he imagines
he has carpal tunnel
from channel surfing;
reruns,
his greatest
weapon against
insomnia

the ficus, the
philodendron
she left
(with half
the wedding
china)
are taking
an eternity
to die

a fortnight
without a teaspoon
of water would
wilt the most
hardy specimens
of their kingdom

perhaps she
bequeathed him
cacti in
disguise

he asks
if they are
what they
appear to be:
leafy indoor
greenery

or prickly
survivors
that grow
only where
all things
are venomous
or have thorns

they swear
they are not
botanical
imposters

liars

he turns up
the volume
on his flat screen
to drown out
the mendacity
of flora

the fauna,  
after all,
were not
to be trusted
either

she sits by her window to write,
ever fond of the morning light;
not a day passes when she fails
to pen an epistle to him

she envisions him pulling
the missives from his saddle bags
perusing them a second time, a third,
admiring her chancery cursive

a year now since she saw him:
steady on his steed, his regiment
waiting, eager to join the fray, to ride
north under his proud command

perhaps at eventide, she will
write another letter, in case she
forgot anything she intended to say
this morn, or just to reach out again
before the setting of the sun

a cloud passes as she signs
her name, another as she folds
the paper; soon it seems, a gathering
storm--she places the letter in the
envelope, its traveling home

she turns the candle to pour
the wax, then presses the seal;
another story from her to him
ready for its long journey

the stroll from her room
to the mantel in the parlor
to the pile of paper that grows
higher above the hearth

a cold cavern of late, for
without him, she eschews all
things warm--for she knows
he must be freezing in the
cruel ground where he fell

(Spartanburg, South Carolina, Winter, 1863)

I looked into his eyes
not knowing if he had
a reciprocal vision

no doubt he smelled me; his
sense of scent more developed than
we sluggish two legged beasts

for each step I took
back, he took one forward, our
synchronized death dance

if by chance, I survived
my feckless faith would not
be revived

after all, I had a shotgun
pointed at his noble chest; without
my terrible tool of modernity
I would be his feral feast

when my deed was done
and this creature was supine,
desecrated by the fearful squeeze
of my finger

which God would I thank?
the one man wrote into existence
to allay all mortal fears

or the one I believe carved
canyons from stone, the one who
knew river life was flowing in
every newborn raven's heart

from which one should I dread
retribution for such a profane act?
which would punish me for the slaughter,
the scarlet blood in the pure white snow?

both--both would have seen,
both would have known, the tyranny
of evil men--me, all my brothers cast from
Eden--such a ******* of stardust

on the trail today,
I thought of something
I wanted to say

I told myself
I would remember, but
nothing's there

perhaps I wanted
to mention I had seen
a dozen bikes

peddlers whizzing by under 
cloudless sky, with no whipping
winds to ****** them

where the prairie's rude
riding gusts were hiding,
I do not claim to know

wherever they chose to go
their sabbatical left surface
waters calm, blue

but that's not what I had to
tell you--tales of cyclists unperturbed
by a stiff breeze

i said i wouldn't forget
and yet, here I am rambling,
scrambling to recall

what inspired me most
of all: not nascent blossoms or
butterfly wings, of all things

but the absence of an invisible
symphony, a silenced howling from
the sky's spectral lungs

i said i wouldn't forget; tomorrow
surely the winds will blow, and I will
catch whatever they meant to say

***** and he
make their way
across the stretch
of sand

behind them,
the hard rock land
of memory

the crustaceans
will return--the tides
their clock

not he;
this march
is his last,
waves will
swallow him
gag him

while he briefly
forgets his purpose  
and clings to
this world;

soon though,
his lungs with fill
he will sink
to depths:

a blue burial,
a seaweed symphony
his dirge

the ***** return,
but not he--the ebb and flood
of waters no longer
his province

(poem's image: https://www.facebook.com/photo.php?fbid=1174175556043500&set;=a.102525519875181.1742.100003531994461&type;=3&theater;¬if;t=like¬if;id=14914495906541620

gold, round
it has felt a thousand hands
in sixty years

tomorrow it will be
replaced, the dead door
along with it

the old brass globe
knows nothing of gentrification;
its desecration of memory:

the carpenter who bore its hole
the first child to turn the **** to play;
the last man to yank it in anger

when he felt the bowels of defeat,
the bane of bankruptcy--the effluent epiphany
of eviction

how many tales began with
the spinning of the circle, the opening
of the door, letting in the light

tomorrow, and tomorrow, the door,
the handle, will rest in the landfill, the
graveyard of myriad doorknobs

all with their own stories of auspicious
beginnings, mysterious twists and turns--
plots thickened by the hands of time

coyote yelping helps;
the winds, too, distract him
from the now

the Comanche who
put the arrow in his back
lays beside him

gone before him;
that is condign comfort
to him

he cannot speak, nor move
his tongue, but he smells the
*****, the creosote

he sees the clouds,
stingy white whiffs in a hot
summer sky

as good a day to die
as any he reckons, and
he feels no pain

again the yelping,
closer now -- are they talking
about him?

will they beat the buzzards
to his body? would they begin their
feast while his eyes are yet open?

he closes them; the flapping of
the wings does not arouse him--he
knows they are on the Comanche

beaks and talons at work
he lets himself drift, content the
vultures are choosing the dead

but they fly off; the coyote pack
approaches--the pads of their paws
patter on the hard caliche

he lets himself sleep
dreaming now of sweet green grass
and good water

and the coyotes begin their work:
the ***** and he now a solitary offering
for the ravenous dogs