a friend,
holding her hand realize,
how disconnected I have become,
from the simple beauty of touch.


I return and sense,
that things are not the same as before,
but feel had I stayed,
everything would likely seem the same.


Your words touch me.
Your thoughts excite me.
I want to try all that.
Explore everything with you.



Alone.
All one.


If and but and maybe and whatever.
I hate those words.


Everything doesn't have to be perfect.
To idealize is also a form of suffering.

                          
                                             ------ by Julian Hibbard



st...26 march 2014
Julian Hibbard is an English-born fine art photographer.

His enigmatic, award winning images have been exhibited in London, New York, Los Angeles, Scotland, Santiago de Chile and at the prestigious Fundación RAC Gallery in Spain.

Editorial assignments and profiles include: Afterimage, Fascineshion.com, Surface Magazine, Elle, Label, Dpict, Victor by Hasselblad, Wallpaper, The Huffington Post, Observor Life, Popular Mechanics, Honey, Blink, Pictured, Spin, Antenna, The New York Times Style Magazine, Sony Music and Bliss Lau.

His first book, "The Noir A-Z", a visual alphabet to accompany dominant terms from the noir universe, was published in 2009.

A second title - "Schematics: A Love Story" - a diagrammatical mapping of love, loss, time and memory, was released in December 2011.
st64 Mar 2014
When the night wind makes the pine trees creak
And the pale clouds glide across the dark sky,
Go out my child, go out and seek
Your soul: The Eternal I.


For all the grasses rustling at your feet
And every flaming star that glitters high
Above you, close up and meet
In you: The Eternal I.



Yes, my child, go out into the world; walk slow
And silent, comprehending all, and by and by
Your soul, the Universe, will know
Itself: the Eternal I.
Dame Jane Morris Goodall, DBE (born Valerie Jane Morris-Goodall on 3 April 1934) is a British primatologist, ethologist, anthropologist, and UN Messenger of Peace.
Considered to be the world's foremost expert on chimpanzees, Goodall is best known for her 45-year study of social and family interactions of wild chimpanzees in Gombe Stream National Park, Tanzania.
She is the founder of the Jane Goodall Institute and the Roots & Shoots program, and she has worked extensively on conservation and animal welfare issues. She has served on the board of the Nonhuman Rights Project since its founding in 1996.

Goodall is the former president of Advocates for Animals, an organization based in Edinburgh, Scotland, that campaigns against the use of animals in medical research, zoos, farming and sport.

Goodall is a devoted vegetarian and advocates the diet for ethical, environmental, and health reasons. In The Inner World of Farm Animals, Goodall writes that farm animals are "far more aware and intelligent than we ever imagined and, despite having been bred as domestic slaves, they are individual beings in their own right. As such, they deserve our respect. And our help. Who will plead for them if we are silent?”
Goodall has also said, “Thousands of people who say they 'love' animals sit down once or twice a day to enjoy the flesh of creatures who have been treated so with little respect and kindness just to make more meat."

In April 2008, Goodall gave a lecture entitled "Reason for Hope" at the University of San Diego's Joan B. Kroc Institute for Peace & Justice Distinguished Lecture Series.
st64 Mar 2014
“The *** or ethereal soul is associated with the Liver System, and is the aspect of consciousness that continues to exist—in more subtle realms—even after the death of the body.”*

When *** walks, I walk. When he wanders, untethered, I go with him. With her. My eyes close, and ***’s will be wide. He leads the way.
She leads me, away from my bed to stand at window, which I open.

*** will lift the sash so I can lean out over the street where someone is screaming.
Always screaming.
Known to walk after the body dies, *** is roused by this call.
But the chill, the smell of the distant river, wakes me. And *** retreats.

I’ve been told to put bells on my window so I will wake when it’s opened. When I open it.
The bells of the Cathedral ring in the dark hours of all this animation: wandering spirit of my organs, custodial ghost of my art.
He wants me grounded. She wants me flown.

I am here, I tell him—her: not lost. Aloft.
A-sleep or awake, I am led, leashed, walking in the wake of our odd arrangement.

                                               -- by Nathaniel Bellows





st.. 25 march 2014
American author of "On this Day" a well-received first novel, published in February 2003.

The son of a physician, he chose instead the artistic path. He began his career as a visual artist and had his poems published in prestigious literary magazines before his work of fiction was published.
st64 Mar 2014
Upon this beautiful web of lies
I sleep and rest my head
Unbeknownst to all the others
That the me they knew is dead
He died nearly five years ago
In the exact spot that I lay
And the last words he uttered were
I shall find peace upon this day

Vasto Grom
st64 Mar 2014
journey slow
and so we go

donkey carriage over cobblestone
cool morning air, crisp in purpose

head-cap on driver, huddling on whip
daisies on open field, bright faces up

sky still closed ere the eye of dawn
hot perils on heels towards that spot

baker shakes apron.. tiny particles
chemistry bursts into a rolling sun

I swear it feels familiar
have you been here before?
only wish I could recall
what comes next..*

(hark.. nematoblast-pain!)

but how can one remember that
which....?


st - 22 march 2014
never mind.. need to go away.
just.. thank heavens for nature.
face of daisy, petals fall...... head of daisy, full of seeds :)






sub-entrée: paisley-town

I dream of a town
I must've been before
once, so long ago

my feet carry me places
they don't feel strange
I must've been here

this town with faceless owl-calls
sends contours, hoots my name
in a tongue my cells ken poorly

I forget of centuries we shared
they melted into many an hour
you're so beautiful to me.. always

a sweeping maze floors me and then, it
opens up a begging-corridor downward
I follow crumbs left by your residual-fire

onto another level
another level of you
to discover well-hid..

sweet.. I can't wait to feel wordless
keep all the paisley-riddles high
slide your repertoire in my pocket

you twist my synapse into knots
and turn me outside of galaxies
and I reel away.. floating until..

your next coming
on a wave so wild
ruddy implosion

my hands grip your ankles, um tight
releasing milk into your svelte way
torn effortless open, redirected sun
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